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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA131 it is the complementary color #625ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA131 shade: #A2A12C, #B3B33F, #C4C552, #D5D765 and #E6E978

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA131 shade: #9DA131, #8C8F1E, #7B7D0B, #6A6B00 and #595900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA131 shade: #9CA031, #A08631, #A06831, #A04A31 and #A03131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA131 shade: #9CA031, #7EA031, #60A031, #42A031 and #31A03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA131 shade matches the following richer shades: #9CA031, #ACB120 and #BBC20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA131 shade: #9CA031, #8C8F42, #7D7E53, #6D6D64 and #5D5C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA131 shade: #A06931, #A08631, #9CA031, #7FA031 and #61A031

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA131 shade: #5E611E, #7D8027, #9CA031, #BBC03B and #C8CC58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA131 shade: #9DA131, #31A04B and #7731A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA131 shade: #9DA131, #319CA0 and #A0319C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA131 shade: #9DA131, #31A04B, #3531A0 and #A03186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA131 shade: #9DA131, #31A06C, #3531A0 and #A03165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 70 / 37

HEX #9DA131

RGB 157 161 49

HSL 62.14, 0.53%, 0.41%

LAB 64.06, -15.59, 54.91

 

Complementary color

CMYK 52 / 54 / 0 / 19

HEX #625ECE

RGB 98 94 206

HSL 242.14, 0.53%, 0.59%

LAB 45.71, 32.28, -57.78

 

CMYK 0 / 1 / 73 / 36

HEX #A2A12C

RGB 162 161 44

HSL 59.49, 0.57%, 0.4%

LAB 64.45, -13.66, 57.3

 

CMYK 0 / 0 / 65 / 30

HEX #B3B33F

RGB 179 179 63

HSL 60, 0.48%, 0.47%

LAB 71, -14.54, 56.94

 

CMYK 1 / 0 / 58 / 23

HEX #C4C552

RGB 196 197 82

HSL 60.52, 0.5%, 0.55%

LAB 77.45, -15.25, 56.15

 

CMYK 1 / 0 / 53 / 16

HEX #D5D765

RGB 213 215 101

HSL 61.05, 0.59%, 0.62%

LAB 83.8, -15.84, 55.15

 

CMYK 1 / 0 / 48 / 9

HEX #E6E978

RGB 230 233 120

HSL 61.59, 0.72%, 0.69%

LAB 90.07, -16.32, 54.06

 

CMYK 2 / 0 / 70 / 37

HEX #9DA131

RGB 157 161 49

HSL 62.14, 0.53%, 0.41%

LAB 64.06, -15.59, 54.91

 

CMYK 2 / 0 / 79 / 44

HEX #8C8F1E

RGB 140 143 30

HSL 61.59, 0.65%, 0.34%

LAB 57.38, -14.64, 54.83

 

CMYK 2 / 0 / 91 / 51

HEX #7B7D0B

RGB 123 125 11

HSL 61.05, 0.84%, 0.27%

LAB 50.57, -13.41, 53.42

 

CMYK 1 / 0 / 100 / 58

HEX #6A6B00

RGB 106 107 0

HSL 60.56, 1%, 0.21%

LAB 43.62, -11.86, 49.76

 

CMYK 0 / 0 / 100 / 65

HEX #595900

RGB 89 89 0

HSL 60, 1%, 0.17%

LAB 36.5, -10, 43.84

 

CMYK 2 / 0 / 69 / 37

HEX #9CA031

RGB 156 160 49

HSL 62.16, 0.53%, 0.41%

LAB 63.7, -15.51, 54.52

 

CMYK 0 / 16 / 69 / 37

HEX #A08631

RGB 160 134 49

HSL 45.95, 0.53%, 0.41%

LAB 56.83, 0.25, 47.64

 

CMYK 0 / 35 / 69 / 37

HEX #A06831

RGB 160 104 49

HSL 29.73, 0.53%, 0.41%

LAB 49, 17.22, 39.29

 

