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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D2E84 it is the complementary color #62D17B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D2E84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D2E84 shade: #A22E7F, #B34092, #C452A5, #D564B8 and #E676CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D2E84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D2E84 shade: #9D2E84, #8C1C71, #7B0A5E, #6A004B and #590038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D2E84 shade: #9E2E85, #9E2E67, #9E2E48 and #9E2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D2E84 shade: #9E2E85, #992E9E, #7B2E9E, #5D2E9E and #3E2E9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D2E84 shade matches the following richer shades: #9E2E85, #AF1D8E and #BF0D97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D2E84 shade: #9E2E85, #8E3E7C, #7D4F73, #6D5F6A and #5C7061

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D2E84 shade: #7B2E9E, #982E9E, #9E2E86, #9E2E68 and #9E2E4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D2E84 shade: #5E1B4F, #7E256A, #9E2E85, #BE37A0 and #CD52B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D2E84 shade: #9D2E84, #9E5D2E and #2E9E8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D2E84 shade: #9D2E84, #869E2E and #2E869E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D2E84 shade: #9D2E84, #9E5D2E, #2E9E46 and #2E6F9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D2E84 shade: #9D2E84, #9E7E2E, #2E9E46 and #2E4E9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 16 / 38

HEX #9D2E84

RGB 157 46 132

HSL 313.51, 0.55%, 0.4%

LAB 39.22, 54.57, -23.74

 

Complementary color

CMYK 53 / 0 / 41 / 18

HEX #62D17B

RGB 98 209 123

HSL 133.51, 0.55%, 0.6%

LAB 75.84, -50.17, 33.22

 

CMYK 0 / 72 / 22 / 36

HEX #A22E7F

RGB 162 46 127

HSL 318.1, 0.56%, 0.41%

LAB 39.86, 55.16, -19.6

 

CMYK 0 / 64 / 18 / 30

HEX #B34092

RGB 179 64 146

HSL 317.22, 0.47%, 0.48%

LAB 46.08, 55.38, -21.36

 

CMYK 0 / 58 / 16 / 23

HEX #C452A5

RGB 196 82 165

HSL 316.32, 0.49%, 0.55%

LAB 52.38, 55.15, -22.7

 

CMYK 0 / 53 / 14 / 16

HEX #D564B8

RGB 213 100 184

HSL 315.4, 0.57%, 0.61%

LAB 58.72, 54.66, -23.78

 

CMYK 0 / 49 / 12 / 10

HEX #E676CB

RGB 230 118 203

HSL 314.46, 0.69%, 0.68%

LAB 65.04, 54.04, -24.66

 

CMYK 0 / 71 / 16 / 38

HEX #9D2E84

RGB 157 46 132

HSL 313.51, 0.55%, 0.4%

LAB 39.22, 54.57, -23.74

 

CMYK 0 / 80 / 19 / 45

HEX #8C1C71

RGB 140 28 113

HSL 314.46, 0.67%, 0.33%

LAB 33.13, 53.6, -21.57

 

CMYK 0 / 92 / 24 / 52

HEX #7B0A5E

RGB 123 10 94

HSL 315.4, 0.85%, 0.26%

LAB 27.4, 51.3, -18.49

 

CMYK 0 / 100 / 29 / 58

HEX #6A004B

RGB 106 0 75

HSL 317.55, 1%, 0.21%

LAB 22.2, 47.03, -14.12

 

CMYK 0 / 100 / 37 / 65

HEX #590038

RGB 89 0 56

HSL 322.25, 1%, 0.17%

LAB 17.5, 40.83, -8.45

 

CMYK 0 / 71 / 16 / 38

HEX #9E2E85

RGB 158 46 133

HSL 313.39, 0.55%, 0.4%

LAB 39.44, 54.98, -24.01

 

CMYK 0 / 71 / 35 / 38

HEX #9E2E67

RGB 158 46 103

HSL 329.46, 0.55%, 0.4%

LAB 38.2, 50.95, -7.2

 

