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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DCEF0 it is the complementary color #62310F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DCEF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DCEF0 shade: #A2CEEB, #B3E0FE, #C4F2FF, #D5FFFF and #E6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DCEF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DCEF0 shade: #9DCEF0, #8CBCDD, #7BAACA, #6A98B7 and #5986A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DCEF0 shade: #9ECEF0, #9EB8F0, #9EA2F0, #B09EF0 and #C69EF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DCEF0 shade: #9ECEF0, #9EB8F0, #9EA2F0 and #9E9EF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DCEF0 shade matches the following richer shades: #9ECEF0 and #95D0F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DCEF0 shade: #9ECEF0, #A7CDE7, #B0CBDE, #B9C9D5 and #C2C8CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DCEF0 shade: #9EF0E5, #9EE5F0, #9ECFF0, #9EB9F0 and #9EA3F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DCEF0 shade: #57AAE5, #7ABCEA, #9ECEF0, #C2E0F5 and #E5F2FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DCEF0 shade: #9DCEF0, #CF9EF0 and #F0F09E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DCEF0 shade: #9DCEF0, #F09ECF and #CFF09E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DCEF0 shade: #9DCEF0, #CF9EF0, #F0BF9E and #BFF09E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DCEF0 shade: #9DCEF0, #E89EF0, #F0BF9E and #A6F09E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 14 / 0 / 6

HEX #9DCEF0

RGB 157 206 240

HSL 204.58, 0.73%, 0.78%

LAB 80.52, -7.86, -21.86

 

Complementary color

CMYK 0 / 50 / 85 / 62

HEX #62310F

RGB 98 49 15

HSL 24.58, 0.73%, 0.22%

LAB 26.24, 19.44, 30.18

 

CMYK 31 / 12 / 0 / 8

HEX #A2CEEB

RGB 162 206 235

HSL 203.84, 0.65%, 0.78%

LAB 80.64, -7.7, -18.98

 

CMYK 30 / 12 / 0 / 0

HEX #B3E0FE

RGB 179 224 254

HSL 204, 0.97%, 0.85%

LAB 87.02, -7.8, -19.32

 

CMYK 23 / 5 / 0 / 0

HEX #C4F2FF

RGB 196 242 255

HSL 193.22, 1%, 0.88%

LAB 92.78, -11.88, -11.11

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 35 / 14 / 0 / 6

HEX #9DCEF0

RGB 157 206 240

HSL 204.58, 0.73%, 0.78%

LAB 80.52, -7.86, -21.86

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDD

RGB 140 188 221

HSL 204.44, 0.54%, 0.71%

LAB 74.04, -7.71, -21.57

 

CMYK 39 / 16 / 0 / 21

HEX #7BAACA

RGB 123 170 202

HSL 204.3, 0.43%, 0.64%

LAB 67.45, -7.53, -21.28

 

CMYK 42 / 17 / 0 / 28

HEX #6A98B7

RGB 106 152 183

HSL 204.16, 0.35%, 0.57%

LAB 60.73, -7.32, -21.01

 

CMYK 46 / 18 / 0 / 36

HEX #5986A4

RGB 89 134 164

HSL 204, 0.3%, 0.5%

LAB 53.87, -7.06, -20.74

 

CMYK 34 / 14 / 0 / 6

HEX #9ECEF0

RGB 158 206 240

HSL 204.88, 0.73%, 0.78%

LAB 80.57, -7.59, -21.77

 

CMYK 34 / 23 / 0 / 6

HEX #9EB8F0

RGB 158 184 240

HSL 220.98, 0.73%, 0.78%

LAB 74.72, 4.25, -30.72

 

CMYK 34 / 33 / 0 / 6

HEX #9EA2F0

RGB 158 162 240

HSL 237.07, 0.73%, 0.78%

LAB 69.04, 16.53, -39.53

 

CMYK 27 / 34 / 0 / 6

HEX #B09EF0

RGB 176 158 240

HSL 253.17, 0.73%, 0.78%

LAB 69.45, 23.84, -38.78

 

CMYK 18 / 34 / 0 / 6

HEX #C69EF0

RGB 198 158 240

HSL 269.27, 0.73%, 0.78%

LAB 71.39, 30.29, -35.62

 

CMYK 34 / 14 / 0 / 6

HEX #9ECEF0

RGB 158 206 240

HSL 204.88, 0.73%, 0.78%

LAB 80.57, -7.59, -21.77

 

CMYK 34 / 23 / 0 / 6

HEX #9EB8F0

RGB 158 184 240

HSL 220.98, 0.73%, 0.78%

LAB 74.72, 4.25, -30.72

 

CMYK 34 / 33 / 0 / 6

HEX #9EA2F0

RGB 158 162 240

HSL 237.07, 0.73%, 0.78%

LAB 69.04, 16.53, -39.53

 

CMYK 34 / 34 / 0 / 6

HEX #9E9EF0

RGB 158 158 240

HSL 240, 0.73%, 0.78%

LAB 68.03, 18.8, -41.1

 

CMYK 34 / 14 / 0 / 6

HEX #9ECEF0

RGB 158 206 240

HSL 204.88, 0.73%, 0.78%

LAB 80.57, -7.59, -21.77

 

CMYK 40 / 16 / 0 / 2

HEX #95D0F9

RGB 149 208 249

HSL 204.6, 0.89%, 0.78%

LAB 80.93, -8.73, -26.08

 

CMYK 34 / 14 / 0 / 6

HEX #9ECEF0

RGB 158 206 240

HSL 204.88, 0.73%, 0.78%

LAB 80.57, -7.59, -21.77

 

