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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D57EC it is the complementary color #62A813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D57EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D57EC shade: #A257E7, #B369FA, #C47BFF, #D58DFF and #E69FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D57EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D57EC shade: #9D57EC, #8C45D9, #7B33C6, #6A21B3 and #590FA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D57EC shade: #9C55EC, #C555EC, #EC55EB, #EC55C2 and #EC5599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D57EC shade: #9C55EC, #7355EC and #5555EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D57EC shade matches the following richer shades: #9C55EC and #9B46FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D57EC shade: #9C55EC, #9D64DD, #9E74CE, #9F83BE and #A092AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D57EC shade: #555FEC, #7355EC, #9C55EC, #C455EC and #EC55EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D57EC shade: #7218D7, #8630E8, #9C55EC, #B27AF0 and #C79FF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D57EC shade: #9D57EC, #EC5587 and #55EC5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D57EC shade: #9D57EC, #EC9C55 and #55EC9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D57EC shade: #9D57EC, #EC5587, #A6EC55 and #55ECBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D57EC shade: #9D57EC, #EC555A, #A6EC55 and #55ECE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 63 / 0 / 7

HEX #9D57EC

RGB 157 87 236

HSL 268.19, 0.8%, 0.63%

LAB 51.88, 56.87, -64.56

 

Complementary color

CMYK 42 / 0 / 89 / 34

HEX #62A813

RGB 98 168 19

HSL 88.19, 0.8%, 0.37%

LAB 62.21, -43.96, 60.81

 

CMYK 30 / 62 / 0 / 9

HEX #A257E7

RGB 162 87 231

HSL 271.25, 0.75%, 0.62%

LAB 52.14, 56.77, -61.31

 

CMYK 28 / 58 / 0 / 2

HEX #B369FA

RGB 179 105 250

HSL 270.62, 0.94%, 0.7%

LAB 58.59, 55.96, -61.44

 

CMYK 23 / 52 / 0 / 0

HEX #C47BFF

RGB 196 123 255

HSL 273.18, 1%, 0.74%

LAB 64.26, 51.94, -55.04

 

CMYK 16 / 45 / 0 / 0

HEX #D58DFF

RGB 213 141 255

HSL 277.89, 1%, 0.78%

LAB 69.76, 47.02, -46.22

 

CMYK 10 / 38 / 0 / 0

HEX #E69FFF

RGB 230 159 255

HSL 284.38, 1%, 0.81%

LAB 75.35, 42.38, -37.36

 

CMYK 33 / 63 / 0 / 7

HEX #9D57EC

RGB 157 87 236

HSL 268.19, 0.8%, 0.63%

LAB 51.88, 56.87, -64.56

 

CMYK 35 / 68 / 0 / 15

HEX #8C45D9

RGB 140 69 217

HSL 268.78, 0.66%, 0.56%

LAB 45.42, 57.62, -64.36

 

CMYK 38 / 74 / 0 / 22

HEX #7B33C6

RGB 123 51 198

HSL 269.39, 0.59%, 0.49%

LAB 38.99, 58.08, -63.93

 

CMYK 41 / 82 / 0 / 30

HEX #6A21B3

RGB 106 33 179

HSL 270, 0.69%, 0.42%

LAB 32.72, 57.95, -63.09

 

CMYK 44 / 91 / 0 / 37

HEX #590FA0

RGB 89 15 160

HSL 270.62, 0.83%, 0.34%

LAB 26.74, 56.7, -61.54

 

CMYK 34 / 64 / 0 / 7

HEX #9C55EC

RGB 156 85 236

HSL 268.21, 0.8%, 0.63%

LAB 51.41, 57.65, -65.34

 

CMYK 17 / 64 / 0 / 7

HEX #C555EC

RGB 197 85 236

HSL 284.5, 0.8%, 0.63%

LAB 56.51, 66.52, -56.86

 

CMYK 0 / 64 / 0 / 7

HEX #EC55EB

RGB 236 85 235

HSL 300.4, 0.8%, 0.63%

LAB 61.94, 75.19, -47.34

 

CMYK 0 / 64 / 18 / 7

HEX #EC55C2

RGB 236 85 194

HSL 316.69, 0.8%, 0.63%

LAB 60.09, 69.02, -27.1

 

CMYK 0 / 64 / 35 / 7

HEX #EC5599

RGB 236 85 153

HSL 332.98, 0.8%, 0.63%

LAB 58.63, 63.9, -5.64

 

CMYK 34 / 64 / 0 / 7

HEX #9C55EC

RGB 156 85 236

HSL 268.21, 0.8%, 0.63%

LAB 51.41, 57.65, -65.34

 

CMYK 51 / 64 / 0 / 7

HEX #7355EC

RGB 115 85 236

HSL 251.92, 0.8%, 0.63%

LAB 47.23, 49.75, -72.3

 

CMYK 64 / 64 / 0 / 7

HEX #5555EC

RGB 85 85 236

HSL 240, 0.8%, 0.63%

LAB 44.92, 45.04, -76.17

 

CMYK 34 / 64 / 0 / 7

HEX #9C55EC

RGB 156 85 236

HSL 268.21, 0.8%, 0.63%

LAB 51.41, 57.65, -65.34

 

CMYK 38 / 72 / 0 / 2

HEX #9B46FB

RGB 155 70 251

HSL 268.18, 0.96%, 0.63%

LAB 49.87, 67.91, -76.22

 

CMYK 34 / 64 / 0 / 7

HEX #9C55EC

RGB 156 85 236

HSL 268.21, 0.8%, 0.63%

LAB 51.41, 57.65, -65.34

 

