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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DAAD5 it is the complementary color #62552A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DAAD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DAAD5 shade: #A2AAD0, #B3BCE3, #C4CEF6, #D5E0FF and #E6F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DAAD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DAAD5 shade: #9DAAD5, #8C98C2, #7B86AF, #6A749C and #596289

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DAAD5 shade: #9FABD6, #A19FD6, #B09FD6, #BE9FD6 and #CD9FD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DAAD5 shade: #9FABD6 and #9F9FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DAAD5 shade matches the following richer shades: #9FABD6, #93A5E1, #889FEC and #7D99F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DAAD5 shade: #9FABD6, #AAB1CB, #B5B7BF, #C0BDB4 and #CBC3A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DAAD5 shade: #9FC9D6, #9FBAD6, #9FABD6, #A09FD6 and #AF9FD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DAAD5 shade: #6579BD, #8292C9, #9FABD6, #BBC4E2 and #D8DDEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DAAD5 shade: #9DAAD5, #D49FD6 and #C1D69F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DAAD5 shade: #9DAAD5, #D69FAB and #ABD69F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DAAD5 shade: #9DAAD5, #D49FD6, #D6C99F and #A0D69F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DAAD5 shade: #9DAAD5, #D69FC7, #D6C99F and #9FD6AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 20 / 0 / 16

HEX #9DAAD5

RGB 157 170 213

HSL 226.07, 0.4%, 0.73%

LAB 69.98, 4.99, -23.29

 

Complementary color

CMYK 0 / 13 / 57 / 62

HEX #62552A

RGB 98 85 42

HSL 46.07, 0.4%, 0.27%

LAB 36.48, -0.85, 26.78

 

CMYK 22 / 18 / 0 / 18

HEX #A2AAD0

RGB 162 170 208

HSL 229.57, 0.33%, 0.73%

LAB 70.17, 5.34, -20.22

 

CMYK 21 / 17 / 0 / 11

HEX #B3BCE3

RGB 179 188 227

HSL 228.75, 0.46%, 0.8%

LAB 76.74, 5.07, -20.49

 

CMYK 20 / 16 / 0 / 4

HEX #C4CEF6

RGB 196 206 246

HSL 228, 0.74%, 0.87%

LAB 83.2, 4.83, -20.76

 

CMYK 16 / 12 / 0 / 0

HEX #D5E0FF

RGB 213 224 255

HSL 224.29, 1%, 0.92%

LAB 89.24, 2.47, -16.28

 

CMYK 10 / 5 / 0 / 0

HEX #E6F2FF

RGB 230 242 255

HSL 211.2, 1%, 0.95%

LAB 94.97, -1.49, -7.61

 

CMYK 26 / 20 / 0 / 16

HEX #9DAAD5

RGB 157 170 213

HSL 226.07, 0.4%, 0.73%

LAB 69.98, 4.99, -23.29

 

CMYK 28 / 22 / 0 / 24

HEX #8C98C2

RGB 140 152 194

HSL 226.67, 0.31%, 0.65%

LAB 63.28, 5.31, -23.09

 

CMYK 30 / 23 / 0 / 31

HEX #7B86AF

RGB 123 134 175

HSL 227.31, 0.25%, 0.58%

LAB 56.44, 5.66, -22.93

 

CMYK 32 / 26 / 0 / 39

HEX #6A749C

RGB 106 116 156

HSL 228, 0.2%, 0.51%

LAB 49.44, 6.06, -22.8

 

CMYK 35 / 28 / 0 / 46

HEX #596289

RGB 89 98 137

HSL 228.75, 0.21%, 0.44%

LAB 42.25, 6.54, -22.72

 

CMYK 26 / 20 / 0 / 16

HEX #9FABD6

RGB 159 171 214

HSL 226.91, 0.4%, 0.73%

LAB 70.42, 5.28, -23.15

 

