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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CFD0D it is the complementary color #6302F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CFD0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CFD0D shade: #A1FD08, #B2FF1B, #C3FF2E, #D4FF41 and #E5FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CFD0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CFD0D shade: #9CFD0D, #8BEB00, #7AD900, #69C700 and #58B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CFD0D shade: #9CFD0D, #DCFD0D, #FDDC0D, #FD9B0D and #FD5B0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CFD0D shade: #9CFD0D, #5BFD0D, #1AFD0D, #0DFD40 and #0DFD80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CFD0D shade matches the following richer shades: #9CFD0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CFD0D shade: #9CFD0D, #98E920, #94D534, #90C148 and #8CAD5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CFD0D shade: #FDDD0D, #DDFD0D, #9DFD0D, #5DFD0D and #1DFD0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CFD0D shade: #6CB502, #85DE02, #9CFD0D, #ACFD35 and #BDFD5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CFD0D shade: #9CFD0D, #0DFD9D and #FD0DFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CFD0D shade: #9CFD0D, #0D9DFD and #FD0D9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CFD0D shade: #9CFD0D, #0DFD9D, #6D0DFD and #FD0D6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CFD0D shade: #9CFD0D, #0DFDE5, #6D0DFD and #FD0D25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

Complementary color

CMYK 59 / 99 / 0 / 5

HEX #6302F2

RGB 99 2 242

HSL 264.25, 0.98%, 0.48%

LAB 36.19, 78.25, -93.92

 

CMYK 36 / 0 / 97 / 1

HEX #A1FD08

RGB 161 253 8

HSL 82.53, 0.98%, 0.51%

LAB 90.71, -56.68, 86.45

 

CMYK 30 / 0 / 89 / 0

HEX #B2FF1B

RGB 178 255 27

HSL 80.26, 1%, 0.55%

LAB 92.16, -51.28, 85.97

 

CMYK 24 / 0 / 82 / 0

HEX #C3FF2E

RGB 195 255 46

HSL 77.22, 1%, 0.59%

LAB 93.15, -44.55, 83.61

 

CMYK 17 / 0 / 75 / 0

HEX #D4FF41

RGB 212 255 65

HSL 73.58, 1%, 0.63%

LAB 94.27, -37.36, 79.92

 

CMYK 10 / 0 / 67 / 0

HEX #E5FF54

RGB 229 255 84

HSL 69.12, 1%, 0.66%

LAB 95.5, -29.79, 75.14

 

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

CMYK 41 / 0 / 100 / 8

HEX #8BEB00

RGB 139 235 0

HSL 84.51, 1%, 0.46%

LAB 84.44, -57.11, 81.74

 

CMYK 44 / 0 / 100 / 15

HEX #7AD900

RGB 122 217 0

HSL 86.27, 1%, 0.43%

LAB 78.32, -55.72, 76.66

 

CMYK 47 / 0 / 100 / 22

HEX #69C700

RGB 105 199 0

HSL 88.34, 1%, 0.39%

LAB 72.13, -54.25, 71.52

 

CMYK 51 / 0 / 100 / 29

HEX #58B500

RGB 88 181 0

HSL 90.83, 1%, 0.35%

LAB 65.84, -52.69, 66.31

 

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

CMYK 13 / 0 / 95 / 1

HEX #DCFD0D

RGB 220 253 13

HSL 68.25, 0.98%, 0.52%

LAB 94.1, -34.69, 90.16

 

CMYK 0 / 13 / 95 / 1

HEX #FDDC0D

RGB 253 220 13

HSL 51.75, 0.98%, 0.52%

LAB 88.02, -5.19, 86.73

 

CMYK 0 / 39 / 95 / 1

HEX #FD9B0D

RGB 253 155 13

HSL 35.5, 0.98%, 0.52%

LAB 72.46, 28.42, 75.64

 

CMYK 0 / 64 / 95 / 1

HEX #FD5B0D

RGB 253 91 13

HSL 19.5, 0.98%, 0.52%

LAB 60.24, 59.1, 67.71

 

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

CMYK 64 / 0 / 95 / 1

HEX #5BFD0D

RGB 91 253 13

HSL 100.5, 0.98%, 0.52%

LAB 88.21, -76.02, 83.01

 

CMYK 90 / 0 / 95 / 1

HEX #1AFD0D

RGB 26 253 13

HSL 116.75, 0.98%, 0.52%

LAB 87.24, -84.51, 81.82

 

CMYK 95 / 0 / 75 / 1

HEX #0DFD40

RGB 13 253 64

HSL 132.75, 0.98%, 0.52%

LAB 87.34, -82.95, 71.36

 

CMYK 95 / 0 / 49 / 1

HEX #0DFD80

RGB 13 253 128

HSL 148.75, 0.98%, 0.52%

LAB 87.92, -75.78, 45.87

 

