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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D3425 it is the complementary color #62CBDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D3425. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D3425 shade: #A23420, #B34633, #C45846, #D56A59 and #E67C6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D3425. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D3425 shade: #9D3425, #8C2212, #7B1000, #6A0000 and #590000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D3425 shade: #9D3425 and #9D2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D3425 shade: #9D3425, #9D5425, #9D7525, #9D9525 and #859D25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D3425 shade matches the following richer shades: #9D3425, #AD2815 and #BC1C05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D3425 shade: #9D3425, #8D4035, #7E4B44, #6E5754 and #5E6364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D3425 shade: #9D2557, #9D2537, #9D3325, #9D5325 and #9D7325

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D3425 shade: #5A1E15, #7C291D, #9D3425, #BE3F2D and #D35442

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D3425 shade: #9D3425, #779D25 and #25479D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D3425 shade: #9D3425, #259D33 and #33259D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D3425 shade: #9D3425, #779D25, #258F9D and #4B259D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D3425 shade: #9D3425, #539D25, #258F9D and #6F259D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

Complementary color

CMYK 55 / 7 / 0 / 15

HEX #62CBDA

RGB 98 203 218

HSL 187.5, 0.62%, 0.62%

LAB 76.3, -26.13, -16.71

 

CMYK 0 / 68 / 80 / 36

HEX #A23420

RGB 162 52 32

HSL 9.23, 0.67%, 0.38%

LAB 38.27, 44.36, 36.88

 

CMYK 0 / 61 / 72 / 30

HEX #B34633

RGB 179 70 51

HSL 8.91, 0.56%, 0.45%

LAB 44.52, 43.2, 33.96

 

CMYK 0 / 55 / 64 / 23

HEX #C45846

RGB 196 88 70

HSL 8.57, 0.52%, 0.52%

LAB 50.87, 41.9, 31.35

 

CMYK 0 / 50 / 58 / 16

HEX #D56A59

RGB 213 106 89

HSL 8.23, 0.6%, 0.59%

LAB 57.25, 40.6, 29.09

 

CMYK 0 / 46 / 53 / 10

HEX #E67C6C

RGB 230 124 108

HSL 7.87, 0.71%, 0.66%

LAB 63.61, 39.35, 27.12

 

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

CMYK 0 / 76 / 87 / 45

HEX #8C2212

RGB 140 34 18

HSL 7.87, 0.77%, 0.31%

LAB 31.26, 43.56, 36.11

 

CMYK 0 / 87 / 100 / 52

HEX #7B1000

RGB 123 16 0

HSL 7.8, 1%, 0.24%

LAB 25.51, 43.39, 37.63

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 100 / 100 / 65

HEX #590000

RGB 89 0 0

HSL 0, 1%, 0.17%

LAB 16.12, 37.17, 25.04

 

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

CMYK 0 / 76 / 76 / 38

HEX #9D2525

RGB 157 37 37

HSL 0, 0.62%, 0.38%

LAB 35.25, 48.69, 30.55

 

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

CMYK 0 / 46 / 76 / 38

HEX #9D5425

RGB 157 84 37

HSL 23.5, 0.62%, 0.38%

LAB 43.72, 26.56, 39.57

 

CMYK 0 / 25 / 76 / 38

HEX #9D7525

RGB 157 117 37

HSL 40, 0.62%, 0.38%

LAB 51.86, 7.82, 47.71

 

CMYK 0 / 5 / 76 / 38

HEX #9D9525

RGB 157 149 37

HSL 56, 0.62%, 0.38%

LAB 60.6, -9.88, 56

 

CMYK 15 / 0 / 76 / 38

HEX #859D25

RGB 133 157 37

HSL 72, 0.62%, 0.38%

LAB 60.99, -24.55, 55.67

 

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

CMYK 0 / 77 / 88 / 32

HEX #AD2815

RGB 173 40 21

HSL 7.5, 0.78%, 0.38%

LAB 38.65, 52.25, 43.54

 

CMYK 0 / 85 / 97 / 26

HEX #BC1C05

RGB 188 28 5

HSL 7.54, 0.95%, 0.38%

LAB 40.46, 59.76, 52.19

 

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

CMYK 0 / 55 / 62 / 45

HEX #8D4035

RGB 141 64 53

HSL 7.5, 0.45%, 0.38%

LAB 37.09, 31.79, 22.34

 

CMYK 0 / 40 / 46 / 51

HEX #7E4B44

RGB 126 75 68

HSL 7.24, 0.3%, 0.38%

LAB 37.64, 20.78, 13.38

 

