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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DD144 it is the complementary color #622EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DD144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DD144 shade: #A2D13F, #B3E352, #C4F565, #D5FF78 and #E6FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DD144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DD144 shade: #9DD144, #8CBF31, #7BAD1E, #6A9B0B and #598900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DD144 shade: #9CD142, #C3D142, #D1B942, #D19242 and #D16C42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DD144 shade: #9CD142, #76D142, #4FD142, #42D15C and #42D182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DD144 shade matches the following richer shades: #9CD142, #A1E42F and #A6F71C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DD144 shade: #9CD142, #97BE55, #93AB68, #8E987B and #89858E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DD144 shade: #D1B942, #C3D142, #9DD142, #77D142 and #50D142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DD144 shade: #709B26, #88BC2E, #9CD142, #AED963 and #BFE185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DD144 shade: #9DD144, #42D193 and #CC42D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DD144 shade: #9DD144, #429DD1 and #D1429D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DD144 shade: #9DD144, #42D193, #7742D1 and #D14280

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DD144 shade: #9DD144, #42D1BE, #7742D1 and #D14255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 67 / 18

HEX #9DD144

RGB 157 209 68

HSL 82.13, 0.61%, 0.54%

LAB 77.98, -37.58, 61.71

 

Complementary color

CMYK 48 / 75 / 0 / 27

HEX #622EBB

RGB 98 46 187

HSL 262.13, 0.61%, 0.46%

LAB 34.27, 53.42, -65.33

 

CMYK 22 / 0 / 70 / 18

HEX #A2D13F

RGB 162 209 63

HSL 79.32, 0.61%, 0.53%

LAB 78.25, -35.99, 63.97

 

CMYK 21 / 0 / 64 / 11

HEX #B3E352

RGB 179 227 82

HSL 79.86, 0.72%, 0.61%

LAB 84.55, -36.4, 63.5

 

CMYK 20 / 0 / 59 / 4

HEX #C4F565

RGB 196 245 101

HSL 80.42, 0.88%, 0.68%

LAB 90.77, -36.69, 62.74

 

CMYK 16 / 0 / 53 / 0

HEX #D5FF78

RGB 213 255 120

HSL 78.67, 1%, 0.74%

LAB 94.75, -33.28, 59.29

 

CMYK 10 / 0 / 45 / 0

HEX #E6FF8B

RGB 230 255 139

HSL 72.93, 1%, 0.77%

LAB 96.08, -25.11, 52.45

 

CMYK 25 / 0 / 67 / 18

HEX #9DD144

RGB 157 209 68

HSL 82.13, 0.61%, 0.54%

LAB 77.98, -37.58, 61.71

 

CMYK 27 / 0 / 74 / 25

HEX #8CBF31

RGB 140 191 49

HSL 81.55, 0.59%, 0.47%

LAB 71.59, -37.13, 61.9

 

CMYK 29 / 0 / 83 / 32

HEX #7BAD1E

RGB 123 173 30

HSL 80.98, 0.7%, 0.4%

LAB 65.11, -36.5, 61.3

 

CMYK 32 / 0 / 93 / 39

HEX #6A9B0B

RGB 106 155 11

HSL 80.42, 0.87%, 0.33%

LAB 58.54, -35.62, 59.35

 

CMYK 35 / 0 / 100 / 46

HEX #598900

RGB 89 137 0

HSL 81.02, 1%, 0.27%

LAB 51.85, -34.43, 55.43

 

CMYK 25 / 0 / 68 / 18

HEX #9CD142

RGB 156 209 66

HSL 82.24, 0.61%, 0.54%

LAB 77.91, -38.09, 62.38

 

CMYK 7 / 0 / 68 / 18

HEX #C3D142

RGB 195 209 66

HSL 65.87, 0.61%, 0.54%

LAB 80.51, -22.62, 65.86

 

CMYK 0 / 11 / 68 / 18

HEX #D1B942

RGB 209 185 66

HSL 49.93, 0.61%, 0.54%

LAB 75.23, -4.62, 60.9

 

