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Color name
HEX #9DAE10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DAE10 it is the complementary color #6251EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DAE10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DAE10 shade: #A2AE0B, #B3C01E, #C4D231, #D5E444 and #E6F657

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DAE10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DAE10 shade: #9DAE10, #8C9C00, #7B8A00, #6A7800 and #596600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DAE10 shade: #9CAD10, #AD9310, #AD6910, #AD3F10 and #AD1510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DAE10 shade: #9CAD10, #72AD10, #47AD10, #1DAD10 and #10AD2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DAE10 shade matches the following richer shades: #9CAD10 and #A8BC01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DAE10 shade: #9CAD10, #909D1F, #848E2F, #787F3E and #6C704D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DAE10 shade: #AD6910, #AD9310, #9DAD10, #73AD10 and #49AD10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DAE10 shade: #586109, #7A870D, #9CAD10, #BED214 and #D5EB25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DAE10 shade: #9DAE10, #10AD3F and #7E10AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DAE10 shade: #9DAE10, #109DAD and #AD109D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DAE10 shade: #9DAE10, #10AD3F, #2010AD and #AD107E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DAE10 shade: #9DAE10, #10AD6E, #2010AD and #AD104F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 91 / 32

HEX #9DAE10

RGB 157 174 16

HSL 66.46, 0.83%, 0.37%

LAB 67.63, -23.37, 67.3

 

Complementary color

CMYK 59 / 66 / 0 / 6

HEX #6251EF

RGB 98 81 239

HSL 246.46, 0.83%, 0.63%

LAB 45.24, 50.12, -77.3

 

CMYK 7 / 0 / 94 / 32

HEX #A2AE0B

RGB 162 174 11

HSL 64.42, 0.88%, 0.36%

LAB 68, -21.29, 68.47

 

CMYK 7 / 0 / 84 / 25

HEX #B3C01E

RGB 179 192 30

HSL 64.81, 0.73%, 0.44%

LAB 74.43, -22.5, 70.82

 

CMYK 7 / 0 / 77 / 18

HEX #C4D231

RGB 196 210 49

HSL 65.22, 0.64%, 0.51%

LAB 80.77, -23.5, 71.85

 

CMYK 7 / 0 / 70 / 11

HEX #D5E444

RGB 213 228 68

HSL 65.63, 0.75%, 0.58%

LAB 87.02, -24.33, 72.03

 

CMYK 7 / 0 / 65 / 4

HEX #E6F657

RGB 230 246 87

HSL 66.04, 0.9%, 0.65%

LAB 93.2, -25.01, 71.68

 

CMYK 10 / 0 / 91 / 32

HEX #9DAE10

RGB 157 174 16

HSL 66.46, 0.83%, 0.37%

LAB 67.63, -23.37, 67.3

 

CMYK 10 / 0 / 100 / 39

HEX #8C9C00

RGB 140 156 0

HSL 66.15, 1%, 0.31%

LAB 61.09, -22.06, 63.93

 

CMYK 11 / 0 / 100 / 46

HEX #7B8A00

RGB 123 138 0

HSL 66.52, 1%, 0.27%

LAB 54.44, -20.48, 58.39

 

CMYK 12 / 0 / 100 / 53

HEX #6A7800

RGB 106 120 0

HSL 67, 1%, 0.24%

LAB 47.62, -18.87, 52.72

 

CMYK 13 / 0 / 100 / 60

HEX #596600

RGB 89 102 0

HSL 67.65, 1%, 0.2%

LAB 40.62, -17.23, 46.89

 

CMYK 10 / 0 / 91 / 32

HEX #9CAD10

RGB 156 173 16

HSL 66.5, 0.83%, 0.37%

LAB 67.27, -23.3, 66.98

 

CMYK 0 / 15 / 91 / 32

HEX #AD9310

RGB 173 147 16

HSL 50.06, 0.83%, 0.37%

LAB 61.47, -2.19, 63.03

 