CMYK 0 / 54 / 69 / 37

HEX #A04A31

RGB 160 74 49

HSL 13.51, 0.53%, 0.41%

LAB 42.14, 33.83, 31.54

 

CMYK 0 / 69 / 69 / 37

HEX #A03131

RGB 160 49 49

HSL 0, 0.53%, 0.41%

LAB 37.65, 45.7, 26.21

 

CMYK 2 / 0 / 69 / 37

HEX #9CA031

RGB 156 160 49

HSL 62.16, 0.53%, 0.41%

LAB 63.7, -15.51, 54.52

 

CMYK 21 / 0 / 69 / 37

HEX #7EA031

RGB 126 160 49

HSL 78.38, 0.53%, 0.41%

LAB 61.48, -28.24, 51.56

 

CMYK 40 / 0 / 69 / 37

HEX #60A031

RGB 96 160 49

HSL 94.59, 0.53%, 0.41%

LAB 59.75, -39.66, 49.23

 

CMYK 59 / 0 / 69 / 37

HEX #42A031

RGB 66 160 49

HSL 110.81, 0.53%, 0.41%

LAB 58.53, -48.83, 47.57

 

CMYK 69 / 0 / 61 / 37

HEX #31A03E

RGB 49 160 62

HSL 127.03, 0.53%, 0.41%

LAB 58.17, -51.28, 41.32

 

CMYK 2 / 0 / 69 / 37

HEX #9CA031

RGB 156 160 49

HSL 62.16, 0.53%, 0.41%

LAB 63.7, -15.51, 54.52

 

CMYK 3 / 0 / 82 / 31

HEX #ACB120

RGB 172 177 32

HSL 62.07, 0.69%, 0.41%

LAB 69.7, -17.97, 66.1

 

CMYK 4 / 0 / 92 / 24

HEX #BBC20F

RGB 187 194 15

HSL 62.35, 0.86%, 0.41%

LAB 75.56, -20.38, 74.65

 

CMYK 2 / 0 / 69 / 37

HEX #9CA031

RGB 156 160 49

HSL 62.16, 0.53%, 0.41%

LAB 63.7, -15.51, 54.52

 

CMYK 2 / 0 / 54 / 44

HEX #8C8F42

RGB 140 143 66

HSL 62.34, 0.37%, 0.41%

LAB 57.67, -12.31, 40.03

 

CMYK 1 / 0 / 34 / 51

HEX #7D7E53

RGB 125 126 83

HSL 61.4, 0.21%, 0.41%

LAB 51.73, -7.61, 23.34

 

CMYK 0 / 0 / 8 / 57

HEX #6D6D64

RGB 109 109 100

HSL 60, 0.04%, 0.41%

LAB 45.78, -1.77, 5.02

 

CMYK 21 / 21 / 0 / 54

HEX #5D5C75

RGB 93 92 117

HSL 242.4, 0.12%, 0.41%

LAB 40.02, 6.19, -13.97

 

CMYK 0 / 34 / 69 / 37

HEX #A06931

RGB 160 105 49

HSL 30.27, 0.53%, 0.41%

LAB 49.25, 16.65, 39.56

 

CMYK 0 / 16 / 69 / 37

HEX #A08631

RGB 160 134 49

HSL 45.95, 0.53%, 0.41%

LAB 56.83, 0.25, 47.64

 

CMYK 2 / 0 / 69 / 37

HEX #9CA031

RGB 156 160 49

HSL 62.16, 0.53%, 0.41%

LAB 63.7, -15.51, 54.52

 

CMYK 21 / 0 / 69 / 37

HEX #7FA031

RGB 127 160 49

HSL 77.84, 0.53%, 0.41%

LAB 61.55, -27.83, 51.65

 

CMYK 39 / 0 / 69 / 37

HEX #61A031

RGB 97 160 49

HSL 94.05, 0.53%, 0.41%

LAB 59.8, -39.31, 49.3

 

