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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D90C0 it is the complementary color #626F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D90C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D90C0 shade: #A290BB, #B3A2CE, #C4B4E1, #D5C6F4 and #E6D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D90C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D90C0 shade: #9D90C0, #8C7EAD, #7B6C9A, #6A5A87 and #594874

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D90C0 shade: #9D90C1, #AA90C1, #B790C1, #C190BD and #C190B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D90C0 shade: #9D90C1 and #9090C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D90C0 shade matches the following richer shades: #9D90C1, #9782CF, #9074DD, #8A66EB and #8358F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D90C0 shade: #9D90C1, #A49EB3, #AAACA5, #B0BA96 and #B7C888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D90C0 shade: #909DC1, #9090C1, #9D90C1, #AA90C1 and #B790C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D90C0 shade: #6F5BA3, #8676B2, #9D90C1, #B4AACF and #CCC5DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D90C0 shade: #9D90C0, #C190AA and #96C190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D90C0 shade: #9D90C0, #C19D90 and #90C19D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D90C0 shade: #9D90C0, #C190AA, #B4C190 and #90C1A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D90C0 shade: #9D90C0, #C1909B, #B4C190 and #90C1B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 25 / 0 / 25

HEX #9D90C0

RGB 157 144 192

HSL 256.25, 0.28%, 0.66%

LAB 62.44, 14.7, -23.14

 

Complementary color

CMYK 12 / 0 / 43 / 56

HEX #626F3F

RGB 98 111 63

HSL 76.25, 0.28%, 0.34%

LAB 44.69, -13.47, 25.08

 

CMYK 13 / 23 / 0 / 27

HEX #A290BB

RGB 162 144 187

HSL 265.12, 0.24%, 0.65%

LAB 62.69, 15.21, -19.91

 

CMYK 13 / 21 / 0 / 19

HEX #B3A2CE

RGB 179 162 206

HSL 263.18, 0.31%, 0.72%

LAB 69.38, 14.76, -20.18

 

CMYK 13 / 20 / 0 / 12

HEX #C4B4E1

RGB 196 180 225

HSL 261.33, 0.43%, 0.79%

LAB 75.96, 14.35, -20.47

 

CMYK 13 / 19 / 0 / 4

HEX #D5C6F4

RGB 213 198 244

HSL 259.57, 0.68%, 0.87%

LAB 82.41, 13.96, -20.76

 

CMYK 10 / 15 / 0 / 0

HEX #E6D8FF

RGB 230 216 255

HSL 261.54, 1%, 0.92%

LAB 88.52, 12, -17.24

 

CMYK 18 / 25 / 0 / 25

HEX #9D90C0

RGB 157 144 192

HSL 256.25, 0.28%, 0.66%

LAB 62.44, 14.7, -23.14

 

CMYK 19 / 27 / 0 / 32

HEX #8C7EAD

RGB 140 126 173

HSL 257.87, 0.22%, 0.59%

LAB 55.6, 15.21, -22.96

 

CMYK 20 / 30 / 0 / 40

HEX #7B6C9A

RGB 123 108 154

HSL 259.57, 0.19%, 0.51%

LAB 48.6, 15.77, -22.81

 

CMYK 21 / 33 / 0 / 47

HEX #6A5A87

RGB 106 90 135

HSL 261.33, 0.2%, 0.44%

LAB 41.42, 16.41, -22.7

 

CMYK 23 / 38 / 0 / 55

HEX #594874

RGB 89 72 116

HSL 263.18, 0.23%, 0.37%

LAB 34.02, 17.15, -22.63

 

CMYK 19 / 25 / 0 / 24

HEX #9D90C1

RGB 157 144 193

HSL 255.92, 0.28%, 0.66%

LAB 62.48, 14.93, -23.65

 

CMYK 12 / 25 / 0 / 24

HEX #AA90C1

RGB 170 144 193

HSL 271.84, 0.28%, 0.66%

LAB 63.63, 19.14, -21.79

 

