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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DD117 it is the complementary color #622EE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DD117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DD117 shade: #A2D112, #B3E325, #C4F538, #D5FF4B and #E6FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DD117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DD117 shade: #9DD117, #8CBF04, #7BAD00, #6A9B00 and #598900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DD117 shade: #9BCF17, #CDCF17, #CF9F17, #CF6D17 and #CF3C17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DD117 shade: #9BCF17, #6ACF17, #38CF17, #17CF27 and #17CF59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DD117 shade matches the following richer shades: #9BCF17 and #A3E104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DD117 shade: #9BCF17, #93BC2A, #8BA93C, #83974F and #7A8461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DD117 shade: #CF9E17, #CFCF17, #9ECF17, #6DCF17 and #3CCF17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DD117 shade: #63840F, #7FA913, #9BCF17, #B2E728 and #BFEB4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DD117 shade: #9DD117, #17CF6D and #B617CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DD117 shade: #9DD117, #179ECF and #CF179E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DD117 shade: #9DD117, #17CF6D, #4817CF and #CF1779

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DD117 shade: #9DD117, #17CFA4, #4817CF and #CF1742

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 89 / 18

HEX #9DD117

RGB 157 209 23

HSL 76.77, 0.8%, 0.45%

LAB 77.78, -39.58, 74.35

 

Complementary color

CMYK 58 / 80 / 0 / 9

HEX #622EE8

RGB 98 46 232

HSL 256.77, 0.8%, 0.55%

LAB 38.51, 65.28, -84.4

 

CMYK 22 / 0 / 91 / 18

HEX #A2D112

RGB 162 209 18

HSL 74.76, 0.84%, 0.45%

LAB 78.07, -37.73, 75.48

 

CMYK 21 / 0 / 84 / 11

HEX #B3E325

RGB 179 227 37

HSL 75.16, 0.77%, 0.52%

LAB 84.31, -38.67, 77.63

 

CMYK 20 / 0 / 77 / 4

HEX #C4F538

RGB 196 245 56

HSL 75.56, 0.9%, 0.59%

LAB 90.47, -39.44, 78.68

 

CMYK 16 / 0 / 71 / 0

HEX #D5FF4B

RGB 213 255 75

HSL 74, 1%, 0.65%

LAB 94.39, -36.49, 76.84

 

CMYK 10 / 0 / 63 / 0

HEX #E6FF5E

RGB 230 255 94

HSL 69.32, 1%, 0.68%

LAB 95.64, -28.8, 71.53

 

CMYK 25 / 0 / 89 / 18

HEX #9DD117

RGB 157 209 23

HSL 76.77, 0.8%, 0.45%

LAB 77.78, -39.58, 74.35

 

CMYK 27 / 0 / 98 / 25

HEX #8CBF04

RGB 140 191 4

HSL 76.36, 0.96%, 0.38%

LAB 71.45, -38.53, 71.3

 

CMYK 29 / 0 / 100 / 32

HEX #7BAD00

RGB 123 173 0

HSL 77.34, 1%, 0.34%

LAB 65.04, -37.23, 66.41

 

CMYK 32 / 0 / 100 / 39

HEX #6A9B00

RGB 106 155 0

HSL 78.97, 1%, 0.3%

LAB 58.52, -35.85, 60.98

 

CMYK 35 / 0 / 100 / 46

HEX #598900

RGB 89 137 0

HSL 81.02, 1%, 0.27%

LAB 51.85, -34.43, 55.43

 

CMYK 25 / 0 / 89 / 19

HEX #9BCF17

RGB 155 207 23

HSL 76.96, 0.8%, 0.45%

LAB 77.07, -39.47, 73.73

 

CMYK 1 / 0 / 89 / 19

HEX #CDCF17

RGB 205 207 23

HSL 60.65, 0.8%, 0.45%

LAB 80.55, -18.99, 77.98

 

