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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CFAD3 it is the complementary color #63052C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CFAD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CFAD3 shade: #A1FACE, #B2FFE1, #C3FFF4, #D4FFFF and #E5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CFAD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CFAD3 shade: #9CFAD3, #8BE8C0, #7AD6AD, #69C49A and #58B287

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CFAD3 shade: #9EFAD4, #9EFABB, #9EFAA2, #B3FA9E and #CBFA9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CFAD3 shade: #9EFAD4, #9EFAED, #9EEEFA, #9ED6FA and #9EBDFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CFAD3 shade matches the following richer shades: #9EFAD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CFAD3 shade: #9EFAD4, #A6F2D2, #AFE9D1, #B7E1D0 and #BFD9CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CFAD3 shade: #9EFAA3, #9EFABB, #9EFAD4, #9EFAEC and #9EEFFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CFAD3 shade: #50F6B1, #77F8C2, #9EFAD4, #C5FCE5 and #ECFEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CFAD3 shade: #9CFAD3, #9EB2FA and #FAAF9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CFAD3 shade: #9CFAD3, #D49EFA and #FAD49E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CFAD3 shade: #9CFAD3, #9EB2FA, #FA9EC4 and #FAE69E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CFAD3 shade: #9CFAD3, #A69EFA, #FA9EC4 and #F2FA9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 16 / 2

HEX #9CFAD3

RGB 156 250 211

HSL 155.11, 0.9%, 0.8%

LAB 91.75, -36.34, 9.97

 

Complementary color

CMYK 0 / 95 / 56 / 61

HEX #63052C

RGB 99 5 44

HSL 335.11, 0.9%, 0.2%

LAB 19.81, 40.82, 3.77

 

CMYK 36 / 0 / 18 / 2

HEX #A1FACE

RGB 161 250 206

HSL 150.34, 0.9%, 0.81%

LAB 91.87, -35.96, 12.75

 

CMYK 30 / 0 / 12 / 0

HEX #B2FFE1

RGB 178 255 225

HSL 156.62, 1%, 0.85%

LAB 94.49, -29.7, 6.82

 

CMYK 24 / 0 / 4 / 0

HEX #C3FFF4

RGB 195 255 244

HSL 169, 1%, 0.88%

LAB 95.85, -20.92, -0.88

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 38 / 0 / 16 / 2

HEX #9CFAD3

RGB 156 250 211

HSL 155.11, 0.9%, 0.8%

LAB 91.75, -36.34, 9.97

 

CMYK 40 / 0 / 17 / 9

HEX #8BE8C0

RGB 139 232 192

HSL 154.19, 0.67%, 0.73%

LAB 85.51, -36.57, 10.85

 

CMYK 43 / 0 / 19 / 16

HEX #7AD6AD

RGB 122 214 173

HSL 153.26, 0.53%, 0.66%

LAB 79.18, -36.79, 11.78

 

CMYK 46 / 0 / 21 / 23

HEX #69C49A

RGB 105 196 154

HSL 152.31, 0.44%, 0.59%

LAB 72.77, -36.99, 12.78

 

CMYK 51 / 0 / 24 / 30

HEX #58B287

RGB 88 178 135

HSL 151.33, 0.37%, 0.52%

LAB 66.26, -37.16, 13.86

 

CMYK 37 / 0 / 15 / 2

HEX #9EFAD4

RGB 158 250 212

HSL 155.22, 0.9%, 0.8%

LAB 91.86, -35.6, 9.63

 

CMYK 37 / 0 / 25 / 2

HEX #9EFABB

RGB 158 250 187

HSL 138.91, 0.9%, 0.8%

LAB 91.34, -40.38, 21.75

 

CMYK 37 / 0 / 35 / 2

HEX #9EFAA2

RGB 158 250 162

HSL 122.61, 0.9%, 0.8%

LAB 90.89, -44.58, 33.8

 

CMYK 28 / 0 / 37 / 2

HEX #B3FA9E

RGB 179 250 158

HSL 106.3, 0.9%, 0.8%

LAB 91.87, -38.58, 37.28

 

CMYK 19 / 0 / 37 / 2

HEX #CBFA9E

RGB 203 250 158

HSL 90.65, 0.9%, 0.8%

LAB 93.25, -30.42, 39.33

 

CMYK 37 / 0 / 15 / 2

HEX #9EFAD4

RGB 158 250 212

HSL 155.22, 0.9%, 0.8%

LAB 91.86, -35.6, 9.63

 

CMYK 37 / 0 / 5 / 2

HEX #9EFAED

RGB 158 250 237

HSL 171.52, 0.9%, 0.8%

LAB 92.47, -30.26, -2.44

 

CMYK 37 / 5 / 0 / 2

HEX #9EEEFA

RGB 158 238 250

HSL 187.83, 0.9%, 0.8%

LAB 89.54, -21.46, -13.54

 

CMYK 37 / 14 / 0 / 2

HEX #9ED6FA

RGB 158 214 250

HSL 203.48, 0.9%, 0.8%

LAB 83.05, -9.29, -23.33

 

CMYK 37 / 24 / 0 / 2

HEX #9EBDFA

RGB 158 189 250

HSL 219.78, 0.9%, 0.8%

LAB 76.42, 4.08, -33.5

 

CMYK 37 / 0 / 15 / 2

HEX #9EFAD4

RGB 158 250 212

HSL 155.22, 0.9%, 0.8%

LAB 91.86, -35.6, 9.63

 

CMYK 37 / 0 / 15 / 2

HEX #9EFAD4

RGB 158 250 212

HSL 155.22, 0.9%, 0.8%

LAB 91.86, -35.6, 9.63

 