CMYK 5 / 25 / 0 / 24

HEX #B790C1

RGB 183 144 193

HSL 287.76, 0.28%, 0.66%

LAB 64.85, 23.44, -19.81

 

CMYK 0 / 25 / 2 / 24

HEX #C190BD

RGB 193 144 189

HSL 304.9, 0.28%, 0.66%

LAB 65.72, 26.03, -16.16

 

CMYK 0 / 25 / 9 / 24

HEX #C190B0

RGB 193 144 176

HSL 320.82, 0.28%, 0.66%

LAB 65.29, 23.67, -9.5

 

CMYK 19 / 25 / 0 / 24

HEX #9D90C1

RGB 157 144 193

HSL 255.92, 0.28%, 0.66%

LAB 62.48, 14.93, -23.65

 

CMYK 25 / 25 / 0 / 24

HEX #9090C1

RGB 144 144 193

HSL 240, 0.28%, 0.66%

LAB 61.42, 10.85, -25.37

 

CMYK 19 / 25 / 0 / 24

HEX #9D90C1

RGB 157 144 193

HSL 255.92, 0.28%, 0.66%

LAB 62.48, 14.93, -23.65

 

CMYK 27 / 37 / 0 / 19

HEX #9782CF

RGB 151 130 207

HSL 256.36, 0.45%, 0.66%

LAB 59.02, 24.5, -36.93

 

CMYK 35 / 48 / 0 / 13

HEX #9074DD

RGB 144 116 221

HSL 256, 0.61%, 0.66%

LAB 55.73, 34.26, -50.05

 

CMYK 41 / 57 / 0 / 8

HEX #8A66EB

RGB 138 102 235

HSL 256.24, 0.77%, 0.66%

LAB 52.84, 44.55, -62.55

 

CMYK 47 / 65 / 0 / 2

HEX #8358F9

RGB 131 88 249

HSL 256.02, 0.93%, 0.66%

LAB 50.27, 54.6, -74.58

 

CMYK 19 / 25 / 0 / 24

HEX #9D90C1

RGB 157 144 193

HSL 255.92, 0.28%, 0.66%

LAB 62.48, 14.93, -23.65

 

CMYK 8 / 12 / 0 / 30

HEX #A49EB3

RGB 164 158 179

HSL 257.14, 0.12%, 0.66%

LAB 66.21, 6.3, -10.08

 

CMYK 1 / 0 / 4 / 33

HEX #AAACA5

RGB 170 172 165

HSL 77.14, 0.04%, 0.66%

LAB 70.01, -2.01, 3.34

 

CMYK 5 / 0 / 19 / 27

HEX #B0BA96

RGB 176 186 150

HSL 76.67, 0.21%, 0.66%

LAB 73.9, -9.81, 17.12

 

CMYK 9 / 0 / 32 / 22

HEX #B7C888

RGB 183 200 136

HSL 75.94, 0.37%, 0.66%

LAB 77.97, -16.41, 30.15

 

CMYK 25 / 19 / 0 / 24

HEX #909DC1

RGB 144 157 193

HSL 224.08, 0.28%, 0.66%

LAB 64.88, 3.46, -20.07

 

CMYK 25 / 25 / 0 / 24

HEX #9090C1

RGB 144 144 193

HSL 240, 0.28%, 0.66%

LAB 61.42, 10.85, -25.37

 

CMYK 19 / 25 / 0 / 24

HEX #9D90C1

RGB 157 144 193

HSL 255.92, 0.28%, 0.66%

LAB 62.48, 14.93, -23.65

 

CMYK 12 / 25 / 0 / 24

HEX #AA90C1

RGB 170 144 193

HSL 271.84, 0.28%, 0.66%

LAB 63.63, 19.14, -21.79

 

CMYK 5 / 25 / 0 / 24

HEX #B790C1

RGB 183 144 193

HSL 287.76, 0.28%, 0.66%

LAB 64.85, 23.44, -19.81

 

