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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DAEE53F it is the complementary color #62511A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DAEE53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DAEE53F shade: #A2AEE03F, #B3C0F33F, #C4D2FF3F, #D5E4FF3F and #E6F6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DAEE53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DAEE53F shade: #9DAEE53F, #8C9CD23F, #7B8ABF3F, #6A78AC3F and #5966993F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DAEE53F shade: #9EAFE5, #A19EE5, #B49EE5, #C79EE5 and #DA9EE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DAEE53F shade: #9EAFE5 and #9E9EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DAEE53F shade matches the following richer shades: #9EAFE5, #94AAEF and #8AA5F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DAEE53F shade: #9EAFE5, #A8B4DB, #B2BAD1, #BCBFC8 and #C6C4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DAEE53F shade: #9ED6E5, #9EC3E5, #9EB0E5, #9F9EE5 and #B29EE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DAEE53F shade: #5D79D4, #7E94DD, #9EAFE5, #BFCAEE and #DFE5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DAEE53F shade: #9DAEE5, #E29EE5 and #CCE59E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DAEE53F shade: #9DAEE5, #E59EB0 and #B0E59E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DAEE53F shade: #9DAEE5, #E29EE5, #E5D49E and #A2E59E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DAEE53F shade: #9DAEE5, #E59ED4, #E5D49E and #9EE5B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 6 / 0 / 3

HEX #9DAEE53F

RGBA 157 174 229 0.25

HSLA 225.83, 0.58%, 0.76%, 0.25

LABA 71.62, 6.71, -29.53, 0.25

 

Complementary color

CMYK 0 / 4 / 18 / 15

HEX #62511A3F

RGBA 98 81 26 0.25

HSLA 45.83, 0.58%, 0.24%, 0.25

LABA 35.12, 0.3, 33.67, 0.25

 

CMYK 7 / 6 / 0 / 3

HEX #A2AEE03F

RGBA 162 174 224 0.25

HSLA 228.39, 0.5%, 0.76%, 0.25

LABA 71.78, 6.92, -26.52, 0.25

 

CMYK 7 / 5 / 0 / 1

HEX #B3C0F33F

RGBA 179 192 243 0.25

HSLA 227.81, 0.73%, 0.83%, 0.25

LABA 78.32, 6.59, -26.69, 0.25

 

CMYK 6 / 4 / 0 / 0

HEX #C4D2FF3F

RGBA 196 210 255 0.25

HSLA 225.76, 1%, 0.88%, 0.25

LABA 84.51, 4.7, -23.55, 0.25

 

CMYK 4 / 3 / 0 / 0

HEX #D5E4FF3F

RGBA 213 228 255 0.25

HSLA 218.57, 1%, 0.92%, 0.25

LABA 90.25, 0.39, -14.76, 0.25

 

CMYK 2 / 1 / 0 / 0

HEX #E6F6FF3F

RGBA 230 246 255 0.25

HSLA 201.6, 1%, 0.95%, 0.25

LABA 95.98, -3.53, -6.12, 0.25

 

CMYK 8 / 6 / 0 / 3

HEX #9DAEE53F

RGBA 157 174 229 0.25

HSLA 225.83, 0.58%, 0.76%, 0.25

LABA 71.62, 6.71, -29.53, 0.25

 

CMYK 8 / 6 / 0 / 4

HEX #8C9CD23F

RGBA 140 156 210 0.25

HSLA 226.29, 0.44%, 0.69%, 0.25

LABA 64.97, 7.11, -29.43, 0.25

 

CMYK 9 / 7 / 0 / 6

HEX #7B8ABF3F

RGBA 123 138 191 0.25

HSLA 226.76, 0.35%, 0.62%, 0.25

LABA 58.18, 7.57, -29.37, 0.25

 

CMYK 10 / 8 / 0 / 8

HEX #6A78AC3F

RGBA 106 120 172 0.25

HSLA 227.27, 0.28%, 0.55%, 0.25

LABA 51.24, 8.1, -29.35, 0.25

 

CMYK 10 / 8 / 0 / 10

HEX #5966993F

RGBA 89 102 153 0.25

HSLA 227.81, 0.26%, 0.47%, 0.25

LABA 44.13, 8.74, -29.38, 0.25

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 30 / 31 / 0 / 10

HEX #A19EE5

RGB 161 158 229

HSL 242.54, 0.58%, 0.76%

LAB 67.79, 16.84, -35.43

 

CMYK 21 / 31 / 0 / 10

HEX #B49EE5

RGB 180 158 229

HSL 258.59, 0.58%, 0.76%

LAB 69.34, 22.42, -32.91

 

CMYK 13 / 31 / 0 / 10

HEX #C79EE5

RGB 199 158 229

HSL 274.65, 0.58%, 0.76%

LAB 71.04, 28.23, -30.13

 

CMYK 5 / 31 / 0 / 10

HEX #DA9EE5

RGB 218 158 229

HSL 290.7, 0.58%, 0.76%

LAB 72.9, 34.17, -27.12

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 31 / 31 / 0 / 10

HEX #9E9EE5

RGB 158 158 229

HSL 240, 0.58%, 0.76%

LAB 67.56, 15.98, -35.8

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 38 / 29 / 0 / 6

HEX #94AAEF

RGB 148 170 239

HSL 225.49, 0.74%, 0.76%

LAB 70.37, 9.06, -36.96

 

