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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D86CE it is the complementary color #627931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D86CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D86CE shade: #A286C9, #B398DC, #C4AAEF, #D5BCFF and #E6CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D86CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D86CE shade: #9D86CE, #8C74BB, #7B62A8, #6A5095 and #593E82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D86CE shade: #9E88CE, #B188CE, #C488CE, #CE88C5 and #CE88B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D86CE shade: #9E88CE, #8B88CE and #8888CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D86CE shade matches the following richer shades: #9E88CE, #997ADC, #946CE9 and #8F5FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D86CE shade: #9E88CE, #A395C1, #A8A3B3, #ADB0A5 and #B2BE98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D86CE shade: #8897CE, #8B88CE, #9E88CE, #B188CE and #C488CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D86CE shade: #6F4DB6, #866AC2, #9E88CE, #B6A5DA and #CEC2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D86CE shade: #9D86CE, #CE88AA and #8DCE88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D86CE shade: #9D86CE, #CE9E88 and #88CE9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D86CE shade: #9D86CE, #CE88AA, #B8CE88 and #88CEAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D86CE shade: #9D86CE, #CE8894, #B8CE88 and #88CEC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 35 / 0 / 19

HEX #9D86CE

RGB 157 134 206

HSL 259.17, 0.42%, 0.67%

LAB 60.49, 23.72, -34.03

 

Complementary color

CMYK 19 / 0 / 60 / 53

HEX #627931

RGB 98 121 49

HSL 79.17, 0.42%, 0.33%

LAB 47.61, -20.42, 36.05

 

CMYK 19 / 33 / 0 / 21

HEX #A286C9

RGB 162 134 201

HSL 265.07, 0.38%, 0.66%

LAB 60.74, 24.06, -30.8

 

CMYK 19 / 31 / 0 / 14

HEX #B398DC

RGB 179 152 220

HSL 263.82, 0.49%, 0.73%

LAB 67.43, 23.43, -30.91

 

CMYK 18 / 29 / 0 / 6

HEX #C4AAEF

RGB 196 170 239

HSL 262.61, 0.68%, 0.8%

LAB 74.01, 22.85, -31.04

 

CMYK 16 / 26 / 0 / 0

HEX #D5BCFF

RGB 213 188 255

HSL 262.39, 1%, 0.87%

LAB 80.37, 21.67, -29.75

 

CMYK 10 / 19 / 0 / 0

HEX #E6CEFF

RGB 230 206 255

HSL 269.39, 1%, 0.9%

LAB 86.1, 17.3, -20.89

 

CMYK 24 / 35 / 0 / 19

HEX #9D86CE

RGB 157 134 206

HSL 259.17, 0.42%, 0.67%

LAB 60.49, 23.72, -34.03

 

CMYK 25 / 38 / 0 / 27

HEX #8C74BB

RGB 140 116 187

HSL 260.28, 0.34%, 0.59%

LAB 53.66, 24.45, -34.02

 

CMYK 27 / 42 / 0 / 34

HEX #7B62A8

RGB 123 98 168

HSL 261.43, 0.29%, 0.52%

LAB 46.68, 25.26, -34.04

 

CMYK 29 / 46 / 0 / 42

HEX #6A5095

RGB 106 80 149

HSL 262.61, 0.3%, 0.45%

LAB 39.53, 26.18, -34.11

 

CMYK 32 / 52 / 0 / 49

HEX #593E82

RGB 89 62 130

HSL 263.82, 0.35%, 0.38%

LAB 32.22, 27.21, -34.2

 

CMYK 23 / 34 / 0 / 19

HEX #9E88CE

RGB 158 136 206

HSL 258.86, 0.42%, 0.67%

LAB 61.07, 22.87, -33.11

 

CMYK 14 / 34 / 0 / 19

HEX #B188CE

RGB 177 136 206

HSL 275.14, 0.42%, 0.67%

LAB 62.85, 28.7, -30.21

 

