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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D2372 it is the complementary color #62DC8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D2372. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D2372 shade: #A2236D, #B33580, #C44793, #D559A6 and #E66BB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D2372. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D2372 shade: #9D2372, #8C115F, #7B004C, #6A0039 and #590026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D2372 shade: #9F2373, #9F2352, #9F2330 and #9F2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D2372 shade: #9F2373, #9F2395, #88239F, #66239F and #45239F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D2372 shade matches the following richer shades: #9F2373, #AF1378 and #BE047C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D2372 shade: #9F2373, #8F336F, #80426A, #705265 and #606261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D2372 shade: #88239F, #9F2395, #9F2374, #9F2352 and #9F2331

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D2372 shade: #5B1442, #7D1B5B, #9F2373, #C12A8C and #D53FA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D2372 shade: #9D2372, #9F6723 and #239F99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D2372 shade: #9D2372, #749F23 and #23749F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D2372 shade: #9D2372, #9F6723, #239F4E and #235B9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D2372 shade: #9D2372, #9F8C23, #239F4E and #23359F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 27 / 38

HEX #9D2372

RGB 157 35 114

HSL 321.15, 0.64%, 0.38%

LAB 37.09, 55.86, -15.84

 

Complementary color

CMYK 55 / 0 / 36 / 14

HEX #62DC8D

RGB 98 220 141

HSL 141.15, 0.64%, 0.62%

LAB 79.45, -51.54, 28.76

 

CMYK 0 / 78 / 33 / 36

HEX #A2236D

RGB 162 35 109

HSL 325.04, 0.64%, 0.39%

LAB 37.82, 56.53, -11.49

 

CMYK 0 / 70 / 28 / 30

HEX #B33580

RGB 179 53 128

HSL 324.29, 0.54%, 0.45%

LAB 43.78, 57.29, -13.95

 

CMYK 0 / 64 / 25 / 23

HEX #C44793

RGB 196 71 147

HSL 323.52, 0.51%, 0.52%

LAB 49.92, 57.38, -15.84

 

CMYK 0 / 58 / 22 / 16

HEX #D559A6

RGB 213 89 166

HSL 322.74, 0.6%, 0.59%

LAB 56.13, 57.09, -17.33

 

CMYK 0 / 53 / 20 / 10

HEX #E66BB9

RGB 230 107 185

HSL 321.95, 0.71%, 0.66%

LAB 62.37, 56.58, -18.55

 

CMYK 0 / 78 / 27 / 38

HEX #9D2372

RGB 157 35 114

HSL 321.15, 0.64%, 0.38%

LAB 37.09, 55.86, -15.84

 

CMYK 0 / 88 / 32 / 45

HEX #8C115F

RGB 140 17 95

HSL 321.95, 0.78%, 0.31%

LAB 31.35, 54.04, -12.76

 

CMYK 0 / 100 / 38 / 52

HEX #7B004C

RGB 123 0 76

HSL 322.93, 1%, 0.24%

LAB 25.96, 50.96, -8.73

 

CMYK 0 / 100 / 46 / 58

HEX #6A0039

RGB 106 0 57

HSL 327.74, 1%, 0.21%

LAB 21.43, 45.03, -2.87

 

CMYK 0 / 100 / 57 / 65

HEX #590026

RGB 89 0 38

HSL 334.38, 1%, 0.17%

LAB 16.81, 39.03, 3.5

 

CMYK 0 / 78 / 28 / 38

HEX #9F2373

RGB 159 35 115

HSL 321.29, 0.64%, 0.38%

LAB 37.5, 56.49, -15.8

 

CMYK 0 / 78 / 48 / 38

HEX #9F2352

RGB 159 35 82

HSL 337.26, 0.64%, 0.38%

LAB 36.33, 52.91, 3.47

 

CMYK 0 / 78 / 70 / 38

HEX #9F2330

RGB 159 35 48

HSL 353.71, 0.64%, 0.38%

LAB 35.57, 50.49, 24.26

 

CMYK 0 / 78 / 78 / 38

HEX #9F2323

RGB 159 35 35

HSL 0, 0.64%, 0.38%

LAB 35.39, 49.91, 32.01

 

CMYK 0 / 78 / 28 / 38

HEX #9F2373

RGB 159 35 115

HSL 321.29, 0.64%, 0.38%

LAB 37.5, 56.49, -15.8

 

CMYK 0 / 78 / 6 / 38

HEX #9F2395

RGB 159 35 149

HSL 304.84, 0.64%, 0.38%

LAB 39.14, 61.3, -34.25

 

CMYK 14 / 78 / 0 / 38

HEX #88239F

RGB 136 35 159

HSL 288.87, 0.64%, 0.38%

LAB 35.87, 58.21, -45.77

 

CMYK 36 / 78 / 0 / 38

HEX #66239F

RGB 102 35 159

HSL 272.42, 0.64%, 0.38%

LAB 30.71, 51.82, -54.36

 

CMYK 57 / 78 / 0 / 38

HEX #45239F

RGB 69 35 159

HSL 256.45, 0.64%, 0.38%

LAB 26.65, 46.67, -61.17

 

CMYK 0 / 78 / 28 / 38

HEX #9F2373

RGB 159 35 115

HSL 321.29, 0.64%, 0.38%

LAB 37.5, 56.49, -15.8

 

CMYK 0 / 89 / 31 / 31

HEX #AF1378

RGB 175 19 120

HSL 321.15, 0.8%, 0.38%

LAB 39.47, 64.61, -15.64

 

CMYK 0 / 98 / 35 / 25

HEX #BE047C

RGB 190 4 124

HSL 321.29, 0.96%, 0.38%

LAB 41.98, 70.07, -14.03

 

