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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DEC68 it is the complementary color #621397. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DEC68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DEC68 shade: #A2EC63, #B3FE76, #C4FF89, #D5FF9C and #E6FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DEC68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DEC68 shade: #9DEC68, #8CDA55, #7BC842, #6AB62F and #59A41C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DEC68 shade: #9EEC69, #C1EC69, #E5EC69, #ECD169 and #ECAD69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DEC68 shade: #9EEC69, #7BEC69, #69EC7B, #69EC9F and #69ECC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DEC68 shade matches the following richer shades: #9EEC69 and #9BFA5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DEC68 shade: #9EEC69, #A1DF77, #A3D184, #A6C492 and #A9B6A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DEC68 shade: #E6EC69, #C3EC69, #A0EC69, #7DEC69 and #69EC79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DEC68 shade: #6EE320, #86E844, #9EEC69, #B6F18E and #CEF6B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DEC68 shade: #9DEC68, #69ECD0 and #EC69D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DEC68 shade: #9DEC68, #69A0EC and #EC69A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DEC68 shade: #9DEC68, #69ECD0, #B669EC and #EC6986

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DEC68 shade: #9DEC68, #69E2EC, #B669EC and #EC7469

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 56 / 7

HEX #9DEC68

RGB 157 236 104

HSL 95.91, 0.78%, 0.67%

LAB 86.09, -46.33, 55.52

 

Complementary color

CMYK 35 / 87 / 0 / 41

HEX #621397

RGB 98 19 151

HSL 275.91, 0.78%, 0.33%

LAB 27.56, 54.82, -54.64

 

CMYK 31 / 0 / 58 / 7

HEX #A2EC63

RGB 162 236 99

HSL 92.41, 0.78%, 0.66%

LAB 86.29, -45.11, 58.03

 

CMYK 30 / 0 / 54 / 0

HEX #B3FE76

RGB 179 254 118

HSL 93.09, 0.99%, 0.73%

LAB 92.48, -45.18, 57.02

 

CMYK 23 / 0 / 46 / 0

HEX #C4FF89

RGB 196 255 137

HSL 90, 1%, 0.77%

LAB 93.91, -37.71, 50.23

 

CMYK 16 / 0 / 39 / 0

HEX #D5FF9C

RGB 213 255 156

HSL 85.45, 1%, 0.81%

LAB 95.19, -29.45, 42.95

 

CMYK 10 / 0 / 31 / 0

HEX #E6FFAF

RGB 230 255 175

HSL 78.75, 1%, 0.84%

LAB 96.59, -20.95, 35.62

 

CMYK 33 / 0 / 56 / 7

HEX #9DEC68

RGB 157 236 104

HSL 95.91, 0.78%, 0.67%

LAB 86.09, -46.33, 55.52

 

CMYK 36 / 0 / 61 / 15

HEX #8CDA55

RGB 140 218 85

HSL 95.19, 0.64%, 0.59%

LAB 79.83, -46.24, 56.48

 

CMYK 39 / 0 / 67 / 22

HEX #7BC842

RGB 123 200 66

HSL 94.48, 0.55%, 0.52%

LAB 73.49, -46.03, 57.23

 

CMYK 42 / 0 / 74 / 29

HEX #6AB62F

RGB 106 182 47

HSL 93.78, 0.59%, 0.45%

LAB 67.07, -45.65, 57.56

 

CMYK 46 / 0 / 83 / 36

HEX #59A41C

RGB 89 164 28

HSL 93.09, 0.71%, 0.38%

LAB 60.57, -45.02, 57.1

 

CMYK 33 / 0 / 56 / 7

HEX #9EEC69

RGB 158 236 105

HSL 95.73, 0.78%, 0.67%

LAB 86.15, -45.89, 55.16

 

CMYK 18 / 0 / 56 / 7

HEX #C1EC69

RGB 193 236 105

HSL 79.69, 0.78%, 0.67%

LAB 88.14, -33.38, 57.97

 

