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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D9AB8 it is the complementary color #626547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D9AB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D9AB8 shade: #A29AB3, #B3ACC6, #C4BED9, #D5D0EC and #E6E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D9AB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D9AB8 shade: #9D9AB8, #8C88A5, #7B7692, #6A647F and #59526C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D9AB8 shade: #9C99B7, #A499B7, #AC99B7, #B499B7 and #B799B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D9AB8 shade: #9C99B7 and #9999B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D9AB8 shade matches the following richer shades: #9C99B7, #918BC5, #867DD3, #7A6FE1 and #6F61EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D9AB8 shade: #9C99B7, #A7A7A9, #B2B59A, #BEC38C and #C9D17E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D9AB8 shade: #99A6B7, #999EB7, #9C99B7, #A499B7 and #AC99B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D9AB8 shade: #6D6994, #8581A5, #9C99B7, #B3B1C8 and #CBC9D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D9AB8 shade: #9D9AB8, #B799AE and #A2B799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D9AB8 shade: #9D9AB8, #B79C99 and #99B79C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D9AB8 shade: #9D9AB8, #B799AE, #B4B799 and #99B7A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D9AB8 shade: #9D9AB8, #B799A5, #B4B799 and #99B7AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 16 / 0 / 28

HEX #9D9AB8

RGB 157 154 184

HSL 246, 0.17%, 0.66%

LAB 64.76, 7.24, -15.13

 

Complementary color

CMYK 3 / 0 / 30 / 60

HEX #626547

RGB 98 101 71

HSL 66, 0.17%, 0.34%

LAB 41.78, -6.67, 16.64

 

CMYK 9 / 14 / 0 / 30

HEX #A29AB3

RGB 162 154 179

HSL 259.2, 0.14%, 0.65%

LAB 65, 7.85, -11.92

 

CMYK 10 / 13 / 0 / 22

HEX #B3ACC6

RGB 179 172 198

HSL 256.15, 0.19%, 0.73%

LAB 71.67, 7.55, -12.33

 

CMYK 10 / 12 / 0 / 15

HEX #C4BED9

RGB 196 190 217

HSL 253.33, 0.26%, 0.8%

LAB 78.21, 7.27, -12.74

 

CMYK 10 / 12 / 0 / 7

HEX #D5D0EC

RGB 213 208 236

HSL 250.71, 0.42%, 0.87%

LAB 84.65, 7.01, -13.14

 

CMYK 10 / 11 / 0 / 0

HEX #E6E2FF

RGB 230 226 255

HSL 248.28, 1%, 0.94%

LAB 90.98, 6.76, -13.55

 

CMYK 15 / 16 / 0 / 28

HEX #9D9AB8

RGB 157 154 184

HSL 246, 0.17%, 0.66%

LAB 64.76, 7.24, -15.13

 

CMYK 15 / 18 / 0 / 35

HEX #8C88A5

RGB 140 136 165

HSL 248.28, 0.14%, 0.59%

LAB 57.94, 7.56, -14.8

 

CMYK 16 / 19 / 0 / 43

HEX #7B7692

RGB 123 118 146

HSL 250.71, 0.11%, 0.52%

LAB 50.97, 7.91, -14.48

 

CMYK 17 / 21 / 0 / 50

HEX #6A647F

RGB 106 100 127

HSL 253.33, 0.12%, 0.45%

LAB 43.82, 8.3, -14.18

 

CMYK 18 / 24 / 0 / 58

HEX #59526C

RGB 89 82 108

HSL 256.15, 0.14%, 0.37%

LAB 36.44, 8.75, -13.9

 

CMYK 15 / 16 / 0 / 28

HEX #9C99B7

RGB 156 153 183

HSL 246, 0.17%, 0.66%

LAB 64.38, 7.25, -15.15

 

CMYK 10 / 16 / 0 / 28

HEX #A499B7

RGB 164 153 183

HSL 262, 0.17%, 0.66%

LAB 65.04, 9.93, -14.09

 

