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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D593F it is the complementary color #62A6C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D593F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D593F shade: #A2593A, #B36B4D, #C47D60, #D58F73 and #E6A186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D593F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D593F shade: #9D593F, #8C472C, #7B3519, #6A2306 and #591100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D593F shade: #9D593F and #9D3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D593F shade: #9D593F, #9D723F, #9D8B3F, #959D3F and #7B9D3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D593F shade matches the following richer shades: #9D593F, #AF512D, #C0491B and #D24109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D593F shade: #9D593F, #8B6150, #796862, #687074 and #567885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D593F shade: #9D3F58, #9D3F3F, #9D583F, #9D713F and #9D8A3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D593F shade: #623727, #7F4833, #9D593F, #B86A4D and #C4836A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D593F shade: #9D593F, #719D3F and #3F4B9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D593F shade: #9D593F, #3F9D58 and #583F9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D593F shade: #9D593F, #719D3F, #3F849D and #6B3F9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D593F shade: #9D593F, #559D3F, #3F849D and #873F9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

Complementary color

CMYK 49 / 14 / 0 / 25

HEX #62A6C0

RGB 98 166 192

HSL 196.6, 0.43%, 0.57%

LAB 64.7, -14.43, -20.02

 

CMYK 0 / 45 / 64 / 36

HEX #A2593A

RGB 162 89 58

HSL 17.88, 0.47%, 0.43%

LAB 45.81, 27.12, 30.85

 

CMYK 0 / 40 / 57 / 30

HEX #B36B4D

RGB 179 107 77

HSL 17.65, 0.4%, 0.5%

LAB 52.55, 25.69, 28.93

 

CMYK 0 / 36 / 51 / 23

HEX #C47D60

RGB 196 125 96

HSL 17.4, 0.46%, 0.57%

LAB 59.2, 24.44, 27.23

 

CMYK 0 / 33 / 46 / 16

HEX #D58F73

RGB 213 143 115

HSL 17.14, 0.54%, 0.64%

LAB 65.77, 23.35, 25.7

 

CMYK 0 / 30 / 42 / 10

HEX #E6A186

RGB 230 161 134

HSL 16.88, 0.66%, 0.71%

LAB 72.25, 22.37, 24.32

 

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

CMYK 0 / 49 / 69 / 45

HEX #8C472C

RGB 140 71 44

HSL 16.88, 0.52%, 0.36%

LAB 38.31, 26.92, 29.15

 

CMYK 0 / 57 / 80 / 52

HEX #7B3519

RGB 123 53 25

HSL 17.14, 0.66%, 0.29%

LAB 31.41, 28.63, 31.46

 

CMYK 0 / 67 / 94 / 58

HEX #6A2306

RGB 106 35 6

HSL 17.4, 0.89%, 0.22%

LAB 24.57, 30.39, 33.05

 

CMYK 0 / 81 / 100 / 65

HEX #591100

RGB 89 17 0

HSL 11.46, 1%, 0.17%

LAB 18.03, 31.76, 27.37

 

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

CMYK 0 / 60 / 60 / 38

HEX #9D3F3F

RGB 157 63 63

HSL 0, 0.43%, 0.43%

LAB 39.72, 39.21, 20.09

 

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

CMYK 0 / 27 / 60 / 38

HEX #9D723F

RGB 157 114 63

HSL 32.55, 0.43%, 0.43%

LAB 51.34, 11.15, 34.55

 

CMYK 0 / 11 / 60 / 38

HEX #9D8B3F

RGB 157 139 63

HSL 48.51, 0.43%, 0.43%

LAB 58.03, -2.91, 42.32

 

CMYK 5 / 0 / 60 / 38

HEX #959D3F

RGB 149 157 63

HSL 65.11, 0.43%, 0.43%

LAB 62.39, -16.05, 47

 

CMYK 22 / 0 / 60 / 38

HEX #7B9D3F

RGB 123 157 63

HSL 81.7, 0.43%, 0.43%

LAB 60.5, -26.89, 44.37

 

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

CMYK 0 / 54 / 74 / 31

HEX #AF512D

RGB 175 81 45

HSL 16.62, 0.59%, 0.43%

LAB 45.89, 35.96, 38.59

 

CMYK 0 / 62 / 86 / 25

HEX #C0491B

RGB 192 73 27

HSL 16.73, 0.75%, 0.43%

LAB 47.04, 45.69, 49.29

 

CMYK 0 / 69 / 96 / 18

HEX #D24109

RGB 210 65 9

HSL 16.72, 0.92%, 0.43%

LAB 48.89, 55.05, 57.95

 

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

CMYK 0 / 30 / 42 / 45

HEX #8B6150

RGB 139 97 80

HSL 17.29, 0.27%, 0.43%

LAB 45.11, 14.8, 16.5

 

