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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DEC48 it is the complementary color #6213B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DEC48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DEC48 shade: #A2EC43, #B3FE56, #C4FF69, #D5FF7C and #E6FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DEC48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DEC48 shade: #9DEC48, #8CDA35, #7BC822, #6AB60F and #59A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DEC48 shade: #9CEC46, #C9EC46, #ECE246, #ECB646 and #EC8946

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DEC48 shade: #9CEC46, #6FEC46, #46EC4A, #46EC76 and #46ECA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DEC48 shade matches the following richer shades: #9CEC46 and #9DFC36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DEC48 shade: #9CEC46, #9BDB57, #9BCB67, #9ABA78 and #9AAA88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DEC48 shade: #ECE146, #CBEC46, #9FEC46, #72EC46 and #46EC46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DEC48 shade: #73CA15, #88E821, #9CEC46, #B0F06C and #C4F391

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DEC48 shade: #9DEC48, #46ECB5 and #EC46E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DEC48 shade: #9DEC48, #469FEC and #EC469F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DEC48 shade: #9DEC48, #46ECB5, #9346EC and #EC467D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DEC48 shade: #9DEC48, #46ECE6, #9346EC and #EC464C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 69 / 7

HEX #9DEC48

RGB 157 236 72

HSL 88.9, 0.81%, 0.6%

LAB 85.82, -48.98, 68.26

 

Complementary color

CMYK 46 / 90 / 0 / 28

HEX #6213B7

RGB 98 19 183

HSL 268.9, 0.81%, 0.4%

LAB 30.6, 62.06, -68.99

 

CMYK 31 / 0 / 72 / 7

HEX #A2EC43

RGB 162 236 67

HSL 86.27, 0.82%, 0.59%

LAB 86.05, -47.55, 70.33

 

CMYK 30 / 0 / 66 / 0

HEX #B3FE56

RGB 179 254 86

HSL 86.79, 0.99%, 0.67%

LAB 92.19, -47.91, 70.02

 

CMYK 23 / 0 / 59 / 0

HEX #C4FF69

RGB 196 255 105

HSL 83.6, 1%, 0.71%

LAB 93.57, -40.82, 64.18

 

CMYK 16 / 0 / 51 / 0

HEX #D5FF7C

RGB 213 255 124

HSL 79.24, 1%, 0.74%

LAB 94.79, -32.91, 57.55

 

CMYK 10 / 0 / 44 / 0

HEX #E6FF8F

RGB 230 255 143

HSL 73.39, 1%, 0.78%

LAB 96.13, -24.7, 50.62

 

CMYK 33 / 0 / 69 / 7

HEX #9DEC48

RGB 157 236 72

HSL 88.9, 0.81%, 0.6%

LAB 85.82, -48.98, 68.26

 

CMYK 36 / 0 / 76 / 15

HEX #8CDA35

RGB 140 218 53

HSL 88.36, 0.69%, 0.53%

LAB 79.6, -48.54, 68.28

 

CMYK 39 / 0 / 83 / 22

HEX #7BC822

RGB 123 200 34

HSL 87.83, 0.71%, 0.46%

LAB 73.31, -47.91, 67.55

 

CMYK 42 / 0 / 92 / 29

HEX #6AB60F

RGB 106 182 15

HSL 87.31, 0.85%, 0.39%

LAB 66.94, -47.03, 65.61

 

CMYK 46 / 0 / 100 / 36

HEX #59A400

RGB 89 164 0

HSL 87.44, 1%, 0.32%

LAB 60.49, -45.83, 62.14

 

CMYK 34 / 0 / 70 / 7

HEX #9CEC46

RGB 156 236 70

HSL 88.92, 0.81%, 0.6%

LAB 85.76, -49.45, 68.9

 

CMYK 15 / 0 / 70 / 7

HEX #C9EC46

RGB 201 236 70

HSL 72.65, 0.81%, 0.6%

LAB 88.38, -32.77, 72.38

 

