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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DEC5E it is the complementary color #6213A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DEC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DEC5E shade: #A2EC59, #B3FE6C, #C4FF7F, #D5FF92 and #E6FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DEC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DEC5E shade: #9DEC5E, #8CDA4B, #7BC838, #6AB625 and #59A412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DEC5E shade: #9EEC5F, #C4EC5F, #EAEC5F, #ECC95F and #ECA35F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DEC5E shade: #9EEC5F, #78EC5F, #5FEC6D, #5FEC93 and #5FECB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DEC5E shade matches the following richer shades: #9EEC5F and #9CFB51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DEC5E shade: #9EEC5F, #9FDE6E, #A1CF7C, #A3C18B and #A4B299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DEC5E shade: #EAEC5F, #C4EC5F, #9FEC5F, #79EC5F and #5FEC6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DEC5E shade: #71DF1A, #87E83A, #9EEC5F, #B4F184 and #CBF5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DEC5E shade: #9DEC5E, #5FECC9 and #EC5FD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DEC5E shade: #9DEC5E, #5F9FEC and #EC5F9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DEC5E shade: #9DEC5E, #5FECC9, #AD5FEC and #EC5F82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DEC5E shade: #9DEC5E, #5FE5EC, #AD5FEC and #EC665F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 60 / 7

HEX #9DEC5E

RGB 157 236 94

HSL 93.38, 0.79%, 0.65%

LAB 85.99, -47.28, 59.76

 

Complementary color

CMYK 39 / 88 / 0 / 37

HEX #6213A1

RGB 98 19 161

HSL 273.38, 0.79%, 0.35%

LAB 28.47, 57.05, -59.26

 

CMYK 31 / 0 / 62 / 7

HEX #A2EC59

RGB 162 236 89

HSL 90.2, 0.79%, 0.64%

LAB 86.2, -45.99, 62.16

 

CMYK 30 / 0 / 57 / 0

HEX #B3FE6C

RGB 179 254 108

HSL 90.82, 0.99%, 0.71%

LAB 92.38, -46.14, 61.3

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF7F

RGB 196 255 127

HSL 87.66, 1%, 0.75%

LAB 93.79, -38.78, 54.74

 

CMYK 16 / 0 / 43 / 0

HEX #D5FF92

RGB 213 255 146

HSL 83.12, 1%, 0.79%

LAB 95.05, -30.63, 47.6

 

CMYK 10 / 0 / 35 / 0

HEX #E6FFA5

RGB 230 255 165

HSL 76.67, 1%, 0.82%

LAB 96.43, -22.22, 40.37

 

CMYK 33 / 0 / 60 / 7

HEX #9DEC5E

RGB 157 236 94

HSL 93.38, 0.79%, 0.65%

LAB 85.99, -47.28, 59.76

 

CMYK 36 / 0 / 66 / 15

HEX #8CDA4B

RGB 140 218 75

HSL 92.73, 0.66%, 0.57%

LAB 79.74, -47.09, 60.53

 

CMYK 39 / 0 / 72 / 22

HEX #7BC838

RGB 123 200 56

HSL 92.08, 0.57%, 0.5%

LAB 73.42, -46.76, 60.95

 

CMYK 42 / 0 / 80 / 29

HEX #6AB625

RGB 106 182 37

HSL 91.45, 0.66%, 0.43%

LAB 67.02, -46.23, 60.74

 

CMYK 46 / 0 / 89 / 36

HEX #59A412

RGB 89 164 18

HSL 90.82, 0.8%, 0.36%

LAB 60.53, -45.41, 59.42

 

CMYK 33 / 0 / 60 / 7

HEX #9EEC5F

RGB 158 236 95

HSL 93.19, 0.79%, 0.65%

LAB 86.05, -46.85, 59.42

 

CMYK 17 / 0 / 60 / 7

HEX #C4EC5F

RGB 196 236 95

HSL 77.02, 0.79%, 0.65%

LAB 88.23, -33.07, 62.46

 

