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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF004 it is the complementary color #620FFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF004. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF004 shade: #A2F000, #B3FF12, #C4FF25, #D5FF38 and #E6FF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF004. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF004 shade: #9DF004, #8CDE00, #7BCC00, #6ABA00 and #59A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF004 shade: #9EF104, #DEF104, #F1C504, #F18504 and #F14404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF004 shade: #9EF104, #5EF104, #1EF104, #04F12A and #04F16A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF004 shade matches the following richer shades: #9EF104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF004 shade: #9EF104, #98DD17, #92CA2B, #8CB63F and #86A253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF004 shade: #F1C604, #DDF104, #9EF104, #5FF104 and #1FF104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF004 shade: #68A002, #83C803, #9EF104, #AFFC22 and #BEFC4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF004 shade: #9DF004, #04F186 and #E504F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF004 shade: #9DF004, #049EF1 and #F1049E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF004 shade: #9DF004, #04F186, #5704F1 and #F1046F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF004 shade: #9DF004, #04F1CE, #5704F1 and #F10427

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 98 / 6

HEX #9DF004

RGB 157 240 4

HSL 81.1, 0.97%, 0.48%

LAB 86.75, -52.94, 83.58

 

Complementary color

CMYK 61 / 94 / 0 / 2

HEX #620FFB

RGB 98 15 251

HSL 261.1, 0.97%, 0.52%

LAB 37.67, 78.52, -96.54

 

CMYK 33 / 0 / 100 / 6

HEX #A2F000

RGB 162 240 0

HSL 79.5, 1%, 0.47%

LAB 87, -51.22, 84.2

 

CMYK 30 / 0 / 93 / 0

HEX #B3FF12

RGB 179 255 18

HSL 79.24, 1%, 0.54%

LAB 92.2, -51.08, 87.15

 

CMYK 23 / 0 / 85 / 0

HEX #C4FF25

RGB 196 255 37

HSL 76.24, 1%, 0.57%

LAB 93.18, -44.44, 85.55

 

CMYK 16 / 0 / 78 / 0

HEX #D5FF38

RGB 213 255 56

HSL 72.66, 1%, 0.61%

LAB 94.29, -37.35, 82.54

 

CMYK 10 / 0 / 71 / 0

HEX #E6FF4B

RGB 230 255 75

HSL 68.33, 1%, 0.65%

LAB 95.52, -29.87, 78.33

 

CMYK 35 / 0 / 98 / 6

HEX #9DF004

RGB 157 240 4

HSL 81.1, 0.97%, 0.48%

LAB 86.75, -52.94, 83.58

 

CMYK 37 / 0 / 100 / 13

HEX #8CDE00

RGB 140 222 0

HSL 82.16, 1%, 0.44%

LAB 80.64, -51.67, 78.81

 

CMYK 40 / 0 / 100 / 20

HEX #7BCC00

RGB 123 204 0

HSL 83.82, 1%, 0.4%

LAB 74.44, -50.31, 73.66

 

CMYK 43 / 0 / 100 / 27

HEX #6ABA00

RGB 106 186 0

HSL 85.81, 1%, 0.36%

LAB 68.15, -48.9, 68.44

 

CMYK 47 / 0 / 100 / 34

HEX #59A800

RGB 89 168 0

HSL 88.21, 1%, 0.33%

LAB 61.77, -47.41, 63.13

 

CMYK 34 / 0 / 98 / 5

HEX #9EF104

RGB 158 241 4

HSL 81.01, 0.97%, 0.48%

LAB 87.09, -52.99, 83.86

 

CMYK 8 / 0 / 98 / 5

HEX #DEF104

RGB 222 241 4

HSL 64.81, 0.97%, 0.48%

LAB 90.98, -28.44, 88.54

 

CMYK 0 / 18 / 98 / 5

HEX #F1C504

RGB 241 197 4

HSL 48.86, 0.97%, 0.48%

LAB 81.09, 1.31, 82.03

 

CMYK 0 / 45 / 98 / 5

HEX #F18504

RGB 241 133 4

HSL 32.66, 0.97%, 0.48%

LAB 66.12, 34.8, 71.89

 

CMYK 0 / 72 / 98 / 5

HEX #F14404

RGB 241 68 4

HSL 16.2, 0.97%, 0.48%

LAB 54.91, 63.87, 65.4

 

CMYK 34 / 0 / 98 / 5

HEX #9EF104

RGB 158 241 4

HSL 81.01, 0.97%, 0.48%

LAB 87.09, -52.99, 83.86

 

CMYK 61 / 0 / 98 / 5

HEX #5EF104

RGB 94 241 4

HSL 97.22, 0.97%, 0.48%

LAB 84.64, -71.71, 80.89

 

CMYK 88 / 0 / 98 / 5

HEX #1EF104

RGB 30 241 4

HSL 113.42, 0.97%, 0.48%

LAB 83.55, -81.19, 79.55

 

CMYK 98 / 0 / 83 / 5

HEX #04F12A

RGB 4 241 42

HSL 129.62, 0.97%, 0.48%

LAB 83.5, -81.31, 73.86

 

CMYK 98 / 0 / 56 / 5

HEX #04F16A

RGB 4 241 106

HSL 145.82, 0.97%, 0.48%

LAB 83.95, -75.53, 51.21

 

CMYK 34 / 0 / 98 / 5

HEX #9EF104

RGB 158 241 4

HSL 81.01, 0.97%, 0.48%

LAB 87.09, -52.99, 83.86

 

CMYK 34 / 0 / 98 / 5

HEX #9EF104

RGB 158 241 4

HSL 81.01, 0.97%, 0.48%

LAB 87.09, -52.99, 83.86

 

