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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D5E5C it is the complementary color #62A1A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D5E5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D5E5C shade: #A25E57, #B3706A, #C4827D, #D59490 and #E6A6A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D5E5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D5E5C shade: #9D5E5C, #8C4C49, #7B3A36, #6A2823 and #591610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D5E5C shade: #9D5E5C and #9D5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D5E5C shade: #9D5E5C, #9D705C, #9D825C, #9D935C and #969D5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D5E5C shade matches the following richer shades: #9D5E5C, #B24B48, #C63934, #DA2620 and #EE130C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D5E5C shade: #9D5E5C, #897171, #758485, #619799 and #4DAAAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D5E5C shade: #9D5C7E, #9D5C6D, #9D5E5C, #9D6F5C and #9D805C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D5E5C shade: #693F3E, #834F4D, #9D5E5C, #AE7775 and #BD918F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D5E5C shade: #9D5E5C, #8F9D5C and #5C759D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D5E5C shade: #9D5E5C, #5C9D5E and #5E5C9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D5E5C shade: #9D5E5C, #8F9D5C, #5C9C9D and #6B5C9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D5E5C shade: #9D5E5C, #7C9D5C, #5C9C9D and #7E5C9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

Complementary color

CMYK 40 / 1 / 0 / 36

HEX #62A1A3

RGB 98 161 163

HSL 181.85, 0.26%, 0.51%

LAB 62.28, -19.67, -7.43

 

CMYK 0 / 42 / 46 / 36

HEX #A25E57

RGB 162 94 87

HSL 5.6, 0.3%, 0.49%

LAB 47.46, 26.91, 16.02

 

CMYK 0 / 37 / 41 / 30

HEX #B3706A

RGB 179 112 106

HSL 4.93, 0.32%, 0.56%

LAB 54.25, 25.82, 14.49

 

CMYK 0 / 34 / 36 / 23

HEX #C4827D

RGB 196 130 125

HSL 4.23, 0.38%, 0.63%

LAB 60.94, 24.85, 13.17

 

CMYK 0 / 31 / 32 / 16

HEX #D59490

RGB 213 148 144

HSL 3.48, 0.45%, 0.7%

LAB 67.53, 23.98, 11.99

 

CMYK 0 / 28 / 29 / 10

HEX #E6A6A3

RGB 230 166 163

HSL 2.69, 0.57%, 0.77%

LAB 74.02, 23.2, 10.92

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 0 / 46 / 48 / 45

HEX #8C4C49

RGB 140 76 73

HSL 2.69, 0.31%, 0.42%

LAB 39.96, 26.6, 13.77

 

CMYK 0 / 53 / 56 / 52

HEX #7B3A36

RGB 123 58 54

HSL 3.48, 0.39%, 0.35%

LAB 32.93, 27.85, 15.76

 

CMYK 0 / 62 / 67 / 58

HEX #6A2823

RGB 106 40 35

HSL 4.23, 0.5%, 0.28%

LAB 25.87, 29.16, 18.31

 

CMYK 0 / 75 / 82 / 65

HEX #591610

RGB 89 22 16

HSL 4.93, 0.7%, 0.21%

LAB 18.95, 30.24, 21.5

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 0 / 41 / 41 / 38

HEX #9D5C5C

RGB 157 92 92

HSL 0, 0.26%, 0.49%

LAB 46.44, 26.59, 11.5

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 0 / 29 / 41 / 38

HEX #9D705C

RGB 157 112 92

HSL 18.46, 0.26%, 0.49%

LAB 51.3, 15.18, 18.18

 

CMYK 0 / 17 / 41 / 38

HEX #9D825C

RGB 157 130 92

HSL 35.08, 0.26%, 0.49%

LAB 55.99, 4.92, 24.44

 

CMYK 0 / 6 / 41 / 38

HEX #9D935C

RGB 157 147 92

HSL 50.77, 0.26%, 0.49%

LAB 60.61, -4.53, 30.43

 

CMYK 4 / 0 / 41 / 38

HEX #969D5C

RGB 150 157 92

HSL 66.46, 0.26%, 0.49%

LAB 62.82, -12.82, 33.11

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 0 / 58 / 60 / 30

HEX #B24B48

RGB 178 75 72

HSL 1.7, 0.42%, 0.49%

LAB 45.59, 41.75, 22.92

 

CMYK 0 / 71 / 74 / 22

HEX #C63934

RGB 198 57 52

HSL 2.05, 0.58%, 0.49%

LAB 45.88, 55.22, 35.83

 

CMYK 0 / 83 / 85 / 15

HEX #DA2620

RGB 218 38 32

HSL 1.94, 0.74%, 0.49%

LAB 47.49, 66.27, 49.35

 