CMYK 29 / 55 / 0 / 13

HEX #9D64DD

RGB 157 100 221

HSL 268.26, 0.64%, 0.63%

LAB 53.5, 46.51, -53.53

 

CMYK 23 / 44 / 0 / 19

HEX #9E74CE

RGB 158 116 206

HSL 268, 0.48%, 0.63%

LAB 56.3, 34.31, -40.58

 

CMYK 16 / 31 / 0 / 25

HEX #9F83BE

RGB 159 131 190

HSL 268.47, 0.31%, 0.63%

LAB 59.27, 22.33, -26.87

 

CMYK 9 / 17 / 0 / 31

HEX #A092AF

RGB 160 146 175

HSL 268.97, 0.15%, 0.63%

LAB 62.61, 10.83, -13.27

 

CMYK 64 / 60 / 0 / 7

HEX #555FEC

RGB 85 95 236

HSL 236.03, 0.8%, 0.63%

LAB 47.2, 39.07, -72.45

 

CMYK 51 / 64 / 0 / 7

HEX #7355EC

RGB 115 85 236

HSL 251.92, 0.8%, 0.63%

LAB 47.23, 49.75, -72.3

 

CMYK 34 / 64 / 0 / 7

HEX #9C55EC

RGB 156 85 236

HSL 268.21, 0.8%, 0.63%

LAB 51.41, 57.65, -65.34

 

CMYK 17 / 64 / 0 / 7

HEX #C455EC

RGB 196 85 236

HSL 284.11, 0.8%, 0.63%

LAB 56.38, 66.3, -57.08

 

CMYK 0 / 64 / 0 / 7

HEX #EC55EC

RGB 236 85 236

HSL 300, 0.8%, 0.63%

LAB 61.99, 75.35, -47.82

 

CMYK 47 / 89 / 0 / 16

HEX #7218D7

RGB 114 24 215

HSL 268.27, 0.8%, 0.47%

LAB 36.25, 69.85, -78.34

 

CMYK 42 / 79 / 0 / 9

HEX #8630E8

RGB 134 48 232

HSL 268.04, 0.8%, 0.55%

LAB 42.78, 68.94, -77.24

 

CMYK 34 / 64 / 0 / 7

HEX #9C55EC

RGB 156 85 236

HSL 268.21, 0.8%, 0.63%

LAB 51.41, 57.65, -65.34

 

CMYK 26 / 49 / 0 / 6

HEX #B27AF0

RGB 178 122 240

HSL 268.47, 0.8%, 0.71%

LAB 61.37, 44.43, -51.47

 

CMYK 18 / 35 / 0 / 4

HEX #C79FF4

RGB 199 159 244

HSL 268.24, 0.79%, 0.79%

LAB 71.87, 30.91, -37.04

 

CMYK 33 / 63 / 0 / 7

HEX #9D57EC

RGB 157 87 236

HSL 268.19, 0.8%, 0.63%

LAB 51.88, 56.87, -64.56

 

CMYK 0 / 64 / 43 / 7

HEX #EC5587

RGB 236 85 135

HSL 340.13, 0.8%, 0.63%

LAB 58.11, 62.03, 4.13

 

CMYK 64 / 0 / 60 / 7

HEX #55EC5F

RGB 85 236 95

HSL 123.97, 0.8%, 0.63%

LAB 83.31, -66.94, 55.58

 

CMYK 33 / 63 / 0 / 7

HEX #9D57EC

RGB 157 87 236

HSL 268.19, 0.8%, 0.63%

LAB 51.88, 56.87, -64.56

 

CMYK 0 / 34 / 64 / 7

HEX #EC9C55

RGB 236 156 85

HSL 28.21, 0.8%, 0.63%

LAB 71.05, 23.27, 48.63

 

CMYK 64 / 0 / 34 / 7

HEX #55EC9C

RGB 85 236 156

HSL 148.21, 0.8%, 0.63%

LAB 84.13, -57.72, 27.32

 

CMYK 33 / 63 / 0 / 7

HEX #9D57EC

RGB 157 87 236

HSL 268.19, 0.8%, 0.63%

LAB 51.88, 56.87, -64.56

 

CMYK 0 / 64 / 43 / 7

HEX #EC5587

RGB 236 85 135

HSL 340.13, 0.8%, 0.63%

LAB 58.11, 62.03, 4.13

 

CMYK 30 / 0 / 64 / 7

HEX #A6EC55

RGB 166 236 85

HSL 87.81, 0.8%, 0.63%

LAB 86.38, -44.9, 64.04

 

CMYK 64 / 0 / 21 / 7

HEX #55ECBA

RGB 85 236 186

HSL 160.13, 0.8%, 0.63%

LAB 84.72, -51.5, 12.62

 

CMYK 33 / 63 / 0 / 7

HEX #9D57EC

RGB 157 87 236

HSL 268.19, 0.8%, 0.63%

LAB 51.88, 56.87, -64.56

 

CMYK 0 / 64 / 62 / 7

HEX #EC555A

RGB 236 85 90

HSL 358.01, 0.8%, 0.63%

LAB 57.14, 58.45, 29.11

 

CMYK 30 / 0 / 64 / 7

HEX #A6EC55

RGB 166 236 85

HSL 87.81, 0.8%, 0.63%

LAB 86.38, -44.9, 64.04

 

CMYK 64 / 0 / 2 / 7

HEX #55ECE7

RGB 85 236 231

HSL 178.01, 0.8%, 0.63%

LAB 85.85, -40.39, -9.36

 

Description

Color code: HEX #9D57EC | qconv.com Color code: HEX #9D57EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 87 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 87 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 63 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 63% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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