CMYK 31 / 0 / 90 / 13

HEX #98DD17

RGB 152 221 23

HSL 80.91, 0.81%, 0.48%

LAB 80.99, -46.64, 76.87

 

CMYK 28 / 0 / 79 / 21

HEX #92CA2B

RGB 146 202 43

HSL 81.13, 0.65%, 0.48%

LAB 75.16, -40.04, 67.26

 

CMYK 23 / 0 / 65 / 29

HEX #8CB63F

RGB 140 182 63

HSL 81.18, 0.49%, 0.48%

LAB 69.03, -32.09, 54.01

 

CMYK 17 / 0 / 49 / 36

HEX #86A253

RGB 134 162 83

HSL 81.27, 0.32%, 0.48%

LAB 62.96, -22.93, 37.68

 

CMYK 0 / 18 / 98 / 5

HEX #F1C604

RGB 241 198 4

HSL 49.11, 0.97%, 0.48%

LAB 81.35, 0.8, 82.21

 

CMYK 8 / 0 / 98 / 5

HEX #DDF104

RGB 221 241 4

HSL 65.06, 0.97%, 0.48%

LAB 90.91, -28.85, 88.45

 

CMYK 34 / 0 / 98 / 5

HEX #9EF104

RGB 158 241 4

HSL 81.01, 0.97%, 0.48%

LAB 87.09, -52.99, 83.86

 

CMYK 61 / 0 / 98 / 5

HEX #5FF104

RGB 95 241 4

HSL 96.96, 0.97%, 0.48%

LAB 84.66, -71.48, 80.92

 

CMYK 87 / 0 / 98 / 5

HEX #1FF104

RGB 31 241 4

HSL 113.16, 0.97%, 0.48%

LAB 83.55, -81.12, 79.56

 

CMYK 35 / 0 / 99 / 37

HEX #68A002

RGB 104 160 2

HSL 81.27, 0.98%, 0.32%

LAB 59.97, -38.78, 61.76

 

CMYK 35 / 0 / 99 / 22

HEX #83C803

RGB 131 200 3

HSL 81.02, 0.97%, 0.4%

LAB 73.64, -45.82, 72.89

 

CMYK 34 / 0 / 98 / 5

HEX #9EF104

RGB 158 241 4

HSL 81.01, 0.97%, 0.48%

LAB 87.09, -52.99, 83.86

 

CMYK 31 / 0 / 87 / 1

HEX #AFFC22

RGB 175 252 34

HSL 81.19, 0.97%, 0.56%

LAB 91.17, -50.96, 83.94

 

CMYK 25 / 0 / 70 / 1

HEX #BEFC4B

RGB 190 252 75

HSL 81.02, 0.97%, 0.64%

LAB 92.17, -43.81, 74.17

 

CMYK 35 / 0 / 98 / 6

HEX #9DF004

RGB 157 240 4

HSL 81.1, 0.97%, 0.48%

LAB 86.75, -52.94, 83.58

 

CMYK 98 / 0 / 44 / 5

HEX #04F186

RGB 4 241 134

HSL 152.91, 0.97%, 0.48%

LAB 84.31, -71.24, 38.4

 

CMYK 5 / 98 / 0 / 5

HEX #E504F1

RGB 229 4 241

HSL 296.96, 0.97%, 0.48%

LAB 55.17, 92.05, -61.54

 

CMYK 35 / 0 / 98 / 6

HEX #9DF004

RGB 157 240 4

HSL 81.1, 0.97%, 0.48%

LAB 86.75, -52.94, 83.58

 

CMYK 98 / 34 / 0 / 5

HEX #049EF1

RGB 4 158 241

HSL 201.01, 0.97%, 0.48%

LAB 62.36, -4.47, -50.96

 

CMYK 0 / 98 / 34 / 5

HEX #F1049E

RGB 241 4 158

HSL 321.01, 0.97%, 0.48%

LAB 53.23, 83.92, -16.61

 

CMYK 35 / 0 / 98 / 6

HEX #9DF004

RGB 157 240 4

HSL 81.1, 0.97%, 0.48%

LAB 86.75, -52.94, 83.58

 

CMYK 98 / 0 / 44 / 5

HEX #04F186

RGB 4 241 134

HSL 152.91, 0.97%, 0.48%

LAB 84.31, -71.24, 38.4

 

CMYK 64 / 98 / 0 / 5

HEX #5704F1

RGB 87 4 241

HSL 261.01, 0.97%, 0.48%

LAB 34.93, 77.12, -95.48

 

CMYK 0 / 98 / 54 / 5

HEX #F1046F

RGB 241 4 111

HSL 332.91, 0.97%, 0.48%

LAB 51.76, 80.06, 9.52

 

CMYK 35 / 0 / 98 / 6

HEX #9DF004

RGB 157 240 4

HSL 81.1, 0.97%, 0.48%

LAB 86.75, -52.94, 83.58

 

CMYK 98 / 0 / 15 / 5

HEX #04F1CE

RGB 4 241 206

HSL 171.14, 0.97%, 0.48%

LAB 85.7, -55.59, 3.43

 

CMYK 64 / 98 / 0 / 5

HEX #5704F1

RGB 87 4 241

HSL 261.01, 0.97%, 0.48%

LAB 34.93, 77.12, -95.48

 

CMYK 0 / 98 / 84 / 5

HEX #F10427

RGB 241 4 39

HSL 351.14, 0.97%, 0.48%

LAB 50.61, 76.93, 50.41

 

Description

Color code: HEX #9DF004 | qconv.com Color code: HEX #9DF004 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 240 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 240 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 98 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 98% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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