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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D47A5 it is the complementary color #62B85A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D47A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D47A5 shade: #A247A0, #B359B3, #C46BC6, #D57DD9 and #E68FEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D47A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D47A5 shade: #9D47A5, #8C3592, #7B237F, #6A116C and #590059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D47A5 shade: #9C46A4, #A44693, #A4467A, #A44660 and #A44647

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D47A5 shade: #9C46A4, #8346A4, #6A46A4, #5046A4 and #4646A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D47A5 shade matches the following richer shades: #9C46A4, #AC33B7, #BC20CA and #CB0DDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D47A5 shade: #9C46A4, #8C5991, #7D6C7E, #6D7F6B and #5D9258

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D47A5 shade: #6946A4, #8246A4, #9B46A4, #A44695 and #A4467C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D47A5 shade: #652E6A, #813A87, #9C46A4, #B15BB9 and #BF78C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D47A5 shade: #9D47A5, #A45046 and #46A475

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D47A5 shade: #9D47A5, #A49B46 and #46A49B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D47A5 shade: #9D47A5, #A45046, #50A446 and #469BA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D47A5 shade: #9D47A5, #A46C46, #50A446 and #467FA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 57 / 0 / 35

HEX #9D47A5

RGB 157 71 165

HSL 294.89, 0.4%, 0.46%

LAB 44.79, 49.33, -34.96

 

Complementary color

CMYK 47 / 0 / 51 / 28

HEX #62B85A

RGB 98 184 90

HSL 114.89, 0.4%, 0.54%

LAB 67.74, -44.8, 39.57

 

CMYK 0 / 56 / 1 / 36

HEX #A247A0

RGB 162 71 160

HSL 301.32, 0.39%, 0.46%

LAB 45.26, 49.78, -31.21

 

CMYK 0 / 50 / 0 / 30

HEX #B359B3

RGB 179 89 179

HSL 300, 0.37%, 0.53%

LAB 51.82, 49.24, -31.95

 

CMYK 1 / 46 / 0 / 22

HEX #C46BC6

RGB 196 107 198

HSL 298.68, 0.44%, 0.6%

LAB 58.35, 48.57, -32.52

 

CMYK 2 / 42 / 0 / 15

HEX #D57DD9

RGB 213 125 217

HSL 297.39, 0.55%, 0.67%

LAB 64.82, 47.85, -33

 

CMYK 3 / 39 / 0 / 7

HEX #E68FEC

RGB 230 143 236

HSL 296.13, 0.71%, 0.74%

LAB 71.23, 47.12, -33.42

 

CMYK 5 / 57 / 0 / 35

HEX #9D47A5

RGB 157 71 165

HSL 294.89, 0.4%, 0.46%

LAB 44.79, 49.33, -34.96

 

CMYK 4 / 64 / 0 / 43

HEX #8C3592

RGB 140 53 146

HSL 296.13, 0.47%, 0.39%

LAB 38.19, 49.64, -34.13

 

CMYK 3 / 72 / 0 / 50

HEX #7B237F

RGB 123 35 127

HSL 297.39, 0.57%, 0.32%

LAB 31.68, 49.42, -32.89

 

CMYK 2 / 84 / 0 / 58

HEX #6A116C

RGB 106 17 108

HSL 298.68, 0.73%, 0.25%

LAB 25.41, 48.16, -30.98

 

CMYK 0 / 100 / 0 / 65

HEX #590059

RGB 89 0 89

HSL 300, 1%, 0.17%

LAB 19.41, 45.59, -28.23

 

CMYK 5 / 57 / 0 / 36

HEX #9C46A4

RGB 156 70 164

HSL 294.89, 0.4%, 0.46%

LAB 44.42, 49.35, -34.97

 

CMYK 0 / 57 / 10 / 36

HEX #A44693

RGB 164 70 147

HSL 310.85, 0.4%, 0.46%

LAB 44.77, 48.57, -24.16

 

CMYK 0 / 57 / 26 / 36

HEX #A4467A

RGB 164 70 122

HSL 326.81, 0.4%, 0.46%

LAB 43.77, 44.71, -10.54

 

