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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DC654 it is the complementary color #6239AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DC654. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DC654 shade: #A2C64F, #B3D862, #C4EA75, #D5FC88 and #E6FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DC654. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DC654 shade: #9DC654, #8CB441, #7BA22E, #6A901B and #597E08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DC654 shade: #9CC653, #BBC653, #C6B153, #C69253 and #C67353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DC654 shade: #9CC653, #7DC653, #5EC653, #53C666 and #53C685

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DC654 shade matches the following richer shades: #9CC653, #A2D840, #A7EB2E and #ACFD1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DC654 shade: #9CC653, #97B365, #92A078, #8D8E8B and #887B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DC654 shade: #C6B153, #BCC653, #9DC653, #7FC653 and #60C653

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DC654 shade: #719431, #88B33C, #9CC653, #AED072 and #C0DA91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DC654 shade: #9DC654, #53C692 and #C053C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DC654 shade: #9DC654, #539DC6 and #C6539D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DC654 shade: #9DC654, #53C692, #7B53C6 and #C65387

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DC654 shade: #9DC654, #53C6B4, #7B53C6 and #C65364

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 58 / 22

HEX #9DC654

RGB 157 198 84

HSL 81.58, 0.5%, 0.55%

LAB 74.95, -31.27, 51.69

 

Complementary color

CMYK 43 / 67 / 0 / 33

HEX #6239AB

RGB 98 57 171

HSL 261.58, 0.5%, 0.45%

LAB 34.93, 43.59, -54.75

 

CMYK 18 / 0 / 60 / 22

HEX #A2C64F

RGB 162 198 79

HSL 78.15, 0.51%, 0.54%

LAB 75.22, -29.75, 54.31

 

CMYK 17 / 0 / 55 / 15

HEX #B3D862

RGB 179 216 98

HSL 78.81, 0.6%, 0.62%

LAB 81.61, -30.02, 53.35

 

CMYK 16 / 0 / 50 / 8

HEX #C4EA75

RGB 196 234 117

HSL 79.49, 0.74%, 0.69%

LAB 87.9, -30.2, 52.29

 

CMYK 15 / 0 / 46 / 1

HEX #D5FC88

RGB 213 252 136

HSL 80.17, 0.95%, 0.76%

LAB 94.12, -30.33, 51.19

 

CMYK 10 / 0 / 39 / 0

HEX #E6FF9B

RGB 230 255 155

HSL 75, 1%, 0.8%

LAB 96.29, -23.39, 45.07

 

CMYK 21 / 0 / 58 / 22

HEX #9DC654

RGB 157 198 84

HSL 81.58, 0.5%, 0.55%

LAB 74.95, -31.27, 51.69

 

CMYK 22 / 0 / 64 / 29

HEX #8CB441

RGB 140 180 65

HSL 80.87, 0.47%, 0.48%

LAB 68.46, -31, 52.55

 

CMYK 24 / 0 / 72 / 36

HEX #7BA22E

RGB 123 162 46

HSL 80.17, 0.56%, 0.41%

LAB 61.87, -30.6, 53.06

 

CMYK 26 / 0 / 81 / 44

HEX #6A901B

RGB 106 144 27

HSL 79.49, 0.68%, 0.34%

LAB 55.16, -30.01, 52.82

 

CMYK 29 / 0 / 94 / 51

HEX #597E08

RGB 89 126 8

HSL 78.81, 0.88%, 0.26%

LAB 48.34, -29.14, 51.13

 

CMYK 21 / 0 / 58 / 22

HEX #9CC653

RGB 156 198 83

HSL 81.91, 0.5%, 0.55%

LAB 74.88, -31.74, 52.04

 

CMYK 6 / 0 / 58 / 22

HEX #BBC653

RGB 187 198 83

HSL 65.74, 0.5%, 0.55%

LAB 77.03, -19.39, 55.05

 

CMYK 0 / 11 / 58 / 22

HEX #C6B153

RGB 198 177 83

HSL 49.04, 0.5%, 0.55%

LAB 72.28, -4.04, 49.95

 

