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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CF84D it is the complementary color #6307B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CF84D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CF84D shade: #A1F848, #B2FF5B, #C3FF6E, #D4FF81 and #E5FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CF84D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CF84D shade: #9CF84D, #8BE63A, #7AD427, #69C214 and #58B001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CF84D shade: #9CF74E, #CAF74E, #F7F74E, #F7C94E and #F79C4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CF84D shade: #9CF74E, #6FF74E, #4EF75B, #4EF789 and #4EF7B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CF84D shade matches the following richer shades: #9CF74E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CF84D shade: #9CF74E, #9DE85D, #9FD96C, #A0CB7B and #A1BC8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CF84D shade: #F7F74E, #CAF74E, #9DF74E, #70F74E and #4EF75A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CF84D shade: #71EA09, #86F627, #9CF74E, #B2F976 and #C8FA9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CF84D shade: #9CF84D, #4EF7CA and #F74EE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CF84D shade: #9CF84D, #4E9DF7 and #F74E9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CF84D shade: #9CF84D, #4EF7CA, #A84EF7 and #F74E7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CF84D shade: #9CF84D, #4EF2F7, #A84EF7 and #F7544E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 69 / 3

HEX #9CF84D

RGB 156 248 77

HSL 92.28, 0.92%, 0.64%

LAB 89.27, -53.88, 69.96

 

Complementary color

CMYK 44 / 96 / 0 / 30

HEX #6307B2

RGB 99 7 178

HSL 272.28, 0.92%, 0.36%

LAB 29.46, 63.36, -67.88

 

CMYK 35 / 0 / 71 / 3

HEX #A1F848

RGB 161 248 72

HSL 89.66, 0.93%, 0.63%

LAB 89.48, -52.54, 72.02

 

CMYK 30 / 0 / 64 / 0

HEX #B2FF5B

RGB 178 255 91

HSL 88.17, 1%, 0.68%

LAB 92.46, -48.31, 68.37

 

CMYK 24 / 0 / 57 / 0

HEX #C3FF6E

RGB 195 255 110

HSL 84.83, 1%, 0.72%

LAB 93.56, -40.76, 62.02

 

CMYK 17 / 0 / 49 / 0

HEX #D4FF81

RGB 212 255 129

HSL 80.48, 1%, 0.75%

LAB 94.78, -32.8, 55.24

 

CMYK 10 / 0 / 42 / 0

HEX #E5FF94

RGB 229 255 148

HSL 74.58, 1%, 0.79%

LAB 96.13, -24.54, 48.22

 

CMYK 37 / 0 / 69 / 3

HEX #9CF84D

RGB 156 248 77

HSL 92.28, 0.92%, 0.64%

LAB 89.27, -53.88, 69.96

 

CMYK 40 / 0 / 75 / 10

HEX #8BE63A

RGB 139 230 58

HSL 91.74, 0.77%, 0.56%

LAB 83.12, -53.46, 70.07

 

CMYK 42 / 0 / 82 / 17

HEX #7AD427

RGB 122 212 39

HSL 91.21, 0.69%, 0.49%

LAB 76.9, -52.84, 69.49

 

CMYK 46 / 0 / 90 / 24

HEX #69C214

RGB 105 194 20

HSL 90.69, 0.81%, 0.42%

LAB 70.62, -51.97, 67.84

 

CMYK 50 / 0 / 99 / 31

HEX #58B001

RGB 88 176 1

HSL 90.17, 0.99%, 0.35%

LAB 64.26, -50.79, 64.94

 

CMYK 37 / 0 / 68 / 3

HEX #9CF74E

RGB 156 247 78

HSL 92.31, 0.91%, 0.64%

LAB 88.99, -53.41, 69.31

 

CMYK 18 / 0 / 68 / 3

HEX #CAF74E

RGB 202 247 78

HSL 75.98, 0.91%, 0.64%

LAB 91.52, -36.93, 72.7

 

CMYK 0 / 0 / 68 / 3

HEX #F7F74E

RGB 247 247 78

HSL 60, 0.91%, 0.64%

LAB 94.67, -19.16, 76.89

 

