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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D00A0 it is the complementary color #62FF5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D00A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D00A0 shade: #A2009B, #B312AE, #C424C1, #D536D4 and #E648E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D00A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D00A0 shade: #9D00A0, #8C008D, #7B007A, #6A0067 and #590054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D00A0 shade: #9B009E, #9E0076, #9E004B, #9E0021 and #9E0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D00A0 shade: #9B009E, #70009E, #45009E, #1B009E and #00009E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D00A0 shade matches the following richer shades: #9B009E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D00A0 shade: #9B009E, #8E0C91, #821984, #762677 and #69336A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D00A0 shade: #44009E, #6E009E, #98009E, #9E0079 and #9E004F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D00A0 shade: #4A004B, #720074, #9B009E, #C300C7 and #EC00F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D00A0 shade: #9D00A0, #9E1A00 and #009E59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D00A0 shade: #9D00A0, #9E9800 and #009E98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D00A0 shade: #9D00A0, #9E1A00, #059E00 and #00839E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D00A0 shade: #9D00A0, #9E4900, #059E00 and #00549E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 100 / 0 / 37

HEX #9D00A0

RGB 157 0 160

HSL 298.88, 1%, 0.31%

LAB 37.31, 68.84, -43.86

 

Complementary color

CMYK 62 / 0 / 63 / 0

HEX #62FF5F

RGB 98 255 95

HSL 118.88, 1%, 0.69%

LAB 89.37, -70.74, 62.5

 

CMYK 0 / 100 / 4 / 36

HEX #A2009B

RGB 162 0 155

HSL 302.59, 1%, 0.32%

LAB 37.93, 68.94, -39.79

 

CMYK 0 / 90 / 3 / 30

HEX #B312AE

RGB 179 18 174

HSL 301.86, 0.82%, 0.39%

LAB 42.87, 72.66, -43.12

 

CMYK 0 / 82 / 2 / 23

HEX #C424C1

RGB 196 36 193

HSL 301.13, 0.69%, 0.45%

LAB 48.07, 75.34, -45.83

 

CMYK 0 / 75 / 0 / 16

HEX #D536D4

RGB 213 54 212

HSL 300.38, 0.65%, 0.52%

LAB 53.53, 76.98, -47.91

 

CMYK 0 / 69 / 0 / 9

HEX #E648E7

RGB 230 72 231

HSL 299.62, 0.77%, 0.59%

LAB 59.18, 77.87, -49.52

 

CMYK 2 / 100 / 0 / 37

HEX #9D00A0

RGB 157 0 160

HSL 298.88, 1%, 0.31%

LAB 37.31, 68.84, -43.86

 

CMYK 1 / 100 / 0 / 45

HEX #8C008D

RGB 140 0 141

HSL 299.57, 1%, 0.28%

LAB 32.92, 63.05, -39.46

 

CMYK 0 / 100 / 1 / 52

HEX #7B007A

RGB 123 0 122

HSL 300.49, 1%, 0.24%

LAB 28.42, 57.12, -34.94

 

CMYK 0 / 100 / 3 / 58

HEX #6A0067

RGB 106 0 103

HSL 301.7, 1%, 0.21%

LAB 23.81, 51.03, -30.26

 

CMYK 0 / 100 / 6 / 65

HEX #590054

RGB 89 0 84

HSL 303.37, 1%, 0.17%

LAB 19.07, 44.77, -25.41

 

CMYK 2 / 100 / 0 / 38

HEX #9B009E

RGB 155 0 158

HSL 298.86, 1%, 0.31%

LAB 36.81, 68.21, -43.46

 

CMYK 0 / 100 / 25 / 38

HEX #9E0076

RGB 158 0 118

HSL 315.19, 1%, 0.31%

LAB 35.16, 63.24, -21.32

 

CMYK 0 / 100 / 53 / 38

HEX #9E004B

RGB 158 0 75

HSL 331.52, 1%, 0.31%

LAB 33.51, 58.98, 3.94

 

CMYK 0 / 100 / 79 / 38

HEX #9E0021

RGB 158 0 33

HSL 347.47, 1%, 0.31%

LAB 32.65, 56.68, 30.21

 

CMYK 0 / 100 / 100 / 38

HEX #9E0000

RGB 158 0 0

HSL 0, 1%, 0.31%

LAB 32.41, 56.02, 46.44

 

CMYK 2 / 100 / 0 / 38

HEX #9B009E

RGB 155 0 158

HSL 298.86, 1%, 0.31%

LAB 36.81, 68.21, -43.46

 

CMYK 29 / 100 / 0 / 38

HEX #70009E

RGB 112 0 158

HSL 282.53, 1%, 0.31%

LAB 29.19, 61.85, -56.17

 

CMYK 56 / 100 / 0 / 38

HEX #45009E

RGB 69 0 158

HSL 266.2, 1%, 0.31%

LAB 22.77, 57.58, -66.97

 

CMYK 83 / 100 / 0 / 38

HEX #1B009E

RGB 27 0 158

HSL 250.25, 1%, 0.31%

LAB 18.81, 55.73, -73.68

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 2 / 100 / 0 / 38

HEX #9B009E

RGB 155 0 158

HSL 298.86, 1%, 0.31%

LAB 36.81, 68.21, -43.46

 

CMYK 2 / 100 / 0 / 38

HEX #9B009E

RGB 155 0 158

HSL 298.86, 1%, 0.31%

LAB 36.81, 68.21, -43.46

 

