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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA012 it is the complementary color #625FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA012 shade: #A2A00D, #B3B220, #C4C433, #D5D646 and #E6E859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA012 shade: #9DA012, #8C8E00, #7B7C00, #6A6A00 and #595800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA012 shade: #9EA112, #A17D12, #A15712, #A13012 and #A11212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA012 shade: #9EA112, #77A112, #51A112, #2AA112 and #12A120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA012 shade matches the following richer shades: #9EA112 and #ABAF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA012 shade: #9EA112, #909220, #82842F, #74753D and #66674C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA012 shade: #A15712, #A17D12, #9EA112, #78A112 and #52A112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA012 shade: #55560A, #797C0E, #9EA112, #C2C616 and #E2E61F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA012 shade: #9DA012, #12A131 and #6A12A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA012 shade: #9DA012, #129EA1 and #A1129E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA012 shade: #9DA012, #12A131, #1412A1 and #A11282

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA012 shade: #9DA012, #12A15C, #1412A1 and #A11257

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 89 / 37

HEX #9DA012

RGB 157 160 18

HSL 61.27, 0.8%, 0.35%

LAB 63.63, -16.26, 63.75

 

Complementary color

CMYK 59 / 60 / 0 / 7

HEX #625FED

RGB 98 95 237

HSL 241.27, 0.8%, 0.65%

LAB 48.13, 41.43, -71.47

 

CMYK 0 / 1 / 92 / 36

HEX #A2A00D

RGB 162 160 13

HSL 59.19, 0.85%, 0.34%

LAB 64.04, -14.13, 65.11

 

CMYK 0 / 1 / 82 / 30

HEX #B3B220

RGB 179 178 32

HSL 59.59, 0.7%, 0.41%

LAB 70.54, -15.44, 67.05

 

CMYK 0 / 0 / 74 / 23

HEX #C4C433

RGB 196 196 51

HSL 60, 0.59%, 0.48%

LAB 76.95, -16.52, 67.71

 

CMYK 0 / 0 / 67 / 16

HEX #D5D646

RGB 213 214 70

HSL 60.42, 0.64%, 0.56%

LAB 83.27, -17.42, 67.59

 

CMYK 1 / 0 / 62 / 9

HEX #E6E859

RGB 230 232 89

HSL 60.84, 0.76%, 0.63%

LAB 89.51, -18.17, 67.03

 

CMYK 2 / 0 / 89 / 37

HEX #9DA012

RGB 157 160 18

HSL 61.27, 0.8%, 0.35%

LAB 63.63, -16.26, 63.75

 

CMYK 1 / 0 / 100 / 44

HEX #8C8E00

RGB 140 142 0

HSL 60.85, 1%, 0.28%

LAB 57, -14.85, 60.9

 

CMYK 1 / 0 / 100 / 51

HEX #7B7C00

RGB 123 124 0

HSL 60.48, 1%, 0.24%

LAB 50.25, -13.11, 55.29

 

CMYK 0 / 0 / 100 / 58

HEX #6A6A00

RGB 106 106 0

HSL 60, 1%, 0.21%

LAB 43.32, -11.3, 49.54

 

CMYK 0 / 1 / 100 / 65

HEX #595800

RGB 89 88 0

HSL 59.33, 1%, 0.17%

LAB 36.18, -9.43, 43.61

 

CMYK 2 / 0 / 89 / 37

HEX #9EA112

RGB 158 161 18

HSL 61.26, 0.8%, 0.35%

LAB 64, -16.33, 64.08

 

CMYK 0 / 22 / 89 / 37

HEX #A17D12

RGB 161 125 18

HSL 44.9, 0.8%, 0.35%

LAB 54.33, 4.5, 56.44

 

CMYK 0 / 46 / 89 / 37

HEX #A15712

RGB 161 87 18

HSL 28.95, 0.8%, 0.35%

LAB 44.85, 25.97, 48.85

 

CMYK 0 / 70 / 89 / 37

HEX #A13012

RGB 161 48 18

HSL 12.59, 0.8%, 0.35%

LAB 37.36, 45.28, 42.86

 

CMYK 0 / 89 / 89 / 37

HEX #A11212

RGB 161 18 18

HSL 0, 0.8%, 0.35%

LAB 34.09, 54.42, 40.25

 

CMYK 2 / 0 / 89 / 37

HEX #9EA112

RGB 158 161 18

HSL 61.26, 0.8%, 0.35%

LAB 64, -16.33, 64.08

 

CMYK 26 / 0 / 89 / 37

HEX #77A112

RGB 119 161 18

HSL 77.62, 0.8%, 0.35%

LAB 61.18, -33.01, 60.61

 

CMYK 50 / 0 / 89 / 37

HEX #51A112

RGB 81 161 18

HSL 93.57, 0.8%, 0.35%

LAB 59.24, -46.8, 58.18

 

CMYK 74 / 0 / 89 / 37

HEX #2AA112

RGB 42 161 18

HSL 109.93, 0.8%, 0.35%

LAB 58.06, -56.38, 56.71

 

CMYK 89 / 0 / 80 / 37

HEX #12A120

RGB 18 161 32

HSL 125.87, 0.8%, 0.35%

LAB 57.77, -58.7, 52.67

 

CMYK 2 / 0 / 89 / 37

HEX #9EA112

RGB 158 161 18

HSL 61.26, 0.8%, 0.35%

LAB 64, -16.33, 64.08

 

CMYK 2 / 0 / 98 / 31

HEX #ABAF03

RGB 171 175 3

HSL 61.4, 0.97%, 0.35%

LAB 68.99, -17.97, 70.49

 

