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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA499 it is the complementary color #625B66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA499 shade: #A2A494, #B3B6A7, #C4C8BA, #D5DACD and #E6ECE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA499 shade: #9DA499, #8C9286, #7B8073, #6A6E60 and #595C4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA499 shade: #9DA498, #A0A498, #A3A498, #A4A298 and #A49F98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA499 shade: #9DA498, #99A498, #98A49A, #98A49D and #98A4A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA499 shade matches the following richer shades: #9DA498, #98B489, #94C379, #90D369 and #8BE35A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA499 shade: #9DA498, #A194A8, #A585B8, #A975C7 and #AE65D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA499 shade: #A3A498, #A0A498, #9DA498, #99A498 and #98A49A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA499 shade: #737C6E, #889182, #9DA498, #B1B7AE and #C6CBC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA499 shade: #9DA499, #98A4A2 and #A498A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA499 shade: #9DA499, #989DA4 and #A4989D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA499 shade: #9DA499, #98A4A2, #A098A4 and #A4989A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA499 shade: #9DA499, #98A2A4, #A098A4 and #A49A98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 7 / 36

HEX #9DA499

RGB 157 164 153

HSL 98.18, 0.06%, 0.62%

LAB 66.53, -4.58, 4.84

 

Complementary color

CMYK 4 / 11 / 0 / 60

HEX #625B66

RGB 98 91 102

HSL 278.18, 0.06%, 0.38%

LAB 39.64, 5.11, -5.27

 

CMYK 1 / 0 / 10 / 36

HEX #A2A494

RGB 162 164 148

HSL 67.5, 0.08%, 0.61%

LAB 66.8, -3.64, 8.05

 

CMYK 2 / 0 / 8 / 29

HEX #B3B6A7

RGB 179 182 167

HSL 72, 0.09%, 0.68%

LAB 73.43, -3.77, 7.26

 

CMYK 2 / 0 / 7 / 22

HEX #C4C8BA

RGB 196 200 186

HSL 77.14, 0.11%, 0.76%

LAB 79.95, -3.89, 6.51

 

CMYK 2 / 0 / 6 / 15

HEX #D5DACD

RGB 213 218 205

HSL 83.08, 0.15%, 0.83%

LAB 86.35, -4.01, 5.8

 

CMYK 3 / 0 / 5 / 7

HEX #E6ECE0

RGB 230 236 224

HSL 90, 0.24%, 0.9%

LAB 92.66, -4.12, 5.11

 

CMYK 4 / 0 / 7 / 36

HEX #9DA499

RGB 157 164 153

HSL 98.18, 0.06%, 0.62%

LAB 66.53, -4.58, 4.84

 

CMYK 4 / 0 / 8 / 43

HEX #8C9286

RGB 140 146 134

HSL 90, 0.05%, 0.55%

LAB 59.76, -4.49, 5.6

 

CMYK 4 / 0 / 10 / 50

HEX #7B8073

RGB 123 128 115

HSL 83.08, 0.05%, 0.48%

LAB 52.83, -4.4, 6.41

 

CMYK 4 / 0 / 13 / 57

HEX #6A6E60

RGB 106 110 96

HSL 77.14, 0.07%, 0.4%

LAB 45.72, -4.3, 7.29

 

CMYK 3 / 0 / 16 / 64

HEX #595C4D

RGB 89 92 77

HSL 72, 0.09%, 0.33%

LAB 38.4, -4.19, 8.24

 

CMYK 4 / 0 / 7 / 36

HEX #9DA498

RGB 157 164 152

HSL 95, 0.06%, 0.62%

LAB 66.51, -4.76, 5.36

 

CMYK 2 / 0 / 7 / 36

HEX #A0A498

RGB 160 164 152

HSL 80, 0.06%, 0.62%

LAB 66.74, -3.67, 5.72

 

CMYK 1 / 0 / 7 / 36

HEX #A3A498

RGB 163 164 152

HSL 65, 0.06%, 0.62%

LAB 66.98, -2.57, 6.09

 