CMYK 0 / 14 / 19 / 53

HEX #796862

RGB 121 104 98

HSL 15.65, 0.11%, 0.43%

LAB 45.42, 5.68, 5.86

 

CMYK 10 / 3 / 0 / 55

HEX #687074

RGB 104 112 116

HSL 200, 0.05%, 0.43%

LAB 46.7, -2.15, -3.26

 

CMYK 35 / 10 / 0 / 48

HEX #567885

RGB 86 120 133

HSL 196.6, 0.21%, 0.43%

LAB 48.39, -8.63, -10.98

 

CMYK 0 / 60 / 44 / 38

HEX #9D3F58

RGB 157 63 88

HSL 344.04, 0.43%, 0.43%

LAB 40.29, 41.51, 5.28

 

CMYK 0 / 60 / 60 / 38

HEX #9D3F3F

RGB 157 63 63

HSL 0, 0.43%, 0.43%

LAB 39.72, 39.21, 20.09

 

CMYK 0 / 44 / 60 / 38

HEX #9D583F

RGB 157 88 63

HSL 15.96, 0.43%, 0.43%

LAB 44.95, 25.96, 26.77

 

CMYK 0 / 28 / 60 / 38

HEX #9D713F

RGB 157 113 63

HSL 31.91, 0.43%, 0.43%

LAB 51.08, 11.72, 34.24

 

CMYK 0 / 12 / 60 / 38

HEX #9D8A3F

RGB 157 138 63

HSL 47.87, 0.43%, 0.43%

LAB 57.75, -2.36, 42.01

 

CMYK 0 / 44 / 60 / 62

HEX #623727

RGB 98 55 39

HSL 16.27, 0.43%, 0.27%

LAB 28.05, 17.39, 18.21

 

CMYK 0 / 43 / 60 / 50

HEX #7F4833

RGB 127 72 51

HSL 16.58, 0.43%, 0.35%

LAB 36.72, 21.27, 22.63

 

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

CMYK 0 / 42 / 58 / 28

HEX #B86A4D

RGB 184 106 77

HSL 16.26, 0.43%, 0.51%

LAB 52.99, 28.3, 29.63

 

CMYK 0 / 33 / 46 / 23

HEX #C4836A

RGB 196 131 106

HSL 16.67, 0.43%, 0.59%

LAB 60.79, 22.14, 23.72

 

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

CMYK 28 / 0 / 60 / 38

HEX #719D3F

RGB 113 157 63

HSL 88.09, 0.43%, 0.43%

LAB 59.87, -30.82, 43.5

 

CMYK 60 / 52 / 0 / 38

HEX #3F4B9D

RGB 63 75 157

HSL 232.34, 0.43%, 0.43%

LAB 35.05, 21.02, -46.3

 

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

CMYK 60 / 0 / 44 / 38

HEX #3F9D58

RGB 63 157 88

HSL 135.96, 0.43%, 0.43%

LAB 57.92, -43.3, 27.99

 

CMYK 44 / 60 / 0 / 38

HEX #583F9D

RGB 88 63 157

HSL 255.96, 0.43%, 0.43%

LAB 34.12, 34.03, -47.7

 

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

CMYK 28 / 0 / 60 / 38

HEX #719D3F

RGB 113 157 63

HSL 88.09, 0.43%, 0.43%

LAB 59.87, -30.82, 43.5

 

CMYK 60 / 16 / 0 / 38

HEX #3F849D

RGB 63 132 157

HSL 195.96, 0.43%, 0.43%

LAB 51.83, -14.09, -19.92

 

CMYK 32 / 60 / 0 / 38

HEX #6B3F9D

RGB 107 63 157

HSL 268.09, 0.43%, 0.43%

LAB 36.21, 38.58, -44.23

 

CMYK 0 / 43 / 60 / 38

HEX #9D593F

RGB 157 89 63

HSL 16.6, 0.43%, 0.43%

LAB 45.18, 25.4, 27.06

 

CMYK 46 / 0 / 60 / 38

HEX #559D3F

RGB 85 157 63

HSL 105.96, 0.43%, 0.43%

LAB 58.42, -40.72, 41.45

 

CMYK 60 / 16 / 0 / 38

HEX #3F849D

RGB 63 132 157

HSL 195.96, 0.43%, 0.43%

LAB 51.83, -14.09, -19.92

 

CMYK 14 / 60 / 0 / 38

HEX #873F9D

RGB 135 63 157

HSL 285.96, 0.43%, 0.43%

LAB 39.82, 45.77, -38.25

 

Description

Color code: HEX #9D593F | qconv.com Color code: HEX #9D593F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 89 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 89 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 60 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 60% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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