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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D2BBA it is the complementary color #62D445. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D2BBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D2BBA shade: #A22BB5, #B33DC8, #C44FDB, #D561EE and #E673FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D2BBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D2BBA shade: #9D2BBA, #8C19A7, #7B0794, #6A0081 and #59006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D2BBA shade: #9D2CBA, #BA2CB0, #BA2C8A, #BA2C64 and #BA2C3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D2BBA shade: #9D2CBA, #772CBA, #502CBA and #2C2CBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D2BBA shade matches the following richer shades: #9D2CBA, #A819CC and #B306DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D2BBA shade: #9D2CBA, #923EA7, #875195, #7C6382 and #717670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D2BBA shade: #4F2CBA, #752CBA, #9B2CBA, #BA2CB3 and #BA2C8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D2BBA shade: #651C77, #812498, #9D2CBA, #B33DD2 and #C05FD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D2BBA shade: #9D2BBA, #BA2C2E and #2CBA62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D2BBA shade: #9D2BBA, #BA9B2C and #2CBA9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D2BBA shade: #9D2BBA, #BA2C2E, #4ABA2C and #2CBAB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D2BBA shade: #9D2BBA, #BA542C, #4ABA2C and #2C92BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 77 / 0 / 27

HEX #9D2BBA

RGB 157 43 186

HSL 287.83, 0.62%, 0.45%

LAB 41.91, 64.8, -51.96

 

Complementary color

CMYK 54 / 0 / 67 / 17

HEX #62D445

RGB 98 212 69

HSL 107.83, 0.62%, 0.55%

LAB 76.14, -58.03, 58.54

 

CMYK 10 / 76 / 0 / 29

HEX #A22BB5

RGB 162 43 181

HSL 291.74, 0.62%, 0.44%

LAB 42.38, 64.86, -48.22

 

CMYK 11 / 70 / 0 / 22

HEX #B33DC8

RGB 179 61 200

HSL 290.94, 0.56%, 0.51%

LAB 48.37, 65.52, -49.56

 

CMYK 11 / 64 / 0 / 14

HEX #C44FDB

RGB 196 79 219

HSL 290.14, 0.66%, 0.58%

LAB 54.49, 65.61, -50.52

 

CMYK 11 / 59 / 0 / 7

HEX #D561EE

RGB 213 97 238

HSL 289.36, 0.81%, 0.66%

LAB 60.67, 65.35, -51.23

 

CMYK 10 / 55 / 0 / 0

HEX #E673FF

RGB 230 115 255

HSL 289.29, 1%, 0.73%

LAB 66.75, 64.5, -50.83

 

CMYK 16 / 77 / 0 / 27

HEX #9D2BBA

RGB 157 43 186

HSL 287.83, 0.62%, 0.45%

LAB 41.91, 64.8, -51.96

 

CMYK 16 / 85 / 0 / 35

HEX #8C19A7

RGB 140 25 167

HSL 288.59, 0.74%, 0.38%

LAB 36.1, 63.29, -50.18

 

CMYK 17 / 95 / 0 / 42

HEX #7B0794

RGB 123 7 148

HSL 289.36, 0.91%, 0.3%

LAB 30.64, 60.41, -47.6

 

CMYK 18 / 100 / 0 / 49

HEX #6A0081

RGB 106 0 129

HSL 289.3, 1%, 0.25%

LAB 25.71, 55.51, -43.9

 

CMYK 19 / 100 / 0 / 57

HEX #59006E

RGB 89 0 110

HSL 288.55, 1%, 0.22%

LAB 21.02, 49.37, -39.5

 

CMYK 16 / 76 / 0 / 27

HEX #9D2CBA

RGB 157 44 186

HSL 287.75, 0.62%, 0.45%

LAB 42.02, 64.47, -51.78

 

CMYK 0 / 76 / 5 / 27

HEX #BA2CB0

RGB 186 44 176

HSL 304.23, 0.62%, 0.45%

LAB 46.14, 68.7, -39.04

 

