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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA919 it is the complementary color #6256E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA919. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA919 shade: #A2A914, #B3BB27, #C4CD3A, #D5DF4D and #E6F160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA919. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA919 shade: #9DA919, #8C9706, #7B8500, #6A7300 and #596100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA919 shade: #9DA919, #A98E19, #A96719, #A94119 and #A91A19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA919 shade: #9DA919, #76A919, #4FA919, #29A919 and #19A930

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA919 shade matches the following richer shades: #9DA919 and #AAB80A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA919 shade: #9DA919, #909929, #838939, #757A48 and #686A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA919 shade: #A96819, #A98E19, #9DA919, #76A919 and #50A919

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA919 shade: #5A610E, #7B8514, #9DA919, #BECD1F and #D2E134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA919 shade: #9DA919, #19A942 and #7B19A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA919 shade: #9DA919, #199DA9 and #A9199D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA919 shade: #9DA919, #19A942, #2519A9 and #A91980

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA919 shade: #9DA919, #19A96D, #2519A9 and #A91955

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

Complementary color

CMYK 57 / 63 / 0 / 10

HEX #6256E6

RGB 98 86 230

HSL 245, 0.74%, 0.62%

LAB 45.59, 44.52, -71.66

 

CMYK 4 / 0 / 88 / 34

HEX #A2A914

RGB 162 169 20

HSL 62.82, 0.79%, 0.37%

LAB 66.6, -18.61, 65.93

 

CMYK 4 / 0 / 79 / 27

HEX #B3BB27

RGB 179 187 39

HSL 63.24, 0.65%, 0.44%

LAB 73.07, -19.74, 67.35

 

CMYK 4 / 0 / 72 / 20

HEX #C4CD3A

RGB 196 205 58

HSL 63.67, 0.6%, 0.52%

LAB 79.44, -20.67, 67.71

 

CMYK 4 / 0 / 65 / 13

HEX #D5DF4D

RGB 213 223 77

HSL 64.11, 0.7%, 0.59%

LAB 85.73, -21.43, 67.43

 

CMYK 5 / 0 / 60 / 5

HEX #E6F160

RGB 230 241 96

HSL 64.55, 0.84%, 0.66%

LAB 91.94, -22.06, 66.77

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 7 / 0 / 96 / 41

HEX #8C9706

RGB 140 151 6

HSL 64.55, 0.92%, 0.31%

LAB 59.64, -19.42, 61.94

 

CMYK 8 / 0 / 100 / 48

HEX #7B8500

RGB 123 133 0

HSL 64.51, 1%, 0.26%

LAB 52.93, -17.89, 57.27

 

CMYK 8 / 0 / 100 / 55

HEX #6A7300

RGB 106 115 0

HSL 64.7, 1%, 0.23%

LAB 46.08, -16.22, 51.57

 

CMYK 8 / 0 / 100 / 62

HEX #596100

RGB 89 97 0

HSL 64.95, 1%, 0.19%

LAB 39.02, -14.51, 45.7

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 0 / 16 / 85 / 34

HEX #A98E19

RGB 169 142 25

HSL 48.75, 0.74%, 0.38%

LAB 59.75, -1.08, 59.4

 

CMYK 0 / 39 / 85 / 34

HEX #A96719

RGB 169 103 25

HSL 32.5, 0.74%, 0.38%

LAB 49.74, 20.74, 50.96

 

CMYK 0 / 62 / 85 / 34

HEX #A94119

RGB 169 65 25

HSL 16.67, 0.74%, 0.38%

LAB 41.67, 40.83, 43.98

 

CMYK 0 / 85 / 85 / 34

HEX #A91A19

RGB 169 26 25

HSL 0.42, 0.74%, 0.38%

LAB 36.45, 55.12, 39.36

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 30 / 0 / 85 / 34

HEX #76A919

RGB 118 169 25

HSL 81.25, 0.74%, 0.38%

LAB 63.59, -36.83, 61.1

 

CMYK 53 / 0 / 85 / 34

HEX #4FA919

RGB 79 169 25

HSL 97.5, 0.74%, 0.38%

LAB 61.75, -50.2, 58.78

 

CMYK 76 / 0 / 85 / 34

HEX #29A919

RGB 41 169 25

HSL 113.33, 0.74%, 0.38%

LAB 60.71, -58.78, 57.46

 