CMYK 0 / 92 / 95 / 7

HEX #EE130C

RGB 238 19 12

HSL 1.86, 0.9%, 0.49%

LAB 50.3, 74.51, 60.87

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 0 / 18 / 18 / 46

HEX #897171

RGB 137 113 113

HSL 0, 0.1%, 0.49%

LAB 49.88, 9.41, 3.53

 

CMYK 12 / 1 / 0 / 48

HEX #758485

RGB 117 132 133

HSL 183.75, 0.06%, 0.49%

LAB 54, -5.23, -2.4

 

CMYK 37 / 1 / 0 / 40

HEX #619799

RGB 97 151 153

HSL 182.14, 0.22%, 0.49%

LAB 58.95, -17.25, -6.72

 

CMYK 55 / 2 / 0 / 32

HEX #4DAAAD

RGB 77 170 173

HSL 181.88, 0.38%, 0.49%

LAB 64.44, -26.45, -9.91

 

CMYK 0 / 41 / 20 / 38

HEX #9D5C7E

RGB 157 92 126

HSL 328.62, 0.26%, 0.49%

LAB 47.4, 31.35, -7.61

 

CMYK 0 / 41 / 31 / 38

HEX #9D5C6D

RGB 157 92 109

HSL 344.31, 0.26%, 0.49%

LAB 46.88, 28.79, 1.86

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 0 / 29 / 41 / 38

HEX #9D6F5C

RGB 157 111 92

HSL 17.54, 0.26%, 0.49%

LAB 51.05, 15.75, 17.83

 

CMYK 0 / 18 / 41 / 38

HEX #9D805C

RGB 157 128 92

HSL 33.23, 0.26%, 0.49%

LAB 55.46, 6.05, 23.74

 

CMYK 0 / 40 / 41 / 59

HEX #693F3E

RGB 105 63 62

HSL 1.4, 0.26%, 0.33%

LAB 31.59, 18.22, 8.38

 

CMYK 0 / 40 / 41 / 49

HEX #834F4D

RGB 131 79 77

HSL 2.22, 0.26%, 0.41%

LAB 39.5, 21.62, 10.47

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 0 / 32 / 33 / 32

HEX #AE7775

RGB 174 119 117

HSL 2.11, 0.26%, 0.57%

LAB 55.56, 21.3, 9.83

 

CMYK 0 / 23 / 24 / 26

HEX #BD918F

RGB 189 145 143

HSL 2.61, 0.26%, 0.65%

LAB 64.2, 16.29, 7.47

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 9 / 0 / 41 / 38

HEX #8F9D5C

RGB 143 157 92

HSL 72.92, 0.26%, 0.49%

LAB 62.28, -15.69, 32.31

 

CMYK 41 / 25 / 0 / 38

HEX #5C759D

RGB 92 117 157

HSL 216.92, 0.26%, 0.49%

LAB 48.8, 1.63, -24.46

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 41 / 0 / 40 / 38

HEX #5C9D5E

RGB 92 157 94

HSL 121.85, 0.26%, 0.49%

LAB 59.16, -34.23, 26.6

 

CMYK 40 / 41 / 0 / 38

HEX #5E5C9D

RGB 94 92 157

HSL 241.85, 0.26%, 0.49%

LAB 41.95, 17.55, -35.16

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 9 / 0 / 41 / 38

HEX #8F9D5C

RGB 143 157 92

HSL 72.92, 0.26%, 0.49%

LAB 62.28, -15.69, 32.31

 

CMYK 41 / 1 / 0 / 38

HEX #5C9C9D

RGB 92 156 157

HSL 180.92, 0.26%, 0.49%

LAB 60.33, -20.2, -6.98

 

CMYK 32 / 41 / 0 / 38

HEX #6B5C9D

RGB 107 92 157

HSL 253.85, 0.26%, 0.49%

LAB 43.08, 21.27, -33.29

 

CMYK 0 / 40 / 41 / 38

HEX #9D5E5C

RGB 157 94 92

HSL 1.85, 0.26%, 0.49%

LAB 46.9, 25.46, 12.15

 

CMYK 21 / 0 / 41 / 38

HEX #7C9D5C

RGB 124 157 92

HSL 90.46, 0.26%, 0.49%

LAB 60.93, -23.22, 30.32

 

CMYK 41 / 1 / 0 / 38

HEX #5C9C9D

RGB 92 156 157

HSL 180.92, 0.26%, 0.49%

LAB 60.33, -20.2, -6.98

 

CMYK 20 / 41 / 0 / 38

HEX #7E5C9D

RGB 126 92 157

HSL 271.38, 0.26%, 0.49%

LAB 44.98, 27.03, -30.19

 

Description

Color code: HEX #9D5E5C | qconv.com Color code: HEX #9D5E5C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 94 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 94 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 41 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 41% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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