CMYK 0 / 21 / 24 / 57

HEX #6E5754

RGB 110 87 84

HSL 6.92, 0.13%, 0.38%

LAB 39.19, 8.96, 5.34

 

CMYK 6 / 1 / 0 / 61

HEX #5E6364

RGB 94 99 100

HSL 190, 0.03%, 0.38%

LAB 41.57, -1.72, -1.24

 

CMYK 0 / 76 / 45 / 38

HEX #9D2557

RGB 157 37 87

HSL 335, 0.62%, 0.38%

LAB 36.33, 52.17, 0.19

 

CMYK 0 / 76 / 65 / 38

HEX #9D2537

RGB 157 37 55

HSL 351, 0.62%, 0.38%

LAB 35.53, 49.61, 19.69

 

CMYK 0 / 68 / 76 / 38

HEX #9D3325

RGB 157 51 37

HSL 7, 0.62%, 0.38%

LAB 37.24, 43.22, 32.74

 

CMYK 0 / 47 / 76 / 38

HEX #9D5325

RGB 157 83 37

HSL 23, 0.62%, 0.38%

LAB 43.49, 27.11, 39.34

 

CMYK 0 / 27 / 76 / 38

HEX #9D7325

RGB 157 115 37

HSL 39, 0.62%, 0.38%

LAB 51.34, 8.96, 47.2

 

CMYK 0 / 67 / 77 / 65

HEX #5A1E15

RGB 90 30 21

HSL 7.83, 0.62%, 0.22%

LAB 20.66, 27.01, 20.44

 

CMYK 0 / 67 / 77 / 51

HEX #7C291D

RGB 124 41 29

HSL 7.58, 0.62%, 0.3%

LAB 29.31, 35.32, 26.97

 

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

CMYK 0 / 67 / 76 / 25

HEX #BE3F2D

RGB 190 63 45

HSL 7.45, 0.62%, 0.46%

LAB 45.21, 49.93, 38.6

 

CMYK 0 / 60 / 69 / 17

HEX #D35442

RGB 211 84 66

HSL 7.45, 0.62%, 0.54%

LAB 52.49, 49.02, 36.13

 

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

CMYK 24 / 0 / 76 / 38

HEX #779D25

RGB 119 157 37

HSL 79, 0.62%, 0.38%

LAB 60.04, -30.38, 54.44

 

CMYK 76 / 55 / 0 / 38

HEX #25479D

RGB 37 71 157

HSL 223, 0.62%, 0.38%

LAB 32.56, 19.46, -50.4

 

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

CMYK 76 / 0 / 68 / 38

HEX #259D33

RGB 37 157 51

HSL 127, 0.62%, 0.38%

LAB 56.83, -53.57, 44.68

 

CMYK 68 / 76 / 0 / 38

HEX #33259D

RGB 51 37 157

HSL 247, 0.62%, 0.38%

LAB 25.14, 42.81, -62.5

 

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

CMYK 24 / 0 / 76 / 38

HEX #779D25

RGB 119 157 37

HSL 79, 0.62%, 0.38%

LAB 60.04, -30.38, 54.44

 

CMYK 76 / 9 / 0 / 38

HEX #258F9D

RGB 37 143 157

HSL 187, 0.62%, 0.38%

LAB 54.52, -24.1, -15.87

 

CMYK 52 / 76 / 0 / 38

HEX #4B259D

RGB 75 37 157

HSL 259, 0.62%, 0.38%

LAB 27.44, 45.99, -58.62

 

CMYK 0 / 67 / 76 / 38

HEX #9D3425

RGB 157 52 37

HSL 7.5, 0.62%, 0.38%

LAB 37.4, 42.78, 32.91

 

CMYK 47 / 0 / 76 / 38

HEX #539D25

RGB 83 157 37

HSL 97, 0.62%, 0.38%

LAB 58.12, -43.64, 51.92

 

CMYK 76 / 9 / 0 / 38

HEX #258F9D

RGB 37 143 157

HSL 187, 0.62%, 0.38%

LAB 54.52, -24.1, -15.87

 

CMYK 29 / 76 / 0 / 38

HEX #6F259D

RGB 111 37 157

HSL 277, 0.62%, 0.38%

LAB 32.12, 52.2, -50.8

 

Description

Color code: HEX #9D3425 | qconv.com Color code: HEX #9D3425 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 52 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 52 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 76 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 76% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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