CMYK 0 / 23 / 89 / 19

HEX #CF9F17

RGB 207 159 23

HSL 44.35, 0.8%, 0.45%

LAB 68.11, 6.71, 68.28

 

CMYK 0 / 47 / 89 / 19

HEX #CF6D17

RGB 207 109 23

HSL 28.04, 0.8%, 0.45%

LAB 56.35, 33.62, 59.15

 

CMYK 0 / 71 / 89 / 19

HEX #CF3C17

RGB 207 60 23

HSL 12.07, 0.8%, 0.45%

LAB 47.7, 56.14, 52.55

 

CMYK 25 / 0 / 89 / 19

HEX #9BCF17

RGB 155 207 23

HSL 76.96, 0.8%, 0.45%

LAB 77.07, -39.47, 73.73

 

CMYK 49 / 0 / 89 / 19

HEX #6ACF17

RGB 106 207 23

HSL 92.93, 0.8%, 0.45%

LAB 74.67, -56.5, 70.75

 

CMYK 73 / 0 / 89 / 19

HEX #38CF17

RGB 56 207 23

HSL 109.24, 0.8%, 0.45%

LAB 73.24, -68.19, 68.96

 

CMYK 89 / 0 / 81 / 19

HEX #17CF27

RGB 23 207 39

HSL 125.22, 0.8%, 0.45%

LAB 72.86, -71.3, 64.87

 

CMYK 89 / 0 / 57 / 19

HEX #17CF59

RGB 23 207 89

HSL 141.52, 0.8%, 0.45%

LAB 73.24, -66.57, 46.27

 

CMYK 25 / 0 / 89 / 19

HEX #9BCF17

RGB 155 207 23

HSL 76.96, 0.8%, 0.45%

LAB 77.07, -39.47, 73.73

 

CMYK 28 / 0 / 98 / 12

HEX #A3E104

RGB 163 225 4

HSL 76.83, 0.97%, 0.45%

LAB 82.72, -44.54, 80.59

 

CMYK 25 / 0 / 89 / 19

HEX #9BCF17

RGB 155 207 23

HSL 76.96, 0.8%, 0.45%

LAB 77.07, -39.47, 73.73

 

CMYK 22 / 0 / 78 / 26

HEX #93BC2A

RGB 147 188 42

HSL 76.85, 0.63%, 0.45%

LAB 71.1, -33.38, 63.84

 

CMYK 18 / 0 / 64 / 34

HEX #8BA93C

RGB 139 169 60

HSL 76.51, 0.48%, 0.45%

LAB 65.11, -26.51, 51.08

 

CMYK 13 / 0 / 48 / 41

HEX #83974F

RGB 131 151 79

HSL 76.67, 0.31%, 0.45%

LAB 59.46, -19, 35.4

 

CMYK 8 / 0 / 27 / 48

HEX #7A8461

RGB 122 132 97

HSL 77.14, 0.15%, 0.45%

LAB 53.5, -10.12, 17.72

 

CMYK 0 / 24 / 89 / 19

HEX #CF9E17

RGB 207 158 23

HSL 44.02, 0.8%, 0.45%

LAB 67.86, 7.25, 68.08

 

CMYK 0 / 0 / 89 / 19

HEX #CFCF17

RGB 207 207 23

HSL 60, 0.8%, 0.45%

LAB 80.71, -18.14, 78.18

 

CMYK 24 / 0 / 89 / 19

HEX #9ECF17

RGB 158 207 23

HSL 75.98, 0.8%, 0.45%

LAB 77.25, -38.3, 73.95

 

CMYK 47 / 0 / 89 / 19

HEX #6DCF17

RGB 109 207 23

HSL 91.96, 0.8%, 0.45%

LAB 74.79, -55.59, 70.89

 

CMYK 71 / 0 / 89 / 19

HEX #3CCF17

RGB 60 207 23

HSL 107.93, 0.8%, 0.45%

LAB 73.32, -67.51, 69.06

 

