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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DC540 it is the complementary color #623ABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DC540. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DC540 shade: #A2C53B, #B3D74E, #C4E961, #D5FB74 and #E6FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DC540. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DC540 shade: #9DC540, #8CB32D, #7BA11A, #6A8F07 and #597D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DC540 shade: #9CC440, #C0C440, #C4A540, #C48140 and #C45D40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DC540 shade: #9CC440, #79C440, #55C440, #40C44E and #40C472

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DC540 shade matches the following richer shades: #9CC440, #A4D82C and #ADED17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DC540 shade: #9CC440, #94B054, #8C9C68, #84887C and #7C7391

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DC540 shade: #C4A540, #C0C440, #9DC440, #79C440 and #56C440

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DC540 shade: #6C882A, #85A733, #9CC440, #ADCE5F and #BDD87F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DC540 shade: #9DC540, #40C482 and #B740C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DC540 shade: #9DC540, #409DC4 and #C4409D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DC540 shade: #9DC540, #40C482, #6840C4 and #C44082

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DC540 shade: #9DC540, #40C4AA, #6840C4 and #C4405A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 68 / 23

HEX #9DC540

RGB 157 197 64

HSL 78.05, 0.53%, 0.51%

LAB 74.49, -32.36, 59.65

 

Complementary color

CMYK 49 / 70 / 0 / 25

HEX #623ABF

RGB 98 58 191

HSL 258.05, 0.53%, 0.49%

LAB 36.71, 48.6, -63.68

 

CMYK 18 / 0 / 70 / 23

HEX #A2C53B

RGB 162 197 59

HSL 75.22, 0.54%, 0.5%

LAB 74.78, -30.69, 61.95

 

CMYK 17 / 0 / 64 / 16

HEX #B3D74E

RGB 179 215 78

HSL 75.77, 0.63%, 0.57%

LAB 81.15, -31.16, 61.49

 

CMYK 16 / 0 / 58 / 9

HEX #C4E961

RGB 196 233 97

HSL 76.32, 0.76%, 0.65%

LAB 87.43, -31.52, 60.71

 

CMYK 15 / 0 / 54 / 2

HEX #D5FB74

RGB 213 251 116

HSL 76.89, 0.94%, 0.72%

LAB 93.62, -31.8, 59.76

 

CMYK 10 / 0 / 47 / 0

HEX #E6FF87

RGB 230 255 135

HSL 72.5, 1%, 0.76%

LAB 96.04, -25.5, 54.26

 

CMYK 20 / 0 / 68 / 23

HEX #9DC540

RGB 157 197 64

HSL 78.05, 0.53%, 0.51%

LAB 74.49, -32.36, 59.65

 

CMYK 22 / 0 / 75 / 30

HEX #8CB32D

RGB 140 179 45

HSL 77.46, 0.6%, 0.44%

LAB 68.02, -31.84, 59.82

 

CMYK 24 / 0 / 84 / 37

HEX #7BA11A

RGB 123 161 26

HSL 76.89, 0.72%, 0.37%

LAB 61.46, -31.13, 59.12

 

CMYK 26 / 0 / 95 / 44

HEX #6A8F07

RGB 106 143 7

HSL 76.32, 0.91%, 0.29%

LAB 54.79, -30.17, 56.95

 

CMYK 29 / 0 / 100 / 51

HEX #597D00

RGB 89 125 0

HSL 77.28, 1%, 0.25%

LAB 48, -28.88, 52.47

 

CMYK 20 / 0 / 67 / 23

HEX #9CC440

RGB 156 196 64

HSL 78.18, 0.53%, 0.51%

LAB 74.14, -32.28, 59.27

 

CMYK 2 / 0 / 67 / 23

HEX #C0C440

RGB 192 196 64

HSL 61.82, 0.53%, 0.51%

LAB 76.71, -17.57, 62.72

 

