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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D4CF1 it is the complementary color #62B30E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D4CF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D4CF1 shade: #A24CEC, #B35EFF, #C470FF, #D582FF and #E694FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D4CF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D4CF1 shade: #9D4CF1, #8C3ADE, #7B28CB, #6A16B8 and #5904A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D4CF1 shade: #9D4CF0, #C94CF0, #F04CEB, #F04CBF and #F04C93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D4CF1 shade: #9D4CF0, #704CF0 and #4C4CF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D4CF1 shade matches the following richer shades: #9D4CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D4CF1 shade: #9D4CF0, #9D5BE1, #9D6BD1, #9D7BC1 and #9E8AB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D4CF1 shade: #4C54F0, #6F4CF0, #9B4CF0, #C74CF0 and #F04CEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D4CF1 shade: #7312D8, #8826ED, #9D4CF0, #B272F4 and #C698F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D4CF1 shade: #9D4CF1, #F04C80 and #4CF059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D4CF1 shade: #9D4CF1, #F09B4C and #4CF09B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D4CF1 shade: #9D4CF1, #F04C80, #A1F04C and #4CF0BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D4CF1 shade: #9D4CF1, #F04C4E, #A1F04C and #4CF0EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 68 / 0 / 5

HEX #9D4CF1

RGB 157 76 241

HSL 269.45, 0.85%, 0.62%

LAB 50.32, 63.3, -69.9

 

Complementary color

CMYK 45 / 0 / 92 / 30

HEX #62B30E

RGB 98 179 14

HSL 89.45, 0.85%, 0.38%

LAB 65.65, -48.52, 64.55

 

CMYK 31 / 68 / 0 / 7

HEX #A24CEC

RGB 162 76 236

HSL 272.25, 0.81%, 0.61%

LAB 50.58, 63.11, -66.64

 

CMYK 30 / 63 / 0 / 0

HEX #B35EFF

RGB 179 94 255

HSL 271.68, 1%, 0.68%

LAB 56.89, 62.52, -66.94

 

CMYK 23 / 56 / 0 / 0

HEX #C470FF

RGB 196 112 255

HSL 275.24, 1%, 0.72%

LAB 62.12, 57.56, -58.44

 

CMYK 16 / 49 / 0 / 0

HEX #D582FF

RGB 213 130 255

HSL 279.84, 1%, 0.75%

LAB 67.52, 52.74, -49.74

 

CMYK 10 / 42 / 0 / 0

HEX #E694FF

RGB 230 148 255

HSL 285.98, 1%, 0.79%

LAB 73.04, 48.14, -40.96

 

CMYK 35 / 68 / 0 / 5

HEX #9D4CF1

RGB 157 76 241

HSL 269.45, 0.85%, 0.62%

LAB 50.32, 63.3, -69.9

 

CMYK 37 / 74 / 0 / 13

HEX #8C3ADE

RGB 140 58 222

HSL 270, 0.71%, 0.55%

LAB 44.05, 63.68, -69.43

 

CMYK 39 / 80 / 0 / 20

HEX #7B28CB

RGB 123 40 203

HSL 270.55, 0.67%, 0.48%

LAB 37.91, 63.54, -68.61

 

CMYK 42 / 88 / 0 / 28

HEX #6A16B8

RGB 106 22 184

HSL 271.11, 0.79%, 0.4%

LAB 32.03, 62.47, -67.19

 

CMYK 46 / 98 / 0 / 35

HEX #5904A5

RGB 89 4 165

HSL 271.68, 0.95%, 0.33%

LAB 26.53, 60.02, -64.94

 

CMYK 35 / 68 / 0 / 6

HEX #9D4CF0

RGB 157 76 240

HSL 269.63, 0.85%, 0.62%

LAB 50.25, 63.06, -69.45

 

CMYK 16 / 68 / 0 / 6

HEX #C94CF0

RGB 201 76 240

HSL 285.73, 0.85%, 0.62%

LAB 55.97, 71.85, -59.94

 

CMYK 0 / 68 / 2 / 6

HEX #F04CEB

RGB 240 76 235

HSL 301.83, 0.85%, 0.62%

LAB 61.39, 79.3, -48.17

 

CMYK 0 / 68 / 20 / 6

HEX #F04CBF

RGB 240 76 191

HSL 317.93, 0.85%, 0.62%

LAB 59.39, 72.99, -26.41

 

CMYK 0 / 68 / 39 / 6

HEX #F04C93

RGB 240 76 147

HSL 334.02, 0.85%, 0.62%

LAB 57.85, 67.85, -3.22

 

CMYK 35 / 68 / 0 / 6

HEX #9D4CF0

RGB 157 76 240

HSL 269.63, 0.85%, 0.62%

LAB 50.25, 63.06, -69.45

 

CMYK 53 / 68 / 0 / 6

HEX #704CF0

RGB 112 76 240

HSL 253.17, 0.85%, 0.62%

LAB 45.5, 55.23, -77.39

 

CMYK 68 / 68 / 0 / 6

HEX #4C4CF0

RGB 76 76 240

HSL 240, 0.85%, 0.62%

LAB 42.76, 50.4, -81.99

 

CMYK 35 / 68 / 0 / 6

HEX #9D4CF0

RGB 157 76 240

HSL 269.63, 0.85%, 0.62%

LAB 50.25, 63.06, -69.45

 

CMYK 35 / 68 / 0 / 6

HEX #9D4CF0

RGB 157 76 240

HSL 269.63, 0.85%, 0.62%

LAB 50.25, 63.06, -69.45

 