CMYK 3 / 0 / 56 / 7

HEX #E5EC69

RGB 229 236 105

HSL 63.21, 0.78%, 0.67%

LAB 90.63, -19.41, 61.48

 

CMYK 0 / 11 / 56 / 7

HEX #ECD169

RGB 236 209 105

HSL 47.63, 0.78%, 0.67%

LAB 84.2, -3.12, 54.26

 

CMYK 0 / 27 / 56 / 7

HEX #ECAD69

RGB 236 173 105

HSL 31.15, 0.78%, 0.67%

LAB 75.29, 15.67, 43.65

 

CMYK 33 / 0 / 56 / 7

HEX #9EEC69

RGB 158 236 105

HSL 95.73, 0.78%, 0.67%

LAB 86.15, -45.89, 55.16

 

CMYK 48 / 0 / 56 / 7

HEX #7BEC69

RGB 123 236 105

HSL 111.76, 0.78%, 0.67%

LAB 84.6, -56.7, 52.95

 

CMYK 56 / 0 / 48 / 7

HEX #69EC7B

RGB 105 236 123

HSL 128.24, 0.78%, 0.67%

LAB 84.19, -59.04, 43.91

 

CMYK 56 / 0 / 33 / 7

HEX #69EC9F

RGB 105 236 159

HSL 144.73, 0.78%, 0.67%

LAB 84.74, -53.14, 26.7

 

CMYK 56 / 0 / 18 / 7

HEX #69ECC2

RGB 105 236 194

HSL 160.76, 0.78%, 0.67%

LAB 85.45, -45.97, 9.54

 

CMYK 33 / 0 / 56 / 7

HEX #9EEC69

RGB 158 236 105

HSL 95.73, 0.78%, 0.67%

LAB 86.15, -45.89, 55.16

 

CMYK 38 / 0 / 63 / 2

HEX #9BFA5C

RGB 155 250 92

HSL 96.08, 0.94%, 0.67%

LAB 89.91, -53.87, 64.89

 

CMYK 33 / 0 / 56 / 7

HEX #9EEC69

RGB 158 236 105

HSL 95.73, 0.78%, 0.67%

LAB 86.15, -45.89, 55.16

 

CMYK 28 / 0 / 47 / 13

HEX #A1DF77

RGB 161 223 119

HSL 95.77, 0.62%, 0.67%

LAB 82.75, -37.62, 44.57

 

CMYK 22 / 0 / 37 / 18

HEX #A3D184

RGB 163 209 132

HSL 95.84, 0.46%, 0.67%

LAB 79.07, -28.74, 33.43

 

CMYK 15 / 0 / 26 / 23

HEX #A6C492

RGB 166 196 146

HSL 96, 0.3%, 0.67%

LAB 75.86, -19.23, 21.85

 

CMYK 7 / 0 / 12 / 29

HEX #A9B6A0

RGB 169 182 160

HSL 95.45, 0.13%, 0.67%

LAB 72.51, -8.6, 9.66

 

CMYK 3 / 0 / 56 / 7

HEX #E6EC69

RGB 230 236 105

HSL 62.75, 0.78%, 0.67%

LAB 90.7, -19.01, 61.58

 

CMYK 17 / 0 / 56 / 7

HEX #C3EC69

RGB 195 236 105

HSL 78.78, 0.78%, 0.67%

LAB 88.26, -32.62, 58.15

 

CMYK 32 / 0 / 56 / 7

HEX #A0EC69

RGB 160 236 105

HSL 94.81, 0.78%, 0.67%

LAB 86.25, -45.22, 55.3

 

CMYK 47 / 0 / 56 / 7

HEX #7DEC69

RGB 125 236 105

HSL 110.84, 0.78%, 0.67%

LAB 84.67, -56.14, 53.06

 

CMYK 56 / 0 / 49 / 7

HEX #69EC79

RGB 105 236 121

HSL 127.33, 0.78%, 0.67%

LAB 84.16, -59.32, 44.84

 