CMYK 0 / 16 / 67 / 23

HEX #C4A540

RGB 196 165 64

HSL 45.91, 0.53%, 0.51%

LAB 68.76, 0.2, 54.65

 

CMYK 0 / 34 / 67 / 23

HEX #C48140

RGB 196 129 64

HSL 29.55, 0.53%, 0.51%

LAB 59.71, 19.81, 44.88

 

CMYK 0 / 53 / 67 / 23

HEX #C45D40

RGB 196 93 64

HSL 13.18, 0.53%, 0.51%

LAB 51.76, 39.04, 35.8

 

CMYK 20 / 0 / 67 / 23

HEX #9CC440

RGB 156 196 64

HSL 78.18, 0.53%, 0.51%

LAB 74.14, -32.28, 59.27

 

CMYK 38 / 0 / 67 / 23

HEX #79C440

RGB 121 196 64

HSL 94.09, 0.53%, 0.51%

LAB 72.17, -45.19, 56.61

 

CMYK 57 / 0 / 67 / 23

HEX #55C440

RGB 85 196 64

HSL 110.45, 0.53%, 0.51%

LAB 70.72, -55.97, 54.63

 

CMYK 67 / 0 / 60 / 23

HEX #40C44E

RGB 64 196 78

HSL 126.36, 0.53%, 0.51%

LAB 70.26, -59.2, 47.97

 

CMYK 67 / 0 / 42 / 23

HEX #40C472

RGB 64 196 114

HSL 142.73, 0.53%, 0.51%

LAB 70.72, -53.91, 30.98

 

CMYK 20 / 0 / 67 / 23

HEX #9CC440

RGB 156 196 64

HSL 78.18, 0.53%, 0.51%

LAB 74.14, -32.28, 59.27

 

CMYK 24 / 0 / 80 / 15

HEX #A4D82C

RGB 164 216 44

HSL 78.14, 0.69%, 0.51%

LAB 80.28, -39.33, 72.03

 

CMYK 27 / 0 / 90 / 7

HEX #ADED17

RGB 173 237 23

HSL 77.94, 0.86%, 0.51%

LAB 86.76, -45.66, 82.04

 

CMYK 20 / 0 / 67 / 23

HEX #9CC440

RGB 156 196 64

HSL 78.18, 0.53%, 0.51%

LAB 74.14, -32.28, 59.27

 

CMYK 16 / 0 / 52 / 31

HEX #94B054

RGB 148 176 84

HSL 78.26, 0.37%, 0.51%

LAB 68.01, -24.2, 43.49

 

CMYK 10 / 0 / 33 / 39

HEX #8C9C68

RGB 140 156 104

HSL 78.46, 0.21%, 0.51%

LAB 61.96, -14.8, 25.41

 

CMYK 3 / 0 / 9 / 47

HEX #84887C

RGB 132 136 124

HSL 80, 0.05%, 0.51%

LAB 56.06, -3.79, 5.93

 

CMYK 14 / 21 / 0 / 43

HEX #7C7391

RGB 124 115 145

HSL 258, 0.12%, 0.51%

LAB 50.21, 9.8, -15.04

 

CMYK 0 / 16 / 67 / 23

HEX #C4A540

RGB 196 165 64

HSL 45.91, 0.53%, 0.51%

LAB 68.76, 0.2, 54.65

 

CMYK 2 / 0 / 67 / 23

HEX #C0C440

RGB 192 196 64

HSL 61.82, 0.53%, 0.51%

LAB 76.71, -17.57, 62.72

 

CMYK 20 / 0 / 67 / 23

HEX #9DC440

RGB 157 196 64

HSL 77.73, 0.53%, 0.51%

LAB 74.2, -31.89, 59.35

 

CMYK 38 / 0 / 67 / 23

HEX #79C440

RGB 121 196 64

HSL 94.09, 0.53%, 0.51%

LAB 72.17, -45.19, 56.61

 

CMYK 56 / 0 / 67 / 23

HEX #56C440

RGB 86 196 64

HSL 110, 0.53%, 0.51%

LAB 70.75, -55.71, 54.67

 