CMYK 2 / 92 / 0 / 43

HEX #8E0C91

RGB 142 12 145

HSL 298.65, 0.85%, 0.31%

LAB 34.1, 62.38, -40

 

CMYK 2 / 81 / 0 / 48

HEX #821984

RGB 130 25 132

HSL 298.88, 0.68%, 0.31%

LAB 32.05, 55.17, -35.36

 

CMYK 1 / 68 / 0 / 53

HEX #762677

RGB 118 38 119

HSL 299.26, 0.52%, 0.31%

LAB 30.81, 45.5, -29.3

 

CMYK 1 / 52 / 0 / 58

HEX #69336A

RGB 105 51 106

HSL 298.91, 0.35%, 0.31%

LAB 30.43, 32.82, -21.77

 

CMYK 57 / 100 / 0 / 38

HEX #44009E

RGB 68 0 158

HSL 265.82, 1%, 0.31%

LAB 22.65, 57.51, -67.18

 

CMYK 30 / 100 / 0 / 38

HEX #6E009E

RGB 110 0 158

HSL 281.77, 1%, 0.31%

LAB 28.86, 61.6, -56.73

 

CMYK 4 / 100 / 0 / 38

HEX #98009E

RGB 152 0 158

HSL 297.72, 1%, 0.31%

LAB 36.26, 67.71, -44.38

 

CMYK 0 / 100 / 23 / 38

HEX #9E0079

RGB 158 0 121

HSL 314.05, 1%, 0.31%

LAB 35.3, 63.6, -22.99

 

CMYK 0 / 100 / 50 / 38

HEX #9E004F

RGB 158 0 79

HSL 330, 1%, 0.31%

LAB 33.63, 59.3, 1.49

 

CMYK 1 / 100 / 0 / 71

HEX #4A004B

RGB 74 0 75

HSL 299.2, 1%, 0.15%

LAB 15.3, 40.37, -25.47

 

CMYK 2 / 100 / 0 / 55

HEX #720074

RGB 114 0 116

HSL 298.97, 1%, 0.23%

LAB 26.27, 54.57, -34.66

 

CMYK 2 / 100 / 0 / 38

HEX #9B009E

RGB 155 0 158

HSL 298.86, 1%, 0.31%

LAB 36.81, 68.21, -43.46

 

CMYK 2 / 100 / 0 / 22

HEX #C300C7

RGB 195 0 199

HSL 298.79, 1%, 0.39%

LAB 46.61, 80.88, -51.65

 

CMYK 2 / 100 / 0 / 6

HEX #EC00F0

RGB 236 0 240

HSL 299, 1%, 0.47%

LAB 56.21, 93.23, -59.25

 

CMYK 2 / 100 / 0 / 37

HEX #9D00A0

RGB 157 0 160

HSL 298.88, 1%, 0.31%

LAB 37.31, 68.84, -43.86

 

CMYK 0 / 84 / 100 / 38

HEX #9E1A00

RGB 158 26 0

HSL 9.87, 1%, 0.31%

LAB 34, 51.47, 47.42

 

CMYK 100 / 0 / 44 / 38

HEX #009E59

RGB 0 158 89

HSL 153.8, 1%, 0.31%

LAB 57.25, -51.47, 26.38

 

CMYK 2 / 100 / 0 / 37

HEX #9D00A0

RGB 157 0 160

HSL 298.88, 1%, 0.31%

LAB 37.31, 68.84, -43.86

 

CMYK 0 / 4 / 100 / 38

HEX #9E9800

RGB 158 152 0

HSL 57.72, 1%, 0.31%

LAB 61.42, -11.94, 64.83

 

CMYK 100 / 0 / 4 / 38

HEX #009E98

RGB 0 158 152

HSL 177.72, 1%, 0.31%

LAB 58.71, -35.48, -6.76

 

CMYK 2 / 100 / 0 / 37

HEX #9D00A0

RGB 157 0 160

HSL 298.88, 1%, 0.31%

LAB 37.31, 68.84, -43.86

 

CMYK 0 / 84 / 100 / 38

HEX #9E1A00

RGB 158 26 0

HSL 9.87, 1%, 0.31%

LAB 34, 51.47, 47.42

 

CMYK 97 / 0 / 100 / 38

HEX #059E00

RGB 5 158 0

HSL 118.1, 1%, 0.31%

LAB 56.57, -59.97, 58.2

 

CMYK 100 / 17 / 0 / 38

HEX #00839E

RGB 0 131 158

HSL 190.25, 1%, 0.31%

LAB 50.34, -20.07, -22.9

 

CMYK 2 / 100 / 0 / 37

HEX #9D00A0

RGB 157 0 160

HSL 298.88, 1%, 0.31%

LAB 37.31, 68.84, -43.86

 

CMYK 0 / 54 / 100 / 38

HEX #9E4900

RGB 158 73 0

HSL 27.72, 1%, 0.31%

LAB 41.27, 31.97, 51.29

 

CMYK 97 / 0 / 100 / 38

HEX #059E00

RGB 5 158 0

HSL 118.1, 1%, 0.31%

LAB 56.57, -59.97, 58.2

 

CMYK 100 / 47 / 0 / 38

HEX #00549E

RGB 0 84 158

HSL 208.1, 1%, 0.31%

LAB 35.61, 8.27, -46.1

 

Description

Color code: HEX #9D00A0 | qconv.com Color code: HEX #9D00A0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, none green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 0 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 100 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 100% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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