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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DABE4 it is the complementary color #62541B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DABE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DABE4 shade: #A2ABDF, #B3BDF2, #C4CFFF, #D5E1FF and #E6F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DABE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DABE4 shade: #9DABE4, #8C99D1, #7B87BE, #6A75AB and #596398

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DABE4 shade: #9BA9E4, #A09BE4, #B49BE4, #C79BE4 and #DB9BE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DABE4 shade: #9BA9E4 and #9B9BE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DABE4 shade matches the following richer shades: #9BA9E4, #91A3EE and #869DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DABE4 shade: #9BA9E4, #A5AFD9, #B0B6CF, #BABCC5 and #C4C2BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DABE4 shade: #9BD0E4, #9BBDE4, #9BA9E4, #A09BE4 and #B39BE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DABE4 shade: #5A72D2, #7B8DDB, #9BA9E4, #BBC5EC and #DCE1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DABE4 shade: #9DABE4, #E49BE4 and #C7E49B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DABE4 shade: #9DABE4, #E49BA9 and #A9E49B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DABE4 shade: #9DABE4, #E49BE4, #E4D59B and #9BE49B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DABE4 shade: #9DABE4, #E49BCE, #E4D59B and #9BE4B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 25 / 0 / 11

HEX #9DABE4

RGB 157 171 228

HSL 228.17, 0.57%, 0.75%

LAB 70.8, 8.12, -30.25

 

Complementary color

CMYK 0 / 14 / 72 / 62

HEX #62541B

RGB 98 84 27

HSL 48.17, 0.57%, 0.25%

LAB 36.02, -1.45, 34.12

 

CMYK 27 / 23 / 0 / 13

HEX #A2ABDF

RGB 162 171 223

HSL 231.15, 0.49%, 0.75%

LAB 70.96, 8.34, -27.23

 

CMYK 26 / 22 / 0 / 5

HEX #B3BDF2

RGB 179 189 242

HSL 230.48, 0.71%, 0.83%

LAB 77.51, 7.99, -27.39

 

CMYK 23 / 19 / 0 / 0

HEX #C4CFFF

RGB 196 207 255

HSL 228.81, 1%, 0.88%

LAB 83.75, 6.3, -24.7

 

CMYK 16 / 12 / 0 / 0

HEX #D5E1FF

RGB 213 225 255

HSL 222.86, 1%, 0.92%

LAB 89.49, 1.95, -15.9

 

CMYK 10 / 5 / 0 / 0

HEX #E6F3FF

RGB 230 243 255

HSL 208.8, 1%, 0.95%

LAB 95.22, -2, -7.24

 

CMYK 31 / 25 / 0 / 11

HEX #9DABE4

RGB 157 171 228

HSL 228.17, 0.57%, 0.75%

LAB 70.8, 8.12, -30.25

 

CMYK 33 / 27 / 0 / 18

HEX #8C99D1

RGB 140 153 209

HSL 228.7, 0.43%, 0.68%

LAB 64.13, 8.56, -30.17

 

CMYK 35 / 29 / 0 / 25

HEX #7B87BE

RGB 123 135 190

HSL 229.25, 0.34%, 0.61%

LAB 57.32, 9.05, -30.12

 

CMYK 38 / 32 / 0 / 33

HEX #6A75AB

RGB 106 117 171

HSL 229.85, 0.28%, 0.54%

LAB 50.37, 9.62, -30.12

 

CMYK 41 / 35 / 0 / 40

HEX #596398

RGB 89 99 152

HSL 230.48, 0.26%, 0.47%

LAB 43.23, 10.3, -30.18

 

CMYK 32 / 26 / 0 / 11

HEX #9BA9E4

RGB 155 169 228

HSL 228.49, 0.57%, 0.75%

LAB 70.14, 8.67, -31.28

 

CMYK 30 / 32 / 0 / 11

HEX #A09BE4

RGB 160 155 228

HSL 244.11, 0.57%, 0.75%

LAB 66.91, 18, -36.25

 

CMYK 21 / 32 / 0 / 11

HEX #B49BE4

RGB 180 155 228

HSL 260.55, 0.57%, 0.75%

LAB 68.57, 23.87, -33.55

 

CMYK 13 / 32 / 0 / 11

HEX #C79BE4

RGB 199 155 228

HSL 276.16, 0.57%, 0.75%

LAB 70.31, 29.67, -30.72

 

CMYK 4 / 32 / 0 / 11

HEX #DB9BE4

RGB 219 155 228

HSL 292.6, 0.57%, 0.75%

LAB 72.3, 35.91, -27.49

 

CMYK 32 / 26 / 0 / 11

HEX #9BA9E4

RGB 155 169 228

HSL 228.49, 0.57%, 0.75%

LAB 70.14, 8.67, -31.28

 

CMYK 32 / 32 / 0 / 11

HEX #9B9BE4

RGB 155 155 228

HSL 240, 0.57%, 0.75%

LAB 66.53, 16.58, -36.88

 

CMYK 32 / 26 / 0 / 11

HEX #9BA9E4

RGB 155 169 228

HSL 228.49, 0.57%, 0.75%

LAB 70.14, 8.67, -31.28

 

CMYK 39 / 32 / 0 / 7

HEX #91A3EE

RGB 145 163 238

HSL 228.39, 0.73%, 0.75%

LAB 68.31, 11.96, -39.65

 

CMYK 46 / 37 / 0 / 3

HEX #869DF8

RGB 134 157 248

HSL 227.89, 0.89%, 0.75%

LAB 66.49, 15.45, -48.01

 

CMYK 32 / 26 / 0 / 11

HEX #9BA9E4

RGB 155 169 228

HSL 228.49, 0.57%, 0.75%

LAB 70.14, 8.67, -31.28

 