CMYK 25 / 0 / 89 / 48

HEX #63840F

RGB 99 132 15

HSL 76.92, 0.8%, 0.29%

LAB 50.91, -27.63, 52.1

 

CMYK 25 / 0 / 89 / 34

HEX #7FA913

RGB 127 169 19

HSL 76.8, 0.8%, 0.37%

LAB 64.11, -33.46, 63.05

 

CMYK 25 / 0 / 89 / 19

HEX #9BCF17

RGB 155 207 23

HSL 76.96, 0.8%, 0.45%

LAB 77.07, -39.47, 73.73

 

CMYK 23 / 0 / 83 / 9

HEX #B2E728

RGB 178 231 40

HSL 76.65, 0.8%, 0.53%

LAB 85.39, -40.74, 77.86

 

CMYK 19 / 0 / 67 / 8

HEX #BFEB4D

RGB 191 235 77

HSL 76.71, 0.8%, 0.61%

LAB 87.5, -35.78, 68.76

 

CMYK 25 / 0 / 89 / 18

HEX #9DD117

RGB 157 209 23

HSL 76.77, 0.8%, 0.45%

LAB 77.78, -39.58, 74.35

 

CMYK 89 / 0 / 47 / 19

HEX #17CF6D

RGB 23 207 109

HSL 148.04, 0.8%, 0.45%

LAB 73.49, -63.55, 36.95

 

CMYK 12 / 89 / 0 / 19

HEX #B617CF

RGB 182 23 207

HSL 291.85, 0.8%, 0.45%

LAB 45.72, 77.62, -57.84

 

CMYK 25 / 0 / 89 / 18

HEX #9DD117

RGB 157 209 23

HSL 76.77, 0.8%, 0.45%

LAB 77.78, -39.58, 74.35

 

CMYK 89 / 24 / 0 / 19

HEX #179ECF

RGB 23 158 207

HSL 195.98, 0.8%, 0.45%

LAB 60.91, -16.15, -34.41

 

CMYK 0 / 89 / 24 / 19

HEX #CF179E

RGB 207 23 158

HSL 315.98, 0.8%, 0.45%

LAB 47.43, 75.21, -26.07

 

CMYK 25 / 0 / 89 / 18

HEX #9DD117

RGB 157 209 23

HSL 76.77, 0.8%, 0.45%

LAB 77.78, -39.58, 74.35

 

CMYK 89 / 0 / 47 / 19

HEX #17CF6D

RGB 23 207 109

HSL 148.04, 0.8%, 0.45%

LAB 73.49, -63.55, 36.95

 

CMYK 65 / 89 / 0 / 19

HEX #4817CF

RGB 72 23 207

HSL 255.98, 0.8%, 0.45%

LAB 30.63, 64.58, -83.15

 

CMYK 0 / 89 / 42 / 19

HEX #CF1779

RGB 207 23 121

HSL 328.04, 0.8%, 0.45%

LAB 45.99, 71.31, -5.82

 

CMYK 25 / 0 / 89 / 18

HEX #9DD117

RGB 157 209 23

HSL 76.77, 0.8%, 0.45%

LAB 77.78, -39.58, 74.35

 

CMYK 89 / 0 / 21 / 19

HEX #17CFA4

RGB 23 207 164

HSL 165.98, 0.8%, 0.45%

LAB 74.5, -52.07, 9.6

 

CMYK 65 / 89 / 0 / 19

HEX #4817CF

RGB 72 23 207

HSL 255.98, 0.8%, 0.45%

LAB 30.63, 64.58, -83.15

 

CMYK 0 / 89 / 68 / 19

HEX #CF1742

RGB 207 23 66

HSL 345.98, 0.8%, 0.45%

LAB 44.62, 67.48, 26.41

 

Description

Color code: HEX #9DD117 | qconv.com Color code: HEX #9DD117 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 209 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 209 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 89 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 89% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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