CMYK 0 / 78 / 28 / 38

HEX #9F2373

RGB 159 35 115

HSL 321.29, 0.64%, 0.38%

LAB 37.5, 56.49, -15.8

 

CMYK 0 / 64 / 22 / 44

HEX #8F336F

RGB 143 51 111

HSL 320.87, 0.47%, 0.38%

LAB 36.66, 45.49, -14.82

 

CMYK 0 / 48 / 17 / 50

HEX #80426A

RGB 128 66 106

HSL 321.29, 0.32%, 0.38%

LAB 36.98, 32.21, -11.41

 

CMYK 0 / 27 / 10 / 56

HEX #705265

RGB 112 82 101

HSL 322, 0.15%, 0.38%

LAB 38.58, 15.89, -6.08

 

CMYK 2 / 0 / 1 / 62

HEX #606261

RGB 96 98 97

HSL 150, 0.01%, 0.38%

LAB 41.35, -0.99, 0.29

 

CMYK 14 / 78 / 0 / 38

HEX #88239F

RGB 136 35 159

HSL 288.87, 0.64%, 0.38%

LAB 35.87, 58.21, -45.77

 

CMYK 0 / 78 / 6 / 38

HEX #9F2395

RGB 159 35 149

HSL 304.84, 0.64%, 0.38%

LAB 39.14, 61.3, -34.25

 

CMYK 0 / 78 / 27 / 38

HEX #9F2374

RGB 159 35 116

HSL 320.81, 0.64%, 0.38%

LAB 37.54, 56.62, -16.36

 

CMYK 0 / 78 / 48 / 38

HEX #9F2352

RGB 159 35 82

HSL 337.26, 0.64%, 0.38%

LAB 36.33, 52.91, 3.47

 

CMYK 0 / 78 / 69 / 38

HEX #9F2331

RGB 159 35 49

HSL 353.23, 0.64%, 0.38%

LAB 35.59, 50.54, 23.65

 

CMYK 0 / 78 / 27 / 64

HEX #5B1442

RGB 91 20 66

HSL 321.13, 0.64%, 0.22%

LAB 20.51, 36.59, -10.82

 

CMYK 0 / 78 / 27 / 51

HEX #7D1B5B

RGB 125 27 91

HSL 320.82, 0.64%, 0.3%

LAB 29.16, 47.07, -13.77

 

CMYK 0 / 78 / 28 / 38

HEX #9F2373

RGB 159 35 115

HSL 321.29, 0.64%, 0.38%

LAB 37.5, 56.49, -15.8

 

CMYK 0 / 78 / 27 / 24

HEX #C12A8C

RGB 193 42 140

HSL 321.06, 0.64%, 0.46%

LAB 45.48, 65.92, -18.45

 

CMYK 0 / 70 / 25 / 16

HEX #D53FA0

RGB 213 63 160

HSL 321.2, 0.64%, 0.54%

LAB 52.11, 66.73, -19.96

 

CMYK 0 / 78 / 27 / 38

HEX #9D2372

RGB 157 35 114

HSL 321.15, 0.64%, 0.38%

LAB 37.09, 55.86, -15.84

 

CMYK 0 / 35 / 78 / 38

HEX #9F6723

RGB 159 103 35

HSL 32.9, 0.64%, 0.38%

LAB 48.5, 16.63, 45.38

 

CMYK 78 / 0 / 4 / 38

HEX #239F99

RGB 35 159 153

HSL 177.1, 0.64%, 0.38%

LAB 59.39, -33.43, -6.29

 

CMYK 0 / 78 / 27 / 38

HEX #9D2372

RGB 157 35 114

HSL 321.15, 0.64%, 0.38%

LAB 37.09, 55.86, -15.84

 

CMYK 27 / 0 / 78 / 38

HEX #749F23

RGB 116 159 35

HSL 80.81, 0.64%, 0.38%

LAB 60.45, -32.63, 55.43

 

CMYK 78 / 27 / 0 / 38

HEX #23749F

RGB 35 116 159

HSL 200.81, 0.64%, 0.38%

LAB 46.11, -8.82, -30

 

CMYK 0 / 78 / 27 / 38

HEX #9D2372

RGB 157 35 114

HSL 321.15, 0.64%, 0.38%

LAB 37.09, 55.86, -15.84

 

CMYK 0 / 35 / 78 / 38

HEX #9F6723

RGB 159 103 35

HSL 32.9, 0.64%, 0.38%

LAB 48.5, 16.63, 45.38

 

CMYK 78 / 0 / 51 / 38

HEX #239F4E

RGB 35 159 78

HSL 140.81, 0.64%, 0.38%

LAB 57.75, -50.95, 32.88

 

CMYK 78 / 43 / 0 / 38

HEX #235B9F

RGB 35 91 159

HSL 212.9, 0.64%, 0.38%

LAB 38.45, 6.67, -42.12

 

CMYK 0 / 78 / 27 / 38

HEX #9D2372

RGB 157 35 114

HSL 321.15, 0.64%, 0.38%

LAB 37.09, 55.86, -15.84

 

CMYK 0 / 12 / 78 / 38

HEX #9F8C23

RGB 159 140 35

HSL 50.81, 0.64%, 0.38%

LAB 58.27, -4.2, 54.61

 

CMYK 78 / 0 / 51 / 38

HEX #239F4E

RGB 35 159 78

HSL 140.81, 0.64%, 0.38%

LAB 57.75, -50.95, 32.88

 

CMYK 78 / 67 / 0 / 38

HEX #23359F

RGB 35 53 159

HSL 231.29, 0.64%, 0.38%

LAB 27.86, 32.08, -59.27

 

Description

Color code: HEX #9D2372 | qconv.com Color code: HEX #9D2372 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 35 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 35 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 27 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 27% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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