CMYK 0 / 57 / 41 / 36

HEX #A44660

RGB 164 70 96

HSL 343.4, 0.4%, 0.46%

LAB 42.94, 41.41, 4.25

 

CMYK 0 / 57 / 57 / 36

HEX #A44647

RGB 164 70 71

HSL 359.36, 0.4%, 0.46%

LAB 42.35, 38.97, 18.85

 

CMYK 5 / 57 / 0 / 36

HEX #9C46A4

RGB 156 70 164

HSL 294.89, 0.4%, 0.46%

LAB 44.42, 49.35, -34.97

 

CMYK 20 / 57 / 0 / 36

HEX #8346A4

RGB 131 70 164

HSL 278.94, 0.4%, 0.46%

LAB 41.03, 42.62, -40.54

 

CMYK 35 / 57 / 0 / 36

HEX #6A46A4

RGB 106 70 164

HSL 262.98, 0.4%, 0.46%

LAB 38.07, 36.17, -45.46

 

CMYK 51 / 57 / 0 / 36

HEX #5046A4

RGB 80 70 164

HSL 246.38, 0.4%, 0.46%

LAB 35.53, 30.1, -49.67

 

CMYK 57 / 57 / 0 / 36

HEX #4646A4

RGB 70 70 164

HSL 240, 0.4%, 0.46%

LAB 34.73, 28.05, -51.01

 

CMYK 5 / 57 / 0 / 36

HEX #9C46A4

RGB 156 70 164

HSL 294.89, 0.4%, 0.46%

LAB 44.42, 49.35, -34.97

 

CMYK 6 / 72 / 0 / 28

HEX #AC33B7

RGB 172 51 183

HSL 295, 0.56%, 0.46%

LAB 45.02, 64.62, -45.08

 

CMYK 7 / 84 / 0 / 21

HEX #BC20CA

RGB 188 32 202

HSL 295.06, 0.73%, 0.46%

LAB 46.96, 76.15, -52.9

 

CMYK 8 / 94 / 0 / 13

HEX #CB0DDD

RGB 203 13 221

HSL 294.81, 0.89%, 0.46%

LAB 49.74, 84.39, -59.2

 

CMYK 5 / 57 / 0 / 36

HEX #9C46A4

RGB 156 70 164

HSL 294.89, 0.4%, 0.46%

LAB 44.42, 49.35, -34.97

 

CMYK 3 / 39 / 0 / 43

HEX #8C5991

RGB 140 89 145

HSL 294.64, 0.24%, 0.46%

LAB 45.31, 30.62, -22.39

 

CMYK 1 / 14 / 0 / 51

HEX #7D6C7E

RGB 125 108 126

HSL 296.67, 0.08%, 0.46%

LAB 47.74, 10.17, -7.49

 

CMYK 14 / 0 / 16 / 50

HEX #6D7F6B

RGB 109 127 107

HSL 114, 0.09%, 0.46%

LAB 51.26, -10.7, 8.69

 

CMYK 36 / 0 / 40 / 43

HEX #5D9258

RGB 93 146 88

HSL 114.83, 0.25%, 0.46%

LAB 55.67, -29.71, 25.31

 

CMYK 36 / 57 / 0 / 36

HEX #6946A4

RGB 105 70 164

HSL 262.34, 0.4%, 0.46%

LAB 37.96, 35.92, -45.64

 

CMYK 21 / 57 / 0 / 36

HEX #8246A4

RGB 130 70 164

HSL 278.3, 0.4%, 0.46%

LAB 40.91, 42.36, -40.75

 

CMYK 5 / 57 / 0 / 36

HEX #9B46A4

RGB 155 70 164

HSL 294.26, 0.4%, 0.46%

LAB 44.27, 49.08, -35.2

 

CMYK 0 / 57 / 9 / 36

HEX #A44695

RGB 164 70 149

HSL 309.57, 0.4%, 0.46%

LAB 44.86, 48.9, -25.23

 