CMYK 45 / 34 / 0 / 2

HEX #8AA5F9

RGB 138 165 249

HSL 225.41, 0.9%, 0.76%

LAB 68.86, 12.11, -44.81

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 23 / 18 / 0 / 14

HEX #A8B4DB

RGB 168 180 219

HSL 225.88, 0.41%, 0.76%

LAB 73.6, 4.23, -20.99

 

CMYK 15 / 11 / 0 / 18

HEX #B2BAD1

RGB 178 186 209

HSL 224.52, 0.25%, 0.76%

LAB 75.57, 1.9, -12.5

 

CMYK 6 / 5 / 0 / 22

HEX #BCBFC8

RGB 188 191 200

HSL 225, 0.1%, 0.76%

LAB 77.35, 0.69, -4.89

 

CMYK 0 / 1 / 4 / 22

HEX #C6C4BE

RGB 198 196 190

HSL 45, 0.07%, 0.76%

LAB 79.16, -0.38, 3.24

 

CMYK 31 / 7 / 0 / 10

HEX #9ED6E5

RGB 158 214 229

HSL 192.68, 0.58%, 0.76%

LAB 82.39, -14.39, -13.17

 

CMYK 31 / 15 / 0 / 10

HEX #9EC3E5

RGB 158 195 229

HSL 208.73, 0.58%, 0.76%

LAB 77.25, -4.46, -20.91

 

CMYK 31 / 23 / 0 / 10

HEX #9EB0E5

RGB 158 176 229

HSL 224.79, 0.58%, 0.76%

LAB 72.21, 5.88, -28.61

 

CMYK 31 / 31 / 0 / 10

HEX #9F9EE5

RGB 159 158 229

HSL 240.85, 0.58%, 0.76%

LAB 67.64, 16.26, -35.68

 

CMYK 22 / 31 / 0 / 10

HEX #B29EE5

RGB 178 158 229

HSL 256.9, 0.58%, 0.76%

LAB 69.17, 21.82, -33.19

 

CMYK 56 / 43 / 0 / 17

HEX #5D79D4

RGB 93 121 212

HSL 225.88, 0.58%, 0.6%

LAB 52.68, 16.6, -50.05

 

CMYK 43 / 33 / 0 / 13

HEX #7E94DD

RGB 126 148 221

HSL 226.11, 0.58%, 0.68%

LAB 62.37, 10.92, -39.65

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 20 / 15 / 0 / 7

HEX #BFCAEE

RGB 191 202 238

HSL 225.96, 0.58%, 0.84%

LAB 81.56, 3.67, -19.01

 

CMYK 10 / 7 / 0 / 3

HEX #DFE5F7

RGB 223 229 247

HSL 225, 0.6%, 0.92%

LAB 90.98, 1.4, -9.42

 

CMYK 31 / 24 / 0 / 10

HEX #9DAEE5

RGB 157 174 229

HSL 225.83, 0.58%, 0.76%

LAB 71.62, 6.71, -29.53

 

CMYK 1 / 31 / 0 / 10

HEX #E29EE5

RGB 226 158 229

HSL 297.46, 0.58%, 0.76%

LAB 73.73, 36.7, -25.78

 

CMYK 11 / 0 / 31 / 10

HEX #CCE59E

RGB 204 229 158

HSL 81.13, 0.58%, 0.76%

LAB 87.65, -20.03, 31.97

 

CMYK 31 / 24 / 0 / 10

HEX #9DAEE5

RGB 157 174 229

HSL 225.83, 0.58%, 0.76%

LAB 71.62, 6.71, -29.53

 

CMYK 0 / 31 / 23 / 10

HEX #E59EB0

RGB 229 158 176

HSL 344.79, 0.58%, 0.76%

LAB 72.39, 28.92, 1.41

 

CMYK 23 / 0 / 31 / 10

HEX #B0E59E

RGB 176 229 158

HSL 104.79, 0.58%, 0.76%

LAB 85.87, -29.93, 29.28

 

CMYK 31 / 24 / 0 / 10

HEX #9DAEE5

RGB 157 174 229

HSL 225.83, 0.58%, 0.76%

LAB 71.62, 6.71, -29.53

 

CMYK 1 / 31 / 0 / 10

HEX #E29EE5

RGB 226 158 229

HSL 297.46, 0.58%, 0.76%

LAB 73.73, 36.7, -25.78

 

CMYK 0 / 7 / 31 / 10

HEX #E5D49E

RGB 229 212 158

HSL 45.63, 0.58%, 0.76%

LAB 85.11, -2.1, 28.89

 

CMYK 29 / 0 / 31 / 10

HEX #A2E59E

RGB 162 229 158

HSL 116.62, 0.58%, 0.76%

LAB 85.09, -34.58, 28.09

 

CMYK 31 / 24 / 0 / 10

HEX #9DAEE5

RGB 157 174 229

HSL 225.83, 0.58%, 0.76%

LAB 71.62, 6.71, -29.53

 

CMYK 0 / 31 / 7 / 10

HEX #E59ED4

RGB 229 158 212

HSL 314.37, 0.58%, 0.76%

LAB 73.46, 34.63, -16.86

 

CMYK 0 / 7 / 31 / 10

HEX #E5D49E

RGB 229 212 158

HSL 45.63, 0.58%, 0.76%

LAB 85.11, -2.1, 28.89

 

CMYK 31 / 0 / 23 / 10

HEX #9EE5B0

RGB 158 229 176

HSL 135.21, 0.58%, 0.76%

LAB 85.22, -32.79, 18.93

 

Description

Color code: HEX #9DAEE53F | qconv.com Color code: HEX #9DAEE53F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 174 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 174 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 6 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 6% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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