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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D4F3E it is the complementary color #62B0C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D4F3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D4F3E shade: #A24F39, #B3614C, #C4735F, #D58572 and #E69785

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D4F3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D4F3E shade: #9D4F3E, #8C3D2B, #7B2B18, #6A1905 and #590700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D4F3E shade: #9D4F3F and #9D3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D4F3E shade: #9D4F3F, #9D693F, #9D823F, #9D9C3F and #859D3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D4F3E shade matches the following richer shades: #9D4F3F, #AF442D, #C0391B and #D22D09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D4F3E shade: #9D4F3F, #8B5B50, #796662, #687274 and #567D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D4F3E shade: #9D3F61, #9D3F48, #9D4E3F, #9D673F and #9D813F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D4F3E shade: #623227, #7F4033, #9D4F3F, #B8604D and #C47A6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D4F3E shade: #9D4F3E, #7A9D3F and #3F559D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D4F3E shade: #9D4F3E, #3F9D4E and #4E3F9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D4F3E shade: #9D4F3E, #7A9D3F, #3F8D9D and #613F9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D4F3E shade: #9D4F3E, #5E9D3F, #3F8D9D and #7D3F9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 61 / 38

HEX #9D4F3E

RGB 157 79 62

HSL 10.74, 0.43%, 0.43%

LAB 42.93, 30.84, 24.81

 

Complementary color

CMYK 49 / 9 / 0 / 24

HEX #62B0C1

RGB 98 176 193

HSL 190.74, 0.43%, 0.57%

LAB 67.65, -19.41, -16.11

 

CMYK 0 / 51 / 65 / 36

HEX #A24F39

RGB 162 79 57

HSL 12.57, 0.48%, 0.43%

LAB 43.61, 32.49, 28.76

 

CMYK 0 / 46 / 58 / 30

HEX #B3614C

RGB 179 97 76

HSL 12.23, 0.4%, 0.5%

LAB 50.28, 31.08, 26.63

 

CMYK 0 / 41 / 52 / 23

HEX #C4735F

RGB 196 115 95

HSL 11.88, 0.46%, 0.57%

LAB 56.9, 29.79, 24.78

 

CMYK 0 / 38 / 46 / 16

HEX #D58572

RGB 213 133 114

HSL 11.52, 0.54%, 0.64%

LAB 63.46, 28.64, 23.16

 

CMYK 0 / 34 / 42 / 10

HEX #E69785

RGB 230 151 133

HSL 11.13, 0.66%, 0.71%

LAB 69.93, 27.6, 21.72

 

CMYK 0 / 50 / 61 / 38

HEX #9D4F3E

RGB 157 79 62

HSL 10.74, 0.43%, 0.43%

LAB 42.93, 30.84, 24.81

 

CMYK 0 / 56 / 69 / 45

HEX #8C3D2B

RGB 140 61 43

HSL 11.13, 0.53%, 0.36%

LAB 36.15, 32.29, 27.19

 

CMYK 0 / 65 / 80 / 52

HEX #7B2B18

RGB 123 43 24

HSL 11.52, 0.67%, 0.29%

LAB 29.42, 33.75, 29.97

 

CMYK 0 / 76 / 95 / 58

HEX #6A1905

RGB 106 25 5

HSL 11.88, 0.91%, 0.22%

LAB 22.9, 34.89, 31.78

 

CMYK 0 / 92 / 100 / 65

HEX #590700

RGB 89 7 0

HSL 4.72, 1%, 0.17%

LAB 16.87, 35.02, 25.97

 

CMYK 0 / 50 / 60 / 38

HEX #9D4F3F

RGB 157 79 63

HSL 10.21, 0.43%, 0.43%

LAB 42.94, 30.92, 24.24

 

CMYK 0 / 60 / 60 / 38

HEX #9D3F3F

RGB 157 63 63

HSL 0, 0.43%, 0.43%

LAB 39.72, 39.21, 20.09

 

CMYK 0 / 50 / 60 / 38

HEX #9D4F3F

RGB 157 79 63

HSL 10.21, 0.43%, 0.43%

LAB 42.94, 30.92, 24.24

 

CMYK 0 / 33 / 60 / 38

HEX #9D693F

RGB 157 105 63

HSL 26.81, 0.43%, 0.43%

LAB 49.04, 16.3, 31.8

 

CMYK 0 / 17 / 60 / 38

HEX #9D823F

RGB 157 130 63

HSL 42.77, 0.43%, 0.43%

LAB 55.58, 2.09, 39.51

 

CMYK 0 / 1 / 60 / 38

HEX #9D9C3F

RGB 157 156 63

HSL 59.36, 0.43%, 0.43%

LAB 62.76, -12.07, 47.6

 

CMYK 15 / 0 / 60 / 38

HEX #859D3F

RGB 133 157 63

HSL 75.32, 0.43%, 0.43%

LAB 61.18, -22.81, 45.33

 

CMYK 0 / 50 / 60 / 38

HEX #9D4F3F

RGB 157 79 63

HSL 10.21, 0.43%, 0.43%

LAB 42.94, 30.92, 24.24

 

CMYK 0 / 61 / 74 / 31

HEX #AF442D

RGB 175 68 45

HSL 10.62, 0.59%, 0.43%

LAB 43.42, 42.38, 35.9

 

CMYK 0 / 70 / 86 / 25

HEX #C0391B

RGB 192 57 27

HSL 10.91, 0.75%, 0.43%

LAB 44.54, 52.44, 47.17

 

CMYK 0 / 79 / 96 / 18

HEX #D22D09

RGB 210 45 9

HSL 10.75, 0.92%, 0.43%

LAB 46.44, 61.82, 56.56

 