CMYK 0 / 30 / 68 / 18

HEX #D19242

RGB 209 146 66

HSL 33.57, 0.61%, 0.54%

LAB 65.36, 16.2, 50.54

 

CMYK 0 / 48 / 68 / 18

HEX #D16C42

RGB 209 108 66

HSL 17.62, 0.61%, 0.54%

LAB 56.76, 36.54, 40.99

 

CMYK 25 / 0 / 68 / 18

HEX #9CD142

RGB 156 209 66

HSL 82.24, 0.61%, 0.54%

LAB 77.91, -38.09, 62.38

 

CMYK 44 / 0 / 68 / 18

HEX #76D142

RGB 118 209 66

HSL 98.18, 0.61%, 0.54%

LAB 75.97, -51.33, 59.77

 

CMYK 62 / 0 / 68 / 18

HEX #4FD142

RGB 79 209 66

HSL 114.55, 0.61%, 0.54%

LAB 74.61, -61.83, 57.92

 

CMYK 68 / 0 / 56 / 18

HEX #42D15C

RGB 66 209 92

HSL 130.91, 0.61%, 0.54%

LAB 74.53, -61.61, 46.57

 

CMYK 68 / 0 / 38 / 18

HEX #42D182

RGB 66 209 130

HSL 146.85, 0.61%, 0.54%

LAB 75.06, -55.59, 28.43

 

CMYK 25 / 0 / 68 / 18

HEX #9CD142

RGB 156 209 66

HSL 82.24, 0.61%, 0.54%

LAB 77.91, -38.09, 62.38

 

CMYK 29 / 0 / 79 / 11

HEX #A1E42F

RGB 161 228 47

HSL 82.21, 0.77%, 0.54%

LAB 83.58, -45.54, 74.14

 

CMYK 33 / 0 / 89 / 3

HEX #A6F71C

RGB 166 247 28

HSL 82.19, 0.93%, 0.54%

LAB 89.26, -52.25, 83.18

 

CMYK 25 / 0 / 68 / 18

HEX #9CD142

RGB 156 209 66

HSL 82.24, 0.61%, 0.54%

LAB 77.91, -38.09, 62.38

 

CMYK 21 / 0 / 55 / 25

HEX #97BE55

RGB 151 190 85

HSL 82.29, 0.45%, 0.54%

LAB 72.27, -29.71, 48.05

 

CMYK 14 / 0 / 39 / 33

HEX #93AB68

RGB 147 171 104

HSL 81.49, 0.29%, 0.54%

LAB 66.77, -19.8, 31.78

 

CMYK 7 / 0 / 19 / 40

HEX #8E987B

RGB 142 152 123

HSL 80.69, 0.12%, 0.54%

LAB 61.34, -8.96, 14.08

 

CMYK 4 / 6 / 0 / 44

HEX #89858E

RGB 137 133 142

HSL 266.67, 0.04%, 0.54%

LAB 56.13, 3.28, -4.29

 

CMYK 0 / 11 / 68 / 18

HEX #D1B942

RGB 209 185 66

HSL 49.93, 0.61%, 0.54%

LAB 75.23, -4.62, 60.9

 

CMYK 7 / 0 / 68 / 18

HEX #C3D142

RGB 195 209 66

HSL 65.87, 0.61%, 0.54%

LAB 80.51, -22.62, 65.86

 

CMYK 25 / 0 / 68 / 18

HEX #9DD142

RGB 157 209 66

HSL 81.82, 0.61%, 0.54%

LAB 77.97, -37.71, 62.46

 

CMYK 43 / 0 / 68 / 18

HEX #77D142

RGB 119 209 66

HSL 97.76, 0.61%, 0.54%

LAB 76.02, -51.01, 59.83

 

CMYK 62 / 0 / 68 / 18

HEX #50D142

RGB 80 209 66

HSL 114.13, 0.61%, 0.54%

LAB 74.64, -61.61, 57.95

 