CMYK 30 / 60 / 0 / 12

HEX #9D5BE1

RGB 157 91 225

HSL 269.55, 0.69%, 0.62%

LAB 51.93, 52.22, -58.29

 

CMYK 25 / 49 / 0 / 18

HEX #9D6BD1

RGB 157 107 209

HSL 269.41, 0.53%, 0.62%

LAB 54.33, 39.8, -45.4

 

CMYK 19 / 36 / 0 / 24

HEX #9D7BC1

RGB 157 123 193

HSL 269.14, 0.36%, 0.62%

LAB 57.25, 26.98, -31.71

 

CMYK 11 / 22 / 0 / 30

HEX #9E8AB2

RGB 158 138 178

HSL 270, 0.21%, 0.62%

LAB 60.48, 15.35, -18.21

 

CMYK 68 / 65 / 0 / 6

HEX #4C54F0

RGB 76 84 240

HSL 237.07, 0.85%, 0.62%

LAB 44.47, 45.77, -79.18

 

CMYK 54 / 68 / 0 / 6

HEX #6F4CF0

RGB 111 76 240

HSL 252.8, 0.85%, 0.62%

LAB 45.41, 55.08, -77.54

 

CMYK 35 / 68 / 0 / 6

HEX #9B4CF0

RGB 155 76 240

HSL 268.9, 0.85%, 0.62%

LAB 50.01, 62.68, -69.85

 

CMYK 17 / 68 / 0 / 6

HEX #C74CF0

RGB 199 76 240

HSL 285, 0.85%, 0.62%

LAB 55.69, 71.43, -60.4

 

CMYK 0 / 68 / 1 / 6

HEX #F04CEE

RGB 240 76 238

HSL 300.73, 0.85%, 0.62%

LAB 61.54, 79.77, -49.6

 

CMYK 47 / 92 / 0 / 15

HEX #7312D8

RGB 115 18 216

HSL 269.39, 0.85%, 0.46%

LAB 36.05, 71.44, -79.24

 

CMYK 43 / 84 / 0 / 7

HEX #8826ED

RGB 136 38 237

HSL 269.55, 0.85%, 0.54%

LAB 42.36, 73.57, -80.75

 

CMYK 35 / 68 / 0 / 6

HEX #9D4CF0

RGB 157 76 240

HSL 269.63, 0.85%, 0.62%

LAB 50.25, 63.06, -69.45

 

CMYK 27 / 53 / 0 / 4

HEX #B272F4

RGB 178 114 244

HSL 269.54, 0.86%, 0.7%

LAB 59.92, 49.66, -56

 

CMYK 20 / 38 / 0 / 3

HEX #C698F7

RGB 198 152 247

HSL 269.05, 0.86%, 0.78%

LAB 70.3, 35.13, -41.13

 

CMYK 35 / 68 / 0 / 5

HEX #9D4CF1

RGB 157 76 241

HSL 269.45, 0.85%, 0.62%

LAB 50.32, 63.3, -69.9

 

CMYK 0 / 68 / 47 / 6

HEX #F04C80

RGB 240 76 128

HSL 340.98, 0.85%, 0.62%

LAB 57.32, 66.05, 7.2

 

CMYK 68 / 0 / 63 / 6

HEX #4CF059

RGB 76 240 89

HSL 124.76, 0.85%, 0.62%

LAB 84.27, -70.61, 59.14

 

CMYK 35 / 68 / 0 / 5

HEX #9D4CF1

RGB 157 76 241

HSL 269.45, 0.85%, 0.62%

LAB 50.32, 63.3, -69.9

 

CMYK 0 / 35 / 68 / 6

HEX #F09B4C

RGB 240 155 76

HSL 28.9, 0.85%, 0.62%

LAB 71.21, 24.92, 53.26

 

CMYK 68 / 0 / 35 / 6

HEX #4CF09B

RGB 76 240 155

HSL 148.9, 0.85%, 0.62%

LAB 85.11, -60.95, 29.11

 

CMYK 35 / 68 / 0 / 5

HEX #9D4CF1

RGB 157 76 241

HSL 269.45, 0.85%, 0.62%

LAB 50.32, 63.3, -69.9

 

CMYK 0 / 68 / 47 / 6

HEX #F04C80

RGB 240 76 128

HSL 340.98, 0.85%, 0.62%

LAB 57.32, 66.05, 7.2

 

CMYK 33 / 0 / 68 / 6

HEX #A1F04C

RGB 161 240 76

HSL 88.9, 0.85%, 0.62%

LAB 87.2, -48.99, 68.28

 

CMYK 68 / 0 / 22 / 6

HEX #4CF0BC

RGB 76 240 188

HSL 160.98, 0.85%, 0.62%

LAB 85.75, -54.09, 13

 

CMYK 35 / 68 / 0 / 5

HEX #9D4CF1

RGB 157 76 241

HSL 269.45, 0.85%, 0.62%

LAB 50.32, 63.3, -69.9

 

CMYK 0 / 68 / 68 / 6

HEX #F04C4E

RGB 240 76 78

HSL 359.27, 0.85%, 0.62%

LAB 56.33, 62.59, 35.13

 

CMYK 33 / 0 / 68 / 6

HEX #A1F04C

RGB 161 240 76

HSL 88.9, 0.85%, 0.62%

LAB 87.2, -48.99, 68.28

 

CMYK 68 / 0 / 1 / 6

HEX #4CF0EE

RGB 76 240 238

HSL 179.27, 0.85%, 0.62%

LAB 87.01, -41.54, -11.33

 

Description

Color code: HEX #9D4CF1 | qconv.com Color code: HEX #9D4CF1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 76 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 76 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 68 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 68% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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