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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D7528 it is the complementary color #628AD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D7528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D7528 shade: #A27523, #B38736, #C49949, #D5AB5C and #E6BD6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D7528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D7528 shade: #9D7528, #8C6315, #7B5102, #6A3F00 and #592D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D7528 shade: #9E7629, #9E5629, #9E3729 and #9E2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D7528 shade: #9E7629, #9E9629, #879E29, #679E29 and #489E29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D7528 shade matches the following richer shades: #9E7629, #AE7B19 and #BE8009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D7528 shade: #9E7629, #8E7139, #7E6C49, #6E6759 and #5E6269

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D7528 shade: #9E3629, #9E5629, #9E7529, #9E9429 and #899E29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D7528 shade: #5D4518, #7D5E20, #9E7629, #BF8E31 and #D0A249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D7528 shade: #9D7528, #3A9E29 and #46299E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D7528 shade: #9D7528, #299E75 and #75299E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D7528 shade: #9D7528, #3A9E29, #29529E and #8D299E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D7528 shade: #9D7528, #299E3A, #29529E and #9E298D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 75 / 38

HEX #9D7528

RGB 157 117 40

HSL 39.49, 0.59%, 0.39%

LAB 51.89, 7.96, 46.45

 

Complementary color

CMYK 54 / 36 / 0 / 16

HEX #628AD7

RGB 98 138 215

HSL 219.49, 0.59%, 0.61%

LAB 57.73, 8.38, -43.71

 

CMYK 0 / 28 / 78 / 36

HEX #A27523

RGB 162 117 35

HSL 38.74, 0.64%, 0.39%

LAB 52.43, 10.02, 49.26

 

CMYK 0 / 25 / 70 / 30

HEX #B38736

RGB 179 135 54

HSL 38.88, 0.54%, 0.46%

LAB 59.14, 8.5, 48.43

 

CMYK 0 / 22 / 63 / 23

HEX #C49949

RGB 196 153 73

HSL 39.02, 0.51%, 0.53%

LAB 65.75, 7.24, 47.25

 

CMYK 0 / 20 / 57 / 16

HEX #D5AB5C

RGB 213 171 92

HSL 39.17, 0.59%, 0.6%

LAB 72.26, 6.18, 45.95

 

CMYK 0 / 18 / 52 / 10

HEX #E6BD6F

RGB 230 189 111

HSL 39.33, 0.7%, 0.67%

LAB 78.67, 5.27, 44.64

 

CMYK 0 / 25 / 75 / 38

HEX #9D7528

RGB 157 117 40

HSL 39.49, 0.59%, 0.39%

LAB 51.89, 7.96, 46.45

 

CMYK 0 / 29 / 85 / 45

HEX #8C6315

RGB 140 99 21

HSL 39.33, 0.74%, 0.32%

LAB 45.02, 9.65, 46.83

 

CMYK 0 / 34 / 98 / 52

HEX #7B5102

RGB 123 81 2

HSL 39.17, 0.97%, 0.25%

LAB 38.02, 11.71, 46.06

 

CMYK 0 / 41 / 100 / 58

HEX #6A3F00

RGB 106 63 0

HSL 35.66, 1%, 0.21%

LAB 30.92, 14.29, 40.86

 

CMYK 0 / 49 / 100 / 65

HEX #592D00

RGB 89 45 0

HSL 30.34, 1%, 0.17%

LAB 23.67, 17.07, 33.58

 

CMYK 0 / 25 / 74 / 38

HEX #9E7629

RGB 158 118 41

HSL 39.49, 0.59%, 0.39%

LAB 52.27, 7.9, 46.44

 

CMYK 0 / 46 / 74 / 38

HEX #9E5629

RGB 158 86 41

HSL 23.08, 0.59%, 0.39%

LAB 44.35, 26.07, 38.26

 

CMYK 0 / 65 / 74 / 38

HEX #9E3729

RGB 158 55 41

HSL 7.18, 0.59%, 0.39%

LAB 38.13, 41.99, 31.46

 

CMYK 0 / 74 / 74 / 38

HEX #9E2929

RGB 158 41 41

HSL 0, 0.59%, 0.39%

LAB 36.01, 47.76, 29.06

 

CMYK 0 / 25 / 74 / 38

HEX #9E7629

RGB 158 118 41

HSL 39.49, 0.59%, 0.39%

LAB 52.27, 7.9, 46.44

 

CMYK 0 / 5 / 74 / 38

HEX #9E9629

RGB 158 150 41

HSL 55.9, 0.59%, 0.39%

LAB 60.99, -9.78, 54.97

 

CMYK 15 / 0 / 74 / 38

HEX #879E29

RGB 135 158 41

HSL 71.79, 0.59%, 0.39%

LAB 61.45, -23.99, 54.77

 

CMYK 35 / 0 / 74 / 38

HEX #679E29

RGB 103 158 41

HSL 88.21, 0.59%, 0.39%

LAB 59.43, -36.84, 52.11

 

CMYK 54 / 0 / 74 / 38

HEX #489E29

RGB 72 158 41

HSL 104.1, 0.59%, 0.39%

LAB 58.03, -47.1, 50.25

 

CMYK 0 / 25 / 74 / 38

HEX #9E7629

RGB 158 118 41

HSL 39.49, 0.59%, 0.39%

LAB 52.27, 7.9, 46.44

 

CMYK 0 / 29 / 86 / 32

HEX #AE7B19

RGB 174 123 25

HSL 39.46, 0.75%, 0.39%

LAB 55.31, 11.75, 55.91

 

CMYK 0 / 33 / 95 / 25

HEX #BE8009

RGB 190 128 9

HSL 39.45, 0.91%, 0.39%

LAB 58.42, 15.85, 62.8

 