CMYK 52 / 0 / 86 / 11

HEX #6EE320

RGB 110 227 32

HSL 96, 0.78%, 0.51%

LAB 80.94, -62.34, 74.47

 

CMYK 42 / 0 / 71 / 9

HEX #86E844

RGB 134 232 68

HSL 95.85, 0.78%, 0.59%

LAB 83.55, -55.23, 67.04

 

CMYK 33 / 0 / 56 / 7

HEX #9EEC69

RGB 158 236 105

HSL 95.73, 0.78%, 0.67%

LAB 86.15, -45.89, 55.16

 

CMYK 24 / 0 / 41 / 5

HEX #B6F18E

RGB 182 241 142

HSL 95.76, 0.78%, 0.75%

LAB 89.3, -35.65, 41.87

 

CMYK 16 / 0 / 27 / 4

HEX #CEF6B3

RGB 206 246 179

HSL 95.82, 0.79%, 0.83%

LAB 92.7, -24.56, 28.11

 

CMYK 33 / 0 / 56 / 7

HEX #9DEC68

RGB 157 236 104

HSL 95.91, 0.78%, 0.67%

LAB 86.09, -46.33, 55.52

 

CMYK 56 / 0 / 12 / 7

HEX #69ECD0

RGB 105 236 208

HSL 167.18, 0.78%, 0.67%

LAB 85.78, -42.74, 2.68

 

CMYK 0 / 56 / 10 / 7

HEX #EC69D4

RGB 236 105 212

HSL 310.99, 0.78%, 0.67%

LAB 63.91, 63.26, -31.39

 

CMYK 33 / 0 / 56 / 7

HEX #9DEC68

RGB 157 236 104

HSL 95.91, 0.78%, 0.67%

LAB 86.09, -46.33, 55.52

 

CMYK 56 / 32 / 0 / 7

HEX #69A0EC

RGB 105 160 236

HSL 214.81, 0.78%, 0.67%

LAB 65.12, 3.65, -43.7

 

CMYK 0 / 56 / 32 / 7

HEX #EC69A0

RGB 236 105 160

HSL 334.81, 0.78%, 0.67%

LAB 62.06, 56.06, -4.62

 

CMYK 33 / 0 / 56 / 7

HEX #9DEC68

RGB 157 236 104

HSL 95.91, 0.78%, 0.67%

LAB 86.09, -46.33, 55.52

 

CMYK 56 / 0 / 12 / 7

HEX #69ECD0

RGB 105 236 208

HSL 167.18, 0.78%, 0.67%

LAB 85.78, -42.74, 2.68

 

CMYK 23 / 56 / 0 / 7

HEX #B669EC

RGB 182 105 236

HSL 275.27, 0.78%, 0.67%

LAB 58.14, 53.52, -54.37

 

CMYK 0 / 56 / 43 / 7

HEX #EC6986

RGB 236 105 134

HSL 346.72, 0.78%, 0.67%

LAB 61.36, 53.2, 9.35

 

CMYK 33 / 0 / 56 / 7

HEX #9DEC68

RGB 157 236 104

HSL 95.91, 0.78%, 0.67%

LAB 86.09, -46.33, 55.52

 

CMYK 56 / 4 / 0 / 7

HEX #69E2EC

RGB 105 226 236

HSL 184.58, 0.78%, 0.67%

LAB 83.68, -31.03, -15.18

 

CMYK 23 / 56 / 0 / 7

HEX #B669EC

RGB 182 105 236

HSL 275.27, 0.78%, 0.67%

LAB 58.14, 53.52, -54.37

 

CMYK 0 / 51 / 56 / 7

HEX #EC7469

RGB 236 116 105

HSL 5.04, 0.78%, 0.67%

LAB 62.8, 45.35, 27.89

 

Description

Color code: HEX #9DEC68 | qconv.com Color code: HEX #9DEC68 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 236 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 236 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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