CMYK 0 / 76 / 26 / 27

HEX #BA2C8A

RGB 186 44 138

HSL 320.28, 0.62%, 0.45%

LAB 44.34, 63.39, -19.09

 

CMYK 0 / 76 / 46 / 27

HEX #BA2C64

RGB 186 44 100

HSL 336.34, 0.62%, 0.45%

LAB 43, 59.27, 2.35

 

CMYK 0 / 76 / 67 / 27

HEX #BA2C3D

RGB 186 44 61

HSL 352.82, 0.62%, 0.45%

LAB 42.12, 56.45, 25.46

 

CMYK 16 / 76 / 0 / 27

HEX #9D2CBA

RGB 157 44 186

HSL 287.75, 0.62%, 0.45%

LAB 42.02, 64.47, -51.78

 

CMYK 36 / 76 / 0 / 27

HEX #772CBA

RGB 119 44 186

HSL 271.69, 0.62%, 0.45%

LAB 36.5, 57.47, -60.99

 

CMYK 57 / 76 / 0 / 27

HEX #502CBA

RGB 80 44 186

HSL 255.21, 0.62%, 0.45%

LAB 31.93, 51.52, -68.66

 

CMYK 76 / 76 / 0 / 27

HEX #2C2CBA

RGB 44 44 186

HSL 240, 0.62%, 0.45%

LAB 29.11, 47.74, -73.39

 

CMYK 16 / 76 / 0 / 27

HEX #9D2CBA

RGB 157 44 186

HSL 287.75, 0.62%, 0.45%

LAB 42.02, 64.47, -51.78

 

CMYK 18 / 88 / 0 / 20

HEX #A819CC

RGB 168 25 204

HSL 287.93, 0.78%, 0.45%

LAB 43.33, 74.55, -60.08

 

CMYK 20 / 97 / 0 / 13

HEX #B306DF

RGB 179 6 223

HSL 287.83, 0.95%, 0.45%

LAB 45.69, 81.83, -67.09

 

CMYK 16 / 76 / 0 / 27

HEX #9D2CBA

RGB 157 44 186

HSL 287.75, 0.62%, 0.45%

LAB 42.02, 64.47, -51.78

 

CMYK 13 / 63 / 0 / 35

HEX #923EA7

RGB 146 62 167

HSL 288, 0.46%, 0.45%

LAB 41.76, 51.13, -41.05

 

CMYK 9 / 46 / 0 / 42

HEX #875195

RGB 135 81 149

HSL 287.65, 0.3%, 0.45%

LAB 43.07, 34.41, -28.32

 

CMYK 5 / 24 / 0 / 49

HEX #7C6382

RGB 124 99 130

HSL 288.39, 0.14%, 0.45%

LAB 45.39, 16.02, -13.43

 

CMYK 4 / 0 / 5 / 54

HEX #717670

RGB 113 118 112

HSL 110, 0.03%, 0.45%

LAB 49.05, -3.1, 2.64

 

CMYK 58 / 76 / 0 / 27

HEX #4F2CBA

RGB 79 44 186

HSL 254.79, 0.62%, 0.45%

LAB 31.83, 51.39, -68.82

 

CMYK 37 / 76 / 0 / 27

HEX #752CBA

RGB 117 44 186

HSL 270.85, 0.62%, 0.45%

LAB 36.23, 57.13, -61.43

 

CMYK 17 / 76 / 0 / 27

HEX #9B2CBA

RGB 155 44 186

HSL 286.9, 0.62%, 0.45%

LAB 41.71, 64.08, -52.29

 

CMYK 0 / 76 / 4 / 27

HEX #BA2CB3

RGB 186 44 179

HSL 302.96, 0.62%, 0.45%

LAB 46.31, 69.16, -40.55

 

CMYK 0 / 76 / 24 / 27

HEX #BA2C8D

RGB 186 44 141

HSL 319.01, 0.62%, 0.45%

LAB 44.47, 63.77, -20.72

 