CMYK 0 / 25 / 74 / 38

HEX #9E7629

RGB 158 118 41

HSL 39.49, 0.59%, 0.39%

LAB 52.27, 7.9, 46.44

 

CMYK 0 / 20 / 60 / 44

HEX #8E7139

RGB 142 113 57

HSL 39.53, 0.43%, 0.39%

LAB 49.32, 4.5, 34.94

 

CMYK 0 / 14 / 42 / 51

HEX #7E6C49

RGB 126 108 73

HSL 39.62, 0.27%, 0.39%

LAB 46.5, 1.81, 22.21

 

CMYK 0 / 6 / 19 / 57

HEX #6E6759

RGB 110 103 89

HSL 40, 0.11%, 0.39%

LAB 43.85, 0.18, 8.9

 

CMYK 10 / 7 / 0 / 59

HEX #5E6269

RGB 94 98 105

HSL 218.18, 0.06%, 0.39%

LAB 41.43, -0, -4.5

 

CMYK 0 / 66 / 74 / 38

HEX #9E3629

RGB 158 54 41

HSL 6.67, 0.59%, 0.39%

LAB 37.96, 42.44, 31.27

 

CMYK 0 / 46 / 74 / 38

HEX #9E5629

RGB 158 86 41

HSL 23.08, 0.59%, 0.39%

LAB 44.35, 26.07, 38.26

 

CMYK 0 / 26 / 74 / 38

HEX #9E7529

RGB 158 117 41

HSL 38.97, 0.59%, 0.39%

LAB 52.01, 8.47, 46.18

 

CMYK 0 / 6 / 74 / 38

HEX #9E9429

RGB 158 148 41

HSL 54.87, 0.59%, 0.39%

LAB 60.43, -8.72, 54.44

 

CMYK 13 / 0 / 74 / 38

HEX #899E29

RGB 137 158 41

HSL 70.77, 0.59%, 0.39%

LAB 61.6, -23.14, 54.96

 

CMYK 0 / 26 / 74 / 64

HEX #5D4518

RGB 93 69 24

HSL 39.13, 0.59%, 0.23%

LAB 30.99, 5.08, 30.18

 

CMYK 0 / 25 / 74 / 51

HEX #7D5E20

RGB 125 94 32

HSL 40, 0.59%, 0.31%

LAB 41.95, 5.96, 38.83

 

CMYK 0 / 25 / 74 / 38

HEX #9E7629

RGB 158 118 41

HSL 39.49, 0.59%, 0.39%

LAB 52.27, 7.9, 46.44

 

CMYK 0 / 26 / 74 / 25

HEX #BF8E31

RGB 191 142 49

HSL 39.3, 0.59%, 0.47%

LAB 62.21, 9.7, 54.15

 

CMYK 0 / 22 / 65 / 18

HEX #D0A249

RGB 208 162 73

HSL 39.56, 0.59%, 0.55%

LAB 69.28, 7.54, 51.52

 

CMYK 0 / 25 / 75 / 38

HEX #9D7528

RGB 157 117 40

HSL 39.49, 0.59%, 0.39%

LAB 51.89, 7.96, 46.45

 

CMYK 63 / 0 / 74 / 38

HEX #3A9E29

RGB 58 158 41

HSL 111.28, 0.59%, 0.39%

LAB 57.57, -50.74, 49.64

 

CMYK 56 / 74 / 0 / 38

HEX #46299E

RGB 70 41 158

HSL 254.87, 0.59%, 0.39%

LAB 27.73, 43.48, -58.79

 

CMYK 0 / 25 / 75 / 38

HEX #9D7528

RGB 157 117 40

HSL 39.49, 0.59%, 0.39%

LAB 51.89, 7.96, 46.45

 

CMYK 74 / 0 / 26 / 38

HEX #299E75

RGB 41 158 117

HSL 158.97, 0.59%, 0.39%

LAB 58.24, -41.89, 12.39

 

CMYK 26 / 74 / 0 / 38

HEX #75299E

RGB 117 41 158

HSL 278.97, 0.59%, 0.39%

LAB 33.64, 51.97, -48.9

 

CMYK 0 / 25 / 75 / 38

HEX #9D7528

RGB 157 117 40

HSL 39.49, 0.59%, 0.39%

LAB 51.89, 7.96, 46.45

 

CMYK 63 / 0 / 74 / 38

HEX #3A9E29

RGB 58 158 41

HSL 111.28, 0.59%, 0.39%

LAB 57.57, -50.74, 49.64

 

CMYK 74 / 48 / 0 / 38

HEX #29529E

RGB 41 82 158

HSL 218.97, 0.59%, 0.39%

LAB 35.94, 12.99, -45.54

 

CMYK 11 / 74 / 0 / 38

HEX #8D299E

RGB 141 41 158

HSL 291.28, 0.59%, 0.39%

LAB 37.33, 56.99, -42.77

 

CMYK 0 / 25 / 75 / 38

HEX #9D7528

RGB 157 117 40

HSL 39.49, 0.59%, 0.39%

LAB 51.89, 7.96, 46.45

 

CMYK 74 / 0 / 63 / 38

HEX #299E3A

RGB 41 158 58

HSL 128.72, 0.59%, 0.39%

LAB 57.3, -52.49, 42.13

 

CMYK 74 / 48 / 0 / 38

HEX #29529E

RGB 41 82 158

HSL 218.97, 0.59%, 0.39%

LAB 35.94, 12.99, -45.54

 

CMYK 0 / 74 / 11 / 38

HEX #9E298D

RGB 158 41 141

HSL 308.72, 0.59%, 0.39%

LAB 39.2, 57.96, -29.28

 

Description

Color code: HEX #9D7528 | qconv.com Color code: HEX #9D7528 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 117 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 117 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 75 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 75% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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