CMYK 0 / 26 / 58 / 22

HEX #C69253

RGB 198 146 83

HSL 32.87, 0.5%, 0.55%

LAB 64.31, 12.65, 40.65

 

CMYK 0 / 42 / 58 / 22

HEX #C67353

RGB 198 115 83

HSL 16.7, 0.5%, 0.55%

LAB 56.97, 29.58, 31.67

 

CMYK 21 / 0 / 58 / 22

HEX #9CC653

RGB 156 198 83

HSL 81.91, 0.5%, 0.55%

LAB 74.88, -31.74, 52.04

 

CMYK 37 / 0 / 58 / 22

HEX #7DC653

RGB 125 198 83

HSL 98.09, 0.5%, 0.55%

LAB 73.14, -42.97, 49.6

 

CMYK 53 / 0 / 58 / 22

HEX #5EC653

RGB 94 198 83

HSL 114.26, 0.5%, 0.55%

LAB 71.82, -52.42, 47.73

 

CMYK 58 / 0 / 48 / 22

HEX #53C666

RGB 83 198 102

HSL 129.91, 0.5%, 0.55%

LAB 71.68, -52.7, 38.39

 

CMYK 58 / 0 / 33 / 22

HEX #53C685

RGB 83 198 133

HSL 146.09, 0.5%, 0.55%

LAB 72.18, -47.39, 23.06

 

CMYK 21 / 0 / 58 / 22

HEX #9CC653

RGB 156 198 83

HSL 81.91, 0.5%, 0.55%

LAB 74.88, -31.74, 52.04

 

CMYK 25 / 0 / 70 / 15

HEX #A2D840

RGB 162 216 64

HSL 81.32, 0.66%, 0.55%

LAB 80.27, -39.08, 65.63

 

CMYK 29 / 0 / 80 / 8

HEX #A7EB2E

RGB 167 235 46

HSL 81.59, 0.83%, 0.55%

LAB 85.92, -46.36, 76.63

 

CMYK 32 / 0 / 89 / 1

HEX #ACFD1B

RGB 172 253 27

HSL 81.5, 0.98%, 0.55%

LAB 91.28, -52.59, 85.12

 

CMYK 21 / 0 / 58 / 22

HEX #9CC653

RGB 156 198 83

HSL 81.91, 0.5%, 0.55%

LAB 74.88, -31.74, 52.04

 

CMYK 16 / 0 / 44 / 30

HEX #97B365

RGB 151 179 101

HSL 81.54, 0.34%, 0.55%

LAB 69.3, -22.63, 36.61

 

CMYK 9 / 0 / 25 / 37

HEX #92A078

RGB 146 160 120

HSL 81, 0.17%, 0.55%

LAB 63.84, -12.19, 19.25

 

CMYK 1 / 0 / 2 / 44

HEX #8D8E8B

RGB 141 142 139

HSL 80, 0.01%, 0.55%

LAB 58.86, -0.95, 1.46

 

CMYK 13 / 22 / 0 / 38

HEX #887B9D

RGB 136 123 157

HSL 262.94, 0.15%, 0.55%

LAB 53.85, 11.94, -16.42

 

CMYK 0 / 11 / 58 / 22

HEX #C6B153

RGB 198 177 83

HSL 49.04, 0.5%, 0.55%

LAB 72.28, -4.04, 49.95

 

CMYK 5 / 0 / 58 / 22

HEX #BCC653

RGB 188 198 83

HSL 65.22, 0.5%, 0.55%

LAB 77.1, -18.98, 55.15

 

CMYK 21 / 0 / 58 / 22

HEX #9DC653

RGB 157 198 83

HSL 81.39, 0.5%, 0.55%

LAB 74.94, -31.36, 52.13

 

CMYK 36 / 0 / 58 / 22

HEX #7FC653

RGB 127 198 83

HSL 97.04, 0.5%, 0.55%

LAB 73.24, -42.3, 49.74

 

