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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DCEF3 it is the complementary color #62310C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DCEF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DCEF3 shade: #A2CEEE, #B3E0FF, #C4F2FF, #D5FFFF and #E6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DCEF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DCEF3 shade: #9DCEF3, #8CBCE0, #7BAACD, #6A98BA and #5986A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DCEF3 shade: #9BCDF3, #9BB5F3, #9B9EF3, #B09BF3 and #C89BF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DCEF3 shade: #9BCDF3, #9BB5F3, #9B9EF3 and #9B9BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DCEF3 shade matches the following richer shades: #9BCDF3 and #92CEFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DCEF3 shade: #9BCDF3, #A4CCEA, #ADCAE1, #B6C9D7 and #BFC8CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DCEF3 shade: #9BF3E8, #9BE6F3, #9BCEF3, #9BB7F3 and #9BA0F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DCEF3 shade: #52A8EA, #76BBEE, #9BCDF3, #C0DFF7 and #E5F2FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DCEF3 shade: #9DCEF3, #D19BF3 and #F1F39B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DCEF3 shade: #9DCEF3, #F39BCE and #CEF39B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DCEF3 shade: #9DCEF3, #D19BF3, #F3C09B and #BDF39B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DCEF3 shade: #9DCEF3, #EB9BF3, #F3C09B and #A2F39B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 15 / 0 / 5

HEX #9DCEF3

RGB 157 206 243

HSL 205.81, 0.78%, 0.78%

LAB 80.62, -7.11, -23.31

 

Complementary color

CMYK 0 / 50 / 88 / 62

HEX #62310C

RGB 98 49 12

HSL 25.81, 0.78%, 0.22%

LAB 26.22, 19.33, 31.59

 

CMYK 32 / 13 / 0 / 7

HEX #A2CEEE

RGB 162 206 238

HSL 205.26, 0.69%, 0.78%

LAB 80.74, -6.97, -20.44

 

CMYK 30 / 12 / 0 / 0

HEX #B3E0FF

RGB 179 224 255

HSL 204.47, 1%, 0.85%

LAB 87.05, -7.56, -19.79

 

CMYK 23 / 5 / 0 / 0

HEX #C4F2FF

RGB 196 242 255

HSL 193.22, 1%, 0.88%

LAB 92.78, -11.88, -11.11

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 35 / 15 / 0 / 5

HEX #9DCEF3

RGB 157 206 243

HSL 205.81, 0.78%, 0.78%

LAB 80.62, -7.11, -23.31

 

CMYK 38 / 16 / 0 / 12

HEX #8CBCE0

RGB 140 188 224

HSL 205.71, 0.58%, 0.71%

LAB 74.14, -6.94, -23.04

 

CMYK 40 / 17 / 0 / 20

HEX #7BAACD

RGB 123 170 205

HSL 205.61, 0.45%, 0.64%

LAB 67.55, -6.73, -22.78

 

CMYK 43 / 18 / 0 / 27

HEX #6A98BA

RGB 106 152 186

HSL 205.5, 0.37%, 0.57%

LAB 60.84, -6.48, -22.53

 

CMYK 47 / 20 / 0 / 35

HEX #5986A7

RGB 89 134 167

HSL 205.38, 0.31%, 0.5%

LAB 53.99, -6.18, -22.29

 

CMYK 36 / 16 / 0 / 5

HEX #9BCDF3

RGB 155 205 243

HSL 205.91, 0.79%, 0.78%

LAB 80.24, -7.12, -23.9

 

CMYK 36 / 26 / 0 / 5

HEX #9BB5F3

RGB 155 181 243

HSL 222.27, 0.79%, 0.78%

LAB 73.86, 5.86, -33.69

 

CMYK 36 / 35 / 0 / 5

HEX #9B9EF3

RGB 155 158 243

HSL 237.95, 0.79%, 0.78%

LAB 67.94, 18.78, -42.9

 

CMYK 28 / 36 / 0 / 5

HEX #B09BF3

RGB 176 155 243

HSL 254.32, 0.79%, 0.78%

LAB 68.86, 26.25, -41.35

 

CMYK 18 / 36 / 0 / 5

HEX #C89BF3

RGB 200 155 243

HSL 270.68, 0.79%, 0.78%

LAB 71, 33.18, -37.84

 

CMYK 36 / 16 / 0 / 5

HEX #9BCDF3

RGB 155 205 243

HSL 205.91, 0.79%, 0.78%

LAB 80.24, -7.12, -23.9

 

CMYK 36 / 26 / 0 / 5

HEX #9BB5F3

RGB 155 181 243

HSL 222.27, 0.79%, 0.78%

LAB 73.86, 5.86, -33.69

 

CMYK 36 / 35 / 0 / 5

HEX #9B9EF3

RGB 155 158 243

HSL 237.95, 0.79%, 0.78%

LAB 67.94, 18.78, -42.9

 

CMYK 36 / 36 / 0 / 5

HEX #9B9BF3

RGB 155 155 243

HSL 240, 0.79%, 0.78%

LAB 67.19, 20.49, -44.08

 

CMYK 36 / 16 / 0 / 5

HEX #9BCDF3

RGB 155 205 243

HSL 205.91, 0.79%, 0.78%

LAB 80.24, -7.12, -23.9

 

CMYK 42 / 18 / 0 / 1

HEX #92CEFC

RGB 146 206 252

HSL 206.04, 0.95%, 0.78%

LAB 80.34, -7.64, -28.59

 

CMYK 36 / 16 / 0 / 5

HEX #9BCDF3

RGB 155 205 243

HSL 205.91, 0.79%, 0.78%

LAB 80.24, -7.12, -23.9

 

