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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CFBE4 it is the complementary color #63041B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CFBE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CFBE4 shade: #A1FBDF, #B2FFF2, #C3FFFF, #D4FFFF and #E5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CFBE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CFBE4 shade: #9CFBE4, #8BE9D1, #7AD7BE, #69C5AB and #58B398

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CFBE4 shade: #9DFAE4, #9DFACA, #9DFAB1, #A1FA9D and #BBFA9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CFBE4 shade: #9DFAE4, #9DF8FA, #9DDFFA, #9DC5FA and #9DACFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CFBE4 shade matches the following richer shades: #9DFAE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CFBE4 shade: #9DFAE4, #A5F2DF, #ADEADB, #B5E2D7 and #BED9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CFBE4 shade: #9DFAB1, #9DFACA, #9DFAE3, #9DF9FA and #9DE0FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CFBE4 shade: #4DF7CE, #75F9D9, #9DFAE4, #C4FCEF and #ECFEF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CFBE4 shade: #9CFBE4, #9DA1FA and #FABD9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CFBE4 shade: #9CFBE4, #E39DFA and #FAE39D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CFBE4 shade: #9CFBE4, #9DA1FA, #FA9DB4 and #FAF69D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CFBE4 shade: #9CFBE4, #B49DFA, #FA9DB4 and #E3FA9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 9 / 2

HEX #9CFBE4

RGB 156 251 228

HSL 165.47, 0.92%, 0.8%

LAB 92.43, -33.23, 2.15

 

Complementary color

CMYK 0 / 96 / 73 / 61

HEX #63041B

RGB 99 4 27

HSL 345.47, 0.92%, 0.2%

LAB 19.3, 39.89, 15.19

 

CMYK 36 / 0 / 11 / 2

HEX #A1FBDF

RGB 161 251 223

HSL 161.33, 0.92%, 0.81%

LAB 92.53, -32.98, 4.92

 

CMYK 30 / 0 / 5 / 0

HEX #B2FFF2

RGB 178 255 242

HSL 169.87, 1%, 0.85%

LAB 94.91, -26.19, -1.34

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 38 / 0 / 9 / 2

HEX #9CFBE4

RGB 156 251 228

HSL 165.47, 0.92%, 0.8%

LAB 92.43, -33.23, 2.15

 

CMYK 40 / 0 / 10 / 9

HEX #8BE9D1

RGB 139 233 209

HSL 164.68, 0.68%, 0.73%

LAB 86.19, -33.4, 2.91

 

CMYK 43 / 0 / 12 / 16

HEX #7AD7BE

RGB 122 215 190

HSL 163.87, 0.54%, 0.66%

LAB 79.87, -33.56, 3.72

 

CMYK 47 / 0 / 13 / 23

HEX #69C5AB

RGB 105 197 171

HSL 163.04, 0.44%, 0.59%

LAB 73.47, -33.7, 4.58

 

CMYK 51 / 0 / 15 / 30

HEX #58B398

RGB 88 179 152

HSL 162.2, 0.37%, 0.52%

LAB 66.96, -33.8, 5.51

 

CMYK 37 / 0 / 9 / 2

HEX #9DFAE4

RGB 157 250 228

HSL 165.81, 0.9%, 0.8%

LAB 92.19, -32.5, 1.82

 

CMYK 37 / 0 / 19 / 2

HEX #9DFACA

RGB 157 250 202

HSL 149.03, 0.9%, 0.8%

LAB 91.6, -37.86, 14.4

 

CMYK 37 / 0 / 29 / 2

HEX #9DFAB1

RGB 157 250 177

HSL 132.9, 0.9%, 0.8%

LAB 91.1, -42.43, 26.51

 

CMYK 36 / 0 / 37 / 2

HEX #A1FA9D

RGB 161 250 157

HSL 117.42, 0.9%, 0.8%

LAB 90.95, -44.43, 36.39

 

CMYK 25 / 0 / 37 / 2

HEX #BBFA9D

RGB 187 250 157

HSL 100.65, 0.9%, 0.8%

LAB 92.3, -36.06, 38.41

 

CMYK 37 / 0 / 9 / 2

HEX #9DFAE4

RGB 157 250 228

HSL 165.81, 0.9%, 0.8%

LAB 92.19, -32.5, 1.82

 

CMYK 37 / 1 / 0 / 2

HEX #9DF8FA

RGB 157 248 250

HSL 181.29, 0.9%, 0.8%

LAB 92.22, -26.58, -9.55

 

CMYK 37 / 11 / 0 / 2

HEX #9DDFFA

RGB 157 223 250

HSL 197.42, 0.9%, 0.8%

LAB 85.43, -14.19, -19.74

 

CMYK 37 / 21 / 0 / 2

HEX #9DC5FA

RGB 157 197 250

HSL 214.19, 0.9%, 0.8%

LAB 78.46, -0.53, -30.35

 

CMYK 37 / 31 / 0 / 2

HEX #9DACFA

RGB 157 172 250

HSL 230.32, 0.9%, 0.8%

LAB 71.94, 13.25, -40.44

 

CMYK 37 / 0 / 9 / 2

HEX #9DFAE4

RGB 157 250 228

HSL 165.81, 0.9%, 0.8%

LAB 92.19, -32.5, 1.82

 

CMYK 37 / 0 / 9 / 2

HEX #9DFAE4

RGB 157 250 228

HSL 165.81, 0.9%, 0.8%

LAB 92.19, -32.5, 1.82

 

CMYK 32 / 0 / 8 / 5

HEX #A5F2DF

RGB 165 242 223

HSL 165.19, 0.75%, 0.8%

LAB 90.24, -27.63, 1.63

 