CMYK 2 / 0 / 89 / 37

HEX #9EA112

RGB 158 161 18

HSL 61.26, 0.8%, 0.35%

LAB 64, -16.33, 64.08

 

CMYK 1 / 0 / 78 / 43

HEX #909220

RGB 144 146 32

HSL 61.05, 0.64%, 0.35%

LAB 58.59, -14.34, 55.41

 

CMYK 2 / 0 / 64 / 48

HEX #82842F

RGB 130 132 47

HSL 61.41, 0.47%, 0.35%

LAB 53.44, -12.35, 44.12

 

CMYK 1 / 0 / 48 / 54

HEX #74753D

RGB 116 117 61

HSL 61.07, 0.31%, 0.35%

LAB 47.97, -9.15, 30.59

 

CMYK 1 / 0 / 26 / 60

HEX #66674C

RGB 102 103 76

HSL 62.22, 0.15%, 0.35%

LAB 42.83, -5.34, 15.16

 

CMYK 0 / 46 / 89 / 37

HEX #A15712

RGB 161 87 18

HSL 28.95, 0.8%, 0.35%

LAB 44.85, 25.97, 48.85

 

CMYK 0 / 22 / 89 / 37

HEX #A17D12

RGB 161 125 18

HSL 44.9, 0.8%, 0.35%

LAB 54.33, 4.5, 56.44

 

CMYK 2 / 0 / 89 / 37

HEX #9EA112

RGB 158 161 18

HSL 61.26, 0.8%, 0.35%

LAB 64, -16.33, 64.08

 

CMYK 25 / 0 / 89 / 37

HEX #78A112

RGB 120 161 18

HSL 77.2, 0.8%, 0.35%

LAB 61.24, -32.61, 60.68

 

CMYK 49 / 0 / 89 / 37

HEX #52A112

RGB 82 161 18

HSL 93.15, 0.8%, 0.35%

LAB 59.28, -46.48, 58.23

 

CMYK 1 / 0 / 88 / 66

HEX #55560A

RGB 85 86 10

HSL 60.79, 0.79%, 0.19%

LAB 35.22, -9.91, 39.6

 

CMYK 2 / 0 / 89 / 51

HEX #797C0E

RGB 121 124 14

HSL 61.64, 0.8%, 0.27%

LAB 50.11, -13.73, 52.34

 

CMYK 2 / 0 / 89 / 37

HEX #9EA112

RGB 158 161 18

HSL 61.26, 0.8%, 0.35%

LAB 64, -16.33, 64.08

 

CMYK 2 / 0 / 89 / 22

HEX #C2C616

RGB 194 198 22

HSL 61.36, 0.8%, 0.43%

LAB 77.23, -19.25, 75.15

 

CMYK 2 / 0 / 87 / 10

HEX #E2E61F

RGB 226 230 31

HSL 61.21, 0.8%, 0.51%

LAB 88.38, -21.22, 83.54

 

CMYK 2 / 0 / 89 / 37

HEX #9DA012

RGB 157 160 18

HSL 61.27, 0.8%, 0.35%

LAB 63.63, -16.26, 63.75

 

CMYK 89 / 0 / 70 / 37

HEX #12A131

RGB 18 161 49

HSL 133.01, 0.8%, 0.35%

LAB 57.88, -57.28, 46.59

 

CMYK 34 / 89 / 0 / 37

HEX #6A12A1

RGB 106 18 161

HSL 276.92, 0.8%, 0.35%

LAB 29.59, 58.4, -57.39

 

CMYK 2 / 0 / 89 / 37

HEX #9DA012

RGB 157 160 18

HSL 61.27, 0.8%, 0.35%

LAB 63.63, -16.26, 63.75

 

CMYK 89 / 2 / 0 / 37

HEX #129EA1

RGB 18 158 161

HSL 181.26, 0.8%, 0.35%

LAB 59.12, -31.9, -11.25

 

CMYK 0 / 89 / 2 / 37

HEX #A1129E

RGB 161 18 158

HSL 301.26, 0.8%, 0.35%

LAB 38.69, 66.96, -40.4

 

CMYK 2 / 0 / 89 / 37

HEX #9DA012

RGB 157 160 18

HSL 61.27, 0.8%, 0.35%

LAB 63.63, -16.26, 63.75

 

CMYK 89 / 0 / 70 / 37

HEX #12A131

RGB 18 161 49

HSL 133.01, 0.8%, 0.35%

LAB 57.88, -57.28, 46.59

 

CMYK 88 / 89 / 0 / 37

HEX #1412A1

RGB 20 18 161

HSL 240.84, 0.8%, 0.35%

LAB 20.65, 50.98, -72.44

 

CMYK 0 / 89 / 19 / 37

HEX #A11282

RGB 161 18 130

HSL 313.01, 0.8%, 0.35%

LAB 37.15, 62.95, -25.67

 

CMYK 2 / 0 / 89 / 37

HEX #9DA012

RGB 157 160 18

HSL 61.27, 0.8%, 0.35%

LAB 63.63, -16.26, 63.75

 

CMYK 89 / 0 / 43 / 37

HEX #12A15C

RGB 18 161 92

HSL 151.05, 0.8%, 0.35%

LAB 58.41, -50.96, 26.31

 

CMYK 88 / 89 / 0 / 37

HEX #1412A1

RGB 20 18 161

HSL 240.84, 0.8%, 0.35%

LAB 20.65, 50.98, -72.44

 

CMYK 0 / 89 / 46 / 37

HEX #A11257

RGB 161 18 87

HSL 331.05, 0.8%, 0.35%

LAB 35.4, 58.15, -1.07

 

Description

Color code: HEX #9DA012 | qconv.com Color code: HEX #9DA012 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 160 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 160 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 89 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 89% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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