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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D4674 it is the complementary color #62B98B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D4674. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D4674 shade: #A2466F, #B35882, #C46A95, #D57CA8 and #E68EBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D4674. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D4674 shade: #9D4674, #8C3461, #7B224E, #6A103B and #590028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D4674 shade: #9E4775, #9E475E and #9E4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D4674 shade: #9E4775, #9E478D, #98479E, #81479E and #69479E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D4674 shade matches the following richer shades: #9E4775, #B13576, #C32277 and #D60F78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D4674 shade: #9E4775, #8C5A74, #796C73, #677F72 and #549171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D4674 shade: #99479E, #9E478D, #9E4776, #9E475E and #9E4747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D4674 shade: #652E4B, #823A60, #9E4775, #B55A8A and #C2769E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D4674 shade: #9D4674, #9E8147 and #47999E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D4674 shade: #9D4674, #769E47 and #47769E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D4674 shade: #9D4674, #9E8147, #479E70 and #47649E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D4674 shade: #9D4674, #9E9B47, #479E70 and #474A9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 26 / 38

HEX #9D4674

RGB 157 70 116

HSL 328.28, 0.38%, 0.45%

LAB 42.47, 41.57, -8.91

 

Complementary color

CMYK 47 / 0 / 25 / 27

HEX #62B98B

RGB 98 185 139

HSL 148.28, 0.38%, 0.55%

LAB 68.87, -36.93, 15.38

 

CMYK 0 / 57 / 31 / 36

HEX #A2466F

RGB 162 70 111

HSL 333.26, 0.4%, 0.45%

LAB 43.08, 42.55, -4.85

 

CMYK 0 / 51 / 27 / 30

HEX #B35882

RGB 179 88 130

HSL 332.31, 0.37%, 0.52%

LAB 49.71, 41.81, -6.25

 

CMYK 0 / 46 / 24 / 23

HEX #C46A95

RGB 196 106 149

HSL 331.33, 0.43%, 0.59%

LAB 56.3, 40.99, -7.41

 

CMYK 0 / 42 / 21 / 16

HEX #D57CA8

RGB 213 124 168

HSL 330.34, 0.51%, 0.66%

LAB 62.83, 40.17, -8.39

 

CMYK 0 / 38 / 19 / 10

HEX #E68EBB

RGB 230 142 187

HSL 329.32, 0.64%, 0.73%

LAB 69.3, 39.38, -9.25

 

CMYK 0 / 55 / 26 / 38

HEX #9D4674

RGB 157 70 116

HSL 328.28, 0.38%, 0.45%

LAB 42.47, 41.57, -8.91

 

CMYK 0 / 63 / 31 / 45

HEX #8C3461

RGB 140 52 97

HSL 329.32, 0.46%, 0.38%

LAB 35.78, 42.12, -7.35

 

CMYK 0 / 72 / 37 / 52

HEX #7B224E

RGB 123 34 78

HSL 330.34, 0.57%, 0.31%

LAB 29.17, 42.24, -5.23

 

CMYK 0 / 85 / 44 / 58

HEX #6A103B

RGB 106 16 59

HSL 331.33, 0.74%, 0.24%

LAB 22.83, 41.4, -2.19

 

CMYK 0 / 100 / 55 / 65

HEX #590028

RGB 89 0 40

HSL 333.03, 1%, 0.17%

LAB 16.88, 39.2, 2.13

 

CMYK 0 / 55 / 26 / 38

HEX #9E4775

RGB 158 71 117

HSL 328.28, 0.38%, 0.45%

LAB 42.85, 41.54, -8.94

 

CMYK 0 / 55 / 41 / 38

HEX #9E475E

RGB 158 71 94

HSL 344.14, 0.38%, 0.45%

LAB 42.13, 38.55, 4.2

 

CMYK 0 / 55 / 55 / 38

HEX #9E4747

RGB 158 71 71

HSL 0, 0.38%, 0.45%

LAB 41.58, 36.21, 17.66

 

CMYK 0 / 55 / 26 / 38

HEX #9E4775

RGB 158 71 117

HSL 328.28, 0.38%, 0.45%

LAB 42.85, 41.54, -8.94

 

CMYK 0 / 55 / 11 / 38

HEX #9E478D

RGB 158 71 141

HSL 311.72, 0.38%, 0.45%

LAB 43.8, 45.3, -22.13

 

CMYK 4 / 55 / 0 / 38

HEX #98479E

RGB 152 71 158

HSL 295.86, 0.38%, 0.45%

LAB 43.73, 46.61, -32.52

 

CMYK 18 / 55 / 0 / 38

HEX #81479E

RGB 129 71 158

HSL 280, 0.38%, 0.45%

LAB 40.64, 40.18, -37.59

 

CMYK 34 / 55 / 0 / 38

HEX #69479E

RGB 105 71 158

HSL 263.45, 0.38%, 0.45%

LAB 37.8, 33.71, -42.28

 

CMYK 0 / 55 / 26 / 38

HEX #9E4775

RGB 158 71 117

HSL 328.28, 0.38%, 0.45%

LAB 42.85, 41.54, -8.94

 

CMYK 0 / 70 / 33 / 31

HEX #B13576

RGB 177 53 118

HSL 328.55, 0.54%, 0.45%

LAB 43.07, 55.51, -8.92

 

CMYK 0 / 83 / 39 / 24

HEX #C32277

RGB 195 34 119

HSL 328.32, 0.7%, 0.45%

LAB 44.34, 66.16, -7.28

 

CMYK 0 / 93 / 44 / 16

HEX #D60F78

RGB 214 15 120

HSL 328.34, 0.87%, 0.45%

LAB 46.97, 73.85, -3.6

 