CMYK 0 / 57 / 24 / 36

HEX #A4467C

RGB 164 70 124

HSL 325.53, 0.4%, 0.46%

LAB 43.84, 45, -11.65

 

CMYK 5 / 57 / 0 / 58

HEX #652E6A

RGB 101 46 106

HSL 295, 0.39%, 0.3%

LAB 28.8, 34.32, -24.36

 

CMYK 4 / 57 / 0 / 47

HEX #813A87

RGB 129 58 135

HSL 295.32, 0.4%, 0.38%

LAB 36.82, 42.15, -29.67

 

CMYK 5 / 57 / 0 / 36

HEX #9C46A4

RGB 156 70 164

HSL 294.89, 0.4%, 0.46%

LAB 44.42, 49.35, -34.97

 

CMYK 4 / 51 / 0 / 27

HEX #B15BB9

RGB 177 91 185

HSL 294.89, 0.4%, 0.54%

LAB 52.21, 48.79, -34.83

 

CMYK 3 / 39 / 0 / 23

HEX #BF78C5

RGB 191 120 197

HSL 295.32, 0.4%, 0.62%

LAB 60.37, 40.05, -28.86

 

CMYK 5 / 57 / 0 / 35

HEX #9D47A5

RGB 157 71 165

HSL 294.89, 0.4%, 0.46%

LAB 44.79, 49.33, -34.96

 

CMYK 0 / 51 / 57 / 36

HEX #A45046

RGB 164 80 70

HSL 6.38, 0.4%, 0.46%

LAB 44.34, 33.73, 22.06

 

CMYK 57 / 0 / 29 / 36

HEX #46A475

RGB 70 164 117

HSL 150, 0.4%, 0.46%

LAB 60.9, -39.06, 16.21

 

CMYK 5 / 57 / 0 / 35

HEX #9D47A5

RGB 157 71 165

HSL 294.89, 0.4%, 0.46%

LAB 44.79, 49.33, -34.96

 

CMYK 0 / 5 / 57 / 36

HEX #A49B46

RGB 164 155 70

HSL 54.26, 0.4%, 0.46%

LAB 63.16, -7.97, 44.93

 

CMYK 57 / 0 / 5 / 36

HEX #46A49B

RGB 70 164 155

HSL 174.26, 0.4%, 0.46%

LAB 61.84, -29.86, -3.7

 

CMYK 5 / 57 / 0 / 35

HEX #9D47A5

RGB 157 71 165

HSL 294.89, 0.4%, 0.46%

LAB 44.79, 49.33, -34.96

 

CMYK 0 / 51 / 57 / 36

HEX #A45046

RGB 164 80 70

HSL 6.38, 0.4%, 0.46%

LAB 44.34, 33.73, 22.06

 

CMYK 51 / 0 / 57 / 36

HEX #50A446

RGB 80 164 70

HSL 113.62, 0.4%, 0.46%

LAB 60.51, -44.33, 40.49

 

CMYK 57 / 5 / 0 / 36

HEX #469BA4

RGB 70 155 164

HSL 185.74, 0.4%, 0.46%

LAB 59.37, -22.83, -12.47

 

CMYK 5 / 57 / 0 / 35

HEX #9D47A5

RGB 157 71 165

HSL 294.89, 0.4%, 0.46%

LAB 44.79, 49.33, -34.96

 

CMYK 0 / 34 / 57 / 36

HEX #A46C46

RGB 164 108 70

HSL 24.26, 0.4%, 0.46%

LAB 50.76, 18.21, 30.21

 

CMYK 51 / 0 / 57 / 36

HEX #50A446

RGB 80 164 70

HSL 113.62, 0.4%, 0.46%

LAB 60.51, -44.33, 40.49

 

CMYK 57 / 23 / 0 / 36

HEX #467FA4

RGB 70 127 164

HSL 203.62, 0.4%, 0.46%

LAB 50.88, -7.56, -25.43

 

Description

Color code: HEX #9D47A5 | qconv.com Color code: HEX #9D47A5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 71 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 71 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 57 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 57% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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