CMYK 1 / 0 / 60 / 7

HEX #EAEC5F

RGB 234 236 95

HSL 60.85, 0.79%, 0.65%

LAB 90.92, -18.12, 66.17

 

CMYK 0 / 15 / 60 / 7

HEX #ECC95F

RGB 236 201 95

HSL 45.11, 0.79%, 0.65%

LAB 82.07, 0.26, 56.44

 

CMYK 0 / 31 / 60 / 7

HEX #ECA35F

RGB 236 163 95

HSL 28.94, 0.79%, 0.65%

LAB 72.8, 20.23, 45.69

 

CMYK 33 / 0 / 60 / 7

HEX #9EEC5F

RGB 158 236 95

HSL 93.19, 0.79%, 0.65%

LAB 86.05, -46.85, 59.42

 

CMYK 49 / 0 / 60 / 7

HEX #78EC5F

RGB 120 236 95

HSL 109.36, 0.79%, 0.65%

LAB 84.39, -58.61, 57.09

 

CMYK 60 / 0 / 54 / 7

HEX #5FEC6D

RGB 95 236 109

HSL 125.96, 0.79%, 0.65%

LAB 83.72, -63.19, 49.86

 

CMYK 60 / 0 / 38 / 7

HEX #5FEC93

RGB 95 236 147

HSL 142.13, 0.79%, 0.65%

LAB 84.24, -57.44, 32.08

 

CMYK 60 / 0 / 22 / 7

HEX #5FECB9

RGB 95 236 185

HSL 158.3, 0.79%, 0.65%

LAB 84.96, -49.93, 13.51

 

CMYK 33 / 0 / 60 / 7

HEX #9EEC5F

RGB 158 236 95

HSL 93.19, 0.79%, 0.65%

LAB 86.05, -46.85, 59.42

 

CMYK 38 / 0 / 68 / 2

HEX #9CFB51

RGB 156 251 81

HSL 93.53, 0.96%, 0.65%

LAB 90.16, -54.8, 69.42

 

CMYK 33 / 0 / 60 / 7

HEX #9EEC5F

RGB 158 236 95

HSL 93.19, 0.79%, 0.65%

LAB 86.05, -46.85, 59.42

 

CMYK 28 / 0 / 50 / 13

HEX #9FDE6E

RGB 159 222 110

HSL 93.75, 0.63%, 0.65%

LAB 82.24, -38.91, 48.23

 

CMYK 22 / 0 / 40 / 19

HEX #A1CF7C

RGB 161 207 124

HSL 93.25, 0.46%, 0.65%

LAB 78.26, -29.59, 36.43

 

CMYK 16 / 0 / 28 / 24

HEX #A3C18B

RGB 163 193 139

HSL 93.33, 0.3%, 0.65%

LAB 74.69, -19.9, 23.95

 

CMYK 8 / 0 / 14 / 30

HEX #A4B299

RGB 164 178 153

HSL 93.6, 0.14%, 0.65%

LAB 70.89, -9.53, 11.14

 

CMYK 1 / 0 / 60 / 7

HEX #EAEC5F

RGB 234 236 95

HSL 60.85, 0.79%, 0.65%

LAB 90.92, -18.12, 66.17

 

CMYK 17 / 0 / 60 / 7

HEX #C4EC5F

RGB 196 236 95

HSL 77.02, 0.79%, 0.65%

LAB 88.23, -33.07, 62.46

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5F

RGB 159 236 95

HSL 92.77, 0.79%, 0.65%

LAB 86.1, -46.51, 59.49

 

CMYK 49 / 0 / 60 / 7

HEX #79EC5F

RGB 121 236 95

HSL 108.94, 0.79%, 0.65%

LAB 84.42, -58.33, 57.14

 

CMYK 60 / 0 / 55 / 7

HEX #5FEC6B

RGB 95 236 107

HSL 125.11, 0.79%, 0.65%

LAB 83.7, -63.44, 50.75

 

