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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D247D it is the complementary color #62DB82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D247D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D247D shade: #A22478, #B3368B, #C4489E, #D55AB1 and #E66CC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D247D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D247D shade: #9D247D, #8C126A, #7B0057, #6A0044 and #590031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D247D shade: #9E247E, #9E245D, #9E243C and #9E2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D247D shade: #9E247E, #9D249E, #7C249E, #5B249E and #3B249E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D247D shade matches the following richer shades: #9E247E, #AE1485 and #BD048C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D247D shade: #9E247E, #8E3476, #7F436F, #6F5367 and #5F6360

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D247D shade: #7B249E, #9C249E, #9E247F, #9E245F and #9E243E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D247D shade: #5B1548, #7C1C63, #9E247E, #C02B98 and #D441AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D247D shade: #9D247D, #9E5B24 and #249E8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D247D shade: #9D247D, #7F9E24 and #247F9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D247D shade: #9D247D, #9E5B24, #249E42 and #24679E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D247D shade: #9D247D, #9E7F24, #249E42 and #24429E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 20 / 38

HEX #9D247D

RGB 157 36 125

HSL 315.87, 0.63%, 0.38%

LAB 37.68, 57, -21.8

 

Complementary color

CMYK 55 / 0 / 41 / 14

HEX #62DB82

RGB 98 219 130

HSL 135.87, 0.63%, 0.62%

LAB 78.97, -53.03, 33.74

 

CMYK 0 / 78 / 26 / 36

HEX #A22478

RGB 162 36 120

HSL 320, 0.64%, 0.39%

LAB 38.37, 57.58, -17.54

 

CMYK 0 / 70 / 22 / 30

HEX #B3368B

RGB 179 54 139

HSL 319.2, 0.54%, 0.46%

LAB 44.36, 58.35, -19.78

 

CMYK 0 / 63 / 19 / 23

HEX #C4489E

RGB 196 72 158

HSL 318.39, 0.51%, 0.53%

LAB 50.5, 58.48, -21.48

 

CMYK 0 / 58 / 17 / 16

HEX #D55AB1

RGB 213 90 177

HSL 317.56, 0.59%, 0.59%

LAB 56.72, 58.22, -22.82

 

CMYK 0 / 53 / 15 / 10

HEX #E66CC4

RGB 230 108 196

HSL 316.72, 0.71%, 0.66%

LAB 62.96, 57.73, -23.9

 

CMYK 0 / 77 / 20 / 38

HEX #9D247D

RGB 157 36 125

HSL 315.87, 0.63%, 0.38%

LAB 37.68, 57, -21.8

 

CMYK 0 / 87 / 24 / 45

HEX #8C126A

RGB 140 18 106

HSL 316.72, 0.77%, 0.31%

LAB 31.92, 55.19, -18.99

 

CMYK 0 / 100 / 29 / 52

HEX #7B0057

RGB 123 0 87

HSL 317.56, 1%, 0.24%

LAB 26.45, 52.21, -15.34

 

CMYK 0 / 100 / 36 / 58

HEX #6A0044

RGB 106 0 68

HSL 321.51, 1%, 0.21%

LAB 21.88, 46.19, -9.83

 

CMYK 0 / 100 / 45 / 65

HEX #590031

RGB 89 0 49

HSL 326.97, 1%, 0.17%

LAB 17.21, 40.06, -3.9

 

CMYK 0 / 77 / 20 / 38

HEX #9E247E

RGB 158 36 126

HSL 315.74, 0.63%, 0.38%

LAB 37.91, 57.39, -22.06

 

CMYK 0 / 77 / 41 / 38

HEX #9E245D

RGB 158 36 93

HSL 331.97, 0.63%, 0.38%

LAB 36.6, 53.38, -3.23

 

CMYK 0 / 77 / 62 / 38

HEX #9E243C

RGB 158 36 60

HSL 348.2, 0.63%, 0.38%

LAB 35.71, 50.57, 16.75

 

CMYK 0 / 77 / 77 / 38

HEX #9E2424

RGB 158 36 36

HSL 0, 0.63%, 0.38%

LAB 35.32, 49.3, 31.28

 

CMYK 0 / 77 / 20 / 38

HEX #9E247E

RGB 158 36 126

HSL 315.74, 0.63%, 0.38%

LAB 37.91, 57.39, -22.06

 

CMYK 1 / 77 / 0 / 38

HEX #9D249E

RGB 157 36 158

HSL 299.51, 0.63%, 0.38%

LAB 39.41, 62.03, -39.3

 

CMYK 22 / 77 / 0 / 38

HEX #7C249E

RGB 124 36 158

HSL 283.28, 0.63%, 0.38%

LAB 34.02, 55.31, -48.24

 

CMYK 42 / 77 / 0 / 38

HEX #5B249E

RGB 91 36 158

HSL 267.05, 0.63%, 0.38%

LAB 29.3, 49.27, -56.12

 

CMYK 63 / 77 / 0 / 38

HEX #3B249E

RGB 59 36 158

HSL 251.31, 0.63%, 0.38%

LAB 25.74, 44.59, -62.09

 

CMYK 0 / 77 / 20 / 38

HEX #9E247E

RGB 158 36 126

HSL 315.74, 0.63%, 0.38%

LAB 37.91, 57.39, -22.06

 

CMYK 0 / 89 / 24 / 32

HEX #AE1485

RGB 174 20 133

HSL 315.97, 0.79%, 0.38%

LAB 39.9, 65.75, -23.06

 

CMYK 0 / 98 / 26 / 26

HEX #BD048C

RGB 189 4 140

HSL 315.89, 0.96%, 0.38%

LAB 42.46, 71.61, -23.17

 