CMYK 32 / 44 / 0 / 36

HEX #6F5BA3

RGB 111 91 163

HSL 256.67, 0.28%, 0.5%

LAB 43.52, 24.67, -36.15

 

CMYK 25 / 34 / 0 / 30

HEX #8676B2

RGB 134 118 178

HSL 256, 0.28%, 0.58%

LAB 53.21, 19.22, -29.58

 

CMYK 19 / 25 / 0 / 24

HEX #9D90C1

RGB 157 144 193

HSL 255.92, 0.28%, 0.66%

LAB 62.48, 14.93, -23.65

 

CMYK 13 / 18 / 0 / 19

HEX #B4AACF

RGB 180 170 207

HSL 256.22, 0.28%, 0.74%

LAB 71.53, 10.86, -17.48

 

CMYK 8 / 11 / 0 / 13

HEX #CCC5DE

RGB 204 197 222

HSL 256.8, 0.27%, 0.82%

LAB 80.76, 7.14, -11.55

 

CMYK 18 / 25 / 0 / 25

HEX #9D90C0

RGB 157 144 192

HSL 256.25, 0.28%, 0.66%

LAB 62.44, 14.7, -23.14

 

CMYK 0 / 25 / 12 / 24

HEX #C190AA

RGB 193 144 170

HSL 328.16, 0.28%, 0.66%

LAB 65.11, 22.63, -6.39

 

CMYK 22 / 0 / 25 / 24

HEX #96C190

RGB 150 193 144

HSL 112.65, 0.28%, 0.66%

LAB 73.96, -23.71, 20.14

 

CMYK 18 / 25 / 0 / 25

HEX #9D90C0

RGB 157 144 192

HSL 256.25, 0.28%, 0.66%

LAB 62.44, 14.7, -23.14

 

CMYK 0 / 19 / 25 / 24

HEX #C19D90

RGB 193 157 144

HSL 15.92, 0.28%, 0.66%

LAB 67.62, 11.36, 11.82

 

CMYK 25 / 0 / 19 / 24

HEX #90C19D

RGB 144 193 157

HSL 135.92, 0.28%, 0.66%

LAB 73.87, -23.42, 12.98

 

CMYK 18 / 25 / 0 / 25

HEX #9D90C0

RGB 157 144 192

HSL 256.25, 0.28%, 0.66%

LAB 62.44, 14.7, -23.14

 

CMYK 0 / 25 / 12 / 24

HEX #C190AA

RGB 193 144 170

HSL 328.16, 0.28%, 0.66%

LAB 65.11, 22.63, -6.39

 

CMYK 7 / 0 / 25 / 24

HEX #B4C190

RGB 180 193 144

HSL 75.92, 0.28%, 0.66%

LAB 75.98, -12.85, 23.24

 

CMYK 25 / 0 / 13 / 24

HEX #90C1A7

RGB 144 193 167

HSL 148.16, 0.28%, 0.66%

LAB 74.1, -21.49, 7.9

 

CMYK 18 / 25 / 0 / 25

HEX #9D90C0

RGB 157 144 192

HSL 256.25, 0.28%, 0.66%

LAB 62.44, 14.7, -23.14

 

CMYK 0 / 25 / 20 / 24

HEX #C1909B

RGB 193 144 155

HSL 346.53, 0.28%, 0.66%

LAB 64.68, 20.18, 1.45

 

CMYK 7 / 0 / 25 / 24

HEX #B4C190

RGB 180 193 144

HSL 75.92, 0.28%, 0.66%

LAB 75.98, -12.85, 23.24

 

CMYK 25 / 0 / 6 / 24

HEX #90C1B5

RGB 144 193 181

HSL 165.31, 0.28%, 0.66%

LAB 74.45, -18.6, 0.81

 

Description

Color code: HEX #9D90C0 | qconv.com Color code: HEX #9D90C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 144 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 144 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 25 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 25% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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