CMYK 0 / 39 / 91 / 32

HEX #AD6910

RGB 173 105 16

HSL 34.01, 0.83%, 0.37%

LAB 50.72, 21.18, 54.74

 

CMYK 0 / 64 / 91 / 32

HEX #AD3F10

RGB 173 63 16

HSL 17.96, 0.83%, 0.37%

LAB 41.96, 43.04, 48.14

 

CMYK 0 / 88 / 91 / 32

HEX #AD1510

RGB 173 21 16

HSL 1.91, 0.83%, 0.37%

LAB 36.85, 57.16, 44.4

 

CMYK 10 / 0 / 91 / 32

HEX #9CAD10

RGB 156 173 16

HSL 66.5, 0.83%, 0.37%

LAB 67.27, -23.3, 66.98

 

CMYK 34 / 0 / 91 / 32

HEX #72AD10

RGB 114 173 16

HSL 82.55, 0.83%, 0.37%

LAB 64.57, -40.38, 63.66

 

CMYK 59 / 0 / 91 / 32

HEX #47AD10

RGB 71 173 16

HSL 98.98, 0.83%, 0.37%

LAB 62.73, -54.17, 61.39

 

CMYK 83 / 0 / 91 / 32

HEX #1DAD10

RGB 29 173 16

HSL 115.03, 0.83%, 0.37%

LAB 61.81, -61.98, 60.24

 

CMYK 91 / 0 / 74 / 32

HEX #10AD2D

RGB 16 173 45

HSL 131.08, 0.83%, 0.37%

LAB 61.82, -61.47, 52.23

 

CMYK 10 / 0 / 91 / 32

HEX #9CAD10

RGB 156 173 16

HSL 66.5, 0.83%, 0.37%

LAB 67.27, -23.3, 66.98

 

CMYK 11 / 0 / 99 / 26

HEX #A8BC01

RGB 168 188 1

HSL 66.42, 0.99%, 0.37%

LAB 72.42, -25.73, 73.19

 

CMYK 10 / 0 / 91 / 32

HEX #9CAD10

RGB 156 173 16

HSL 66.5, 0.83%, 0.37%

LAB 67.27, -23.3, 66.98

 

CMYK 8 / 0 / 80 / 38

HEX #909D1F

RGB 144 157 31

HSL 66.19, 0.67%, 0.37%

LAB 61.78, -20.07, 58.59

 

CMYK 7 / 0 / 67 / 44

HEX #848E2F

RGB 132 142 47

HSL 66.32, 0.5%, 0.37%

LAB 56.54, -16.77, 47.43

 

CMYK 6 / 0 / 51 / 50

HEX #787F3E

RGB 120 127 62

HSL 66.46, 0.34%, 0.37%

LAB 51.29, -12.79, 34.14

 

CMYK 4 / 0 / 31 / 56

HEX #6C704D

RGB 108 112 77

HSL 66.86, 0.19%, 0.37%

LAB 46.06, -7.8, 19

 

CMYK 0 / 39 / 91 / 32

HEX #AD6910

RGB 173 105 16

HSL 34.01, 0.83%, 0.37%

LAB 50.72, 21.18, 54.74

 

CMYK 0 / 15 / 91 / 32

HEX #AD9310

RGB 173 147 16

HSL 50.06, 0.83%, 0.37%

LAB 61.47, -2.19, 63.03

 

CMYK 9 / 0 / 91 / 32

HEX #9DAD10

RGB 157 173 16

HSL 66.11, 0.83%, 0.37%

LAB 67.35, -22.87, 67.07

 

CMYK 34 / 0 / 91 / 32

HEX #73AD10

RGB 115 173 16

HSL 82.17, 0.83%, 0.37%

LAB 64.62, -40, 63.73

 

CMYK 58 / 0 / 91 / 32

HEX #49AD10

RGB 73 173 16

HSL 98.22, 0.83%, 0.37%

LAB 62.79, -53.65, 61.47

 