CMYK 6 / 16 / 0 / 28

HEX #AC99B7

RGB 172 153 183

HSL 278, 0.17%, 0.66%

LAB 65.73, 12.65, -12.98

 

CMYK 2 / 16 / 0 / 28

HEX #B499B7

RGB 180 153 183

HSL 294, 0.17%, 0.66%

LAB 66.45, 15.41, -11.83

 

CMYK 0 / 16 / 3 / 28

HEX #B799B1

RGB 183 153 177

HSL 312, 0.17%, 0.66%

LAB 66.54, 15.32, -8.31

 

CMYK 15 / 16 / 0 / 28

HEX #9C99B7

RGB 156 153 183

HSL 246, 0.17%, 0.66%

LAB 64.38, 7.25, -15.15

 

CMYK 16 / 16 / 0 / 28

HEX #9999B7

RGB 153 153 183

HSL 240, 0.17%, 0.66%

LAB 64.14, 6.26, -15.53

 

CMYK 15 / 16 / 0 / 28

HEX #9C99B7

RGB 156 153 183

HSL 246, 0.17%, 0.66%

LAB 64.38, 7.25, -15.15

 

CMYK 26 / 29 / 0 / 23

HEX #918BC5

RGB 145 139 197

HSL 246.21, 0.33%, 0.66%

LAB 60.35, 15.02, -29.26

 

CMYK 36 / 41 / 0 / 17

HEX #867DD3

RGB 134 125 211

HSL 246.28, 0.49%, 0.66%

LAB 56.52, 23.7, -43.21

 

CMYK 46 / 51 / 0 / 12

HEX #7A6FE1

RGB 122 111 225

HSL 245.79, 0.66%, 0.66%

LAB 52.89, 32.98, -56.94

 

CMYK 54 / 59 / 0 / 6

HEX #6F61EF

RGB 111 97 239

HSL 245.92, 0.82%, 0.66%

LAB 49.69, 43.12, -70.01

 

CMYK 15 / 16 / 0 / 28

HEX #9C99B7

RGB 156 153 183

HSL 246, 0.17%, 0.66%

LAB 64.38, 7.25, -15.15

 

CMYK 1 / 1 / 0 / 34

HEX #A7A7A9

RGB 167 167 169

HSL 240, 0.01%, 0.66%

LAB 68.55, 0.38, -1.04

 

CMYK 2 / 0 / 15 / 29

HEX #B2B59A

RGB 178 181 154

HSL 66.67, 0.15%, 0.66%

LAB 72.79, -5.8, 13.42

 

CMYK 3 / 0 / 28 / 24

HEX #BEC38C

RGB 190 195 140

HSL 65.45, 0.31%, 0.66%

LAB 77.2, -10.65, 27.14

 

CMYK 4 / 0 / 40 / 18

HEX #C9D17E

RGB 201 209 126

HSL 65.78, 0.47%, 0.66%

LAB 81.58, -15.22, 40.22

 

CMYK 16 / 9 / 0 / 28

HEX #99A6B7

RGB 153 166 183

HSL 214, 0.17%, 0.66%

LAB 67.62, -0.97, -10.3

 

CMYK 16 / 14 / 0 / 28

HEX #999EB7

RGB 153 158 183

HSL 230, 0.17%, 0.66%

LAB 65.47, 3.46, -13.52

 

CMYK 15 / 16 / 0 / 28

HEX #9C99B7

RGB 156 153 183

HSL 246, 0.17%, 0.66%

LAB 64.38, 7.25, -15.15

 

CMYK 10 / 16 / 0 / 28

HEX #A499B7

RGB 164 153 183

HSL 262, 0.17%, 0.66%

LAB 65.04, 9.93, -14.09

 

CMYK 6 / 16 / 0 / 28

HEX #AC99B7

RGB 172 153 183

HSL 278, 0.17%, 0.66%

LAB 65.73, 12.65, -12.98

 