CMYK 52 / 0 / 58 / 22

HEX #60C653

RGB 96 198 83

HSL 113.22, 0.5%, 0.55%

LAB 71.89, -51.88, 47.84

 

CMYK 24 / 0 / 67 / 42

HEX #719431

RGB 113 148 49

HSL 81.21, 0.5%, 0.39%

LAB 56.99, -27.72, 46.62

 

CMYK 24 / 0 / 66 / 30

HEX #88B33C

RGB 136 179 60

HSL 81.68, 0.5%, 0.47%

LAB 67.87, -32.48, 53.94

 

CMYK 21 / 0 / 58 / 22

HEX #9CC653

RGB 156 198 83

HSL 81.91, 0.5%, 0.55%

LAB 74.88, -31.74, 52.04

 

CMYK 16 / 0 / 45 / 18

HEX #AED072

RGB 174 208 114

HSL 81.7, 0.5%, 0.63%

LAB 79.23, -26.49, 42.82

 

CMYK 12 / 0 / 33 / 15

HEX #C0DA91

RGB 192 218 145

HSL 81.37, 0.5%, 0.71%

LAB 83.65, -20.79, 33.14

 

CMYK 21 / 0 / 58 / 22

HEX #9DC654

RGB 157 198 84

HSL 81.58, 0.5%, 0.55%

LAB 74.95, -31.27, 51.69

 

CMYK 58 / 0 / 26 / 22

HEX #53C692

RGB 83 198 146

HSL 152.87, 0.5%, 0.55%

LAB 72.43, -44.75, 16.49

 

CMYK 3 / 58 / 0 / 22

HEX #C053C6

RGB 192 83 198

HSL 296.87, 0.5%, 0.55%

LAB 53.46, 59.07, -40.22

 

CMYK 21 / 0 / 58 / 22

HEX #9DC654

RGB 157 198 84

HSL 81.58, 0.5%, 0.55%

LAB 74.95, -31.27, 51.69

 

CMYK 58 / 21 / 0 / 22

HEX #539DC6

RGB 83 157 198

HSL 201.39, 0.5%, 0.55%

LAB 61.68, -11.02, -28.07

 

CMYK 0 / 58 / 21 / 22

HEX #C6539D

RGB 198 83 157

HSL 321.39, 0.5%, 0.55%

LAB 52.54, 54.1, -17.74

 

CMYK 21 / 0 / 58 / 22

HEX #9DC654

RGB 157 198 84

HSL 81.58, 0.5%, 0.55%

LAB 74.95, -31.27, 51.69

 

CMYK 58 / 0 / 26 / 22

HEX #53C692

RGB 83 198 146

HSL 152.87, 0.5%, 0.55%

LAB 72.43, -44.75, 16.49

 

CMYK 38 / 58 / 0 / 22

HEX #7B53C6

RGB 123 83 198

HSL 260.87, 0.5%, 0.55%

LAB 44.91, 41.91, -54.36

 

CMYK 0 / 58 / 32 / 22

HEX #C65387

RGB 198 83 135

HSL 332.87, 0.5%, 0.55%

LAB 51.77, 51.15, -5.87

 

CMYK 21 / 0 / 58 / 22

HEX #9DC654

RGB 157 198 84

HSL 81.58, 0.5%, 0.55%

LAB 74.95, -31.27, 51.69

 

CMYK 58 / 0 / 9 / 22

HEX #53C6B4

RGB 83 198 180

HSL 170.61, 0.5%, 0.55%

LAB 73.23, -36.8, -0.74

 

CMYK 38 / 58 / 0 / 22

HEX #7B53C6

RGB 123 83 198

HSL 260.87, 0.5%, 0.55%

LAB 44.91, 41.91, -54.36

 

CMYK 0 / 58 / 49 / 22

HEX #C65364

RGB 198 83 100

HSL 351.13, 0.5%, 0.55%

LAB 50.82, 47.36, 13.7

 

Description

Color code: HEX #9DC654 | qconv.com Color code: HEX #9DC654 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 198 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 198 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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