CMYK 85 / 0 / 72 / 34

HEX #19A930

RGB 25 169 48

HSL 129.58, 0.74%, 0.38%

LAB 60.6, -59.24, 49.88

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 8 / 0 / 95 / 28

HEX #AAB80A

RGB 170 184 10

HSL 64.83, 0.9%, 0.38%

LAB 71.45, -22.81, 71.52

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 6 / 0 / 73 / 40

HEX #909929

RGB 144 153 41

HSL 64.82, 0.58%, 0.38%

LAB 60.67, -17.57, 54.25

 

CMYK 4 / 0 / 58 / 46

HEX #838939

RGB 131 137 57

HSL 64.5, 0.41%, 0.38%

LAB 55.08, -13.82, 41.28

 

CMYK 4 / 0 / 41 / 52

HEX #757A48

RGB 117 122 72

HSL 66, 0.26%, 0.38%

LAB 49.7, -10.22, 26.73

 

CMYK 2 / 0 / 17 / 58

HEX #686A58

RGB 104 106 88

HSL 66.67, 0.09%, 0.38%

LAB 44.17, -4.24, 9.86

 

CMYK 0 / 38 / 85 / 34

HEX #A96819

RGB 169 104 25

HSL 32.92, 0.74%, 0.38%

LAB 49.98, 20.18, 51.16

 

CMYK 0 / 16 / 85 / 34

HEX #A98E19

RGB 169 142 25

HSL 48.75, 0.74%, 0.38%

LAB 59.75, -1.08, 59.4

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 30 / 0 / 85 / 34

HEX #76A919

RGB 118 169 25

HSL 81.25, 0.74%, 0.38%

LAB 63.59, -36.83, 61.1

 

CMYK 53 / 0 / 85 / 34

HEX #50A919

RGB 80 169 25

HSL 97.08, 0.74%, 0.38%

LAB 61.78, -49.9, 58.82

 

CMYK 7 / 0 / 86 / 62

HEX #5A610E

RGB 90 97 14

HSL 65.06, 0.75%, 0.22%

LAB 39.16, -13.57, 41.99

 

CMYK 8 / 0 / 85 / 48

HEX #7B8514

RGB 123 133 20

HSL 65.31, 0.74%, 0.3%

LAB 52.99, -17.42, 53.34

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 7 / 0 / 85 / 20

HEX #BECD1F

RGB 190 205 31

HSL 65.17, 0.74%, 0.46%

LAB 78.87, -24.17, 74.64

 

CMYK 7 / 0 / 77 / 12

HEX #D2E134

RGB 210 225 52

HSL 65.2, 0.74%, 0.54%

LAB 85.91, -24.82, 76.01

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 85 / 0 / 61 / 34

HEX #19A942

RGB 25 169 66

HSL 137.08, 0.74%, 0.38%

LAB 60.76, -57.27, 42.33

 

CMYK 27 / 85 / 0 / 34

HEX #7B19A9

RGB 123 25 169

HSL 280.83, 0.74%, 0.38%

LAB 33.5, 60.84, -55.72

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 85 / 7 / 0 / 34

HEX #199DA9

RGB 25 157 169

HSL 185, 0.74%, 0.38%

LAB 59.15, -28.41, -15.74

 

CMYK 0 / 85 / 7 / 34

HEX #A9199D

RGB 169 25 157

HSL 305, 0.74%, 0.38%

LAB 40.52, 67.05, -36.81

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 85 / 0 / 61 / 34

HEX #19A942

RGB 25 169 66

HSL 137.08, 0.74%, 0.38%

LAB 60.76, -57.27, 42.33

 

CMYK 78 / 85 / 0 / 34

HEX #2519A9

RGB 37 25 169

HSL 245, 0.74%, 0.38%

LAB 23.52, 51.25, -72.51

 

CMYK 0 / 85 / 24 / 34

HEX #A91980

RGB 169 25 128

HSL 317.08, 0.74%, 0.38%

LAB 39.05, 63.08, -21.37

 

CMYK 7 / 0 / 85 / 34

HEX #9DA919

RGB 157 169 25

HSL 65, 0.74%, 0.38%

LAB 66.22, -20.66, 64.39

 

CMYK 85 / 0 / 36 / 34

HEX #19A96D

RGB 25 169 109

HSL 155, 0.74%, 0.38%

LAB 61.38, -49.92, 21.1

 

CMYK 78 / 85 / 0 / 34

HEX #2519A9

RGB 37 25 169

HSL 245, 0.74%, 0.38%

LAB 23.52, 51.25, -72.51

 

CMYK 0 / 85 / 50 / 34

HEX #A91955

RGB 169 25 85

HSL 335, 0.74%, 0.38%

LAB 37.46, 58.57, 3.41

 

Description

Color code: HEX #9DA919 | qconv.com Color code: HEX #9DA919 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 169 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 169 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 85 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 85% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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