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Color name
HEX #9D512C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D512C it is the complementary color #62AED3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D512C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D512C shade: #A25127, #B3633A, #C4754D, #D58760 and #E69973

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D512C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D512C shade: #9D512C, #8C3F19, #7B2D06, #6A1B00 and #590900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D512C shade: #9B502C, #9B322C and #9B2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D512C shade: #9B502C, #9B6E2C, #9B8C2C, #8C9B2C and #6E9B2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D512C shade matches the following richer shades: #9B502C, #AB4B1C and #BB450C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D512C shade: #9B502C, #8B563C, #7B5B4C, #6B615C and #5B666C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D512C shade: #9B2C44, #9B312C, #9B4F2C, #9B6D2C and #9B8A2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D512C shade: #5B2F1A, #7B4023, #9B502C, #BB6135 and #CD774D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D512C shade: #9D512C, #629B2C and #2C359B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D512C shade: #9D512C, #2C9B4F and #4F2C9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D512C shade: #9D512C, #629B2C, #2C789B and #652C9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D512C shade: #9D512C, #409B2C, #2C789B and #872C9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 72 / 38

HEX #9D512C

RGB 157 81 44

HSL 19.65, 0.56%, 0.39%

LAB 43.11, 28.56, 35.3

 

Complementary color

CMYK 54 / 18 / 0 / 17

HEX #62AED3

RGB 98 174 211

HSL 199.65, 0.56%, 0.61%

LAB 67.7, -13.21, -25.96

 

CMYK 0 / 50 / 76 / 36

HEX #A25127

RGB 162 81 39

HSL 20.49, 0.61%, 0.39%

LAB 43.82, 30.4, 38.9

 

CMYK 0 / 45 / 68 / 30

HEX #B3633A

RGB 179 99 58

HSL 20.33, 0.51%, 0.46%

LAB 50.47, 28.72, 36.92

 

CMYK 0 / 40 / 61 / 23

HEX #C4754D

RGB 196 117 77

HSL 20.17, 0.5%, 0.54%

LAB 57.07, 27.23, 35.03

 

CMYK 0 / 37 / 55 / 16

HEX #D58760

RGB 213 135 96

HSL 20, 0.58%, 0.61%

LAB 63.61, 25.91, 33.29

 

CMYK 0 / 33 / 50 / 10

HEX #E69973

RGB 230 153 115

HSL 19.83, 0.7%, 0.68%

LAB 70.07, 24.75, 31.71

 

CMYK 0 / 48 / 72 / 38

HEX #9D512C

RGB 157 81 44

HSL 19.65, 0.56%, 0.39%

LAB 43.11, 28.56, 35.3

 

CMYK 0 / 55 / 82 / 45

HEX #8C3F19

RGB 140 63 25

HSL 19.83, 0.7%, 0.32%

LAB 36.37, 30.35, 37.32

 

CMYK 0 / 63 / 95 / 52

HEX #7B2D06

RGB 123 45 6

HSL 20, 0.91%, 0.25%

LAB 29.67, 32.24, 38.73

 

CMYK 0 / 75 / 100 / 58

HEX #6A1B00

RGB 106 27 0

HSL 15.28, 1%, 0.21%

LAB 23.16, 33.93, 34.09

 

CMYK 0 / 90 / 100 / 65

HEX #590900

RGB 89 9 0

HSL 6.07, 1%, 0.17%

LAB 17.08, 34.43, 26.23

 

CMYK 0 / 48 / 72 / 39

HEX #9B502C

RGB 155 80 44

HSL 19.46, 0.56%, 0.39%

LAB 42.59, 28.27, 34.63

 

CMYK 0 / 68 / 72 / 39

HEX #9B322C

RGB 155 50 44

HSL 3.24, 0.56%, 0.39%

LAB 36.8, 43.28, 28.02

 

CMYK 0 / 72 / 72 / 39

HEX #9B2C2C

RGB 155 44 44

HSL 0, 0.56%, 0.39%

LAB 35.89, 45.77, 26.94

 

CMYK 0 / 48 / 72 / 39

HEX #9B502C

RGB 155 80 44

HSL 19.46, 0.56%, 0.39%

LAB 42.59, 28.27, 34.63

 

CMYK 0 / 29 / 72 / 39

HEX #9B6E2C

RGB 155 110 44

HSL 35.68, 0.56%, 0.39%

LAB 49.86, 11.26, 42.49

 

CMYK 0 / 10 / 72 / 39

HEX #9B8C2C

RGB 155 140 44

HSL 51.89, 0.56%, 0.39%

LAB 57.95, -5.59, 50.75

 

CMYK 10 / 0 / 72 / 39

HEX #8C9B2C

RGB 140 155 44

HSL 68.11, 0.56%, 0.39%

LAB 60.96, -20.18, 53.31

 

CMYK 29 / 0 / 72 / 39

HEX #6E9B2C

RGB 110 155 44

HSL 84.32, 0.56%, 0.39%

LAB 58.92, -32.6, 50.6

 

CMYK 0 / 48 / 72 / 39

HEX #9B502C

RGB 155 80 44

HSL 19.46, 0.56%, 0.39%

LAB 42.59, 28.27, 34.63

 

CMYK 0 / 56 / 84 / 33

HEX #AB4B1C

RGB 171 75 28

HSL 19.72, 0.72%, 0.39%

LAB 43.91, 36.78, 44.76

 

CMYK 0 / 63 / 94 / 27

HEX #BB450C

RGB 187 69 12

HSL 19.54, 0.88%, 0.39%

LAB 45.42, 45.4, 52.98

 

CMYK 0 / 48 / 72 / 39

HEX #9B502C

RGB 155 80 44

HSL 19.46, 0.56%, 0.39%

LAB 42.59, 28.27, 34.63

 