CMYK 28 / 11 / 0 / 9

HEX #A7CDE7

RGB 167 205 231

HSL 204.38, 0.57%, 0.78%

LAB 80.54, -6.69, -16.96

 

CMYK 21 / 9 / 0 / 13

HEX #B0CBDE

RGB 176 203 222

HSL 204.78, 0.41%, 0.78%

LAB 80.3, -4.99, -12.45

 

CMYK 13 / 6 / 0 / 16

HEX #B9C9D5

RGB 185 201 213

HSL 205.71, 0.25%, 0.78%

LAB 80.12, -3.01, -7.83

 

CMYK 5 / 2 / 0 / 20

HEX #C2C8CC

RGB 194 200 204

HSL 204, 0.09%, 0.78%

LAB 80.26, -1.29, -2.72

 

CMYK 34 / 0 / 5 / 6

HEX #9EF0E5

RGB 158 240 229

HSL 171.95, 0.73%, 0.78%

LAB 89.51, -27.29, -2.62

 

CMYK 34 / 5 / 0 / 6

HEX #9EE5F0

RGB 158 229 240

HSL 188.05, 0.73%, 0.78%

LAB 86.8, -19.38, -12.4

 

CMYK 34 / 14 / 0 / 6

HEX #9ECFF0

RGB 158 207 240

HSL 204.15, 0.73%, 0.78%

LAB 80.84, -8.11, -21.37

 

CMYK 34 / 23 / 0 / 6

HEX #9EB9F0

RGB 158 185 240

HSL 220.24, 0.73%, 0.78%

LAB 74.99, 3.7, -30.31

 

CMYK 34 / 32 / 0 / 6

HEX #9EA3F0

RGB 158 163 240

HSL 236.34, 0.73%, 0.78%

LAB 69.29, 15.97, -39.13

 

CMYK 62 / 26 / 0 / 10

HEX #57AAE5

RGB 87 170 229

HSL 204.93, 0.73%, 0.62%

LAB 66.85, -7.66, -37.21

 

CMYK 48 / 20 / 0 / 8

HEX #7ABCEA

RGB 122 188 234

HSL 204.64, 0.73%, 0.7%

LAB 73.57, -8.73, -29.41

 

CMYK 34 / 14 / 0 / 6

HEX #9ECEF0

RGB 158 206 240

HSL 204.88, 0.73%, 0.78%

LAB 80.57, -7.59, -21.77

 

CMYK 21 / 9 / 0 / 4

HEX #C2E0F5

RGB 194 224 245

HSL 204.71, 0.72%, 0.86%

LAB 87.67, -5.45, -13.52

 

CMYK 9 / 4 / 0 / 2

HEX #E5F2FB

RGB 229 242 251

HSL 204.55, 0.73%, 0.94%

LAB 94.79, -2.58, -5.81

 

CMYK 35 / 14 / 0 / 6

HEX #9DCEF0

RGB 157 206 240

HSL 204.58, 0.73%, 0.78%

LAB 80.52, -7.86, -21.86

 

CMYK 14 / 34 / 0 / 6

HEX #CF9EF0

RGB 207 158 240

HSL 275.85, 0.73%, 0.78%

LAB 72.24, 32.99, -34.24

 

CMYK 0 / 0 / 34 / 6

HEX #F0F09E

RGB 240 240 158

HSL 60, 0.73%, 0.78%

LAB 93.15, -12.03, 39.7

 

CMYK 35 / 14 / 0 / 6

HEX #9DCEF0

RGB 157 206 240

HSL 204.58, 0.73%, 0.78%

LAB 80.52, -7.86, -21.86

 

CMYK 0 / 34 / 14 / 6

HEX #F09ECF

RGB 240 158 207

HSL 324.15, 0.73%, 0.78%

LAB 74.5, 37.46, -12.43

 

CMYK 14 / 0 / 34 / 6

HEX #CFF09E

RGB 207 240 158

HSL 84.15, 0.73%, 0.78%

LAB 90.8, -24.27, 36.18

 

CMYK 35 / 14 / 0 / 6

HEX #9DCEF0

RGB 157 206 240

HSL 204.58, 0.73%, 0.78%

LAB 80.52, -7.86, -21.86

 

CMYK 14 / 34 / 0 / 6

HEX #CF9EF0

RGB 207 158 240

HSL 275.85, 0.73%, 0.78%

LAB 72.24, 32.99, -34.24

 

CMYK 0 / 20 / 34 / 6

HEX #F0BF9E

RGB 240 191 158

HSL 24.15, 0.73%, 0.78%

LAB 80.88, 13.08, 23.33

 

CMYK 20 / 0 / 34 / 6

HEX #BFF09E

RGB 191 240 158

HSL 95.85, 0.73%, 0.78%

LAB 89.8, -29.94, 34.67

 

CMYK 35 / 14 / 0 / 6

HEX #9DCEF0

RGB 157 206 240

HSL 204.58, 0.73%, 0.78%

LAB 80.52, -7.86, -21.86

 

CMYK 3 / 34 / 0 / 6

HEX #E89EF0

RGB 232 158 240

HSL 294.15, 0.73%, 0.78%

LAB 74.76, 40.62, -30.13

 

CMYK 0 / 20 / 34 / 6

HEX #F0BF9E

RGB 240 191 158

HSL 24.15, 0.73%, 0.78%

LAB 80.88, 13.08, 23.33

 

CMYK 31 / 0 / 34 / 6

HEX #A6F09E

RGB 166 240 158

HSL 114.15, 0.73%, 0.78%

LAB 88.4, -38.3, 32.56

 

Description

Color code: HEX #9DCEF0 | qconv.com Color code: HEX #9DCEF0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 206 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 206 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 14 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 14% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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