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Color name
HEX #9DAB11

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DAB11 it is the complementary color #6254EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DAB11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DAB11 shade: #A2AB0C, #B3BD1F, #C4CF32, #D5E145 and #E6F358

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DAB11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DAB11 shade: #9DAB11, #8C9900, #7B8700, #6A7500 and #596300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DAB11 shade: #9EAC11, #AC9011, #AC6611, #AC3D11 and #AC1311

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DAB11 shade: #9EAC11, #74AC11, #4AAC11, #20AC11 and #11AC2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DAB11 shade matches the following richer shades: #9EAC11 and #AABB02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DAB11 shade: #9EAC11, #919C20, #858D30, #787E3F and #6C6F4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DAB11 shade: #AC6611, #AC8F11, #9FAC11, #76AC11 and #4CAC11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DAB11 shade: #59610A, #7B860D, #9EAC11, #C0D115 and #D8EA26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DAB11 shade: #9DAB11, #11AC3D and #7B11AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DAB11 shade: #9DAB11, #119FAC and #AC119F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DAB11 shade: #9DAB11, #11AC3D, #1E11AC and #AC1180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DAB11 shade: #9DAB11, #11AC6B, #1E11AC and #AC1151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 90 / 33

HEX #9DAB11

RGB 157 171 17

HSL 65.45, 0.82%, 0.37%

LAB 66.77, -21.86, 66.45

 

Complementary color

CMYK 59 / 65 / 0 / 7

HEX #6254EE

RGB 98 84 238

HSL 245.45, 0.82%, 0.63%

LAB 45.78, 48.13, -75.85

 

CMYK 5 / 0 / 93 / 33

HEX #A2AB0C

RGB 162 171 12

HSL 63.4, 0.87%, 0.36%

LAB 67.15, -19.77, 67.68

 

CMYK 5 / 0 / 84 / 26

HEX #B3BD1F

RGB 179 189 31

HSL 63.8, 0.72%, 0.43%

LAB 73.6, -20.99, 69.89

 

CMYK 5 / 0 / 76 / 19

HEX #C4CF32

RGB 196 207 50

HSL 64.2, 0.62%, 0.5%

LAB 79.95, -22, 70.8

 

CMYK 5 / 0 / 69 / 12

HEX #D5E145

RGB 213 225 69

HSL 64.62, 0.72%, 0.58%

LAB 86.22, -22.84, 70.89

 

CMYK 5 / 0 / 64 / 5

HEX #E6F358

RGB 230 243 88

HSL 65.03, 0.87%, 0.65%

LAB 92.41, -23.53, 70.48

 

CMYK 8 / 0 / 90 / 33

HEX #9DAB11

RGB 157 171 17

HSL 65.45, 0.82%, 0.37%

LAB 66.77, -21.86, 66.45

 

CMYK 8 / 0 / 100 / 40

HEX #8C9900

RGB 140 153 0

HSL 65.1, 1%, 0.3%

LAB 60.21, -20.54, 63.27

 

CMYK 9 / 0 / 100 / 47

HEX #7B8700

RGB 123 135 0

HSL 65.33, 1%, 0.26%

LAB 53.53, -18.93, 57.72

 

CMYK 9 / 0 / 100 / 54

HEX #6A7500

RGB 106 117 0

HSL 65.64, 1%, 0.23%

LAB 46.69, -17.29, 52.03

 

CMYK 10 / 0 / 100 / 61

HEX #596300

RGB 89 99 0

HSL 66.06, 1%, 0.19%

LAB 39.66, -15.61, 46.17

 

CMYK 8 / 0 / 90 / 33

HEX #9EAC11

RGB 158 172 17

HSL 65.42, 0.82%, 0.37%

LAB 67.14, -21.92, 66.77

 

CMYK 0 / 16 / 90 / 33

HEX #AC9011

RGB 172 144 17

HSL 49.16, 0.82%, 0.37%

LAB 60.57, -0.99, 62.09

 