CMYK 25 / 26 / 0 / 16

HEX #A19FD6

RGB 161 159 214

HSL 242.18, 0.4%, 0.73%

LAB 67.45, 12.6, -27.69

 

CMYK 18 / 26 / 0 / 16

HEX #B09FD6

RGB 176 159 214

HSL 258.55, 0.4%, 0.73%

LAB 68.67, 17.23, -25.72

 

CMYK 11 / 26 / 0 / 16

HEX #BE9FD6

RGB 190 159 214

HSL 273.82, 0.4%, 0.73%

LAB 69.89, 21.68, -23.73

 

CMYK 4 / 26 / 0 / 16

HEX #CD9FD6

RGB 205 159 214

HSL 290.18, 0.4%, 0.73%

LAB 71.3, 26.54, -21.45

 

CMYK 26 / 20 / 0 / 16

HEX #9FABD6

RGB 159 171 214

HSL 226.91, 0.4%, 0.73%

LAB 70.42, 5.28, -23.15

 

CMYK 26 / 26 / 0 / 16

HEX #9F9FD6

RGB 159 159 214

HSL 240, 0.4%, 0.73%

LAB 67.29, 11.99, -27.94

 

CMYK 26 / 20 / 0 / 16

HEX #9FABD6

RGB 159 171 214

HSL 226.91, 0.4%, 0.73%

LAB 70.42, 5.28, -23.15

 

CMYK 35 / 27 / 0 / 12

HEX #93A5E1

RGB 147 165 225

HSL 226.15, 0.57%, 0.73%

LAB 68.42, 7.9, -32.33

 

CMYK 42 / 33 / 0 / 7

HEX #889FEC

RGB 136 159 236

HSL 226.2, 0.72%, 0.73%

LAB 66.59, 11.37, -41.28

 

CMYK 49 / 38 / 0 / 3

HEX #7D99F7

RGB 125 153 247

HSL 226.23, 0.88%, 0.73%

LAB 64.85, 15.4, -50.09

 

CMYK 26 / 20 / 0 / 16

HEX #9FABD6

RGB 159 171 214

HSL 226.91, 0.4%, 0.73%

LAB 70.42, 5.28, -23.15

 

CMYK 16 / 13 / 0 / 20

HEX #AAB1CB

RGB 170 177 203

HSL 227.27, 0.24%, 0.73%

LAB 72.43, 2.91, -14

 

CMYK 5 / 4 / 0 / 25

HEX #B5B7BF

RGB 181 183 191

HSL 228, 0.07%, 0.73%

LAB 74.48, 0.84, -4.3

 

CMYK 0 / 2 / 6 / 25

HEX #C0BDB4

RGB 192 189 180

HSL 45, 0.09%, 0.73%

LAB 76.62, -0.56, 4.91

 

CMYK 0 / 4 / 17 / 20

HEX #CBC3A9

RGB 203 195 169

HSL 45.88, 0.25%, 0.73%

LAB 78.81, -1.53, 14.08

 

CMYK 26 / 6 / 0 / 16

HEX #9FC9D6

RGB 159 201 214

HSL 194.18, 0.4%, 0.73%

LAB 78.46, -10.87, -11.01

 

CMYK 26 / 13 / 0 / 16

HEX #9FBAD6

RGB 159 186 214

HSL 210.55, 0.4%, 0.73%

LAB 74.41, -2.92, -17.1

 

CMYK 26 / 20 / 0 / 16

HEX #9FABD6

RGB 159 171 214

HSL 226.91, 0.4%, 0.73%

LAB 70.42, 5.28, -23.15

 

CMYK 25 / 26 / 0 / 16

HEX #A09FD6

RGB 160 159 214

HSL 241.09, 0.4%, 0.73%

LAB 67.37, 12.29, -27.82

 

CMYK 18 / 26 / 0 / 16

HEX #AF9FD6

RGB 175 159 214

HSL 257.45, 0.4%, 0.73%

LAB 68.58, 16.91, -25.86

 