CMYK 0 / 77 / 20 / 38

HEX #9E247E

RGB 158 36 126

HSL 315.74, 0.63%, 0.38%

LAB 37.91, 57.39, -22.06

 

CMYK 0 / 63 / 17 / 44

HEX #8E3476

RGB 142 52 118

HSL 316, 0.46%, 0.38%

LAB 36.96, 45.81, -18.77

 

CMYK 0 / 47 / 13 / 50

HEX #7F436F

RGB 127 67 111

HSL 316, 0.31%, 0.38%

LAB 37.25, 32.17, -14.14

 

CMYK 0 / 25 / 7 / 56

HEX #6F5367

RGB 111 83 103

HSL 317.14, 0.14%, 0.38%

LAB 38.8, 15.28, -7.01

 

CMYK 4 / 0 / 3 / 61

HEX #5F6360

RGB 95 99 96

HSL 135, 0.02%, 0.38%

LAB 41.53, -2.19, 1.16

 

CMYK 22 / 77 / 0 / 38

HEX #7B249E

RGB 123 36 158

HSL 282.79, 0.63%, 0.38%

LAB 33.86, 55.11, -48.5

 

CMYK 1 / 77 / 0 / 38

HEX #9C249E

RGB 156 36 158

HSL 299.02, 0.63%, 0.38%

LAB 39.24, 61.82, -39.58

 

CMYK 0 / 77 / 20 / 38

HEX #9E247F

RGB 158 36 127

HSL 315.25, 0.63%, 0.38%

LAB 37.96, 57.52, -22.6

 

CMYK 0 / 77 / 40 / 38

HEX #9E245F

RGB 158 36 95

HSL 330.98, 0.63%, 0.38%

LAB 36.66, 53.59, -4.41

 

CMYK 0 / 77 / 61 / 38

HEX #9E243E

RGB 158 36 62

HSL 347.21, 0.63%, 0.38%

LAB 35.75, 50.7, 15.52

 

CMYK 0 / 77 / 21 / 64

HEX #5B1548

RGB 91 21 72

HSL 316.29, 0.63%, 0.22%

LAB 20.94, 37.1, -14.28

 

CMYK 0 / 77 / 20 / 51

HEX #7C1C63

RGB 124 28 99

HSL 315.63, 0.63%, 0.3%

LAB 29.45, 47.59, -18.54

 

CMYK 0 / 77 / 20 / 38

HEX #9E247E

RGB 158 36 126

HSL 315.74, 0.63%, 0.38%

LAB 37.91, 57.39, -22.06

 

CMYK 0 / 78 / 21 / 25

HEX #C02B98

RGB 192 43 152

HSL 316.11, 0.63%, 0.46%

LAB 45.91, 66.91, -25.04

 

CMYK 0 / 69 / 18 / 17

HEX #D441AD

RGB 212 65 173

HSL 315.92, 0.63%, 0.54%

LAB 52.72, 67.49, -26.66

 

CMYK 0 / 77 / 20 / 38

HEX #9D247D

RGB 157 36 125

HSL 315.87, 0.63%, 0.38%

LAB 37.68, 57, -21.8

 

CMYK 0 / 42 / 77 / 38

HEX #9E5B24

RGB 158 91 36

HSL 27.05, 0.63%, 0.38%

LAB 45.47, 23.03, 41.88

 

CMYK 77 / 0 / 11 / 38

HEX #249E8C

RGB 36 158 140

HSL 171.15, 0.63%, 0.38%

LAB 58.72, -36.59, 0.09

 

CMYK 0 / 77 / 20 / 38

HEX #9D247D

RGB 157 36 125

HSL 315.87, 0.63%, 0.38%

LAB 37.68, 57, -21.8

 

CMYK 20 / 0 / 77 / 38

HEX #7F9E24

RGB 127 158 36

HSL 75.25, 0.63%, 0.38%

LAB 60.86, -27.62, 55.74

 

CMYK 77 / 20 / 0 / 38

HEX #247F9E

RGB 36 127 158

HSL 195.25, 0.63%, 0.38%

LAB 49.52, -15.33, -24.11

 

CMYK 0 / 77 / 20 / 38

HEX #9D247D

RGB 157 36 125

HSL 315.87, 0.63%, 0.38%

LAB 37.68, 57, -21.8

 

CMYK 0 / 42 / 77 / 38

HEX #9E5B24

RGB 158 91 36

HSL 27.05, 0.63%, 0.38%

LAB 45.47, 23.03, 41.88

 

CMYK 77 / 0 / 58 / 38

HEX #249E42

RGB 36 158 66

HSL 134.75, 0.63%, 0.38%

LAB 57.29, -52.24, 38.32

 

CMYK 77 / 35 / 0 / 38

HEX #24679E

RGB 36 103 158

HSL 207.05, 0.63%, 0.38%

LAB 42.07, -1.22, -35.77

 

CMYK 0 / 77 / 20 / 38

HEX #9D247D

RGB 157 36 125

HSL 315.87, 0.63%, 0.38%

LAB 37.68, 57, -21.8

 

CMYK 0 / 20 / 77 / 38

HEX #9E7F24

RGB 158 127 36

HSL 44.75, 0.63%, 0.38%

LAB 54.63, 2.59, 50.8

 

CMYK 77 / 0 / 58 / 38

HEX #249E42

RGB 36 158 66

HSL 134.75, 0.63%, 0.38%

LAB 57.29, -52.24, 38.32

 

CMYK 77 / 58 / 0 / 38

HEX #24429E

RGB 36 66 158

HSL 225.25, 0.63%, 0.38%

LAB 31.21, 23.12, -53.2

 

Description

Color code: HEX #9D247D | qconv.com Color code: HEX #9D247D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 36 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 36 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 20 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 20% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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