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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF036 it is the complementary color #620FC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF036. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF036 shade: #A2F031, #B3FF44, #C4FF57, #D5FF6A and #E6FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF036. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF036 shade: #9DF036, #8CDE23, #7BCC10, #6ABA00 and #59A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF036 shade: #9EF038, #CFF038, #F0DF38, #F0AD38 and #F07B38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF036 shade: #9EF038, #6CF038, #3AF038, #38F067 and #38F098

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF036 shade matches the following richer shades: #9EF038

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF036 shade: #9EF038, #9CDF49, #9ACD5A, #98BC6C and #96AB7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF036 shade: #F0DE38, #D1F038, #A0F038, #6FF038 and #3EF038

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF036 shade: #75C60F, #8BED12, #9EF038, #B1F35E and #C3F685

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF036 shade: #9DF036, #38F0AC and #F038EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF036 shade: #9DF036, #38A0F0 and #F038A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF036 shade: #9DF036, #38F0AC, #8838F0 and #F0387B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF036 shade: #9DF036, #38F0E4, #8838F0 and #F03844

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 78 / 6

HEX #9DF036

RGB 157 240 54

HSL 86.77, 0.86%, 0.58%

LAB 86.88, -51.64, 75.14

 

Complementary color

CMYK 51 / 93 / 0 / 21

HEX #620FC9

RGB 98 15 201

HSL 266.77, 0.86%, 0.42%

LAB 32.16, 67.06, -77.03

 

CMYK 33 / 0 / 80 / 6

HEX #A2F031

RGB 162 240 49

HSL 84.5, 0.86%, 0.57%

LAB 87.11, -50.12, 76.82

 

CMYK 30 / 0 / 73 / 0

HEX #B3FF44

RGB 179 255 68

HSL 84.39, 1%, 0.63%

LAB 92.36, -49.43, 76.49

 

CMYK 23 / 0 / 66 / 0

HEX #C4FF57

RGB 196 255 87

HSL 81.07, 1%, 0.67%

LAB 93.43, -42.16, 71.23

 

CMYK 16 / 0 / 58 / 0

HEX #D5FF6A

RGB 213 255 106

HSL 76.91, 1%, 0.71%

LAB 94.61, -34.46, 65.21

 

CMYK 10 / 0 / 51 / 0

HEX #E6FF7D

RGB 230 255 125

HSL 71.54, 1%, 0.75%

LAB 95.92, -26.44, 58.71

 

CMYK 35 / 0 / 78 / 6

HEX #9DF036

RGB 157 240 54

HSL 86.77, 0.86%, 0.58%

LAB 86.88, -51.64, 75.14

 

CMYK 37 / 0 / 84 / 13

HEX #8CDE23

RGB 140 222 35

HSL 86.31, 0.74%, 0.5%

LAB 80.71, -50.96, 74.12

 

CMYK 40 / 0 / 92 / 20

HEX #7BCC10

RGB 123 204 16

HSL 85.85, 0.85%, 0.43%

LAB 74.47, -50.06, 71.96

 

CMYK 43 / 0 / 100 / 27

HEX #6ABA00

RGB 106 186 0

HSL 85.81, 1%, 0.36%

LAB 68.15, -48.9, 68.44

 

CMYK 47 / 0 / 100 / 34

HEX #59A800

RGB 89 168 0

HSL 88.21, 1%, 0.33%

LAB 61.77, -47.41, 63.13

 

CMYK 34 / 0 / 77 / 6

HEX #9EF038

RGB 158 240 56

HSL 86.74, 0.86%, 0.58%

LAB 86.94, -51.2, 74.63

 

CMYK 14 / 0 / 77 / 6

HEX #CFF038

RGB 207 240 56

HSL 70.76, 0.86%, 0.58%

LAB 89.8, -32.9, 78.32

 

CMYK 0 / 7 / 77 / 6

HEX #F0DF38

RGB 240 223 56

HSL 54.46, 0.86%, 0.58%

LAB 87.77, -11.24, 77.4

 

CMYK 0 / 28 / 77 / 6

HEX #F0AD38

RGB 240 173 56

HSL 38.15, 0.86%, 0.58%

LAB 75.26, 14.49, 65.86

 

CMYK 0 / 49 / 77 / 6

HEX #F07B38

RGB 240 123 56

HSL 21.85, 0.86%, 0.58%

LAB 64.14, 40.56, 55.11

 

CMYK 34 / 0 / 77 / 6

HEX #9EF038

RGB 158 240 56

HSL 86.74, 0.86%, 0.58%

LAB 86.94, -51.2, 74.63

 

CMYK 55 / 0 / 77 / 6

HEX #6CF038

RGB 108 240 56

HSL 103.04, 0.86%, 0.58%

LAB 84.89, -66.35, 71.97

 

CMYK 76 / 0 / 77 / 6

HEX #3AF038

RGB 58 240 56

HSL 119.35, 0.86%, 0.58%

LAB 83.71, -76.17, 70.42

 

CMYK 77 / 0 / 57 / 6

HEX #38F067

RGB 56 240 103

HSL 135.33, 0.86%, 0.58%

LAB 84.04, -72, 52.76

 

CMYK 77 / 0 / 37 / 6

HEX #38F098

RGB 56 240 152

HSL 151.3, 0.86%, 0.58%

LAB 84.7, -64.25, 30.02

 

CMYK 34 / 0 / 77 / 6

HEX #9EF038

RGB 158 240 56

HSL 86.74, 0.86%, 0.58%

LAB 86.94, -51.2, 74.63

 

CMYK 34 / 0 / 77 / 6

HEX #9EF038

RGB 158 240 56

HSL 86.74, 0.86%, 0.58%

LAB 86.94, -51.2, 74.63

 

