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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA5EABF it is the complementary color #625A15BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA5EABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA5EABF shade: #A2A5E5BF, #B3B7F8BF, #C4C9FFBF, #D5DBFFBF and #E6EDFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA5EABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA5EABF shade: #9DA5EABF, #8C93D7BF, #7B81C4BF, #6A6FB1BF and #595D9EBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA5EABF shade: #9EA6EA, #AB9EEA, #BF9EEA, #D49EEA and #E99EEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA5EABF shade: #9EA6EA and #9E9EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA5EABF shade matches the following richer shades: #9EA6EA, #959FF4 and #8B97FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA5EABF shade: #9EA6EA, #A8AEE1, #B1B5D7, #BBBDCE and #C4C4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA5EABF shade: #9ED0EA, #9EBBEA, #9EA7EA, #AA9EEA and #BE9EEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA5EABF shade: #5A68DC, #7C87E3, #9EA6EA, #C0C5F2 and #E2E5F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA5EABF shade: #9DA5EA, #EA9EE4 and #C6EA9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA5EABF shade: #9DA5EA, #EA9EA7 and #A7EA9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA5EABF shade: #9DA5EA, #EA9EE4, #EAE29E and #9EEAA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA5EABF shade: #9DA5EA, #EA9ECD, #EAE29E and #9EEABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 22 / 0 / 6

HEX #9DA5EABF

RGBA 157 165 234 0.75

HSLA 233.77, 0.65%, 0.77%, 0.75

LABA 69.48, 13.01, -35.56, 0.75

 

Complementary color

CMYK 0 / 6 / 59 / 46

HEX #625A15BF

RGBA 98 90 21 0.75

HSLA 53.77, 0.65%, 0.23%, 0.75

LABA 37.78, -5.35, 38.52, 0.75

 

CMYK 22 / 21 / 0 / 8

HEX #A2A5E5BF

RGBA 162 165 229 0.75

HSLA 237.31, 0.56%, 0.77%, 0.75

LABA 69.65, 13.17, -32.55, 0.75

 

CMYK 21 / 20 / 0 / 2

HEX #B3B7F8BF

RGBA 179 183 248 0.75

HSLA 236.52, 0.83%, 0.84%, 0.75

LABA 76.21, 12.71, -32.62, 0.75

 

CMYK 17 / 16 / 0 / 0

HEX #C4C9FFBF

RGBA 196 201 255 0.75

HSLA 234.92, 1%, 0.88%, 0.75

LABA 82.23, 9.52, -27.01, 0.75

 

CMYK 12 / 11 / 0 / 0

HEX #D5DBFFBF

RGBA 213 219 255 0.75

HSLA 231.43, 1%, 0.92%, 0.75

LABA 87.98, 5.09, -18.17, 0.75

 

CMYK 7 / 5 / 0 / 0

HEX #E6EDFFBF

RGBA 230 237 255 0.75

HSLA 223.2, 1%, 0.95%, 0.75

LABA 93.72, 1.07, -9.47, 0.75

 

CMYK 25 / 22 / 0 / 6

HEX #9DA5EABF

RGBA 157 165 234 0.75

HSLA 233.77, 0.65%, 0.77%, 0.75

LABA 69.48, 13.01, -35.56, 0.75

 

CMYK 26 / 24 / 0 / 12

HEX #8C93D7BF

RGBA 140 147 215 0.75

HSLA 234.4, 0.48%, 0.7%, 0.75

LABA 62.8, 13.58, -35.57, 0.75

 

CMYK 28 / 26 / 0 / 17

HEX #7B81C4BF

RGBA 123 129 196 0.75

HSLA 235.07, 0.38%, 0.63%, 0.75

LABA 55.98, 14.22, -35.62, 0.75

 

CMYK 30 / 28 / 0 / 23

HEX #6A6FB1BF

RGBA 106 111 177 0.75

HSLA 235.77, 0.31%, 0.55%, 0.75

LABA 49.02, 14.98, -35.72, 0.75

 