CMYK 31 / 0 / 13 / 5

HEX #A6F2D2

RGB 166 242 210

HSL 154.74, 0.75%, 0.8%

LAB 89.98, -30.03, 8.02

 

CMYK 25 / 0 / 10 / 9

HEX #AFE9D1

RGB 175 233 209

HSL 155.17, 0.57%, 0.8%

LAB 87.97, -23.24, 5.7

 

CMYK 19 / 0 / 8 / 12

HEX #B7E1D0

RGB 183 225 208

HSL 155.71, 0.41%, 0.8%

LAB 86.24, -16.99, 3.79

 

CMYK 12 / 0 / 5 / 15

HEX #BFD9CE

RGB 191 217 206

HSL 154.62, 0.25%, 0.8%

LAB 84.57, -10.74, 2.48

 

CMYK 37 / 0 / 35 / 2

HEX #9EFAA3

RGB 158 250 163

HSL 123.26, 0.9%, 0.8%

LAB 90.91, -44.42, 33.32

 

CMYK 37 / 0 / 25 / 2

HEX #9EFABB

RGB 158 250 187

HSL 138.91, 0.9%, 0.8%

LAB 91.34, -40.38, 21.75

 

CMYK 37 / 0 / 15 / 2

HEX #9EFAD4

RGB 158 250 212

HSL 155.22, 0.9%, 0.8%

LAB 91.86, -35.6, 9.63

 

CMYK 37 / 0 / 6 / 2

HEX #9EFAEC

RGB 158 250 236

HSL 170.87, 0.9%, 0.8%

LAB 92.44, -30.48, -1.96

 

CMYK 37 / 4 / 0 / 2

HEX #9EEFFA

RGB 158 239 250

HSL 187.17, 0.9%, 0.8%

LAB 89.81, -21.95, -13.14

 

CMYK 67 / 0 / 28 / 4

HEX #50F6B1

RGB 80 246 177

HSL 155.06, 0.9%, 0.64%

LAB 87.38, -58.24, 20.99

 

CMYK 52 / 0 / 22 / 3

HEX #77F8C2

RGB 119 248 194

HSL 154.88, 0.9%, 0.72%

LAB 89.37, -48.11, 15.17

 

CMYK 37 / 0 / 15 / 2

HEX #9EFAD4

RGB 158 250 212

HSL 155.22, 0.9%, 0.8%

LAB 91.86, -35.6, 9.63

 

CMYK 22 / 0 / 9 / 1

HEX #C5FCE5

RGB 197 252 229

HSL 154.91, 0.9%, 0.88%

LAB 94.8, -21.84, 5.34

 

CMYK 7 / 0 / 3 / 0

HEX #ECFEF7

RGB 236 254 247

HSL 156.67, 0.9%, 0.96%

LAB 98.21, -7.13, 1.32

 

CMYK 38 / 0 / 16 / 2

HEX #9CFAD3

RGB 156 250 211

HSL 155.11, 0.9%, 0.8%

LAB 91.75, -36.34, 9.97

 

CMYK 37 / 29 / 0 / 2

HEX #9EB2FA

RGB 158 178 250

HSL 226.96, 0.9%, 0.8%

LAB 73.55, 10.16, -37.93

 

CMYK 0 / 30 / 37 / 2

HEX #FAAF9E

RGB 250 175 158

HSL 11.09, 0.9%, 0.8%

LAB 78.14, 25.33, 19.73

 

CMYK 38 / 0 / 16 / 2

HEX #9CFAD3

RGB 156 250 211

HSL 155.11, 0.9%, 0.8%

LAB 91.75, -36.34, 9.97

 

CMYK 15 / 37 / 0 / 2

HEX #D49EFA

RGB 212 158 250

HSL 275.22, 0.9%, 0.8%

LAB 73.12, 36.59, -38.26

 

CMYK 0 / 15 / 37 / 2

HEX #FAD49E

RGB 250 212 158

HSL 35.22, 0.9%, 0.8%

LAB 86.94, 5.98, 31.67

 

CMYK 38 / 0 / 16 / 2

HEX #9CFAD3

RGB 156 250 211

HSL 155.11, 0.9%, 0.8%

LAB 91.75, -36.34, 9.97

 

CMYK 37 / 29 / 0 / 2

HEX #9EB2FA

RGB 158 178 250

HSL 226.96, 0.9%, 0.8%

LAB 73.55, 10.16, -37.93

 

CMYK 0 / 37 / 22 / 2

HEX #FA9EC4

RGB 250 158 196

HSL 335.22, 0.9%, 0.8%

LAB 75.3, 39.18, -5.07

 

CMYK 0 / 8 / 37 / 2

HEX #FAE69E

RGB 250 230 158

HSL 46.96, 0.9%, 0.8%

LAB 91.41, -3.22, 37.58

 

CMYK 38 / 0 / 16 / 2

HEX #9CFAD3

RGB 156 250 211

HSL 155.11, 0.9%, 0.8%

LAB 91.75, -36.34, 9.97

 

CMYK 34 / 37 / 0 / 2

HEX #A69EFA

RGB 166 158 250

HSL 245.22, 0.9%, 0.8%

LAB 69.09, 23.55, -44.86

 

CMYK 0 / 37 / 22 / 2

HEX #FA9EC4

RGB 250 158 196

HSL 335.22, 0.9%, 0.8%

LAB 75.3, 39.18, -5.07

 

CMYK 3 / 0 / 37 / 2

HEX #F2FA9E

RGB 242 250 158

HSL 65.22, 0.9%, 0.8%

LAB 95.88, -16.18, 43.25

 

Description

Color code: HEX #9CFAD3 | qconv.com Color code: HEX #9CFAD3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 250 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 250 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 16 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 16% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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