CMYK 5 / 34 / 0 / 19

HEX #C488CE

RGB 196 136 206

HSL 291.43, 0.42%, 0.67%

LAB 64.8, 34.68, -27.04

 

CMYK 0 / 34 / 4 / 19

HEX #CE88C5

RGB 206 136 197

HSL 307.71, 0.42%, 0.67%

LAB 65.56, 36.21, -20.75

 

CMYK 0 / 34 / 14 / 19

HEX #CE88B2

RGB 206 136 178

HSL 324, 0.42%, 0.67%

LAB 64.92, 32.94, -11.04

 

CMYK 23 / 34 / 0 / 19

HEX #9E88CE

RGB 158 136 206

HSL 258.86, 0.42%, 0.67%

LAB 61.07, 22.87, -33.11

 

CMYK 33 / 34 / 0 / 19

HEX #8B88CE

RGB 139 136 206

HSL 242.57, 0.42%, 0.67%

LAB 59.48, 17.3, -35.71

 

CMYK 34 / 34 / 0 / 19

HEX #8888CE

RGB 136 136 206

HSL 240, 0.42%, 0.67%

LAB 59.25, 16.45, -36.1

 

CMYK 23 / 34 / 0 / 19

HEX #9E88CE

RGB 158 136 206

HSL 258.86, 0.42%, 0.67%

LAB 61.07, 22.87, -33.11

 

CMYK 30 / 45 / 0 / 14

HEX #997ADC

RGB 153 122 220

HSL 258.98, 0.58%, 0.67%

LAB 57.9, 32.93, -45.98

 

CMYK 36 / 54 / 0 / 9

HEX #946CE9

RGB 148 108 233

HSL 259.2, 0.74%, 0.67%

LAB 54.97, 42.94, -57.96

 

CMYK 42 / 62 / 0 / 3

HEX #8F5FF7

RGB 143 95 247

HSL 258.95, 0.9%, 0.67%

LAB 52.66, 52.63, -69.52

 

CMYK 23 / 34 / 0 / 19

HEX #9E88CE

RGB 158 136 206

HSL 258.86, 0.42%, 0.67%

LAB 61.07, 22.87, -33.11

 

CMYK 16 / 23 / 0 / 24

HEX #A395C1

RGB 163 149 193

HSL 259.09, 0.26%, 0.67%

LAB 64.27, 14.02, -20.87

 

CMYK 6 / 9 / 0 / 30

HEX #A8A3B3

RGB 168 163 179

HSL 258.75, 0.1%, 0.67%

LAB 67.85, 4.9, -7.61

 

CMYK 2 / 0 / 6 / 31

HEX #ADB0A5

RGB 173 176 165

HSL 76.36, 0.07%, 0.67%

LAB 71.32, -3.08, 5.25

 

CMYK 6 / 0 / 20 / 25

HEX #B2BE98

RGB 178 190 152

HSL 78.95, 0.23%, 0.67%

LAB 75.18, -10.83, 17.83

 

CMYK 34 / 27 / 0 / 19

HEX #8897CE

RGB 136 151 206

HSL 227.14, 0.42%, 0.67%

LAB 63.2, 7.77, -29.96

 

CMYK 33 / 34 / 0 / 19

HEX #8B88CE

RGB 139 136 206

HSL 242.57, 0.42%, 0.67%

LAB 59.48, 17.3, -35.71

 

CMYK 23 / 34 / 0 / 19

HEX #9E88CE

RGB 158 136 206

HSL 258.86, 0.42%, 0.67%

LAB 61.07, 22.87, -33.11

 

CMYK 14 / 34 / 0 / 19

HEX #B188CE

RGB 177 136 206

HSL 275.14, 0.42%, 0.67%

LAB 62.85, 28.7, -30.21

 

CMYK 5 / 34 / 0 / 19

HEX #C488CE

RGB 196 136 206

HSL 291.43, 0.42%, 0.67%

LAB 64.8, 34.68, -27.04

 