CMYK 33 / 31 / 0 / 29

HEX #595D9EBF

RGBA 89 93 158 0.75

HSLA 236.52, 0.28%, 0.48%, 0.75

LABA 41.88, 15.87, -35.89, 0.75

 

CMYK 32 / 29 / 0 / 8

HEX #9EA6EA

RGB 158 166 234

HSL 233.68, 0.64%, 0.77%

LAB 69.81, 12.73, -35.05

 

CMYK 27 / 32 / 0 / 8

HEX #AB9EEA

RGB 171 158 234

HSL 250.26, 0.64%, 0.77%

LAB 68.79, 20.95, -36.56

 

CMYK 18 / 32 / 0 / 8

HEX #BF9EEA

RGB 191 158 234

HSL 266.05, 0.64%, 0.77%

LAB 70.5, 26.86, -33.76

 

CMYK 9 / 32 / 0 / 8

HEX #D49EEA

RGB 212 158 234

HSL 282.63, 0.64%, 0.77%

LAB 72.49, 33.28, -30.54

 

CMYK 0 / 32 / 0 / 8

HEX #E99EEA

RGB 233 158 234

HSL 299.21, 0.64%, 0.77%

LAB 74.65, 39.82, -27.04

 

CMYK 32 / 29 / 0 / 8

HEX #9EA6EA

RGB 158 166 234

HSL 233.68, 0.64%, 0.77%

LAB 69.81, 12.73, -35.05

 

CMYK 32 / 32 / 0 / 8

HEX #9E9EEA

RGB 158 158 234

HSL 240, 0.64%, 0.77%

LAB 67.77, 17.25, -38.22

 

CMYK 32 / 29 / 0 / 8

HEX #9EA6EA

RGB 158 166 234

HSL 233.68, 0.64%, 0.77%

LAB 69.81, 12.73, -35.05

 

CMYK 39 / 35 / 0 / 4

HEX #959FF4

RGB 149 159 244

HSL 233.68, 0.81%, 0.77%

LAB 67.81, 16.91, -43.68

 

CMYK 45 / 40 / 0 / 1

HEX #8B97FD

RGB 139 151 253

HSL 233.68, 0.97%, 0.77%

LAB 65.53, 21.55, -52.24

 

CMYK 32 / 29 / 0 / 8

HEX #9EA6EA

RGB 158 166 234

HSL 233.68, 0.64%, 0.77%

LAB 69.81, 12.73, -35.05

 

CMYK 25 / 23 / 0 / 12

HEX #A8AEE1

RGB 168 174 225

HSL 233.68, 0.49%, 0.77%

LAB 72.25, 8.95, -26.31

 

CMYK 18 / 16 / 0 / 16

HEX #B1B5D7

RGB 177 181 215

HSL 233.68, 0.32%, 0.77%

LAB 74.38, 5.59, -17.56

 

CMYK 9 / 8 / 0 / 19

HEX #BBBDCE

RGB 187 189 206

HSL 233.68, 0.16%, 0.77%

LAB 76.93, 2.61, -8.77

 

CMYK 1 / 1 / 0 / 23

HEX #C4C4C5

RGB 196 196 197

HSL 240, 0.01%, 0.77%

LAB 79.18, 0.19, -0.51

 

CMYK 32 / 11 / 0 / 8

HEX #9ED0EA

RGB 158 208 234

HSL 200.53, 0.64%, 0.77%

LAB 80.92, -10.1, -18.05

 

CMYK 32 / 20 / 0 / 8

HEX #9EBBEA

RGB 158 187 234

HSL 217.11, 0.64%, 0.77%

LAB 75.3, 1.09, -26.6

 

CMYK 32 / 29 / 0 / 8

HEX #9EA7EA

RGB 158 167 234

HSL 232.89, 0.64%, 0.77%

LAB 70.07, 12.17, -34.65

 

CMYK 27 / 32 / 0 / 8

HEX #AA9EEA

RGB 170 158 234

HSL 249.47, 0.64%, 0.77%

LAB 68.71, 20.66, -36.69

 