CMYK 0 / 41 / 90 / 33

HEX #AC6611

RGB 172 102 17

HSL 32.9, 0.82%, 0.37%

LAB 49.87, 22.43, 53.76

 

CMYK 0 / 65 / 90 / 33

HEX #AC3D11

RGB 172 61 17

HSL 17.03, 0.82%, 0.37%

LAB 41.45, 43.6, 47.31

 

CMYK 0 / 89 / 90 / 33

HEX #AC1311

RGB 172 19 17

HSL 0.77, 0.82%, 0.37%

LAB 36.51, 57.27, 43.61

 

CMYK 8 / 0 / 90 / 33

HEX #9EAC11

RGB 158 172 17

HSL 65.42, 0.82%, 0.37%

LAB 67.14, -21.92, 66.77

 

CMYK 33 / 0 / 90 / 33

HEX #74AC11

RGB 116 172 17

HSL 81.68, 0.82%, 0.37%

LAB 64.37, -39.16, 63.37

 

CMYK 57 / 0 / 90 / 33

HEX #4AAC11

RGB 74 172 17

HSL 97.94, 0.82%, 0.37%

LAB 62.51, -52.99, 61.06

 

CMYK 81 / 0 / 90 / 33

HEX #20AC11

RGB 32 172 17

HSL 114.19, 0.82%, 0.37%

LAB 61.53, -61.29, 59.83

 

CMYK 90 / 0 / 75 / 33

HEX #11AC2B

RGB 17 172 43

HSL 130.06, 0.82%, 0.37%

LAB 61.48, -61.27, 52.62

 

CMYK 8 / 0 / 90 / 33

HEX #9EAC11

RGB 158 172 17

HSL 65.42, 0.82%, 0.37%

LAB 67.14, -21.92, 66.77

 

CMYK 9 / 0 / 99 / 27

HEX #AABB02

RGB 170 187 2

HSL 65.51, 0.98%, 0.37%

LAB 72.29, -24.38, 73.04

 

CMYK 8 / 0 / 90 / 33

HEX #9EAC11

RGB 158 172 17

HSL 65.42, 0.82%, 0.37%

LAB 67.14, -21.92, 66.77

 

CMYK 7 / 0 / 79 / 39

HEX #919C20

RGB 145 156 32

HSL 65.32, 0.66%, 0.37%

LAB 61.57, -19.08, 58.13

 

CMYK 6 / 0 / 66 / 45

HEX #858D30

RGB 133 141 48

HSL 65.16, 0.49%, 0.37%

LAB 56.34, -15.74, 46.81

 

CMYK 5 / 0 / 50 / 51

HEX #787E3F

RGB 120 126 63

HSL 65.71, 0.33%, 0.37%

LAB 51.01, -12.15, 33.27

 

CMYK 3 / 0 / 30 / 56

HEX #6C6F4E

RGB 108 111 78

HSL 65.45, 0.17%, 0.37%

LAB 45.78, -7.08, 18.04

 

CMYK 0 / 41 / 90 / 33

HEX #AC6611

RGB 172 102 17

HSL 32.9, 0.82%, 0.37%

LAB 49.87, 22.43, 53.76

 

CMYK 0 / 17 / 90 / 33

HEX #AC8F11

RGB 172 143 17

HSL 48.77, 0.82%, 0.37%

LAB 60.3, -0.45, 61.88

 

CMYK 8 / 0 / 90 / 33

HEX #9FAC11

RGB 159 172 17

HSL 65.03, 0.82%, 0.37%

LAB 67.21, -21.49, 66.86

 

CMYK 31 / 0 / 90 / 33

HEX #76AC11

RGB 118 172 17

HSL 80.9, 0.82%, 0.37%

LAB 64.48, -38.4, 63.51

 

CMYK 56 / 0 / 90 / 33

HEX #4CAC11

RGB 76 172 17

HSL 97.16, 0.82%, 0.37%

LAB 62.58, -52.45, 61.15

 