CMYK 0 / 50 / 60 / 38

HEX #9D4F3F

RGB 157 79 63

HSL 10.21, 0.43%, 0.43%

LAB 42.94, 30.92, 24.24

 

CMYK 0 / 35 / 42 / 45

HEX #8B5B50

RGB 139 91 80

HSL 11.19, 0.27%, 0.43%

LAB 43.58, 18.32, 14.43

 

CMYK 0 / 16 / 19 / 53

HEX #796662

RGB 121 102 98

HSL 10.43, 0.11%, 0.43%

LAB 44.87, 6.87, 5.07

 

CMYK 10 / 2 / 0 / 55

HEX #687274

RGB 104 114 116

HSL 190, 0.05%, 0.43%

LAB 47.29, -3.31, -2.4

 

CMYK 35 / 6 / 0 / 48

HEX #567D85

RGB 86 125 133

HSL 190.21, 0.21%, 0.43%

LAB 49.9, -11.46, -8.71

 

CMYK 0 / 60 / 38 / 38

HEX #9D3F61

RGB 157 63 97

HSL 338.3, 0.43%, 0.43%

LAB 40.55, 42.52, 0.03

 

CMYK 0 / 60 / 54 / 38

HEX #9D3F48

RGB 157 63 72

HSL 354.26, 0.43%, 0.43%

LAB 39.9, 39.94, 14.75

 

CMYK 0 / 50 / 60 / 38

HEX #9D4E3F

RGB 157 78 63

HSL 9.57, 0.43%, 0.43%

LAB 42.73, 31.46, 23.97

 

CMYK 0 / 34 / 60 / 38

HEX #9D673F

RGB 157 103 63

HSL 25.53, 0.43%, 0.43%

LAB 48.55, 17.45, 31.2

 

CMYK 0 / 18 / 60 / 38

HEX #9D813F

RGB 157 129 63

HSL 42.13, 0.43%, 0.43%

LAB 55.31, 2.65, 39.2

 

CMYK 0 / 49 / 60 / 62

HEX #623227

RGB 98 50 39

HSL 11.19, 0.43%, 0.27%

LAB 26.8, 20.43, 16.62

 

CMYK 0 / 50 / 60 / 50

HEX #7F4033

RGB 127 64 51

HSL 10.26, 0.43%, 0.35%

LAB 34.84, 25.88, 20.25

 

CMYK 0 / 50 / 60 / 38

HEX #9D4F3F

RGB 157 79 63

HSL 10.21, 0.43%, 0.43%

LAB 42.94, 30.92, 24.24

 

CMYK 0 / 48 / 58 / 28

HEX #B8604D

RGB 184 96 77

HSL 10.65, 0.43%, 0.51%

LAB 50.79, 33.68, 26.85

 

CMYK 0 / 38 / 46 / 23

HEX #C47A6A

RGB 196 122 106

HSL 10.67, 0.43%, 0.59%

LAB 58.69, 27.07, 20.91

 

CMYK 0 / 50 / 61 / 38

HEX #9D4F3E

RGB 157 79 62

HSL 10.74, 0.43%, 0.43%

LAB 42.93, 30.84, 24.81

 

CMYK 22 / 0 / 60 / 38

HEX #7A9D3F

RGB 122 157 63

HSL 82.34, 0.43%, 0.43%

LAB 60.44, -27.29, 44.28

 

CMYK 60 / 46 / 0 / 38

HEX #3F559D

RGB 63 85 157

HSL 225.96, 0.43%, 0.43%

LAB 37.82, 14.48, -41.85

 

CMYK 0 / 50 / 61 / 38

HEX #9D4F3E

RGB 157 79 62

HSL 10.74, 0.43%, 0.43%

LAB 42.93, 30.84, 24.81

 

CMYK 60 / 0 / 50 / 38

HEX #3F9D4E

RGB 63 157 78

HSL 129.57, 0.43%, 0.43%

LAB 57.77, -44.91, 33.05

 

CMYK 50 / 60 / 0 / 38

HEX #4E3F9D

RGB 78 63 157

HSL 249.57, 0.43%, 0.43%

LAB 33.16, 31.83, -49.3

 

CMYK 0 / 50 / 61 / 38

HEX #9D4F3E

RGB 157 79 62

HSL 10.74, 0.43%, 0.43%

LAB 42.93, 30.84, 24.81

 

CMYK 22 / 0 / 60 / 38

HEX #7A9D3F

RGB 122 157 63

HSL 82.34, 0.43%, 0.43%

LAB 60.44, -27.29, 44.28

 

CMYK 60 / 10 / 0 / 38

HEX #3F8D9D

RGB 63 141 157

HSL 190.21, 0.43%, 0.43%

LAB 54.6, -18.98, -15.7

 

CMYK 38 / 60 / 0 / 38

HEX #613F9D

RGB 97 63 157

HSL 261.7, 0.43%, 0.43%

LAB 35.06, 36.14, -46.12

 

CMYK 0 / 50 / 61 / 38

HEX #9D4F3E

RGB 157 79 62

HSL 10.74, 0.43%, 0.43%

LAB 42.93, 30.84, 24.81

 

CMYK 40 / 0 / 60 / 38

HEX #5E9D3F

RGB 94 157 63

HSL 100.21, 0.43%, 0.43%

LAB 58.84, -37.75, 42.04

 

CMYK 60 / 10 / 0 / 38

HEX #3F8D9D

RGB 63 141 157

HSL 190.21, 0.43%, 0.43%

LAB 54.6, -18.98, -15.7

 

CMYK 20 / 60 / 0 / 38

HEX #7D3F9D

RGB 125 63 157

HSL 279.57, 0.43%, 0.43%

LAB 38.46, 43.16, -40.49

 

Description

Color code: HEX #9D4F3E | qconv.com Color code: HEX #9D4F3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 79 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 79 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 61 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 61% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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