CMYK 30 / 0 / 67 / 13

HEX #9CDF49

RGB 156 223 73

HSL 86.8, 0.7%, 0.58%

LAB 82.01, -43.76, 63.96

 

CMYK 25 / 0 / 56 / 20

HEX #9ACD5A

RGB 154 205 90

HSL 86.61, 0.53%, 0.58%

LAB 76.84, -35.09, 51.09

 

CMYK 19 / 0 / 43 / 26

HEX #98BC6C

RGB 152 188 108

HSL 87, 0.37%, 0.58%

LAB 72.04, -25.82, 36.51

 

CMYK 12 / 0 / 27 / 33

HEX #96AB7D

RGB 150 171 125

HSL 87.39, 0.21%, 0.58%

LAB 67.34, -15.66, 21.34

 

CMYK 0 / 8 / 77 / 6

HEX #F0DE38

RGB 240 222 56

HSL 54.13, 0.86%, 0.58%

LAB 87.51, -10.75, 77.17

 

CMYK 13 / 0 / 77 / 6

HEX #D1F038

RGB 209 240 56

HSL 70.11, 0.86%, 0.58%

LAB 89.93, -32.1, 78.49

 

CMYK 33 / 0 / 77 / 6

HEX #A0F038

RGB 160 240 56

HSL 86.09, 0.86%, 0.58%

LAB 87.04, -50.5, 74.76

 

CMYK 54 / 0 / 77 / 6

HEX #6FF038

RGB 111 240 56

HSL 102.07, 0.86%, 0.58%

LAB 84.99, -65.57, 72.1

 

CMYK 74 / 0 / 77 / 6

HEX #3EF038

RGB 62 240 56

HSL 118.04, 0.86%, 0.58%

LAB 83.77, -75.6, 70.51

 

CMYK 41 / 0 / 92 / 22

HEX #75C60F

RGB 117 198 15

HSL 86.56, 0.86%, 0.42%

LAB 72.37, -49.72, 70.26

 

CMYK 41 / 0 / 92 / 7

HEX #8BED12

RGB 139 237 18

HSL 86.85, 0.86%, 0.5%

LAB 85.05, -57.63, 80.6

 

CMYK 34 / 0 / 77 / 6

HEX #9EF038

RGB 158 240 56

HSL 86.74, 0.86%, 0.58%

LAB 86.94, -51.2, 74.63

 

CMYK 27 / 0 / 61 / 5

HEX #B1F35E

RGB 177 243 94

HSL 86.58, 0.86%, 0.66%

LAB 89.04, -43.31, 63.45

 

CMYK 21 / 0 / 46 / 4

HEX #C3F685

RGB 195 246 133

HSL 87.08, 0.86%, 0.74%

LAB 91.33, -34.43, 48.92

 

CMYK 35 / 0 / 78 / 6

HEX #9DF036

RGB 157 240 54

HSL 86.77, 0.86%, 0.58%

LAB 86.88, -51.64, 75.14

 

CMYK 77 / 0 / 28 / 6

HEX #38F0AC

RGB 56 240 172

HSL 157.83, 0.86%, 0.58%

LAB 85.07, -60.2, 20.29

 

CMYK 0 / 77 / 3 / 6

HEX #F038EA

RGB 240 56 234

HSL 301.96, 0.86%, 0.58%

LAB 59.25, 85.13, -51.01

 

CMYK 35 / 0 / 78 / 6

HEX #9DF036

RGB 157 240 54

HSL 86.77, 0.86%, 0.58%

LAB 86.88, -51.64, 75.14

 

CMYK 77 / 33 / 0 / 6

HEX #38A0F0

RGB 56 160 240

HSL 206.09, 0.86%, 0.58%

LAB 63.57, -2.8, -48.47

 

CMYK 0 / 77 / 33 / 6

HEX #F038A0

RGB 240 56 160

HSL 326.09, 0.86%, 0.58%

LAB 55.98, 75.64, -13.64

 

CMYK 35 / 0 / 78 / 6

HEX #9DF036

RGB 157 240 54

HSL 86.77, 0.86%, 0.58%

LAB 86.88, -51.64, 75.14

 

CMYK 77 / 0 / 28 / 6

HEX #38F0AC

RGB 56 240 172

HSL 157.83, 0.86%, 0.58%

LAB 85.07, -60.2, 20.29

 

CMYK 43 / 77 / 0 / 6

HEX #8838F0

RGB 136 56 240

HSL 266.09, 0.86%, 0.58%

LAB 44.74, 68.09, -78.54

 

CMYK 0 / 77 / 49 / 6

HEX #F0387B

RGB 240 56 123

HSL 338.15, 0.86%, 0.58%

LAB 54.85, 72.18, 6.64

 

CMYK 35 / 0 / 78 / 6

HEX #9DF036

RGB 157 240 54

HSL 86.77, 0.86%, 0.58%

LAB 86.88, -51.64, 75.14

 

CMYK 77 / 0 / 5 / 6

HEX #38F0E4

RGB 56 240 228

HSL 176.09, 0.86%, 0.58%

LAB 86.39, -46.51, -7.05

 

CMYK 43 / 77 / 0 / 6

HEX #8838F0

RGB 136 56 240

HSL 266.09, 0.86%, 0.58%

LAB 44.74, 68.09, -78.54

 

CMYK 0 / 77 / 72 / 6

HEX #F03844

RGB 240 56 68

HSL 356.09, 0.86%, 0.58%

LAB 53.78, 68.82, 37.8

 

Description

Color code: HEX #9DF036 | qconv.com Color code: HEX #9DF036 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 240 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 240 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 78 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 78% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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