CMYK 30 / 13 / 0 / 8

HEX #A4CCEA

RGB 164 204 234

HSL 205.71, 0.63%, 0.78%

LAB 80.19, -6.32, -19.11

 

CMYK 23 / 10 / 0 / 12

HEX #ADCAE1

RGB 173 202 225

HSL 206.54, 0.46%, 0.78%

LAB 79.93, -4.71, -14.63

 

CMYK 15 / 7 / 0 / 16

HEX #B6C9D7

RGB 182 201 215

HSL 205.45, 0.29%, 0.78%

LAB 79.97, -3.56, -9.15

 

CMYK 7 / 3 / 0 / 19

HEX #BFC8CE

RGB 191 200 206

HSL 204, 0.13%, 0.78%

LAB 80.09, -1.91, -4.06

 

CMYK 36 / 0 / 5 / 5

HEX #9BF3E8

RGB 155 243 232

HSL 172.5, 0.79%, 0.78%

LAB 90.27, -28.84, -3.08

 

CMYK 36 / 5 / 0 / 5

HEX #9BE6F3

RGB 155 230 243

HSL 188.86, 0.79%, 0.78%

LAB 87.01, -19.94, -13.67

 

CMYK 36 / 15 / 0 / 5

HEX #9BCEF3

RGB 155 206 243

HSL 205.23, 0.79%, 0.78%

LAB 80.51, -7.65, -23.49

 

CMYK 36 / 25 / 0 / 5

HEX #9BB7F3

RGB 155 183 243

HSL 220.91, 0.79%, 0.78%

LAB 74.39, 4.75, -32.87

 

CMYK 36 / 34 / 0 / 5

HEX #9BA0F3

RGB 155 160 243

HSL 236.59, 0.79%, 0.78%

LAB 68.45, 17.65, -42.11

 

CMYK 65 / 28 / 0 / 8

HEX #52A8EA

RGB 82 168 234

HSL 206.05, 0.78%, 0.62%

LAB 66.32, -5.79, -40.79

 

CMYK 50 / 21 / 0 / 7

HEX #76BBEE

RGB 118 187 238

HSL 205.5, 0.78%, 0.7%

LAB 73.26, -7.96, -32.07

 

CMYK 36 / 16 / 0 / 5

HEX #9BCDF3

RGB 155 205 243

HSL 205.91, 0.79%, 0.78%

LAB 80.24, -7.12, -23.9

 

CMYK 22 / 10 / 0 / 3

HEX #C0DFF7

RGB 192 223 247

HSL 206.18, 0.77%, 0.86%

LAB 87.34, -5.1, -15.08

 

CMYK 9 / 4 / 0 / 1

HEX #E5F2FC

RGB 229 242 252

HSL 206.09, 0.79%, 0.94%

LAB 94.82, -2.39, -6.29

 

CMYK 35 / 15 / 0 / 5

HEX #9DCEF3

RGB 157 206 243

HSL 205.81, 0.78%, 0.78%

LAB 80.62, -7.11, -23.31

 

CMYK 14 / 36 / 0 / 5

HEX #D19BF3

RGB 209 155 243

HSL 276.82, 0.79%, 0.78%

LAB 71.87, 35.85, -36.42

 

CMYK 1 / 0 / 36 / 5

HEX #F1F39B

RGB 241 243 155

HSL 61.36, 0.79%, 0.78%

LAB 93.96, -13.47, 42.24

 

CMYK 35 / 15 / 0 / 5

HEX #9DCEF3

RGB 157 206 243

HSL 205.81, 0.78%, 0.78%

LAB 80.62, -7.11, -23.31

 

CMYK 0 / 36 / 15 / 5

HEX #F39BCE

RGB 243 155 206

HSL 325.23, 0.79%, 0.78%

LAB 74.16, 39.88, -12.35

 

CMYK 15 / 0 / 36 / 5

HEX #CEF39B

RGB 206 243 155

HSL 85.23, 0.79%, 0.78%

LAB 91.5, -26.45, 38.58

 

CMYK 35 / 15 / 0 / 5

HEX #9DCEF3

RGB 157 206 243

HSL 205.81, 0.78%, 0.78%

LAB 80.62, -7.11, -23.31

 

CMYK 14 / 36 / 0 / 5

HEX #D19BF3

RGB 209 155 243

HSL 276.82, 0.79%, 0.78%

LAB 71.87, 35.85, -36.42

 

CMYK 0 / 21 / 36 / 5

HEX #F3C09B

RGB 243 192 155

HSL 25.23, 0.79%, 0.78%

LAB 81.36, 13.35, 25.62

 

CMYK 22 / 0 / 36 / 5

HEX #BDF39B

RGB 189 243 155

HSL 96.82, 0.79%, 0.78%

LAB 90.45, -32.44, 37.01

 

CMYK 35 / 15 / 0 / 5

HEX #9DCEF3

RGB 157 206 243

HSL 205.81, 0.78%, 0.78%

LAB 80.62, -7.11, -23.31

 

CMYK 3 / 36 / 0 / 5

HEX #EB9BF3

RGB 235 155 243

HSL 294.55, 0.79%, 0.78%

LAB 74.56, 43.67, -32.05

 

CMYK 0 / 21 / 36 / 5

HEX #F3C09B

RGB 243 192 155

HSL 25.23, 0.79%, 0.78%

LAB 81.36, 13.35, 25.62

 

CMYK 33 / 0 / 36 / 5

HEX #A2F39B

RGB 162 243 155

HSL 115.23, 0.79%, 0.78%

LAB 88.99, -41.36, 34.82

 

Description

Color code: HEX #9DCEF3 | qconv.com Color code: HEX #9DCEF3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 206 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 206 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 15 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 15% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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