CMYK 21 / 0 / 69 / 47

HEX #6C882A

RGB 108 136 42

HSL 77.87, 0.53%, 0.35%

LAB 52.91, -24.4, 45.22

 

CMYK 20 / 0 / 69 / 35

HEX #85A733

RGB 133 167 51

HSL 77.59, 0.53%, 0.43%

LAB 64.05, -28.62, 53.54

 

CMYK 20 / 0 / 67 / 23

HEX #9CC440

RGB 156 196 64

HSL 78.18, 0.53%, 0.51%

LAB 74.14, -32.28, 59.27

 

CMYK 16 / 0 / 54 / 19

HEX #ADCE5F

RGB 173 206 95

HSL 77.84, 0.53%, 0.59%

LAB 78.38, -27.87, 50.88

 

CMYK 13 / 0 / 41 / 15

HEX #BDD87F

RGB 189 216 127

HSL 78.2, 0.53%, 0.67%

LAB 82.63, -23.18, 40.87

 

CMYK 20 / 0 / 68 / 23

HEX #9DC540

RGB 157 197 64

HSL 78.05, 0.53%, 0.51%

LAB 74.49, -32.36, 59.65

 

CMYK 67 / 0 / 34 / 23

HEX #40C482

RGB 64 196 130

HSL 150, 0.53%, 0.51%

LAB 71, -50.89, 22.97

 

CMYK 7 / 67 / 0 / 23

HEX #B740C4

RGB 183 64 196

HSL 294.09, 0.53%, 0.51%

LAB 49.15, 64.54, -45.97

 

CMYK 20 / 0 / 68 / 23

HEX #9DC540

RGB 157 197 64

HSL 78.05, 0.53%, 0.51%

LAB 74.49, -32.36, 59.65

 

CMYK 67 / 20 / 0 / 23

HEX #409DC4

RGB 64 157 196

HSL 197.73, 0.53%, 0.51%

LAB 60.95, -15.05, -28.13

 

CMYK 0 / 67 / 20 / 23

HEX #C4409D

RGB 196 64 157

HSL 317.73, 0.53%, 0.51%

LAB 49.3, 61.55, -22.74

 

CMYK 20 / 0 / 68 / 23

HEX #9DC540

RGB 157 197 64

HSL 78.05, 0.53%, 0.51%

LAB 74.49, -32.36, 59.65

 

CMYK 67 / 0 / 34 / 23

HEX #40C482

RGB 64 196 130

HSL 150, 0.53%, 0.51%

LAB 71, -50.89, 22.97

 

CMYK 47 / 67 / 0 / 23

HEX #6840C4

RGB 104 64 196

HSL 258.18, 0.53%, 0.51%

LAB 38.89, 47.88, -63.03

 

CMYK 0 / 67 / 34 / 23

HEX #C44082

RGB 196 64 130

HSL 330, 0.53%, 0.51%

LAB 48.28, 58.1, -8.1

 

CMYK 20 / 0 / 68 / 23

HEX #9DC540

RGB 157 197 64

HSL 78.05, 0.53%, 0.51%

LAB 74.49, -32.36, 59.65

 

CMYK 67 / 0 / 13 / 23

HEX #40C4AA

RGB 64 196 170

HSL 168.18, 0.53%, 0.51%

LAB 71.87, -41.74, 2.66

 

CMYK 47 / 67 / 0 / 23

HEX #6840C4

RGB 104 64 196

HSL 258.18, 0.53%, 0.51%

LAB 38.89, 47.88, -63.03

 

CMYK 0 / 67 / 54 / 23

HEX #C4405A

RGB 196 64 90

HSL 348.18, 0.53%, 0.51%

LAB 47.16, 54.18, 14.65

 

Description

Color code: HEX #9DC540 | qconv.com Color code: HEX #9DC540 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 197 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 197 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 68 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 68% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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