CMYK 24 / 19 / 0 / 15

HEX #A5AFD9

RGB 165 175 217

HSL 228.46, 0.41%, 0.75%

LAB 72.01, 5.6, -22.34

 

CMYK 15 / 12 / 0 / 19

HEX #B0B6CF

RGB 176 182 207

HSL 228.39, 0.24%, 0.75%

LAB 74.31, 2.99, -13.31

 

CMYK 6 / 5 / 0 / 23

HEX #BABCC5

RGB 186 188 197

HSL 229.09, 0.09%, 0.75%

LAB 76.34, 1.03, -4.78

 

CMYK 0 / 1 / 5 / 23

HEX #C4C2BA

RGB 196 194 186

HSL 48, 0.08%, 0.75%

LAB 78.38, -0.73, 4.26

 

CMYK 32 / 9 / 0 / 11

HEX #9BD0E4

RGB 155 208 228

HSL 196.44, 0.57%, 0.75%

LAB 80.56, -12.38, -15.4

 

CMYK 32 / 17 / 0 / 11

HEX #9BBDE4

RGB 155 189 228

HSL 212.05, 0.57%, 0.75%

LAB 75.43, -2.33, -23.16

 

CMYK 32 / 26 / 0 / 11

HEX #9BA9E4

RGB 155 169 228

HSL 228.49, 0.57%, 0.75%

LAB 70.14, 8.67, -31.28

 

CMYK 30 / 32 / 0 / 11

HEX #A09BE4

RGB 160 155 228

HSL 244.11, 0.57%, 0.75%

LAB 66.91, 18, -36.25

 

CMYK 21 / 32 / 0 / 11

HEX #B39BE4

RGB 179 155 228

HSL 259.73, 0.57%, 0.75%

LAB 68.48, 23.57, -33.69

 

CMYK 57 / 46 / 0 / 18

HEX #5A72D2

RGB 90 114 210

HSL 228, 0.57%, 0.59%

LAB 50.52, 19.63, -52.36

 

CMYK 44 / 36 / 0 / 14

HEX #7B8DDB

RGB 123 141 219

HSL 228.75, 0.57%, 0.67%

LAB 60.23, 13.68, -41.92

 

CMYK 32 / 26 / 0 / 11

HEX #9BA9E4

RGB 155 169 228

HSL 228.49, 0.57%, 0.75%

LAB 70.14, 8.67, -31.28

 

CMYK 21 / 17 / 0 / 7

HEX #BBC5EC

RGB 187 197 236

HSL 227.76, 0.56%, 0.83%

LAB 79.93, 4.68, -20.44

 

CMYK 10 / 8 / 0 / 4

HEX #DCE1F5

RGB 220 225 245

HSL 228, 0.56%, 0.91%

LAB 89.7, 2.12, -10.3

 

CMYK 31 / 25 / 0 / 11

HEX #9DABE4

RGB 157 171 228

HSL 228.17, 0.57%, 0.75%

LAB 70.8, 8.12, -30.25

 

CMYK 0 / 32 / 0 / 11

HEX #E49BE4

RGB 228 155 228

HSL 300, 0.57%, 0.75%

LAB 73.24, 38.74, -25.96

 

CMYK 13 / 0 / 32 / 11

HEX #C7E49B

RGB 199 228 155

HSL 83.84, 0.57%, 0.75%

LAB 86.99, -21.77, 32.56

 

CMYK 31 / 25 / 0 / 11

HEX #9DABE4

RGB 157 171 228

HSL 228.17, 0.57%, 0.75%

LAB 70.8, 8.12, -30.25

 

CMYK 0 / 32 / 26 / 11

HEX #E49BA9

RGB 228 155 169

HSL 348.49, 0.57%, 0.75%

LAB 71.42, 29.17, 3.86

 

CMYK 26 / 0 / 32 / 11

HEX #A9E49B

RGB 169 228 155

HSL 108.49, 0.57%, 0.75%

LAB 85.14, -32.28, 29.76

 

CMYK 31 / 25 / 0 / 11

HEX #9DABE4

RGB 157 171 228

HSL 228.17, 0.57%, 0.75%

LAB 70.8, 8.12, -30.25

 

CMYK 0 / 32 / 0 / 11

HEX #E49BE4

RGB 228 155 228

HSL 300, 0.57%, 0.75%

LAB 73.24, 38.74, -25.96

 

CMYK 0 / 7 / 32 / 11

HEX #E4D59B

RGB 228 213 155

HSL 47.67, 0.57%, 0.75%

LAB 85.22, -3.37, 30.59

 

CMYK 32 / 0 / 32 / 11

HEX #9BE49B

RGB 155 228 155

HSL 120, 0.57%, 0.75%

LAB 84.39, -36.84, 28.62

 

CMYK 31 / 25 / 0 / 11

HEX #9DABE4

RGB 157 171 228

HSL 228.17, 0.57%, 0.75%

LAB 70.8, 8.12, -30.25

 

CMYK 0 / 32 / 10 / 11

HEX #E49BCE

RGB 228 155 206

HSL 318.08, 0.57%, 0.75%

LAB 72.49, 34.87, -15.03

 

CMYK 0 / 7 / 32 / 11

HEX #E4D59B

RGB 228 213 155

HSL 47.67, 0.57%, 0.75%

LAB 85.22, -3.37, 30.59

 

CMYK 32 / 0 / 22 / 11

HEX #9BE4B1

RGB 155 228 177

HSL 138.08, 0.57%, 0.75%

LAB 84.81, -33.06, 17.81

 

Description

Color code: HEX #9DABE4 | qconv.com Color code: HEX #9DABE4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 171 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 171 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 25 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 25% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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