CMYK 26 / 0 / 6 / 8

HEX #ADEADB

RGB 173 234 219

HSL 165.25, 0.59%, 0.8%

LAB 88.37, -22.3, 1.04

 

CMYK 20 / 0 / 5 / 11

HEX #B5E2D7

RGB 181 226 215

HSL 165.33, 0.44%, 0.8%

LAB 86.56, -16.73, 0.56

 

CMYK 12 / 0 / 3 / 15

HEX #BED9D3

RGB 190 217 211

HSL 166.67, 0.26%, 0.8%

LAB 84.63, -10.11, -0.09

 

CMYK 37 / 0 / 29 / 2

HEX #9DFAB1

RGB 157 250 177

HSL 132.9, 0.9%, 0.8%

LAB 91.1, -42.43, 26.51

 

CMYK 37 / 0 / 19 / 2

HEX #9DFACA

RGB 157 250 202

HSL 149.03, 0.9%, 0.8%

LAB 91.6, -37.86, 14.4

 

CMYK 37 / 0 / 9 / 2

HEX #9DFAE3

RGB 157 250 227

HSL 165.16, 0.9%, 0.8%

LAB 92.17, -32.72, 2.3

 

CMYK 37 / 0 / 0 / 2

HEX #9DF9FA

RGB 157 249 250

HSL 180.65, 0.9%, 0.8%

LAB 92.5, -27.06, -9.15

 

CMYK 37 / 10 / 0 / 2

HEX #9DE0FA

RGB 157 224 250

HSL 196.77, 0.9%, 0.8%

LAB 85.7, -14.7, -19.33

 

CMYK 69 / 0 / 17 / 3

HEX #4DF7CE

RGB 77 247 206

HSL 165.53, 0.91%, 0.64%

LAB 88.24, -52.61, 7.19

 

CMYK 53 / 0 / 13 / 2

HEX #75F9D9

RGB 117 249 217

HSL 165.45, 0.92%, 0.72%

LAB 90.11, -43.93, 4.31

 

CMYK 37 / 0 / 9 / 2

HEX #9DFAE4

RGB 157 250 228

HSL 165.81, 0.9%, 0.8%

LAB 92.19, -32.5, 1.82

 

CMYK 22 / 0 / 5 / 1

HEX #C4FCEF

RGB 196 252 239

HSL 166.07, 0.9%, 0.88%

LAB 94.99, -20.18, 0.44

 

CMYK 7 / 0 / 2 / 0

HEX #ECFEF9

RGB 236 254 249

HSL 163.33, 0.9%, 0.96%

LAB 98.26, -6.76, 0.36

 

CMYK 38 / 0 / 9 / 2

HEX #9CFBE4

RGB 156 251 228

HSL 165.47, 0.92%, 0.8%

LAB 92.43, -33.23, 2.15

 

CMYK 37 / 36 / 0 / 2

HEX #9DA1FA

RGB 157 161 250

HSL 237.42, 0.9%, 0.8%

LAB 69.15, 19.46, -44.8

 

CMYK 0 / 24 / 37 / 2

HEX #FABD9D

RGB 250 189 157

HSL 20.65, 0.9%, 0.8%

LAB 81.38, 17.85, 24.7

 

CMYK 38 / 0 / 9 / 2

HEX #9CFBE4

RGB 156 251 228

HSL 165.47, 0.92%, 0.8%

LAB 92.43, -33.23, 2.15

 

CMYK 9 / 37 / 0 / 2

HEX #E39DFA

RGB 227 157 250

HSL 285.16, 0.9%, 0.8%

LAB 74.41, 41.56, -36.14

 

CMYK 0 / 9 / 37 / 2

HEX #FAE39D

RGB 250 227 157

HSL 45.16, 0.9%, 0.8%

LAB 90.64, -1.81, 37.07

 

CMYK 38 / 0 / 9 / 2

HEX #9CFBE4

RGB 156 251 228

HSL 165.47, 0.92%, 0.8%

LAB 92.43, -33.23, 2.15

 

CMYK 37 / 36 / 0 / 2

HEX #9DA1FA

RGB 157 161 250

HSL 237.42, 0.9%, 0.8%

LAB 69.15, 19.46, -44.8

 

CMYK 0 / 37 / 28 / 2

HEX #FA9DB4

RGB 250 157 180

HSL 345.16, 0.9%, 0.8%

LAB 74.66, 37.49, 2.78

 

CMYK 0 / 2 / 37 / 2

HEX #FAF69D

RGB 250 246 157

HSL 57.42, 0.9%, 0.8%

LAB 95.44, -11.31, 43.3

 

CMYK 38 / 0 / 9 / 2

HEX #9CFBE4

RGB 156 251 228

HSL 165.47, 0.92%, 0.8%

LAB 92.43, -33.23, 2.15

 

CMYK 28 / 37 / 0 / 2

HEX #B49DFA

RGB 180 157 250

HSL 254.84, 0.9%, 0.8%

LAB 69.98, 27.95, -43.38

 

CMYK 0 / 37 / 28 / 2

HEX #FA9DB4

RGB 250 157 180

HSL 345.16, 0.9%, 0.8%

LAB 74.66, 37.49, 2.78

 

CMYK 9 / 0 / 37 / 2

HEX #E3FA9D

RGB 227 250 157

HSL 74.84, 0.9%, 0.8%

LAB 94.8, -21.88, 42.14

 

Description

Color code: HEX #9CFBE4 | qconv.com Color code: HEX #9CFBE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 251 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 251 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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