CMYK 19 / 32 / 0 / 8

HEX #BE9EEA

RGB 190 158 234

HSL 265.26, 0.64%, 0.77%

LAB 70.41, 26.56, -33.91

 

CMYK 59 / 53 / 0 / 14

HEX #5A68DC

RGB 90 104 220

HSL 233.54, 0.65%, 0.61%

LAB 48.56, 29.1, -61.19

 

CMYK 45 / 41 / 0 / 11

HEX #7C87E3

RGB 124 135 227

HSL 233.59, 0.65%, 0.69%

LAB 59.12, 19.79, -48.12

 

CMYK 32 / 29 / 0 / 8

HEX #9EA6EA

RGB 158 166 234

HSL 233.68, 0.64%, 0.77%

LAB 69.81, 12.73, -35.05

 

CMYK 21 / 19 / 0 / 5

HEX #C0C5F2

RGB 192 197 242

HSL 234, 0.66%, 0.85%

LAB 80.49, 7.55, -22.77

 

CMYK 9 / 8 / 0 / 2

HEX #E2E5F9

RGB 226 229 249

HSL 232.17, 0.66%, 0.93%

LAB 91.26, 2.75, -10.03

 

CMYK 33 / 29 / 0 / 8

HEX #9DA5EA

RGB 157 165 234

HSL 233.77, 0.65%, 0.77%

LAB 69.48, 13.01, -35.56

 

CMYK 0 / 32 / 3 / 8

HEX #EA9EE4

RGB 234 158 228

HSL 304.74, 0.64%, 0.77%

LAB 74.54, 39.05, -23.92

 

CMYK 15 / 0 / 32 / 8

HEX #C6EA9E

RGB 198 234 158

HSL 88.42, 0.64%, 0.77%

LAB 88.6, -24.62, 33.16

 

CMYK 33 / 29 / 0 / 8

HEX #9DA5EA

RGB 157 165 234

HSL 233.77, 0.65%, 0.77%

LAB 69.48, 13.01, -35.56

 

CMYK 0 / 32 / 29 / 8

HEX #EA9EA7

RGB 234 158 167

HSL 352.89, 0.64%, 0.77%

LAB 72.72, 29.48, 6.92

 

CMYK 29 / 0 / 32 / 8

HEX #A7EA9E

RGB 167 234 158

HSL 112.89, 0.64%, 0.77%

LAB 86.77, -35.25, 30.39

 

CMYK 33 / 29 / 0 / 8

HEX #9DA5EA

RGB 157 165 234

HSL 233.77, 0.65%, 0.77%

LAB 69.48, 13.01, -35.56

 

CMYK 0 / 32 / 3 / 8

HEX #EA9EE4

RGB 234 158 228

HSL 304.74, 0.64%, 0.77%

LAB 74.54, 39.05, -23.92

 

CMYK 0 / 3 / 32 / 8

HEX #EAE29E

RGB 234 226 158

HSL 53.68, 0.64%, 0.77%

LAB 89.09, -7.32, 34.28

 

CMYK 32 / 0 / 29 / 8

HEX #9EEAA5

RGB 158 234 165

HSL 125.53, 0.64%, 0.77%

LAB 86.42, -36.99, 26.27

 

CMYK 33 / 29 / 0 / 8

HEX #9DA5EA

RGB 157 165 234

HSL 233.77, 0.65%, 0.77%

LAB 69.48, 13.01, -35.56

 

CMYK 0 / 32 / 12 / 8

HEX #EA9ECD

RGB 234 158 205

HSL 322.89, 0.64%, 0.77%

LAB 73.77, 35.13, -12.48

 

CMYK 0 / 3 / 32 / 8

HEX #EAE29E

RGB 234 226 158

HSL 53.68, 0.64%, 0.77%

LAB 89.09, -7.32, 34.28

 

CMYK 32 / 0 / 20 / 8

HEX #9EEABB

RGB 158 234 187

HSL 142.89, 0.64%, 0.77%

LAB 86.85, -33.1, 15.48

 

Description

Color code: HEX #9DA5EABF | qconv.com Color code: HEX #9DA5EABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 165 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 165 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 22 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 22% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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