CMYK 0 / 71 / 54 / 38

HEX #9E2E48

RGB 158 46 72

HSL 346.07, 0.55%, 0.4%

LAB 37.28, 47.83, 11.2

 

CMYK 0 / 71 / 71 / 38

HEX #9E2E2E

RGB 158 46 46

HSL 0, 0.55%, 0.4%

LAB 36.78, 46.08, 26.92

 

CMYK 0 / 71 / 16 / 38

HEX #9E2E85

RGB 158 46 133

HSL 313.39, 0.55%, 0.4%

LAB 39.44, 54.98, -24.01

 

CMYK 3 / 71 / 0 / 38

HEX #992E9E

RGB 153 46 158

HSL 297.32, 0.55%, 0.4%

LAB 39.91, 57.83, -38.55

 

CMYK 22 / 71 / 0 / 38

HEX #7B2E9E

RGB 123 46 158

HSL 281.25, 0.55%, 0.4%

LAB 35.27, 51.1, -46.23

 

CMYK 41 / 71 / 0 / 38

HEX #5D2E9E

RGB 93 46 158

HSL 265.18, 0.55%, 0.4%

LAB 31.23, 44.88, -52.96

 

CMYK 61 / 71 / 0 / 38

HEX #3E2E9E

RGB 62 46 158

HSL 248.57, 0.55%, 0.4%

LAB 27.97, 39.5, -58.42

 

CMYK 0 / 71 / 16 / 38

HEX #9E2E85

RGB 158 46 133

HSL 313.39, 0.55%, 0.4%

LAB 39.44, 54.98, -24.01

 

CMYK 0 / 83 / 19 / 31

HEX #AF1D8E

RGB 175 29 142

HSL 313.56, 0.72%, 0.4%

LAB 41.13, 65.33, -26.66

 

CMYK 0 / 93 / 21 / 25

HEX #BF0D97

RGB 191 13 151

HSL 313.48, 0.87%, 0.4%

LAB 43.65, 72.44, -27.97

 

CMYK 0 / 71 / 16 / 38

HEX #9E2E85

RGB 158 46 133

HSL 313.39, 0.55%, 0.4%

LAB 39.44, 54.98, -24.01

 

CMYK 0 / 56 / 13 / 44

HEX #8E3E7C

RGB 142 62 124

HSL 313.5, 0.39%, 0.4%

LAB 38.99, 42, -19.36

 

CMYK 0 / 37 / 8 / 51

HEX #7D4F73

RGB 125 79 115

HSL 313.04, 0.23%, 0.4%

LAB 39.9, 25.29, -12.62

 

CMYK 0 / 13 / 3 / 57

HEX #6D5F6A

RGB 109 95 106

HSL 312.86, 0.07%, 0.4%

LAB 41.96, 7.78, -4.17

 

CMYK 18 / 0 / 13 / 56

HEX #5C7061

RGB 92 112 97

HSL 135, 0.1%, 0.4%

LAB 45.26, -10.69, 5.89

 

CMYK 22 / 71 / 0 / 38

HEX #7B2E9E

RGB 123 46 158

HSL 281.25, 0.55%, 0.4%

LAB 35.27, 51.1, -46.23

 

CMYK 4 / 71 / 0 / 38

HEX #982E9E

RGB 152 46 158

HSL 296.79, 0.55%, 0.4%

LAB 39.75, 57.6, -38.81

 

CMYK 0 / 71 / 15 / 38

HEX #9E2E86

RGB 158 46 134

HSL 312.86, 0.55%, 0.4%

LAB 39.49, 55.13, -24.55

 

CMYK 0 / 71 / 34 / 38

HEX #9E2E68

RGB 158 46 104

HSL 328.93, 0.55%, 0.4%

LAB 38.24, 51.07, -7.77

 

CMYK 0 / 71 / 53 / 38

HEX #9E2E4A

RGB 158 46 74

HSL 345, 0.55%, 0.4%

LAB 37.33, 48, 9.99

 

