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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DBB15 it is the complementary color #6244EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DBB15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DBB15 shade: #A2BB10, #B3CD23, #C4DF36, #D5F149 and #E6FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DBB15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DBB15 shade: #9DBB15, #8CA902, #7B9700, #6A8500 and #597300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DBB15 shade: #9EBC15, #BCAD15, #BC8015, #BC5315 and #BC2615

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DBB15 shade: #9EBC15, #71BC15, #44BC15, #17BC15 and #15BC40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DBB15 shade matches the following richer shades: #9EBC15 and #A9CD04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DBB15 shade: #9EBC15, #93AB26, #889A37, #7E8948 and #737959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DBB15 shade: #BC7F15, #BCAB15, #A0BC15, #74BC15 and #47BC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DBB15 shade: #60720D, #7F9711, #9EBC15, #BDE119 and #CAE93A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DBB15 shade: #9DBB15, #15BC52 and #9515BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DBB15 shade: #9DBB15, #15A0BC and #BC15A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DBB15 shade: #9DBB15, #15BC52, #3115BC and #BC157F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DBB15 shade: #9DBB15, #15BC84, #3115BC and #BC154D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 89 / 27

HEX #9DBB15

RGB 157 187 21

HSL 70.84, 0.8%, 0.41%

LAB 71.39, -29.55, 69.48

 

Complementary color

CMYK 58 / 71 / 0 / 8

HEX #6244EA

RGB 98 68 234

HSL 250.84, 0.8%, 0.59%

LAB 42.26, 55.65, -79.36

 

CMYK 13 / 0 / 91 / 27

HEX #A2BB10

RGB 162 187 16

HSL 68.77, 0.84%, 0.4%

LAB 71.73, -27.57, 70.71

 

CMYK 13 / 0 / 83 / 20

HEX #B3CD23

RGB 179 205 35

HSL 69.18, 0.71%, 0.47%

LAB 78.09, -28.62, 72.77

 

CMYK 12 / 0 / 76 / 13

HEX #C4DF36

RGB 196 223 54

HSL 69.59, 0.73%, 0.54%

LAB 84.37, -29.49, 73.65

 

CMYK 12 / 0 / 70 / 5

HEX #D5F149

RGB 213 241 73

HSL 70, 0.86%, 0.62%

LAB 90.57, -30.19, 73.77

 

CMYK 10 / 0 / 64 / 0

HEX #E6FF5C

RGB 230 255 92

HSL 69.2, 1%, 0.68%

LAB 95.63, -28.93, 72.29

 

CMYK 16 / 0 / 89 / 27

HEX #9DBB15

RGB 157 187 21

HSL 70.84, 0.8%, 0.41%

LAB 71.39, -29.55, 69.48

 

CMYK 17 / 0 / 99 / 34

HEX #8CA902

RGB 140 169 2

HSL 70.42, 0.98%, 0.34%

LAB 64.93, -28.41, 66.54

 

CMYK 19 / 0 / 100 / 41

HEX #7B9700

RGB 123 151 0

HSL 71.13, 1%, 0.3%

LAB 58.36, -26.97, 61.33

 

CMYK 20 / 0 / 100 / 48

HEX #6A8500

RGB 106 133 0

HSL 72.18, 1%, 0.26%

LAB 51.65, -25.49, 55.75

 

CMYK 23 / 0 / 100 / 55

HEX #597300

RGB 89 115 0

HSL 73.57, 1%, 0.23%

LAB 44.78, -23.99, 50.02

 

CMYK 16 / 0 / 89 / 26

HEX #9EBC15

RGB 158 188 21

HSL 70.78, 0.8%, 0.41%

LAB 71.75, -29.61, 69.8

 

CMYK 0 / 8 / 89 / 26

HEX #BCAD15

RGB 188 173 21

HSL 54.61, 0.8%, 0.41%

LAB 69.92, -9.18, 69.31

 