CMYK 8 / 0 / 90 / 62

HEX #59610A

RGB 89 97 10

HSL 65.52, 0.81%, 0.21%

LAB 39.06, -14.19, 43

 

CMYK 8 / 0 / 90 / 47

HEX #7B860D

RGB 123 134 13

HSL 65.45, 0.82%, 0.29%

LAB 53.27, -18.14, 55.19

 

CMYK 8 / 0 / 90 / 33

HEX #9EAC11

RGB 158 172 17

HSL 65.42, 0.82%, 0.37%

LAB 67.14, -21.92, 66.77

 

CMYK 8 / 0 / 90 / 18

HEX #C0D115

RGB 192 209 21

HSL 65.43, 0.82%, 0.45%

LAB 80.1, -25.48, 77.52

 

CMYK 8 / 0 / 84 / 8

HEX #D8EA26

RGB 216 234 38

HSL 65.51, 0.82%, 0.53%

LAB 88.73, -27.08, 82.14

 

CMYK 8 / 0 / 90 / 33

HEX #9DAB11

RGB 157 171 17

HSL 65.45, 0.82%, 0.37%

LAB 66.77, -21.86, 66.45

 

CMYK 90 / 0 / 65 / 33

HEX #11AC3D

RGB 17 172 61

HSL 137.03, 0.82%, 0.37%

LAB 61.62, -59.5, 45.55

 

CMYK 28 / 90 / 0 / 33

HEX #7B11AC

RGB 123 17 172

HSL 281.03, 0.82%, 0.37%

LAB 33.11, 63.31, -58.15

 

CMYK 8 / 0 / 90 / 33

HEX #9DAB11

RGB 157 171 17

HSL 65.45, 0.82%, 0.37%

LAB 66.77, -21.86, 66.45

 

CMYK 90 / 8 / 0 / 33

HEX #119FAC

RGB 17 159 172

HSL 185.03, 0.82%, 0.37%

LAB 59.79, -28.92, -16.46

 

CMYK 0 / 90 / 8 / 33

HEX #AC119F

RGB 172 17 159

HSL 305.03, 0.82%, 0.37%

LAB 40.69, 69.32, -37.69

 

CMYK 8 / 0 / 90 / 33

HEX #9DAB11

RGB 157 171 17

HSL 65.45, 0.82%, 0.37%

LAB 66.77, -21.86, 66.45

 

CMYK 90 / 0 / 65 / 33

HEX #11AC3D

RGB 17 172 61

HSL 137.03, 0.82%, 0.37%

LAB 61.62, -59.5, 45.55

 

CMYK 83 / 90 / 0 / 33

HEX #1E11AC

RGB 30 17 172

HSL 245.03, 0.82%, 0.37%

LAB 22.5, 54.83, -76.03

 

CMYK 0 / 90 / 26 / 33

HEX #AC1180

RGB 172 17 128

HSL 317.03, 0.82%, 0.37%

LAB 39.12, 65.2, -21.21

 

CMYK 8 / 0 / 90 / 33

HEX #9DAB11

RGB 157 171 17

HSL 65.45, 0.82%, 0.37%

LAB 66.77, -21.86, 66.45

 

CMYK 90 / 0 / 38 / 33

HEX #11AC6B

RGB 17 172 107

HSL 154.84, 0.82%, 0.37%

LAB 62.24, -52.06, 23.33

 

CMYK 83 / 90 / 0 / 33

HEX #1E11AC

RGB 30 17 172

HSL 245.03, 0.82%, 0.37%

LAB 22.5, 54.83, -76.03

 

CMYK 0 / 90 / 53 / 33

HEX #AC1151

RGB 172 17 81

HSL 335.23, 0.82%, 0.37%

LAB 37.42, 60.55, 6.01

 

Description

Color code: HEX #9DAB11 | qconv.com Color code: HEX #9DAB11 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 171 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 171 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 90 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 90% 33% C M Y K

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Provide designers and agencies with accurate color values.

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