CMYK 0 / 1 / 7 / 36

HEX #A4A298

RGB 164 162 152

HSL 50, 0.06%, 0.62%

LAB 66.52, -1.11, 5.44

 

CMYK 0 / 3 / 7 / 36

HEX #A49F98

RGB 164 159 152

HSL 35, 0.06%, 0.62%

LAB 65.71, 0.53, 4.28

 

CMYK 4 / 0 / 7 / 36

HEX #9DA498

RGB 157 164 152

HSL 95, 0.06%, 0.62%

LAB 66.51, -4.76, 5.36

 

CMYK 7 / 0 / 7 / 36

HEX #99A498

RGB 153 164 152

HSL 115, 0.06%, 0.62%

LAB 66.21, -6.21, 4.88

 

CMYK 7 / 0 / 6 / 36

HEX #98A49A

RGB 152 164 154

HSL 130, 0.06%, 0.62%

LAB 66.18, -6.19, 3.72

 

CMYK 7 / 0 / 4 / 36

HEX #98A49D

RGB 152 164 157

HSL 145, 0.06%, 0.62%

LAB 66.26, -5.61, 2.16

 

CMYK 7 / 0 / 2 / 36

HEX #98A4A1

RGB 152 164 161

HSL 165, 0.06%, 0.62%

LAB 66.37, -4.83, 0.09

 

CMYK 4 / 0 / 7 / 36

HEX #9DA498

RGB 157 164 152

HSL 95, 0.06%, 0.62%

LAB 66.51, -4.76, 5.36

 

CMYK 16 / 0 / 24 / 29

HEX #98B489

RGB 152 180 137

HSL 99.07, 0.22%, 0.62%

LAB 70.26, -17.63, 18.84

 

CMYK 24 / 0 / 38 / 24

HEX #94C379

RGB 148 195 121

HSL 98.11, 0.38%, 0.62%

LAB 74, -28.95, 32.3

 

CMYK 32 / 0 / 50 / 17

HEX #90D369

RGB 144 211 105

HSL 97.92, 0.55%, 0.62%

LAB 78.19, -39.78, 45.52

 

CMYK 39 / 0 / 60 / 11

HEX #8BE35A

RGB 139 227 90

HSL 98.54, 0.71%, 0.62%

LAB 82.47, -49.85, 57.28

 

CMYK 4 / 0 / 7 / 36

HEX #9DA498

RGB 157 164 152

HSL 95, 0.06%, 0.62%

LAB 66.51, -4.76, 5.36

 

CMYK 4 / 12 / 0 / 34

HEX #A194A8

RGB 161 148 168

HSL 279, 0.1%, 0.62%

LAB 63, 8.61, -8.73

 

CMYK 10 / 28 / 0 / 28

HEX #A585B8

RGB 165 133 184

HSL 277.65, 0.26%, 0.62%

LAB 60.1, 21.82, -22.14

 

CMYK 15 / 41 / 0 / 22

HEX #A975C7

RGB 169 117 199

HSL 278.05, 0.42%, 0.62%

LAB 57.35, 35.38, -34.89

 

CMYK 19 / 53 / 0 / 16

HEX #AE65D7

RGB 174 101 215

HSL 278.42, 0.59%, 0.62%

LAB 55.29, 48.95, -47.16

 

CMYK 1 / 0 / 7 / 36

HEX #A3A498

RGB 163 164 152

HSL 65, 0.06%, 0.62%

LAB 66.98, -2.57, 6.09

 

CMYK 2 / 0 / 7 / 36

HEX #A0A498

RGB 160 164 152

HSL 80, 0.06%, 0.62%

LAB 66.74, -3.67, 5.72

 

CMYK 4 / 0 / 7 / 36

HEX #9DA498

RGB 157 164 152

HSL 95, 0.06%, 0.62%

LAB 66.51, -4.76, 5.36

 

CMYK 7 / 0 / 7 / 36

HEX #99A498

RGB 153 164 152

HSL 115, 0.06%, 0.62%

LAB 66.21, -6.21, 4.88

 