CMYK 0 / 55 / 26 / 38

HEX #9E4775

RGB 158 71 117

HSL 328.28, 0.38%, 0.45%

LAB 42.85, 41.54, -8.94

 

CMYK 0 / 36 / 17 / 45

HEX #8C5A74

RGB 140 90 116

HSL 328.8, 0.22%, 0.45%

LAB 44.45, 24.58, -6.21

 

CMYK 0 / 11 / 5 / 53

HEX #796C73

RGB 121 108 115

HSL 327.69, 0.06%, 0.45%

LAB 47.01, 6.43, -2.04

 

CMYK 19 / 0 / 10 / 50

HEX #677F72

RGB 103 127 114

HSL 147.5, 0.1%, 0.45%

LAB 51.01, -11.5, 4.19

 

CMYK 42 / 0 / 22 / 43

HEX #549171

RGB 84 145 113

HSL 148.52, 0.27%, 0.45%

LAB 55.41, -27.4, 10.88

 

CMYK 3 / 55 / 0 / 38

HEX #99479E

RGB 153 71 158

HSL 296.55, 0.38%, 0.45%

LAB 43.87, 46.89, -32.28

 

CMYK 0 / 55 / 11 / 38

HEX #9E478D

RGB 158 71 141

HSL 311.72, 0.38%, 0.45%

LAB 43.8, 45.3, -22.13

 

CMYK 0 / 55 / 25 / 38

HEX #9E4776

RGB 158 71 118

HSL 327.59, 0.38%, 0.45%

LAB 42.89, 41.69, -9.5

 

CMYK 0 / 55 / 41 / 38

HEX #9E475E

RGB 158 71 94

HSL 344.14, 0.38%, 0.45%

LAB 42.13, 38.55, 4.2

 

CMYK 0 / 55 / 55 / 38

HEX #9E4747

RGB 158 71 71

HSL 0, 0.38%, 0.45%

LAB 41.58, 36.21, 17.66

 

CMYK 0 / 54 / 26 / 60

HEX #652E4B

RGB 101 46 75

HSL 328.36, 0.37%, 0.29%

LAB 27.38, 28.57, -6.33

 

CMYK 0 / 55 / 26 / 49

HEX #823A60

RGB 130 58 96

HSL 328.33, 0.38%, 0.37%

LAB 35.24, 35.65, -7.69

 

CMYK 0 / 55 / 26 / 38

HEX #9E4775

RGB 158 71 117

HSL 328.28, 0.38%, 0.45%

LAB 42.85, 41.54, -8.94

 

CMYK 0 / 50 / 24 / 29

HEX #B55A8A

RGB 181 90 138

HSL 328.35, 0.38%, 0.53%

LAB 50.65, 42.6, -9.58

 

CMYK 0 / 39 / 19 / 24

HEX #C2769E

RGB 194 118 158

HSL 328.42, 0.38%, 0.61%

LAB 58.88, 35.29, -8.81

 

CMYK 0 / 55 / 26 / 38

HEX #9D4674

RGB 157 70 116

HSL 328.28, 0.38%, 0.45%

LAB 42.47, 41.57, -8.91

 

CMYK 0 / 18 / 55 / 38

HEX #9E8147

RGB 158 129 71

HSL 40, 0.38%, 0.45%

LAB 55.51, 3.76, 35.32

 

CMYK 55 / 3 / 0 / 38

HEX #47999E

RGB 71 153 158

HSL 183.45, 0.38%, 0.45%

LAB 58.59, -23.33, -10.22

 

CMYK 0 / 55 / 26 / 38

HEX #9D4674

RGB 157 70 116

HSL 328.28, 0.38%, 0.45%

LAB 42.47, 41.57, -8.91

 

CMYK 25 / 0 / 55 / 38

HEX #769E47

RGB 118 158 71

HSL 87.59, 0.38%, 0.45%

LAB 60.57, -28.56, 40.55

 

CMYK 55 / 25 / 0 / 38

HEX #47769E

RGB 71 118 158

HSL 207.59, 0.38%, 0.45%

LAB 47.96, -4.02, -26.44

 

CMYK 0 / 55 / 26 / 38

HEX #9D4674

RGB 157 70 116

HSL 328.28, 0.38%, 0.45%

LAB 42.47, 41.57, -8.91

 

CMYK 0 / 18 / 55 / 38

HEX #9E8147

RGB 158 129 71

HSL 40, 0.38%, 0.45%

LAB 55.51, 3.76, 35.32

 

CMYK 55 / 0 / 29 / 38

HEX #479E70

RGB 71 158 112

HSL 148.28, 0.38%, 0.45%

LAB 58.94, -37.22, 16.28

 

CMYK 55 / 37 / 0 / 38

HEX #47649E

RGB 71 100 158

HSL 220, 0.38%, 0.45%

LAB 42.65, 6.97, -34.76

 

CMYK 0 / 55 / 26 / 38

HEX #9D4674

RGB 157 70 116

HSL 328.28, 0.38%, 0.45%

LAB 42.47, 41.57, -8.91

 

CMYK 0 / 2 / 55 / 38

HEX #9E9B47

RGB 158 155 71

HSL 57.93, 0.38%, 0.45%

LAB 62.65, -10.48, 43.72

 

CMYK 55 / 0 / 29 / 38

HEX #479E70

RGB 71 158 112

HSL 148.28, 0.38%, 0.45%

LAB 58.94, -37.22, 16.28

 

CMYK 55 / 53 / 0 / 38

HEX #474A9E

RGB 71 74 158

HSL 237.93, 0.38%, 0.45%

LAB 35.41, 23.67, -46.29

 

Description

Color code: HEX #9D4674 | qconv.com Color code: HEX #9D4674 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 70 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 70 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 26 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 26% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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