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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D2770 it is the complementary color #62D88F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D2770. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D2770 shade: #A2276B, #B3397E, #C44B91, #D55DA4 and #E66FB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D2770. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D2770 shade: #9D2770, #8C155D, #7B034A, #6A0037 and #590024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D2770 shade: #9B276F, #9B274F, #9B2730 and #9B2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D2770 shade: #9B276F, #9B278E, #89279B, #69279B and #4A279B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D2770 shade matches the following richer shades: #9B276F, #AB1772 and #BA0776

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D2770 shade: #9B276F, #8B366B, #7C4667, #6C5664 and #5C6560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D2770 shade: #88279B, #9B278F, #9B2770, #9B2751 and #9B2732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D2770 shade: #591640, #7A1F57, #9B276F, #BC2F86 and #D0449B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D2770 shade: #9D2770, #9B6927 and #279B97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D2770 shade: #9D2770, #709B27 and #27709B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D2770 shade: #9D2770, #9B6927, #279B51 and #27599B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D2770 shade: #9D2770, #9B8C27, #279B51 and #27369B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 29 / 38

HEX #9D2770

RGB 157 39 112

HSL 322.88, 0.6%, 0.38%

LAB 37.46, 54.31, -14.01

 

Complementary color

CMYK 55 / 0 / 34 / 15

HEX #62D88F

RGB 98 216 143

HSL 142.88, 0.6%, 0.62%

LAB 78.28, -49.54, 26.17

 

CMYK 0 / 76 / 34 / 36

HEX #A2276B

RGB 162 39 107

HSL 326.83, 0.61%, 0.39%

LAB 38.19, 55.04, -9.67

 

CMYK 0 / 68 / 30 / 30

HEX #B3397E

RGB 179 57 126

HSL 326.07, 0.52%, 0.46%

LAB 44.26, 55.51, -12.01

 

CMYK 0 / 62 / 26 / 23

HEX #C44B91

RGB 196 75 145

HSL 325.29, 0.51%, 0.53%

LAB 50.47, 55.41, -13.81

 

CMYK 0 / 56 / 23 / 16

HEX #D55DA4

RGB 213 93 164

HSL 324.5, 0.59%, 0.6%

LAB 56.74, 55, -15.25

 

CMYK 0 / 52 / 20 / 10

HEX #E66FB7

RGB 230 111 183

HSL 323.7, 0.7%, 0.67%

LAB 63.02, 54.41, -16.43

 

CMYK 0 / 75 / 29 / 38

HEX #9D2770

RGB 157 39 112

HSL 322.88, 0.6%, 0.38%

LAB 37.46, 54.31, -14.01

 

CMYK 0 / 85 / 34 / 45

HEX #8C155D

RGB 140 21 93

HSL 323.7, 0.74%, 0.32%

LAB 31.58, 52.91, -11.11

 

CMYK 0 / 98 / 40 / 52

HEX #7B034A

RGB 123 3 74

HSL 324.5, 0.95%, 0.25%

LAB 26.07, 50.19, -7.21

 

CMYK 0 / 100 / 48 / 58

HEX #6A0037

RGB 106 0 55

HSL 328.87, 1%, 0.21%

LAB 21.36, 44.84, -1.57

 

CMYK 0 / 100 / 60 / 65

HEX #590024

RGB 89 0 36

HSL 335.73, 1%, 0.17%

LAB 16.75, 38.87, 4.87

 

CMYK 0 / 75 / 28 / 39

HEX #9B276F

RGB 155 39 111

HSL 322.76, 0.6%, 0.38%

LAB 37.05, 53.65, -14.03

 

CMYK 0 / 75 / 49 / 39

HEX #9B274F

RGB 155 39 79

HSL 339.31, 0.6%, 0.38%

LAB 35.95, 50.14, 4.75

 

CMYK 0 / 75 / 69 / 39

HEX #9B2730

RGB 155 39 48

HSL 355.34, 0.6%, 0.38%

LAB 35.27, 47.87, 23.71

 

CMYK 0 / 75 / 75 / 39

HEX #9B2727

RGB 155 39 39

HSL 0, 0.6%, 0.38%

LAB 35.14, 47.43, 29.11

 

CMYK 0 / 75 / 28 / 39

HEX #9B276F

RGB 155 39 111

HSL 322.76, 0.6%, 0.38%

LAB 37.05, 53.65, -14.03

 

CMYK 0 / 75 / 8 / 39

HEX #9B278E

RGB 155 39 142

HSL 306.72, 0.6%, 0.38%

LAB 38.5, 58.07, -31.03

 

CMYK 12 / 75 / 0 / 39

HEX #89279B

RGB 137 39 155

HSL 290.69, 0.6%, 0.38%

LAB 36.24, 56.29, -42.73

 

CMYK 32 / 75 / 0 / 39

HEX #69279B

RGB 105 39 155

HSL 274.14, 0.6%, 0.38%

LAB 31.4, 49.76, -50.8

 

CMYK 52 / 75 / 0 / 39

HEX #4A279B

RGB 74 39 155

HSL 258.1, 0.6%, 0.38%

LAB 27.5, 44.26, -57.32

 

CMYK 0 / 75 / 28 / 39

HEX #9B276F

RGB 155 39 111

HSL 322.76, 0.6%, 0.38%

LAB 37.05, 53.65, -14.03

 

CMYK 0 / 87 / 33 / 33

HEX #AB1772

RGB 171 23 114

HSL 323.11, 0.76%, 0.38%

LAB 38.7, 62.3, -13.13

 

CMYK 0 / 96 / 37 / 27

HEX #BA0776

RGB 186 7 118

HSL 322.79, 0.93%, 0.38%

LAB 41.06, 68.32, -11.79

 