CMYK 0 / 4 / 70 / 7

HEX #ECE246

RGB 236 226 70

HSL 56.39, 0.81%, 0.6%

LAB 88.29, -13.82, 73.17

 

CMYK 0 / 23 / 70 / 7

HEX #ECB646

RGB 236 182 70

HSL 40.48, 0.81%, 0.6%

LAB 77.12, 8.67, 62.03

 

CMYK 0 / 42 / 70 / 7

HEX #EC8946

RGB 236 137 70

HSL 24.22, 0.81%, 0.6%

LAB 66.65, 32.43, 51.01

 

CMYK 34 / 0 / 70 / 7

HEX #9CEC46

RGB 156 236 70

HSL 88.92, 0.81%, 0.6%

LAB 85.76, -49.45, 68.9

 

CMYK 53 / 0 / 70 / 7

HEX #6FEC46

RGB 111 236 70

HSL 105.18, 0.81%, 0.6%

LAB 83.87, -63.24, 66.37

 

CMYK 70 / 0 / 69 / 7

HEX #46EC4A

RGB 70 236 74

HSL 121.45, 0.81%, 0.6%

LAB 82.8, -71.77, 63.45

 

CMYK 70 / 0 / 50 / 7

HEX #46EC76

RGB 70 236 118

HSL 137.35, 0.81%, 0.6%

LAB 83.23, -66.66, 44.92

 

CMYK 70 / 0 / 31 / 7

HEX #46ECA3

RGB 70 236 163

HSL 153.61, 0.81%, 0.6%

LAB 83.93, -58.78, 23.4

 

CMYK 34 / 0 / 70 / 7

HEX #9CEC46

RGB 156 236 70

HSL 88.92, 0.81%, 0.6%

LAB 85.76, -49.45, 68.9

 

CMYK 38 / 0 / 79 / 1

HEX #9DFC36

RGB 157 252 54

HSL 88.79, 0.97%, 0.6%

LAB 90.35, -56.44, 78.35

 

CMYK 34 / 0 / 70 / 7

HEX #9CEC46

RGB 156 236 70

HSL 88.92, 0.81%, 0.6%

LAB 85.76, -49.45, 68.9

 

CMYK 29 / 0 / 60 / 14

HEX #9BDB57

RGB 155 219 87

HSL 89.09, 0.65%, 0.6%

LAB 80.92, -41.28, 57.06

 

CMYK 24 / 0 / 49 / 20

HEX #9BCB67

RGB 155 203 103

HSL 88.8, 0.49%, 0.6%

LAB 76.47, -32.45, 44.54

 

CMYK 17 / 0 / 35 / 27

HEX #9ABA78

RGB 154 186 120

HSL 89.09, 0.32%, 0.6%

LAB 71.79, -22.5, 30

 

CMYK 9 / 0 / 20 / 33

HEX #9AAA88

RGB 154 170 136

HSL 88.24, 0.17%, 0.6%

LAB 67.57, -11.87, 15.69

 

CMYK 0 / 5 / 70 / 7

HEX #ECE146

RGB 236 225 70

HSL 56.02, 0.81%, 0.6%

LAB 88.03, -13.32, 72.91

 

CMYK 14 / 0 / 70 / 7

HEX #CBEC46

RGB 203 236 70

HSL 71.93, 0.81%, 0.6%

LAB 88.51, -31.98, 72.55

 

CMYK 33 / 0 / 70 / 7

HEX #9FEC46

RGB 159 236 70

HSL 87.83, 0.81%, 0.6%

LAB 85.91, -48.41, 69.1

 

CMYK 52 / 0 / 70 / 7

HEX #72EC46

RGB 114 236 70

HSL 104.1, 0.81%, 0.6%

LAB 83.97, -62.44, 66.51

 

CMYK 70 / 0 / 70 / 7

HEX #46EC46

RGB 70 236 70

HSL 120, 0.81%, 0.6%

LAB 82.77, -72.11, 64.89

 