CMYK 28 / 0 / 75 / 39

HEX #709B26

RGB 112 155 38

HSL 82.05, 0.61%, 0.38%

LAB 59, -32.19, 52.94

 

CMYK 28 / 0 / 76 / 26

HEX #88BC2E

RGB 136 188 46

HSL 81.97, 0.61%, 0.46%

LAB 70.45, -37.48, 61.72

 

CMYK 25 / 0 / 68 / 18

HEX #9CD142

RGB 156 209 66

HSL 82.24, 0.61%, 0.54%

LAB 77.91, -38.09, 62.38

 

CMYK 20 / 0 / 54 / 15

HEX #AED963

RGB 174 217 99

HSL 81.86, 0.61%, 0.62%

LAB 81.58, -32.29, 52.78

 

CMYK 15 / 0 / 41 / 12

HEX #BFE185

RGB 191 225 133

HSL 82.17, 0.61%, 0.7%

LAB 85.31, -26.07, 41.32

 

CMYK 25 / 0 / 67 / 18

HEX #9DD144

RGB 157 209 68

HSL 82.13, 0.61%, 0.54%

LAB 77.98, -37.58, 61.71

 

CMYK 68 / 0 / 30 / 18

HEX #42D193

RGB 66 209 147

HSL 153.99, 0.61%, 0.54%

LAB 75.37, -52.21, 19.96

 

CMYK 2 / 68 / 0 / 18

HEX #CC42D1

RGB 204 66 209

HSL 297.9, 0.61%, 0.54%

LAB 53.32, 70.72, -46.63

 

CMYK 25 / 0 / 67 / 18

HEX #9DD144

RGB 157 209 68

HSL 82.13, 0.61%, 0.54%

LAB 77.98, -37.58, 61.71

 

CMYK 68 / 25 / 0 / 18

HEX #429DD1

RGB 66 157 209

HSL 201.82, 0.61%, 0.54%

LAB 61.55, -10.46, -34.47

 

CMYK 0 / 68 / 25 / 18

HEX #D1429D

RGB 209 66 157

HSL 321.82, 0.61%, 0.54%

LAB 51.71, 64.23, -18.85

 

CMYK 25 / 0 / 67 / 18

HEX #9DD144

RGB 157 209 68

HSL 82.13, 0.61%, 0.54%

LAB 77.98, -37.58, 61.71

 

CMYK 68 / 0 / 30 / 18

HEX #42D193

RGB 66 209 147

HSL 153.99, 0.61%, 0.54%

LAB 75.37, -52.21, 19.96

 

CMYK 43 / 68 / 0 / 18

HEX #7742D1

RGB 119 66 209

HSL 262.24, 0.61%, 0.54%

LAB 41.88, 53.1, -65.63

 

CMYK 0 / 68 / 39 / 18

HEX #D14280

RGB 209 66 128

HSL 333.99, 0.61%, 0.54%

LAB 50.7, 60.84, -3.06

 

CMYK 25 / 0 / 67 / 18

HEX #9DD144

RGB 157 209 68

HSL 82.13, 0.61%, 0.54%

LAB 77.98, -37.58, 61.71

 

CMYK 68 / 0 / 9 / 18

HEX #42D1BE

RGB 66 209 190

HSL 172.03, 0.61%, 0.54%

LAB 76.36, -41.99, -1.61

 

CMYK 43 / 68 / 0 / 18

HEX #7742D1

RGB 119 66 209

HSL 262.24, 0.61%, 0.54%

LAB 41.88, 53.1, -65.63

 

CMYK 0 / 68 / 59 / 18

HEX #D14255

RGB 209 66 85

HSL 352.03, 0.61%, 0.54%

LAB 49.63, 57.11, 21.39

 

Description

Color code: HEX #9DD144 | qconv.com Color code: HEX #9DD144 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 209 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 209 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 67 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 67% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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