CMYK 0 / 71 / 16 / 63

HEX #5E1B4F

RGB 94 27 79

HSL 313.43, 0.55%, 0.24%

LAB 22.75, 36.59, -16.17

 

CMYK 0 / 71 / 16 / 51

HEX #7E256A

RGB 126 37 106

HSL 313.48, 0.55%, 0.32%

LAB 31.35, 45.83, -20.08

 

CMYK 0 / 71 / 16 / 38

HEX #9E2E85

RGB 158 46 133

HSL 313.39, 0.55%, 0.4%

LAB 39.44, 54.98, -24.01

 

CMYK 0 / 71 / 16 / 25

HEX #BE37A0

RGB 190 55 160

HSL 313.33, 0.55%, 0.48%

LAB 47.26, 63.73, -27.76

 

CMYK 0 / 60 / 14 / 20

HEX #CD52B1

RGB 205 82 177

HSL 313.66, 0.55%, 0.56%

LAB 54.23, 59.5, -26.75

 

CMYK 0 / 71 / 16 / 38

HEX #9D2E84

RGB 157 46 132

HSL 313.51, 0.55%, 0.4%

LAB 39.22, 54.57, -23.74

 

CMYK 0 / 41 / 71 / 38

HEX #9E5D2E

RGB 158 93 46

HSL 25.18, 0.55%, 0.4%

LAB 46.04, 22.41, 37.5

 

CMYK 71 / 0 / 13 / 38

HEX #2E9E8A

RGB 46 158 138

HSL 169.29, 0.55%, 0.4%

LAB 58.85, -35.83, 1.44

 

CMYK 0 / 71 / 16 / 38

HEX #9D2E84

RGB 157 46 132

HSL 313.51, 0.55%, 0.4%

LAB 39.22, 54.57, -23.74

 

CMYK 15 / 0 / 71 / 38

HEX #869E2E

RGB 134 158 46

HSL 72.86, 0.55%, 0.4%

LAB 61.41, -24.13, 52.84

 

CMYK 71 / 15 / 0 / 38

HEX #2E869E

RGB 46 134 158

HSL 192.86, 0.55%, 0.4%

LAB 51.95, -17.83, -20.36

 

CMYK 0 / 71 / 16 / 38

HEX #9D2E84

RGB 157 46 132

HSL 313.51, 0.55%, 0.4%

LAB 39.22, 54.57, -23.74

 

CMYK 0 / 41 / 71 / 38

HEX #9E5D2E

RGB 158 93 46

HSL 25.18, 0.55%, 0.4%

LAB 46.04, 22.41, 37.5

 

CMYK 71 / 0 / 56 / 38

HEX #2E9E46

RGB 46 158 70

HSL 132.86, 0.55%, 0.4%

LAB 57.54, -50.06, 36.7

 

CMYK 71 / 30 / 0 / 38

HEX #2E6F9E

RGB 46 111 158

HSL 205.18, 0.55%, 0.4%

LAB 44.83, -4.68, -31.4

 

CMYK 0 / 71 / 16 / 38

HEX #9D2E84

RGB 157 46 132

HSL 313.51, 0.55%, 0.4%

LAB 39.22, 54.57, -23.74

 

CMYK 0 / 20 / 71 / 38

HEX #9E7E2E

RGB 158 126 46

HSL 42.86, 0.55%, 0.4%

LAB 54.44, 3.64, 46.43

 

CMYK 71 / 0 / 56 / 38

HEX #2E9E46

RGB 46 158 70

HSL 132.86, 0.55%, 0.4%

LAB 57.54, -50.06, 36.7

 

CMYK 71 / 51 / 0 / 38

HEX #2E4E9E

RGB 46 78 158

HSL 222.86, 0.55%, 0.4%

LAB 35, 16.39, -47.03

 

Description

Color code: HEX #9D2E84 | qconv.com Color code: HEX #9D2E84 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 46 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 46 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 16 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 16% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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