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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D60DA it is the complementary color #629F25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D60DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D60DA shade: #A260D5, #B372E8, #C484FB, #D596FF and #E6A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D60DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D60DA shade: #9D60DA, #8C4EC7, #7B3CB4, #6A2AA1 and #59188E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D60DA shade: #9E62DA, #BF62DA, #DA62D5, #DA62B5 and #DA6295

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D60DA shade: #9E62DA, #7E62DA and #6262DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D60DA shade matches the following richer shades: #9E62DA, #9E52EA and #9E43FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D60DA shade: #9E62DA, #9E72CA, #9E81BB, #9E91AB and #9EA19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D60DA shade: #6266DA, #7E62DA, #9E62DA, #BE62DA and #DA62D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D60DA shade: #752CBD, #8941D2, #9E62DA, #B383E2 and #C7A5EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D60DA shade: #9D60DA, #DA6286 and #62DA6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D60DA shade: #9D60DA, #DA9E62 and #62DA9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D60DA shade: #9D60DA, #DA6286, #9EDA62 and #62DAB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D60DA shade: #9D60DA, #DA6262, #9EDA62 and #62DADA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 56 / 0 / 15

HEX #9D60DA

RGB 157 96 218

HSL 270, 0.62%, 0.62%

LAB 52.5, 47.94, -53.42

 

Complementary color

CMYK 38 / 0 / 77 / 38

HEX #629F25

RGB 98 159 37

HSL 90, 0.62%, 0.38%

LAB 59.46, -39.35, 53.46

 

CMYK 24 / 55 / 0 / 16

HEX #A260D5

RGB 162 96 213

HSL 273.85, 0.58%, 0.61%

LAB 52.79, 48.03, -50.1

 

CMYK 23 / 51 / 0 / 9

HEX #B372E8

RGB 179 114 232

HSL 273.05, 0.72%, 0.68%

LAB 59.38, 47.17, -50.18

 

CMYK 22 / 47 / 0 / 2

HEX #C484FB

RGB 196 132 251

HSL 272.27, 0.94%, 0.75%

LAB 65.91, 46.31, -50.23

 

CMYK 16 / 41 / 0 / 0

HEX #D596FF

RGB 213 150 255

HSL 276, 1%, 0.79%

LAB 71.68, 42.24, -43.22

 

CMYK 10 / 34 / 0 / 0

HEX #E6A8FF

RGB 230 168 255

HSL 282.76, 1%, 0.83%

LAB 77.31, 37.61, -34.33

 

CMYK 28 / 56 / 0 / 15

HEX #9D60DA

RGB 157 96 218

HSL 270, 0.62%, 0.62%

LAB 52.5, 47.94, -53.42

 

CMYK 30 / 61 / 0 / 22

HEX #8C4EC7

RGB 140 78 199

HSL 270.74, 0.52%, 0.54%

LAB 45.84, 48.83, -53.34

 

CMYK 32 / 67 / 0 / 29

HEX #7B3CB4

RGB 123 60 180

HSL 271.5, 0.5%, 0.47%

LAB 39.14, 49.6, -53.14

 

CMYK 34 / 74 / 0 / 37

HEX #6A2AA1

RGB 106 42 161

HSL 272.27, 0.59%, 0.4%

LAB 32.47, 50.06, -52.69

 

CMYK 37 / 83 / 0 / 44

HEX #59188E

RGB 89 24 142

HSL 273.05, 0.71%, 0.33%

LAB 25.95, 49.81, -51.77

 

CMYK 28 / 55 / 0 / 15

HEX #9E62DA

RGB 158 98 218

HSL 270, 0.62%, 0.62%

LAB 53.02, 47.12, -52.58

 

CMYK 12 / 55 / 0 / 15

HEX #BF62DA

RGB 191 98 218

HSL 286.5, 0.62%, 0.62%

LAB 56.95, 55.53, -46.09

 

CMYK 0 / 55 / 2 / 15

HEX #DA62D5

RGB 218 98 213

HSL 302.5, 0.62%, 0.62%

LAB 60.29, 61.71, -37.78

 

CMYK 0 / 55 / 17 / 15

HEX #DA62B5

RGB 218 98 181

HSL 318.5, 0.62%, 0.62%

LAB 58.95, 56.62, -21.63

 

CMYK 0 / 55 / 32 / 15

HEX #DA6295

RGB 218 98 149

HSL 334.5, 0.62%, 0.62%

LAB 57.86, 52.26, -4.76

 

CMYK 28 / 55 / 0 / 15

HEX #9E62DA

RGB 158 98 218

HSL 270, 0.62%, 0.62%

LAB 53.02, 47.12, -52.58

 

CMYK 42 / 55 / 0 / 15

HEX #7E62DA

RGB 126 98 218

HSL 254, 0.62%, 0.62%

LAB 49.78, 39.49, -57.96

 

CMYK 55 / 55 / 0 / 15

HEX #6262DA

RGB 98 98 218

HSL 240, 0.62%, 0.62%

LAB 47.49, 33.62, -61.77

 

CMYK 28 / 55 / 0 / 15

HEX #9E62DA

RGB 158 98 218

HSL 270, 0.62%, 0.62%

LAB 53.02, 47.12, -52.58

 

CMYK 32 / 65 / 0 / 8

HEX #9E52EA

RGB 158 82 234

HSL 270, 0.78%, 0.62%

LAB 50.97, 59.05, -64.91

 

CMYK 37 / 73 / 0 / 2

HEX #9E43FA

RGB 158 67 250

HSL 269.84, 0.95%, 0.62%

LAB 49.72, 69.43, -75.9

 

