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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D9486 it is the complementary color #626B79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D9486. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9D9486: #A29481, #B3A694, #C4B8A7, #D5CABA and #E6DCCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D9486. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9D9486: #9D9486, #8C8273, #7B7060, #6A5E4D and #594C3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 15 / 38

HEX #9D9486

RGB 157 148 134

HSL 36.52, 0.11%, 0.57%

LAB 61.71, 0.85, 8.59

 

Complementary color

CMYK 19 / 12 / 0 / 53

HEX #626B79

RGB 98 107 121

HSL 216.52, 0.11%, 0.43%

LAB 44.93, -0.18, -8.94

 

CMYK 0 / 9 / 20 / 36

HEX #A29481

RGB 162 148 129

HSL 34.55, 0.15%, 0.57%

LAB 62.04, 1.98, 11.93

 

CMYK 0 / 7 / 17 / 30

HEX #B3A694

RGB 179 166 148

HSL 34.84, 0.17%, 0.64%

LAB 68.75, 1.66, 11.01

 

CMYK 0 / 6 / 15 / 23

HEX #C4B8A7

RGB 196 184 167

HSL 35.17, 0.2%, 0.71%

LAB 75.33, 1.38, 10.16

 

CMYK 0 / 5 / 13 / 16

HEX #D5CABA

RGB 213 202 186

HSL 35.56, 0.24%, 0.78%

LAB 81.8, 1.13, 9.35

 

CMYK 0 / 4 / 11 / 10

HEX #E6DCCD

RGB 230 220 205

HSL 36, 0.33%, 0.85%

LAB 88.17, 0.9, 8.58

SW® 6105

CMYK 0 / 6 / 15 / 38

HEX #9D9486

RGB 157 148 134

HSL 36.52, 0.11%, 0.57%

LAB 61.71, 0.85, 8.59

 

CMYK 0 / 7 / 18 / 45

HEX #8C8273

RGB 140 130 115

HSL 36, 0.1%, 0.5%

LAB 54.84, 1.13, 9.48

 

CMYK 0 / 9 / 22 / 52

HEX #7B7060

RGB 123 112 96

HSL 35.56, 0.12%, 0.43%

LAB 47.81, 1.47, 10.45

 

CMYK 0 / 11 / 27 / 58

HEX #6A5E4D

RGB 106 94 77

HSL 35.17, 0.16%, 0.36%

LAB 40.58, 1.87, 11.52

 

CMYK 0 / 15 / 35 / 65

HEX #594C3A

RGB 89 76 58

HSL 34.84, 0.21%, 0.29%

LAB 33.13, 2.38, 12.73

 

CMYK 0 / 6 / 15 / 38

HEX #9D9486

RGB 157 148 134

HSL 36.52, 0.11%, 0.57%

LAB 61.71, 0.85, 8.59

 

CMYK 0 / 4 / 15 / 38

HEX #9D9785

RGB 157 151 133

HSL 45, 0.11%, 0.57%

LAB 62.5, -0.98, 10.27

 

CMYK 0 / 1 / 15 / 38

HEX #9D9B85

RGB 157 155 133

HSL 55, 0.11%, 0.57%

LAB 63.59, -3.18, 11.81

 

CMYK 2 / 0 / 15 / 38

HEX #9A9D85

RGB 154 157 133

HSL 67.5, 0.11%, 0.57%

LAB 63.9, -5.41, 12.2

 

CMYK 4 / 0 / 15 / 38

HEX #969D85

RGB 150 157 133

HSL 77.5, 0.11%, 0.57%

LAB 63.58, -6.93, 11.71

 

CMYK 0 / 6 / 15 / 38

HEX #9D9486

RGB 157 148 134

HSL 36.52, 0.11%, 0.57%

LAB 61.71, 0.85, 8.59

 

CMYK 0 / 6 / 14 / 18

HEX #D0C4B2

RGB 208 196 178

HSL 36, 0.24%, 0.76%

LAB 79.67, 1.19, 10.54

 

CMYK 0 / 0 / 25 / 98

HEX #040403

RGB 4 4 3

HSL 60, 0.14%, 0.01%

LAB 1.08, -0.14, 0.38

 

CMYK 0 / 5 / 15 / 78

HEX #37342F

RGB 55 52 47

HSL 37.5, 0.08%, 0.2%

LAB 21.85, 0.25, 3.63

 

CMYK 0 / 6 / 15 / 58

HEX #6A645A

RGB 106 100 90

HSL 37.5, 0.08%, 0.38%

LAB 42.64, 0.48, 6.52

 

CMYK 0 / 6 / 15 / 38

HEX #9D9486

RGB 157 148 134

HSL 36.52, 0.11%, 0.57%

LAB 61.71, 0.85, 8.59

 

CMYK 12 / 0 / 15 / 38

HEX #8A9D85

RGB 138 157 133

HSL 107.5, 0.11%, 0.57%

LAB 62.69, -11.4, 10.32

 

CMYK 12 / 15 / 0 / 38

HEX #8A859D

RGB 138 133 157

HSL 252.5, 0.11%, 0.57%

LAB 56.7, 6.82, -12.1

 

CMYK 0 / 6 / 15 / 38

HEX #9D9486

RGB 157 148 134

HSL 36.52, 0.11%, 0.57%

LAB 61.71, 0.85, 8.59

 

CMYK 15 / 0 / 6 / 38

HEX #859D93

RGB 133 157 147

HSL 155, 0.11%, 0.57%

LAB 62.68, -10.48, 2.4

 

CMYK 6 / 15 / 0 / 38

HEX #93859D

RGB 147 133 157

HSL 275, 0.11%, 0.57%

LAB 57.48, 9.96, -10.85

 

CMYK 0 / 6 / 15 / 38

HEX #9D9486

RGB 157 148 134

HSL 36.52, 0.11%, 0.57%

LAB 61.71, 0.85, 8.59

 

CMYK 12 / 0 / 15 / 38

HEX #8A9D85

RGB 138 157 133

HSL 107.5, 0.11%, 0.57%

LAB 62.69, -11.4, 10.32

 

CMYK 15 / 10 / 0 / 38

HEX #858E9D

RGB 133 142 157

HSL 217.5, 0.11%, 0.57%

LAB 58.76, -0.04, -9.05

 

CMYK 3 / 15 / 0 / 38

HEX #98859D

RGB 152 133 157

HSL 287.5, 0.11%, 0.57%

LAB 57.93, 11.74, -10.13

 

CMYK 0 / 6 / 15 / 38

HEX #9D9486

RGB 157 148 134

HSL 36.52, 0.11%, 0.57%

LAB 61.71, 0.85, 8.59

 

CMYK 15 / 0 / 14 / 38

HEX #859D87

RGB 133 157 135

HSL 125, 0.11%, 0.57%

LAB 62.38, -12.84, 8.72

 

CMYK 15 / 10 / 0 / 38

HEX #858E9D

RGB 133 142 157

HSL 217.5, 0.11%, 0.57%

LAB 58.76, -0.04, -9.05

 

CMYK 0 / 15 / 2 / 38

HEX #9D859A

RGB 157 133 154

HSL 307.5, 0.11%, 0.57%

LAB 58.3, 12.94, -7.8

 

Description

Color code: HEX #9D9486 | qconv.com Color code: HEX #9D9486 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 148 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 148 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 15 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 15% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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