CMYK 0 / 32 / 89 / 26

HEX #BC8015

RGB 188 128 21

HSL 38.44, 0.8%, 0.41%

LAB 58.21, 15.15, 60.07

 

CMYK 0 / 56 / 89 / 26

HEX #BC5315

RGB 188 83 21

HSL 22.28, 0.8%, 0.41%

LAB 48.17, 39.27, 52.22

 

CMYK 0 / 80 / 89 / 26

HEX #BC2615

RGB 188 38 21

HSL 6.11, 0.8%, 0.41%

LAB 41.42, 57.45, 47

 

CMYK 16 / 0 / 89 / 26

HEX #9EBC15

RGB 158 188 21

HSL 70.78, 0.8%, 0.41%

LAB 71.75, -29.61, 69.8

 

CMYK 40 / 0 / 89 / 26

HEX #71BC15

RGB 113 188 21

HSL 86.95, 0.8%, 0.41%

LAB 69.13, -46.9, 66.56

 

CMYK 64 / 0 / 89 / 26

HEX #44BC15

RGB 68 188 21

HSL 103.11, 0.8%, 0.41%

LAB 67.46, -59.89, 64.48

 

CMYK 88 / 0 / 89 / 26

HEX #17BC15

RGB 23 188 21

HSL 119.28, 0.8%, 0.41%

LAB 66.67, -66.74, 63.49

 

CMYK 89 / 0 / 66 / 26

HEX #15BC40

RGB 21 188 64

HSL 135.45, 0.8%, 0.41%

LAB 66.9, -63.85, 50.11

 

CMYK 16 / 0 / 89 / 26

HEX #9EBC15

RGB 158 188 21

HSL 70.78, 0.8%, 0.41%

LAB 71.75, -29.61, 69.8

 

CMYK 18 / 0 / 98 / 20

HEX #A9CD04

RGB 169 205 4

HSL 70.75, 0.96%, 0.41%

LAB 77.34, -33.31, 76.62

 

CMYK 16 / 0 / 89 / 26

HEX #9EBC15

RGB 158 188 21

HSL 70.78, 0.8%, 0.41%

LAB 71.75, -29.61, 69.8

 

CMYK 14 / 0 / 78 / 33

HEX #93AB26

RGB 147 171 38

HSL 70.83, 0.64%, 0.41%

LAB 66.11, -25.47, 60.47

 

CMYK 12 / 0 / 64 / 40

HEX #889A37

RGB 136 154 55

HSL 70.91, 0.47%, 0.41%

LAB 60.45, -20.67, 48.18

 

CMYK 8 / 0 / 47 / 46

HEX #7E8948

RGB 126 137 72

HSL 70.15, 0.31%, 0.41%

LAB 54.86, -14.52, 33.33

 

CMYK 5 / 0 / 26 / 53

HEX #737959

RGB 115 121 89

HSL 71.25, 0.15%, 0.41%

LAB 49.55, -8.12, 16.84

 

CMYK 0 / 32 / 89 / 26

HEX #BC7F15

RGB 188 127 21

HSL 38.08, 0.8%, 0.41%

LAB 57.97, 15.7, 59.88

 

CMYK 0 / 9 / 89 / 26

HEX #BCAB15

RGB 188 171 21

HSL 53.89, 0.8%, 0.41%

LAB 69.38, -8.14, 68.89

 

CMYK 15 / 0 / 89 / 26

HEX #A0BC15

RGB 160 188 21

HSL 70.06, 0.8%, 0.41%

LAB 71.89, -28.78, 69.97

 

CMYK 38 / 0 / 89 / 26

HEX #74BC15

RGB 116 188 21

HSL 85.87, 0.8%, 0.41%

LAB 69.28, -45.86, 66.74

 

CMYK 62 / 0 / 89 / 26

HEX #47BC15

RGB 71 188 21

HSL 102.04, 0.8%, 0.41%

LAB 67.55, -59.21, 64.58

 