CMYK 15 / 76 / 0 / 53

HEX #651C77

RGB 101 28 119

HSL 288.13, 0.62%, 0.29%

LAB 26.53, 45.51, -36.28

 

CMYK 15 / 76 / 0 / 40

HEX #812498

RGB 129 36 152

HSL 288.1, 0.62%, 0.37%

LAB 34.39, 55.11, -43.96

 

CMYK 16 / 76 / 0 / 27

HEX #9D2CBA

RGB 157 44 186

HSL 287.75, 0.62%, 0.45%

LAB 42.02, 64.47, -51.78

 

CMYK 15 / 71 / 0 / 18

HEX #B33DD2

RGB 179 61 210

HSL 287.52, 0.62%, 0.53%

LAB 48.98, 67.38, -54.35

 

CMYK 12 / 56 / 0 / 15

HEX #C05FD9

RGB 192 95 217

HSL 287.7, 0.62%, 0.61%

LAB 56.49, 57.04, -46.26

 

CMYK 16 / 77 / 0 / 27

HEX #9D2BBA

RGB 157 43 186

HSL 287.83, 0.62%, 0.45%

LAB 41.91, 64.8, -51.96

 

CMYK 0 / 76 / 75 / 27

HEX #BA2C2E

RGB 186 44 46

HSL 359.15, 0.62%, 0.45%

LAB 41.9, 55.74, 34.22

 

CMYK 76 / 0 / 47 / 27

HEX #2CBA62

RGB 44 186 98

HSL 142.82, 0.62%, 0.45%

LAB 66.93, -56.12, 34.21

 

CMYK 16 / 77 / 0 / 27

HEX #9D2BBA

RGB 157 43 186

HSL 287.83, 0.62%, 0.45%

LAB 41.91, 64.8, -51.96

 

CMYK 0 / 17 / 76 / 27

HEX #BA9B2C

RGB 186 155 44

HSL 46.9, 0.62%, 0.45%

LAB 65.01, 0.18, 58.62

 

CMYK 76 / 0 / 17 / 27

HEX #2CBA9B

RGB 44 186 155

HSL 166.9, 0.62%, 0.45%

LAB 68.04, -43.95, 5.25

 

CMYK 16 / 77 / 0 / 27

HEX #9D2BBA

RGB 157 43 186

HSL 287.83, 0.62%, 0.45%

LAB 41.91, 64.8, -51.96

 

CMYK 0 / 76 / 75 / 27

HEX #BA2C2E

RGB 186 44 46

HSL 359.15, 0.62%, 0.45%

LAB 41.9, 55.74, 34.22

 

CMYK 60 / 0 / 76 / 27

HEX #4ABA2C

RGB 74 186 44

HSL 107.32, 0.62%, 0.45%

LAB 67.09, -56.67, 58.19

 

CMYK 76 / 0 / 1 / 27

HEX #2CBAB8

RGB 44 186 184

HSL 179.15, 0.62%, 0.45%

LAB 68.83, -35.97, -9.52

 

CMYK 16 / 77 / 0 / 27

HEX #9D2BBA

RGB 157 43 186

HSL 287.83, 0.62%, 0.45%

LAB 41.91, 64.8, -51.96

 

CMYK 0 / 55 / 76 / 27

HEX #BA542C

RGB 186 84 44

HSL 16.9, 0.62%, 0.45%

LAB 48.21, 38.7, 42.09

 

CMYK 60 / 0 / 76 / 27

HEX #4ABA2C

RGB 74 186 44

HSL 107.32, 0.62%, 0.45%

LAB 67.09, -56.67, 58.19

 

CMYK 76 / 22 / 0 / 27

HEX #2C92BA

RGB 44 146 186

HSL 196.9, 0.62%, 0.45%

LAB 56.72, -15.17, -29.07

 

Description

Color code: HEX #9D2BBA | qconv.com Color code: HEX #9D2BBA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 43 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 43 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 77 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 77% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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