CMYK 0 / 38 / 57 / 45

HEX #8B563C

RGB 139 86 60

HSL 19.75, 0.4%, 0.39%

LAB 41.95, 19.13, 24.23

 

CMYK 0 / 26 / 38 / 52

HEX #7B5B4C

RGB 123 91 76

HSL 19.15, 0.24%, 0.39%

LAB 41.56, 10.94, 13.76

 

CMYK 0 / 9 / 14 / 58

HEX #6B615C

RGB 107 97 92

HSL 20, 0.08%, 0.39%

LAB 41.92, 3.05, 4.29

 

CMYK 16 / 6 / 0 / 58

HEX #5B666C

RGB 91 102 108

HSL 201.18, 0.09%, 0.39%

LAB 42.47, -2.81, -4.81

 

CMYK 0 / 72 / 56 / 39

HEX #9B2C44

RGB 155 44 68

HSL 347.03, 0.56%, 0.39%

LAB 36.34, 47.33, 12.37

 

CMYK 0 / 68 / 72 / 39

HEX #9B312C

RGB 155 49 44

HSL 2.7, 0.56%, 0.39%

LAB 36.64, 43.71, 27.83

 

CMYK 0 / 49 / 72 / 39

HEX #9B4F2C

RGB 155 79 44

HSL 18.92, 0.56%, 0.39%

LAB 42.37, 28.82, 34.39

 

CMYK 0 / 30 / 72 / 39

HEX #9B6D2C

RGB 155 109 44

HSL 35.14, 0.56%, 0.39%

LAB 49.6, 11.83, 42.21

 

CMYK 0 / 11 / 72 / 39

HEX #9B8A2C

RGB 155 138 44

HSL 50.81, 0.56%, 0.39%

LAB 57.39, -4.5, 50.2

 

CMYK 0 / 48 / 71 / 64

HEX #5B2F1A

RGB 91 47 26

HSL 19.38, 0.56%, 0.23%

LAB 24.74, 18, 22.06

 

CMYK 0 / 48 / 72 / 52

HEX #7B4023

RGB 123 64 35

HSL 19.77, 0.56%, 0.31%

LAB 33.98, 22.98, 28.65

 

CMYK 0 / 48 / 72 / 39

HEX #9B502C

RGB 155 80 44

HSL 19.46, 0.56%, 0.39%

LAB 42.59, 28.27, 34.63

 

CMYK 0 / 48 / 72 / 27

HEX #BB6135

RGB 187 97 53

HSL 19.7, 0.56%, 0.47%

LAB 51.12, 32.8, 40.61

 

CMYK 0 / 42 / 62 / 20

HEX #CD774D

RGB 205 119 77

HSL 19.69, 0.56%, 0.55%

LAB 58.7, 29.82, 37.29

 

CMYK 0 / 48 / 72 / 38

HEX #9D512C

RGB 157 81 44

HSL 19.65, 0.56%, 0.39%

LAB 43.11, 28.56, 35.3

 

CMYK 37 / 0 / 72 / 39

HEX #629B2C

RGB 98 155 44

HSL 90.81, 0.56%, 0.39%

LAB 58.25, -37.14, 49.7

 

CMYK 72 / 66 / 0 / 39

HEX #2C359B

RGB 44 53 155

HSL 235.14, 0.56%, 0.39%

LAB 27.98, 31.64, -56.64

 

CMYK 0 / 48 / 72 / 38

HEX #9D512C

RGB 157 81 44

HSL 19.65, 0.56%, 0.39%

LAB 43.11, 28.56, 35.3

 

CMYK 72 / 0 / 49 / 39

HEX #2C9B4F

RGB 44 155 79

HSL 138.92, 0.56%, 0.39%

LAB 56.63, -47.92, 30.99

 

CMYK 49 / 72 / 0 / 39

HEX #4F2C9B

RGB 79 44 155

HSL 258.92, 0.56%, 0.39%

LAB 28.98, 42.49, -54.87

 

CMYK 0 / 48 / 72 / 38

HEX #9D512C

RGB 157 81 44

HSL 19.65, 0.56%, 0.39%

LAB 43.11, 28.56, 35.3

 

CMYK 37 / 0 / 72 / 39

HEX #629B2C

RGB 98 155 44

HSL 90.81, 0.56%, 0.39%

LAB 58.25, -37.14, 49.7

 

CMYK 72 / 23 / 0 / 39

HEX #2C789B

RGB 44 120 155

HSL 198.92, 0.56%, 0.39%

LAB 47.41, -11.35, -25.61

 

CMYK 35 / 72 / 0 / 39

HEX #652C9B

RGB 101 44 155

HSL 270.81, 0.56%, 0.39%

LAB 31.66, 46.69, -50.4

 

CMYK 0 / 48 / 72 / 38

HEX #9D512C

RGB 157 81 44

HSL 19.65, 0.56%, 0.39%

LAB 43.11, 28.56, 35.3

 

CMYK 59 / 0 / 72 / 39

HEX #409B2C

RGB 64 155 44

HSL 109.19, 0.56%, 0.39%

LAB 56.8, -47.91, 47.75

 

CMYK 72 / 23 / 0 / 39

HEX #2C789B

RGB 44 120 155

HSL 198.92, 0.56%, 0.39%

LAB 47.41, -11.35, -25.61

 

CMYK 13 / 72 / 0 / 39

HEX #872C9B

RGB 135 44 155

HSL 289.19, 0.56%, 0.39%

LAB 36.59, 53.97, -42.19

 

Description

Color code: HEX #9D512C | qconv.com Color code: HEX #9D512C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 81 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 81 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 72 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 72% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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