CMYK 0 / 75 / 28 / 39

HEX #9B276F

RGB 155 39 111

HSL 322.76, 0.6%, 0.38%

LAB 37.05, 53.65, -14.03

 

CMYK 0 / 61 / 23 / 45

HEX #8B366B

RGB 139 54 107

HSL 322.59, 0.44%, 0.38%

LAB 36.35, 42.28, -12.84

 

CMYK 0 / 44 / 17 / 51

HEX #7C4667

RGB 124 70 103

HSL 323.33, 0.28%, 0.38%

LAB 37.2, 27.99, -9.25

 

CMYK 0 / 20 / 7 / 58

HEX #6C5664

RGB 108 86 100

HSL 321.82, 0.11%, 0.38%

LAB 39.18, 11.67, -4.62

 

CMYK 9 / 0 / 5 / 60

HEX #5C6560

RGB 92 101 96

HSL 146.67, 0.05%, 0.38%

LAB 41.89, -4.54, 1.64

 

CMYK 12 / 75 / 0 / 39

HEX #88279B

RGB 136 39 155

HSL 290.17, 0.6%, 0.38%

LAB 36.08, 56.08, -42.99

 

CMYK 0 / 75 / 8 / 39

HEX #9B278F

RGB 155 39 143

HSL 306.21, 0.6%, 0.38%

LAB 38.56, 58.23, -31.56

 

CMYK 0 / 75 / 28 / 39

HEX #9B2770

RGB 155 39 112

HSL 322.24, 0.6%, 0.38%

LAB 37.1, 53.78, -14.6

 

CMYK 0 / 75 / 48 / 39

HEX #9B2751

RGB 155 39 81

HSL 338.28, 0.6%, 0.38%

LAB 36.01, 50.32, 3.55

 

CMYK 0 / 75 / 68 / 39

HEX #9B2732

RGB 155 39 50

HSL 354.31, 0.6%, 0.38%

LAB 35.3, 47.98, 22.49

 

CMYK 0 / 75 / 28 / 65

HEX #591640

RGB 89 22 64

HSL 322.39, 0.6%, 0.22%

LAB 20.31, 34.88, -9.77

 

CMYK 0 / 75 / 29 / 52

HEX #7A1F57

RGB 122 31 87

HSL 323.08, 0.59%, 0.3%

LAB 28.92, 44.28, -11.57

 

CMYK 0 / 75 / 28 / 39

HEX #9B276F

RGB 155 39 111

HSL 322.76, 0.6%, 0.38%

LAB 37.05, 53.65, -14.03

 

CMYK 0 / 75 / 29 / 26

HEX #BC2F86

RGB 188 47 134

HSL 322.98, 0.6%, 0.46%

LAB 44.87, 62.47, -15.82

 

CMYK 0 / 67 / 25 / 18

HEX #D0449B

RGB 208 68 155

HSL 322.71, 0.6%, 0.54%

LAB 51.74, 62.96, -17.64

 

CMYK 0 / 75 / 29 / 38

HEX #9D2770

RGB 157 39 112

HSL 322.88, 0.6%, 0.38%

LAB 37.46, 54.31, -14.01

 

CMYK 0 / 32 / 75 / 39

HEX #9B6927

RGB 155 105 39

HSL 34.14, 0.6%, 0.38%

LAB 48.53, 13.86, 43.45

 

CMYK 75 / 0 / 3 / 39

HEX #279B97

RGB 39 155 151

HSL 177.93, 0.6%, 0.38%

LAB 58.14, -31.67, -7

 

CMYK 0 / 75 / 29 / 38

HEX #9D2770

RGB 157 39 112

HSL 322.88, 0.6%, 0.38%

LAB 37.46, 54.31, -14.01

 

CMYK 28 / 0 / 75 / 39

HEX #709B27

RGB 112 155 39

HSL 82.24, 0.6%, 0.38%

LAB 59.01, -32.13, 52.59

 

CMYK 75 / 28 / 0 / 39

HEX #27709B

RGB 39 112 155

HSL 202.24, 0.6%, 0.38%

LAB 44.78, -7.4, -29.72

 

CMYK 0 / 75 / 29 / 38

HEX #9D2770

RGB 157 39 112

HSL 322.88, 0.6%, 0.38%

LAB 37.46, 54.31, -14.01

 

CMYK 0 / 32 / 75 / 39

HEX #9B6927

RGB 155 105 39

HSL 34.14, 0.6%, 0.38%

LAB 48.53, 13.86, 43.45

 

CMYK 75 / 0 / 48 / 39

HEX #279B51

RGB 39 155 81

HSL 141.72, 0.6%, 0.38%

LAB 56.55, -48.4, 29.83

 

CMYK 75 / 43 / 0 / 39

HEX #27599B

RGB 39 89 155

HSL 214.14, 0.6%, 0.38%

LAB 37.74, 6.94, -40.85

 

CMYK 0 / 75 / 29 / 38

HEX #9D2770

RGB 157 39 112

HSL 322.88, 0.6%, 0.38%

LAB 37.46, 54.31, -14.01

 

CMYK 0 / 10 / 75 / 39

HEX #9B8C27

RGB 155 140 39

HSL 52.24, 0.6%, 0.38%

LAB 57.91, -5.84, 52.68

 

CMYK 75 / 0 / 48 / 39

HEX #279B51

RGB 39 155 81

HSL 141.72, 0.6%, 0.38%

LAB 56.55, -48.4, 29.83

 

CMYK 75 / 65 / 0 / 39

HEX #27369B

RGB 39 54 155

HSL 232.24, 0.6%, 0.38%

LAB 27.94, 30.37, -56.7

 

Description

Color code: HEX #9D2770 | qconv.com Color code: HEX #9D2770 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 39 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 39 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 29 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 29% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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