CMYK 9 / 0 / 91 / 62

HEX #586109

RGB 88 97 9

HSL 66.14, 0.83%, 0.21%

LAB 38.97, -14.7, 43.16

 

CMYK 10 / 0 / 90 / 47

HEX #7A870D

RGB 122 135 13

HSL 66.39, 0.82%, 0.29%

LAB 53.49, -19.12, 55.34

 

CMYK 10 / 0 / 91 / 32

HEX #9CAD10

RGB 156 173 16

HSL 66.5, 0.83%, 0.37%

LAB 67.27, -23.3, 66.98

 

CMYK 10 / 0 / 90 / 18

HEX #BED214

RGB 190 210 20

HSL 66.32, 0.83%, 0.45%

LAB 80.23, -26.81, 77.71

 

CMYK 9 / 0 / 84 / 8

HEX #D5EB25

RGB 213 235 37

HSL 66.67, 0.83%, 0.53%

LAB 88.78, -28.8, 82.31

 

CMYK 10 / 0 / 91 / 32

HEX #9DAE10

RGB 157 174 16

HSL 66.46, 0.83%, 0.37%

LAB 67.63, -23.37, 67.3

 

CMYK 91 / 0 / 64 / 32

HEX #10AD3F

RGB 16 173 63

HSL 137.96, 0.83%, 0.37%

LAB 61.96, -59.65, 45.04

 

CMYK 27 / 91 / 0 / 32

HEX #7E10AD

RGB 126 16 173

HSL 282.04, 0.83%, 0.37%

LAB 33.61, 64.13, -57.92

 

CMYK 10 / 0 / 91 / 32

HEX #9DAE10

RGB 157 174 16

HSL 66.46, 0.83%, 0.37%

LAB 67.63, -23.37, 67.3

 

CMYK 91 / 9 / 0 / 32

HEX #109DAD

RGB 16 157 173

HSL 186.11, 0.83%, 0.37%

LAB 59.2, -27.66, -17.93

 

CMYK 0 / 91 / 9 / 32

HEX #AD109D

RGB 173 16 157

HSL 306.11, 0.83%, 0.37%

LAB 40.72, 69.37, -36.44

 

CMYK 10 / 0 / 91 / 32

HEX #9DAE10

RGB 157 174 16

HSL 66.46, 0.83%, 0.37%

LAB 67.63, -23.37, 67.3

 

CMYK 91 / 0 / 64 / 32

HEX #10AD3F

RGB 16 173 63

HSL 137.96, 0.83%, 0.37%

LAB 61.96, -59.65, 45.04

 

CMYK 82 / 91 / 0 / 32

HEX #2010AD

RGB 32 16 173

HSL 246.11, 0.83%, 0.37%

LAB 22.64, 55.51, -76.4

 

CMYK 0 / 91 / 27 / 32

HEX #AD107E

RGB 173 16 126

HSL 317.96, 0.83%, 0.37%

LAB 39.18, 65.33, -19.87

 

CMYK 10 / 0 / 91 / 32

HEX #9DAE10

RGB 157 174 16

HSL 66.46, 0.83%, 0.37%

LAB 67.63, -23.37, 67.3

 

CMYK 91 / 0 / 36 / 32

HEX #10AD6E

RGB 16 173 110

HSL 155.92, 0.83%, 0.37%

LAB 62.61, -51.86, 22.2

 

CMYK 82 / 91 / 0 / 32

HEX #2010AD

RGB 32 16 173

HSL 246.11, 0.83%, 0.37%

LAB 22.64, 55.51, -76.4

 

CMYK 0 / 91 / 54 / 32

HEX #AD104F

RGB 173 16 79

HSL 335.92, 0.83%, 0.37%

LAB 37.52, 60.81, 7.47

 

Description

Color code: HEX #9DAE10 | qconv.com Color code: HEX #9DAE10 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 174 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 174 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 91 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 91% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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