CMYK 7 / 0 / 6 / 36

HEX #98A49A

RGB 152 164 154

HSL 130, 0.06%, 0.62%

LAB 66.18, -6.19, 3.72

 

CMYK 7 / 0 / 11 / 51

HEX #737C6E

RGB 115 124 110

HSL 98.57, 0.06%, 0.46%

LAB 50.9, -6.16, 6.5

 

CMYK 6 / 0 / 10 / 43

HEX #889182

RGB 136 145 130

HSL 96, 0.06%, 0.54%

LAB 59.06, -6.18, 6.84

 

CMYK 4 / 0 / 7 / 36

HEX #9DA498

RGB 157 164 152

HSL 95, 0.06%, 0.62%

LAB 66.51, -4.76, 5.36

 

CMYK 3 / 0 / 5 / 28

HEX #B1B7AE

RGB 177 183 174

HSL 100, 0.06%, 0.7%

LAB 73.72, -3.77, 3.84

 

CMYK 2 / 0 / 3 / 20

HEX #C6CBC4

RGB 198 203 196

HSL 102.86, 0.06%, 0.78%

LAB 81.13, -2.99, 2.88

 

CMYK 4 / 0 / 7 / 36

HEX #9DA499

RGB 157 164 153

HSL 98.18, 0.06%, 0.62%

LAB 66.53, -4.58, 4.84

 

CMYK 7 / 0 / 1 / 36

HEX #98A4A2

RGB 152 164 162

HSL 170, 0.06%, 0.62%

LAB 66.39, -4.63, -0.43

 

CMYK 0 / 7 / 2 / 36

HEX #A498A1

RGB 164 152 161

HSL 315, 0.06%, 0.62%

LAB 64.1, 6.07, -3.12

 

CMYK 4 / 0 / 7 / 36

HEX #9DA499

RGB 157 164 153

HSL 98.18, 0.06%, 0.62%

LAB 66.53, -4.58, 4.84

 

CMYK 7 / 4 / 0 / 36

HEX #989DA4

RGB 152 157 164

HSL 215, 0.06%, 0.62%

LAB 64.54, -0.38, -4.27

 

CMYK 0 / 7 / 4 / 36

HEX #A4989D

RGB 164 152 157

HSL 335, 0.06%, 0.62%

LAB 63.99, 5.32, -1.04

 

CMYK 4 / 0 / 7 / 36

HEX #9DA499

RGB 157 164 153

HSL 98.18, 0.06%, 0.62%

LAB 66.53, -4.58, 4.84

 

CMYK 7 / 0 / 1 / 36

HEX #98A4A2

RGB 152 164 162

HSL 170, 0.06%, 0.62%

LAB 66.39, -4.63, -0.43

 

CMYK 2 / 7 / 0 / 36

HEX #A098A4

RGB 160 152 164

HSL 280, 0.06%, 0.62%

LAB 63.84, 5.22, -5.23

 

CMYK 0 / 7 / 6 / 36

HEX #A4989A

RGB 164 152 154

HSL 350, 0.06%, 0.62%

LAB 63.9, 4.77, 0.53

 

CMYK 4 / 0 / 7 / 36

HEX #9DA499

RGB 157 164 153

HSL 98.18, 0.06%, 0.62%

LAB 66.53, -4.58, 4.84

 

CMYK 7 / 1 / 0 / 36

HEX #98A2A4

RGB 152 162 164

HSL 190, 0.06%, 0.62%

LAB 65.9, -3.13, -2.27

 

CMYK 2 / 7 / 0 / 36

HEX #A098A4

RGB 160 152 164

HSL 280, 0.06%, 0.62%

LAB 63.84, 5.22, -5.23

 

CMYK 0 / 6 / 7 / 36

HEX #A49A98

RGB 164 154 152

HSL 10, 0.06%, 0.62%

LAB 64.38, 3.29, 2.35

 

Description

Color code: HEX #9DA499 | qconv.com Color code: HEX #9DA499 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 164 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 164 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 7 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 7% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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