CMYK 3 / 0 / 69 / 62

HEX #5E611E

RGB 94 97 30

HSL 62.69, 0.53%, 0.25%

LAB 39.62, -10.79, 36.34

 

CMYK 2 / 0 / 70 / 50

HEX #7D8027

RGB 125 128 39

HSL 62.02, 0.53%, 0.33%

LAB 51.77, -12.97, 45.73

 

CMYK 2 / 0 / 69 / 37

HEX #9CA031

RGB 156 160 49

HSL 62.16, 0.53%, 0.41%

LAB 63.7, -15.51, 54.52

 

CMYK 3 / 0 / 69 / 25

HEX #BBC03B

RGB 187 192 59

HSL 62.26, 0.53%, 0.49%

LAB 75.19, -17.95, 62.96

 

CMYK 2 / 0 / 57 / 20

HEX #C8CC58

RGB 200 204 88

HSL 62.07, 0.53%, 0.57%

LAB 79.71, -16.67, 56.1

 

CMYK 2 / 0 / 70 / 37

HEX #9DA131

RGB 157 161 49

HSL 62.14, 0.53%, 0.41%

LAB 64.06, -15.59, 54.91

 

CMYK 69 / 0 / 53 / 37

HEX #31A04B

RGB 49 160 75

HSL 134.05, 0.53%, 0.41%

LAB 58.32, -49.51, 35.17

 

CMYK 26 / 69 / 0 / 37

HEX #7731A0

RGB 119 49 160

HSL 277.84, 0.53%, 0.41%

LAB 35.31, 49.33, -47.39

 

CMYK 2 / 0 / 70 / 37

HEX #9DA131

RGB 157 161 49

HSL 62.14, 0.53%, 0.41%

LAB 64.06, -15.59, 54.91

 

CMYK 69 / 2 / 0 / 37

HEX #319CA0

RGB 49 156 160

HSL 182.16, 0.53%, 0.41%

LAB 58.94, -28.14, -10.9

 

CMYK 0 / 69 / 2 / 37

HEX #A0319C

RGB 160 49 156

HSL 302.16, 0.53%, 0.41%

LAB 41.33, 58, -35.02

 

CMYK 2 / 0 / 70 / 37

HEX #9DA131

RGB 157 161 49

HSL 62.14, 0.53%, 0.41%

LAB 64.06, -15.59, 54.91

 

CMYK 69 / 0 / 53 / 37

HEX #31A04B

RGB 49 160 75

HSL 134.05, 0.53%, 0.41%

LAB 58.32, -49.51, 35.17

 

CMYK 67 / 69 / 0 / 37

HEX #3531A0

RGB 53 49 160

HSL 242.16, 0.53%, 0.41%

LAB 28.09, 37.1, -59.46

 

CMYK 0 / 69 / 16 / 37

HEX #A03186

RGB 160 49 134

HSL 314.05, 0.53%, 0.41%

LAB 40.23, 54.51, -23.36

 

CMYK 2 / 0 / 70 / 37

HEX #9DA131

RGB 157 161 49

HSL 62.14, 0.53%, 0.41%

LAB 64.06, -15.59, 54.91

 

CMYK 69 / 0 / 33 / 37

HEX #31A06C

RGB 49 160 108

HSL 151.89, 0.53%, 0.41%

LAB 58.86, -43.5, 18.29

 

CMYK 67 / 69 / 0 / 37

HEX #3531A0

RGB 53 49 160

HSL 242.16, 0.53%, 0.41%

LAB 28.09, 37.1, -59.46

 

CMYK 0 / 69 / 37 / 37

HEX #A03165

RGB 160 49 101

HSL 331.89, 0.53%, 0.41%

LAB 38.92, 50.13, -4.84

 

Description

Color code: HEX #9DA131 | qconv.com Color code: HEX #9DA131 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 161 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 161 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 70 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 70% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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