CMYK 47 / 36 / 0 / 26

HEX #6579BD

RGB 101 121 189

HSL 226.36, 0.4%, 0.57%

LAB 51.97, 11.16, -38.03

 

CMYK 35 / 27 / 0 / 21

HEX #8292C9

RGB 130 146 201

HSL 226.48, 0.4%, 0.65%

LAB 61.24, 7.61, -30.23

 

CMYK 26 / 20 / 0 / 16

HEX #9FABD6

RGB 159 171 214

HSL 226.91, 0.4%, 0.73%

LAB 70.42, 5.28, -23.15

 

CMYK 17 / 13 / 0 / 11

HEX #BBC4E2

RGB 187 196 226

HSL 226.15, 0.4%, 0.81%

LAB 79.35, 3.03, -15.95

 

CMYK 9 / 7 / 0 / 7

HEX #D8DDEE

RGB 216 221 238

HSL 226.36, 0.39%, 0.89%

LAB 88.2, 1.54, -8.88

 

CMYK 26 / 20 / 0 / 16

HEX #9DAAD5

RGB 157 170 213

HSL 226.07, 0.4%, 0.73%

LAB 69.98, 4.99, -23.29

 

CMYK 1 / 26 / 0 / 16

HEX #D49FD6

RGB 212 159 214

HSL 297.82, 0.4%, 0.73%

LAB 71.99, 28.84, -20.34

 

CMYK 10 / 0 / 26 / 16

HEX #C1D69F

RGB 193 214 159

HSL 82.91, 0.4%, 0.73%

LAB 82.88, -16.48, 24.89

 

CMYK 26 / 20 / 0 / 16

HEX #9DAAD5

RGB 157 170 213

HSL 226.07, 0.4%, 0.73%

LAB 69.98, 4.99, -23.29

 

CMYK 0 / 26 / 20 / 16

HEX #D69FAB

RGB 214 159 171

HSL 346.91, 0.4%, 0.73%

LAB 70.89, 22.19, 1.8

 

CMYK 20 / 0 / 26 / 16

HEX #ABD69F

RGB 171 214 159

HSL 106.91, 0.4%, 0.73%

LAB 81.43, -24.3, 22.68

 

CMYK 26 / 20 / 0 / 16

HEX #9DAAD5

RGB 157 170 213

HSL 226.07, 0.4%, 0.73%

LAB 69.98, 4.99, -23.29

 

CMYK 1 / 26 / 0 / 16

HEX #D49FD6

RGB 212 159 214

HSL 297.82, 0.4%, 0.73%

LAB 71.99, 28.84, -20.34

 

CMYK 0 / 6 / 26 / 16

HEX #D6C99F

RGB 214 201 159

HSL 45.82, 0.4%, 0.73%

LAB 81.06, -2, 22.66

 

CMYK 25 / 0 / 26 / 16

HEX #A0D69F

RGB 160 214 159

HSL 118.91, 0.4%, 0.73%

LAB 80.78, -28.02, 21.68

 

CMYK 26 / 20 / 0 / 16

HEX #9DAAD5

RGB 157 170 213

HSL 226.07, 0.4%, 0.73%

LAB 69.98, 4.99, -23.29

 

CMYK 0 / 26 / 7 / 16

HEX #D69FC7

RGB 214 159 199

HSL 316.36, 0.4%, 0.73%

LAB 71.7, 26.78, -12.5

 

CMYK 0 / 6 / 26 / 16

HEX #D6C99F

RGB 214 201 159

HSL 45.82, 0.4%, 0.73%

LAB 81.06, -2, 22.66

 

CMYK 26 / 0 / 19 / 16

HEX #9FD6AD

RGB 159 214 173

HSL 135.27, 0.4%, 0.73%

LAB 81.01, -25.88, 14.61

 

Description

Color code: HEX #9DAAD5 | qconv.com Color code: HEX #9DAAD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 170 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 170 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 20 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 20% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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