CMYK 28 / 55 / 0 / 15

HEX #9E62DA

RGB 158 98 218

HSL 270, 0.62%, 0.62%

LAB 53.02, 47.12, -52.58

 

CMYK 22 / 44 / 0 / 21

HEX #9E72CA

RGB 158 114 202

HSL 270, 0.45%, 0.62%

LAB 55.65, 34.5, -39.33

 

CMYK 16 / 31 / 0 / 27

HEX #9E81BB

RGB 158 129 187

HSL 270, 0.3%, 0.62%

LAB 58.56, 22.49, -26.27

 

CMYK 8 / 15 / 0 / 33

HEX #9E91AB

RGB 158 145 171

HSL 270, 0.13%, 0.62%

LAB 62.05, 9.88, -11.87

 

CMYK 2 / 0 / 4 / 37

HEX #9EA19B

RGB 158 161 155

HSL 90, 0.03%, 0.62%

LAB 65.85, -2.21, 2.74

 

CMYK 55 / 53 / 0 / 15

HEX #6266DA

RGB 98 102 218

HSL 238, 0.62%, 0.62%

LAB 48.46, 31.19, -60.2

 

CMYK 42 / 55 / 0 / 15

HEX #7E62DA

RGB 126 98 218

HSL 254, 0.62%, 0.62%

LAB 49.78, 39.49, -57.96

 

CMYK 28 / 55 / 0 / 15

HEX #9E62DA

RGB 158 98 218

HSL 270, 0.62%, 0.62%

LAB 53.02, 47.12, -52.58

 

CMYK 13 / 55 / 0 / 15

HEX #BE62DA

RGB 190 98 218

HSL 286, 0.62%, 0.62%

LAB 56.83, 55.27, -46.3

 

CMYK 0 / 55 / 2 / 15

HEX #DA62D6

RGB 218 98 214

HSL 302, 0.62%, 0.62%

LAB 60.33, 61.88, -38.27

 

CMYK 38 / 77 / 0 / 26

HEX #752CBD

RGB 117 44 189

HSL 270.21, 0.62%, 0.46%

LAB 36.48, 57.84, -62.8

 

CMYK 35 / 69 / 0 / 18

HEX #8941D2

RGB 137 65 210

HSL 269.79, 0.62%, 0.54%

LAB 43.88, 57.24, -62.87

 

CMYK 28 / 55 / 0 / 15

HEX #9E62DA

RGB 158 98 218

HSL 270, 0.62%, 0.62%

LAB 53.02, 47.12, -52.58

 

CMYK 21 / 42 / 0 / 11

HEX #B383E2

RGB 179 131 226

HSL 270.32, 0.62%, 0.7%

LAB 62.77, 36.54, -41.5

 

CMYK 15 / 29 / 0 / 8

HEX #C7A5EA

RGB 199 165 234

HSL 269.57, 0.62%, 0.78%

LAB 72.89, 25.44, -30.03

 

CMYK 28 / 56 / 0 / 15

HEX #9D60DA

RGB 157 96 218

HSL 270, 0.62%, 0.62%

LAB 52.5, 47.94, -53.42

 

CMYK 0 / 55 / 39 / 15

HEX #DA6286

RGB 218 98 134

HSL 342, 0.62%, 0.62%

LAB 57.43, 50.5, 3.37

 

CMYK 55 / 0 / 50 / 15

HEX #62DA6E

RGB 98 218 110

HSL 126, 0.62%, 0.62%

LAB 78.38, -55.68, 42.91

 

CMYK 28 / 56 / 0 / 15

HEX #9D60DA

RGB 157 96 218

HSL 270, 0.62%, 0.62%

LAB 52.5, 47.94, -53.42

 

CMYK 0 / 28 / 55 / 15

HEX #DA9E62

RGB 218 158 98

HSL 30, 0.62%, 0.62%

LAB 69.64, 15.72, 39.88

 

CMYK 55 / 0 / 28 / 15

HEX #62DA9E

RGB 98 218 158

HSL 150, 0.62%, 0.62%

LAB 79.16, -47.48, 19.54

 

CMYK 28 / 56 / 0 / 15

HEX #9D60DA

RGB 157 96 218

HSL 270, 0.62%, 0.62%

LAB 52.5, 47.94, -53.42

 

CMYK 0 / 55 / 39 / 15

HEX #DA6286

RGB 218 98 134

HSL 342, 0.62%, 0.62%

LAB 57.43, 50.5, 3.37

 

CMYK 28 / 0 / 55 / 15

HEX #9EDA62

RGB 158 218 98

HSL 90, 0.62%, 0.62%

LAB 80.9, -38.74, 52.21

 

CMYK 55 / 0 / 17 / 15

HEX #62DAB6

RGB 98 218 182

HSL 162, 0.62%, 0.62%

LAB 79.68, -42.3, 7.58

 

CMYK 28 / 56 / 0 / 15

HEX #9D60DA

RGB 157 96 218

HSL 270, 0.62%, 0.62%

LAB 52.5, 47.94, -53.42

 

CMYK 0 / 55 / 55 / 15

HEX #DA6262

RGB 218 98 98

HSL 0, 0.62%, 0.62%

LAB 56.61, 47.07, 23.24

 

CMYK 28 / 0 / 55 / 15

HEX #9EDA62

RGB 158 218 98

HSL 90, 0.62%, 0.62%

LAB 80.9, -38.74, 52.21

 

CMYK 55 / 0 / 0 / 15

HEX #62DADA

RGB 98 218 218

HSL 180, 0.62%, 0.62%

LAB 80.63, -33.37, -10.21

 

Description

Color code: HEX #9D60DA | qconv.com Color code: HEX #9D60DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 96 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 96 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 56 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 56% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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