CMYK 26 / 29 / 0 / 42

HEX #6D6994

RGB 109 105 148

HSL 245.58, 0.17%, 0.5%

LAB 46.3, 11.52, -22.91

 

CMYK 19 / 22 / 0 / 35

HEX #8581A5

RGB 133 129 165

HSL 246.67, 0.17%, 0.58%

LAB 55.49, 9.28, -18.58

 

CMYK 15 / 16 / 0 / 28

HEX #9C99B7

RGB 156 153 183

HSL 246, 0.17%, 0.66%

LAB 64.38, 7.25, -15.15

 

CMYK 11 / 12 / 0 / 22

HEX #B3B1C8

RGB 179 177 200

HSL 245.22, 0.17%, 0.74%

LAB 73.02, 5.22, -11.4

 

CMYK 6 / 7 / 0 / 15

HEX #CBC9D9

RGB 203 201 217

HSL 247.5, 0.17%, 0.82%

LAB 81.55, 3.7, -7.7

 

CMYK 15 / 16 / 0 / 28

HEX #9D9AB8

RGB 157 154 184

HSL 246, 0.17%, 0.66%

LAB 64.76, 7.24, -15.13

 

CMYK 0 / 16 / 5 / 28

HEX #B799AE

RGB 183 153 174

HSL 318, 0.17%, 0.66%

LAB 66.45, 14.76, -6.76

 

CMYK 11 / 0 / 16 / 28

HEX #A2B799

RGB 162 183 153

HSL 102, 0.17%, 0.66%

LAB 72.13, -12.87, 12.86

 

CMYK 15 / 16 / 0 / 28

HEX #9D9AB8

RGB 157 154 184

HSL 246, 0.17%, 0.66%

LAB 64.76, 7.24, -15.13

 

CMYK 0 / 15 / 16 / 28

HEX #B79C99

RGB 183 156 153

HSL 6, 0.17%, 0.66%

LAB 66.63, 9.47, 5.26

 

CMYK 16 / 0 / 15 / 28

HEX #99B79C

RGB 153 183 156

HSL 126, 0.17%, 0.66%

LAB 71.58, -15.51, 10.37

 

CMYK 15 / 16 / 0 / 28

HEX #9D9AB8

RGB 157 154 184

HSL 246, 0.17%, 0.66%

LAB 64.76, 7.24, -15.13

 

CMYK 0 / 16 / 5 / 28

HEX #B799AE

RGB 183 153 174

HSL 318, 0.17%, 0.66%

LAB 66.45, 14.76, -6.76

 

CMYK 2 / 0 / 16 / 28

HEX #B4B799

RGB 180 183 153

HSL 66, 0.17%, 0.66%

LAB 73.46, -6.27, 14.93

 

CMYK 16 / 0 / 11 / 28

HEX #99B7A2

RGB 153 183 162

HSL 138, 0.17%, 0.66%

LAB 71.72, -14.38, 7.29

 

CMYK 15 / 16 / 0 / 28

HEX #9D9AB8

RGB 157 154 184

HSL 246, 0.17%, 0.66%

LAB 64.76, 7.24, -15.13

 

CMYK 0 / 16 / 10 / 28

HEX #B799A5

RGB 183 153 165

HSL 336, 0.17%, 0.66%

LAB 66.19, 13.15, -2.1

 

CMYK 2 / 0 / 16 / 28

HEX #B4B799

RGB 180 183 153

HSL 66, 0.17%, 0.66%

LAB 73.46, -6.27, 14.93

 

CMYK 16 / 0 / 7 / 28

HEX #99B7AB

RGB 153 183 171

HSL 156, 0.17%, 0.66%

LAB 71.95, -12.62, 2.69

 

Description

Color code: HEX #9D9AB8 | qconv.com Color code: HEX #9D9AB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 154 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 154 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 16 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 16% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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