CMYK 39 / 58 / 0 / 29

HEX #6F4DB6

RGB 111 77 182

HSL 259.43, 0.42%, 0.51%

LAB 41.32, 38.21, -50.87

 

CMYK 31 / 45 / 0 / 24

HEX #866AC2

RGB 134 106 194

HSL 259.09, 0.42%, 0.59%

LAB 51, 30.37, -42.25

 

CMYK 23 / 34 / 0 / 19

HEX #9E88CE

RGB 158 136 206

HSL 258.86, 0.42%, 0.67%

LAB 61.07, 22.87, -33.11

 

CMYK 17 / 24 / 0 / 15

HEX #B6A5DA

RGB 182 165 218

HSL 259.25, 0.42%, 0.75%

LAB 70.81, 16.66, -24.59

 

CMYK 10 / 16 / 0 / 10

HEX #CEC2E6

RGB 206 194 230

HSL 260, 0.42%, 0.83%

LAB 80.41, 11.01, -16.35

 

CMYK 24 / 35 / 0 / 19

HEX #9D86CE

RGB 157 134 206

HSL 259.17, 0.42%, 0.67%

LAB 60.49, 23.72, -34.03

 

CMYK 0 / 34 / 17 / 19

HEX #CE88AA

RGB 206 136 170

HSL 330.86, 0.42%, 0.67%

LAB 64.67, 31.65, -6.89

 

CMYK 32 / 0 / 34 / 19

HEX #8DCE88

RGB 141 206 136

HSL 115.71, 0.42%, 0.67%

LAB 77.03, -34.28, 28.44

 

CMYK 24 / 35 / 0 / 19

HEX #9D86CE

RGB 157 134 206

HSL 259.17, 0.42%, 0.67%

LAB 60.49, 23.72, -34.03

 

CMYK 0 / 23 / 34 / 19

HEX #CE9E88

RGB 206 158 136

HSL 18.86, 0.42%, 0.67%

LAB 69.01, 14.81, 18.38

 

CMYK 34 / 0 / 23 / 19

HEX #88CE9E

RGB 136 206 158

HSL 138.86, 0.42%, 0.67%

LAB 77.19, -32.06, 17.04

 

CMYK 24 / 35 / 0 / 19

HEX #9D86CE

RGB 157 134 206

HSL 259.17, 0.42%, 0.67%

LAB 60.49, 23.72, -34.03

 

CMYK 0 / 34 / 17 / 19

HEX #CE88AA

RGB 206 136 170

HSL 330.86, 0.42%, 0.67%

LAB 64.67, 31.65, -6.89

 

CMYK 11 / 0 / 34 / 19

HEX #B8CE88

RGB 184 206 136

HSL 78.86, 0.42%, 0.67%

LAB 79.68, -19.03, 32.43

 

CMYK 34 / 0 / 17 / 19

HEX #88CEAC

RGB 136 206 172

HSL 150.86, 0.42%, 0.67%

LAB 77.49, -29.32, 10

 

CMYK 24 / 35 / 0 / 19

HEX #9D86CE

RGB 157 134 206

HSL 259.17, 0.42%, 0.67%

LAB 60.49, 23.72, -34.03

 

CMYK 0 / 34 / 28 / 19

HEX #CE8894

RGB 206 136 148

HSL 349.71, 0.42%, 0.67%

LAB 64.05, 28.39, 4.67

 

CMYK 11 / 0 / 34 / 19

HEX #B8CE88

RGB 184 206 136

HSL 78.86, 0.42%, 0.67%

LAB 79.68, -19.03, 32.43

 

CMYK 34 / 0 / 6 / 19

HEX #88CEC1

RGB 136 206 193

HSL 168.86, 0.42%, 0.67%

LAB 78.01, -24.83, -0.52

 

Description

Color code: HEX #9D86CE | qconv.com Color code: HEX #9D86CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 134 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 134 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 35 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 35% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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