CMYK 49 / 0 / 88 / 13

HEX #71DF1A

RGB 113 223 26

HSL 93.5, 0.79%, 0.49%

LAB 79.82, -60.23, 74.68

 

CMYK 42 / 0 / 75 / 9

HEX #87E83A

RGB 135 232 58

HSL 93.45, 0.79%, 0.57%

LAB 83.53, -55.54, 70.4

 

CMYK 33 / 0 / 60 / 7

HEX #9EEC5F

RGB 158 236 95

HSL 93.19, 0.79%, 0.65%

LAB 86.05, -46.85, 59.42

 

CMYK 25 / 0 / 45 / 5

HEX #B4F184

RGB 180 241 132

HSL 93.58, 0.8%, 0.73%

LAB 89.05, -37.58, 46.38

 

CMYK 17 / 0 / 31 / 4

HEX #CBF5A9

RGB 203 245 169

HSL 93.16, 0.79%, 0.81%

LAB 92.07, -26.57, 32.29

 

CMYK 33 / 0 / 60 / 7

HEX #9DEC5E

RGB 157 236 94

HSL 93.38, 0.79%, 0.65%

LAB 85.99, -47.28, 59.76

 

CMYK 60 / 0 / 15 / 7

HEX #5FECC9

RGB 95 236 201

HSL 165.11, 0.79%, 0.65%

LAB 85.32, -46.29, 5.66

 

CMYK 0 / 60 / 9 / 7

HEX #EC5FD7

RGB 236 95 215

HSL 308.94, 0.79%, 0.65%

LAB 62.44, 68.05, -35.35

 

CMYK 33 / 0 / 60 / 7

HEX #9DEC5E

RGB 157 236 94

HSL 93.38, 0.79%, 0.65%

LAB 85.99, -47.28, 59.76

 

CMYK 60 / 33 / 0 / 7

HEX #5F9FEC

RGB 95 159 236

HSL 212.77, 0.79%, 0.65%

LAB 64.39, 2.25, -44.88

 

CMYK 0 / 60 / 33 / 7

HEX #EC5F9F

RGB 236 95 159

HSL 332.77, 0.79%, 0.65%

LAB 60.36, 60.41, -6.57

 

CMYK 33 / 0 / 60 / 7

HEX #9DEC5E

RGB 157 236 94

HSL 93.38, 0.79%, 0.65%

LAB 85.99, -47.28, 59.76

 

CMYK 60 / 0 / 15 / 7

HEX #5FECC9

RGB 95 236 201

HSL 165.11, 0.79%, 0.65%

LAB 85.32, -46.29, 5.66

 

CMYK 27 / 60 / 0 / 7

HEX #AD5FEC

RGB 173 95 236

HSL 273.19, 0.79%, 0.65%

LAB 55.2, 56.42, -59.13

 

CMYK 0 / 60 / 45 / 7

HEX #EC5F82

RGB 236 95 130

HSL 345.11, 0.79%, 0.65%

LAB 59.55, 57.33, 9.11

 

CMYK 33 / 0 / 60 / 7

HEX #9DEC5E

RGB 157 236 94

HSL 93.38, 0.79%, 0.65%

LAB 85.99, -47.28, 59.76

 

CMYK 60 / 3 / 0 / 7

HEX #5FE5EC

RGB 95 229 236

HSL 182.98, 0.79%, 0.65%

LAB 84.24, -34.23, -14.37

 

CMYK 27 / 60 / 0 / 7

HEX #AD5FEC

RGB 173 95 236

HSL 273.19, 0.79%, 0.65%

LAB 55.2, 56.42, -59.13

 

CMYK 0 / 57 / 60 / 7

HEX #EC665F

RGB 236 102 95

HSL 2.98, 0.79%, 0.65%

LAB 60.03, 51.31, 29.96

 

Description

Color code: HEX #9DEC5E | qconv.com Color code: HEX #9DEC5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 236 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 236 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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