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

CMYK 35 / 0 / 86 / 9

HEX #98E920

RGB 152 233 32

HSL 84.18, 0.82%, 0.52%

LAB 84.51, -51.36, 78.24

 

CMYK 31 / 0 / 76 / 16

HEX #94D534

RGB 148 213 52

HSL 84.22, 0.66%, 0.52%

LAB 78.54, -43.64, 67.73

 

CMYK 25 / 0 / 63 / 24

HEX #90C148

RGB 144 193 72

HSL 84.3, 0.49%, 0.52%

LAB 72.59, -34.94, 54.11

 

CMYK 19 / 0 / 47 / 32

HEX #8CAD5C

RGB 140 173 92

HSL 84.44, 0.33%, 0.52%

LAB 66.7, -25, 37.8

 

CMYK 0 / 13 / 95 / 1

HEX #FDDD0D

RGB 253 221 13

HSL 52, 0.98%, 0.52%

LAB 88.27, -5.69, 86.92

 

CMYK 13 / 0 / 95 / 1

HEX #DDFD0D

RGB 221 253 13

HSL 68, 0.98%, 0.52%

LAB 94.16, -34.29, 90.24

 

CMYK 38 / 0 / 95 / 1

HEX #9DFD0D

RGB 157 253 13

HSL 84, 0.98%, 0.52%

LAB 90.53, -57.97, 85.84

 

CMYK 63 / 0 / 95 / 1

HEX #5DFD0D

RGB 93 253 13

HSL 100, 0.98%, 0.52%

LAB 88.26, -75.6, 83.07

 

CMYK 89 / 0 / 95 / 1

HEX #1DFD0D

RGB 29 253 13

HSL 116, 0.98%, 0.52%

LAB 87.26, -84.32, 81.84

 

CMYK 40 / 0 / 99 / 29

HEX #6CB502

RGB 108 181 2

HSL 84.47, 0.98%, 0.36%

LAB 66.7, -46.17, 67.1

 

CMYK 40 / 0 / 99 / 13

HEX #85DE02

RGB 133 222 2

HSL 84.27, 0.98%, 0.44%

LAB 80.31, -54.02, 78.24

 

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

CMYK 32 / 0 / 79 / 1

HEX #ACFD35

RGB 172 253 53

HSL 84.3, 0.98%, 0.6%

LAB 91.36, -51.78, 79.81

 

CMYK 25 / 0 / 63 / 1

HEX #BDFD5E

RGB 189 253 94

HSL 84.15, 0.98%, 0.68%

LAB 92.52, -43.34, 67.43

 

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

CMYK 95 / 0 / 38 / 1

HEX #0DFD9D

RGB 13 253 157

HSL 156, 0.98%, 0.52%

LAB 88.34, -70.79, 32.3

 

CMYK 0 / 95 / 0 / 1

HEX #FD0DFD

RGB 253 13 253

HSL 300, 0.98%, 0.52%

LAB 60.13, 96.9, -60.07

 

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

CMYK 95 / 38 / 0 / 1

HEX #0D9DFD

RGB 13 157 253

HSL 204, 0.98%, 0.52%

LAB 62.75, 0.8, -56.92

 

CMYK 0 / 95 / 38 / 1

HEX #FD0D9D

RGB 253 13 157

HSL 324, 0.98%, 0.52%

LAB 55.69, 85.64, -12.07

 

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

CMYK 95 / 0 / 38 / 1

HEX #0DFD9D

RGB 13 253 157

HSL 156, 0.98%, 0.52%

LAB 88.34, -70.79, 32.3

 

CMYK 57 / 95 / 0 / 1

HEX #6D0DFD

RGB 109 13 253

HSL 264, 0.98%, 0.52%

LAB 38.95, 79.96, -95.49

 

CMYK 0 / 95 / 57 / 1

HEX #FD0D6D

RGB 253 13 109

HSL 336, 0.98%, 0.52%

LAB 54.32, 81.97, 14.65

 

CMYK 38 / 0 / 95 / 1

HEX #9CFD0D

RGB 156 253 13

HSL 84.25, 0.98%, 0.52%

LAB 90.48, -58.3, 85.79

 

CMYK 95 / 0 / 9 / 1

HEX #0DFDE5

RGB 13 253 229

HSL 174, 0.98%, 0.52%

LAB 89.86, -54.18, -2.5

 

CMYK 57 / 95 / 0 / 1

HEX #6D0DFD

RGB 109 13 253

HSL 264, 0.98%, 0.52%

LAB 38.95, 79.96, -95.49

 

CMYK 0 / 95 / 85 / 1

HEX #FD0D25

RGB 253 13 37

HSL 354, 0.98%, 0.52%

LAB 53.28, 79.12, 54.66

 

Description

Color code: HEX #9CFD0D | qconv.com Color code: HEX #9CFD0D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 253 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 253 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 95 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 95% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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