CMYK 43 / 0 / 90 / 21

HEX #73CA15

RGB 115 202 21

HSL 88.84, 0.81%, 0.44%

LAB 73.51, -51.83, 70.26

 

CMYK 41 / 0 / 86 / 9

HEX #88E821

RGB 136 232 33

HSL 88.94, 0.81%, 0.52%

LAB 83.47, -56.31, 76.86

 

CMYK 34 / 0 / 70 / 7

HEX #9CEC46

RGB 156 236 70

HSL 88.92, 0.81%, 0.6%

LAB 85.76, -49.45, 68.9

 

CMYK 27 / 0 / 55 / 6

HEX #B0F06C

RGB 176 240 108

HSL 89.09, 0.81%, 0.68%

LAB 88.27, -41.11, 56.54

 

CMYK 19 / 0 / 40 / 5

HEX #C4F391

RGB 196 243 145

HSL 88.78, 0.8%, 0.76%

LAB 90.73, -31.28, 42.39

 

CMYK 33 / 0 / 69 / 7

HEX #9DEC48

RGB 157 236 72

HSL 88.9, 0.81%, 0.6%

LAB 85.82, -48.98, 68.26

 

CMYK 70 / 0 / 23 / 7

HEX #46ECB5

RGB 70 236 181

HSL 160.12, 0.81%, 0.6%

LAB 84.29, -54.93, 14.57

 

CMYK 0 / 70 / 5 / 7

HEX #EC46E1

RGB 236 70 225

HSL 303.98, 0.81%, 0.6%

LAB 59.57, 78.89, -45.48

 

CMYK 33 / 0 / 69 / 7

HEX #9DEC48

RGB 157 236 72

HSL 88.9, 0.81%, 0.6%

LAB 85.82, -48.98, 68.26

 

CMYK 70 / 33 / 0 / 7

HEX #469FEC

RGB 70 159 236

HSL 207.83, 0.81%, 0.6%

LAB 63.47, -1.87, -46.4

 

CMYK 0 / 70 / 33 / 7

HEX #EC469F

RGB 236 70 159

HSL 327.83, 0.81%, 0.6%

LAB 56.8, 70.17, -11.88

 

CMYK 33 / 0 / 69 / 7

HEX #9DEC48

RGB 157 236 72

HSL 88.9, 0.81%, 0.6%

LAB 85.82, -48.98, 68.26

 

CMYK 70 / 0 / 23 / 7

HEX #46ECB5

RGB 70 236 181

HSL 160.12, 0.81%, 0.6%

LAB 84.29, -54.93, 14.57

 

CMYK 38 / 70 / 0 / 7

HEX #9346EC

RGB 147 70 236

HSL 267.83, 0.81%, 0.6%

LAB 47.8, 63, -71.23

 

CMYK 0 / 70 / 47 / 7

HEX #EC467D

RGB 236 70 125

HSL 340.12, 0.81%, 0.6%

LAB 55.78, 66.8, 6.68

 

CMYK 33 / 0 / 69 / 7

HEX #9DEC48

RGB 157 236 72

HSL 88.9, 0.81%, 0.6%

LAB 85.82, -48.98, 68.26

 

CMYK 70 / 0 / 3 / 7

HEX #46ECE6

RGB 70 236 230

HSL 177.83, 0.81%, 0.6%

LAB 85.51, -42.69, -9.38

 

CMYK 38 / 70 / 0 / 7

HEX #9346EC

RGB 147 70 236

HSL 267.83, 0.81%, 0.6%

LAB 47.8, 63, -71.23

 

CMYK 0 / 70 / 68 / 7

HEX #EC464C

RGB 236 70 76

HSL 357.83, 0.81%, 0.6%

LAB 54.8, 63.46, 34.25

 

Description

Color code: HEX #9DEC48 | qconv.com Color code: HEX #9DEC48 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 236 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 236 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 69 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 69% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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