CMYK 16 / 0 / 89 / 55

HEX #60720D

RGB 96 114 13

HSL 70.69, 0.8%, 0.25%

LAB 45.01, -19.96, 47.5

 

CMYK 16 / 0 / 89 / 41

HEX #7F9711

RGB 127 151 17

HSL 70.75, 0.8%, 0.33%

LAB 58.68, -24.91, 58.95

 

CMYK 16 / 0 / 89 / 26

HEX #9EBC15

RGB 158 188 21

HSL 70.78, 0.8%, 0.41%

LAB 71.75, -29.61, 69.8

 

CMYK 16 / 0 / 89 / 12

HEX #BDE119

RGB 189 225 25

HSL 70.8, 0.8%, 0.49%

LAB 84.35, -34.13, 80.2

 

CMYK 13 / 0 / 75 / 9

HEX #CAE93A

RGB 202 233 58

HSL 70.63, 0.8%, 0.57%

LAB 87.55, -31.57, 75.53

 

CMYK 16 / 0 / 89 / 27

HEX #9DBB15

RGB 157 187 21

HSL 70.84, 0.8%, 0.41%

LAB 71.39, -29.55, 69.48

 

CMYK 89 / 0 / 56 / 26

HEX #15BC52

RGB 21 188 82

HSL 141.92, 0.8%, 0.41%

LAB 67.08, -61.62, 42.22

 

CMYK 21 / 89 / 0 / 26

HEX #9515BC

RGB 149 21 188

HSL 285.99, 0.8%, 0.41%

LAB 38.82, 69.47, -58.19

 

CMYK 16 / 0 / 89 / 27

HEX #9DBB15

RGB 157 187 21

HSL 70.84, 0.8%, 0.41%

LAB 71.39, -29.55, 69.48

 

CMYK 89 / 15 / 0 / 26

HEX #15A0BC

RGB 21 160 188

HSL 190.06, 0.8%, 0.41%

LAB 60.72, -23.9, -24.06

 

CMYK 0 / 89 / 15 / 26

HEX #BC15A0

RGB 188 21 160

HSL 310.06, 0.8%, 0.41%

LAB 43.9, 71.94, -33.05

 

CMYK 16 / 0 / 89 / 27

HEX #9DBB15

RGB 157 187 21

HSL 70.84, 0.8%, 0.41%

LAB 71.39, -29.55, 69.48

 

CMYK 89 / 0 / 56 / 26

HEX #15BC52

RGB 21 188 82

HSL 141.92, 0.8%, 0.41%

LAB 67.08, -61.62, 42.22

 

CMYK 74 / 89 / 0 / 26

HEX #3115BC

RGB 49 21 188

HSL 250.06, 0.8%, 0.41%

LAB 26.22, 58.8, -79.37

 

CMYK 0 / 89 / 32 / 26

HEX #BC157F

RGB 188 21 127

HSL 321.92, 0.8%, 0.41%

LAB 42.4, 67.94, -15.29

 

CMYK 16 / 0 / 89 / 27

HEX #9DBB15

RGB 157 187 21

HSL 70.84, 0.8%, 0.41%

LAB 71.39, -29.55, 69.48

 

CMYK 89 / 0 / 30 / 26

HEX #15BC84

RGB 21 188 132

HSL 159.88, 0.8%, 0.41%

LAB 67.87, -52.39, 17.5

 

CMYK 74 / 89 / 0 / 26

HEX #3115BC

RGB 49 21 188

HSL 250.06, 0.8%, 0.41%

LAB 26.22, 58.8, -79.37

 

CMYK 0 / 89 / 59 / 26

HEX #BC154D

RGB 188 21 77

HSL 339.88, 0.8%, 0.41%

LAB 40.84, 63.61, 13.83

 

Description

Color code: HEX #9DBB15 | qconv.com Color code: HEX #9DBB15 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 187 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 187 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 89 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 89% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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