CMYK 0 / 19 / 68 / 3

HEX #F7C94E

RGB 247 201 78

HSL 43.67, 0.91%, 0.64%

LAB 82.97, 3.81, 65.09

 

CMYK 0 / 37 / 68 / 3

HEX #F79C4E

RGB 247 156 78

HSL 27.69, 0.91%, 0.64%

LAB 72.3, 27.36, 53.75

 

CMYK 37 / 0 / 68 / 3

HEX #9CF74E

RGB 156 247 78

HSL 92.31, 0.91%, 0.64%

LAB 88.99, -53.41, 69.31

 

CMYK 55 / 0 / 68 / 3

HEX #6FF74E

RGB 111 247 78

HSL 108.28, 0.91%, 0.64%

LAB 87.22, -66.53, 66.92

 

CMYK 68 / 0 / 63 / 3

HEX #4EF75B

RGB 78 247 91

HSL 124.62, 0.91%, 0.64%

LAB 86.45, -72.33, 60.76

 

CMYK 68 / 0 / 45 / 3

HEX #4EF789

RGB 78 247 137

HSL 140.95, 0.91%, 0.64%

LAB 86.97, -66.3, 40.52

 

CMYK 68 / 0 / 26 / 3

HEX #4EF7B6

RGB 78 247 182

HSL 156.92, 0.91%, 0.64%

LAB 87.74, -57.89, 18.9

 

CMYK 37 / 0 / 68 / 3

HEX #9CF74E

RGB 156 247 78

HSL 92.31, 0.91%, 0.64%

LAB 88.99, -53.41, 69.31

 

CMYK 37 / 0 / 68 / 3

HEX #9CF74E

RGB 156 247 78

HSL 92.31, 0.91%, 0.64%

LAB 88.99, -53.41, 69.31

 

CMYK 32 / 0 / 60 / 9

HEX #9DE85D

RGB 157 232 93

HSL 92.37, 0.75%, 0.64%

LAB 84.83, -45.67, 58.89

 

CMYK 27 / 0 / 50 / 15

HEX #9FD96C

RGB 159 217 108

HSL 91.93, 0.59%, 0.64%

LAB 80.78, -36.88, 47.42

 

CMYK 21 / 0 / 39 / 20

HEX #A0CB7B

RGB 160 203 123

HSL 92.25, 0.43%, 0.64%

LAB 77.05, -28.18, 35.37

 

CMYK 14 / 0 / 27 / 26

HEX #A1BC8A

RGB 161 188 138

HSL 92.4, 0.27%, 0.64%

LAB 73.14, -18.26, 22.35

 

CMYK 0 / 0 / 68 / 3

HEX #F7F74E

RGB 247 247 78

HSL 60, 0.91%, 0.64%

LAB 94.67, -19.16, 76.89

 

CMYK 18 / 0 / 68 / 3

HEX #CAF74E

RGB 202 247 78

HSL 75.98, 0.91%, 0.64%

LAB 91.52, -36.93, 72.7

 

CMYK 36 / 0 / 68 / 3

HEX #9DF74E

RGB 157 247 78

HSL 91.95, 0.91%, 0.64%

LAB 89.04, -53.08, 69.37

 

CMYK 55 / 0 / 68 / 3

HEX #70F74E

RGB 112 247 78

HSL 107.93, 0.91%, 0.64%

LAB 87.25, -66.28, 66.96

 

CMYK 68 / 0 / 64 / 3

HEX #4EF75A

RGB 78 247 90

HSL 124.26, 0.91%, 0.64%

LAB 86.44, -72.43, 61.16

 

CMYK 52 / 0 / 96 / 8

HEX #71EA09

RGB 113 234 9

HSL 92.27, 0.93%, 0.48%

LAB 83.11, -64.51, 79.5

 

CMYK 46 / 0 / 84 / 4

HEX #86F627

RGB 134 246 39

HSL 92.46, 0.92%, 0.56%

LAB 87.55, -62.03, 79.11

 

CMYK 37 / 0 / 68 / 3

HEX #9CF74E

RGB 156 247 78

HSL 92.31, 0.91%, 0.64%

LAB 88.99, -53.41, 69.31

 

CMYK 29 / 0 / 53 / 2

HEX #B2F976

RGB 178 249 118

HSL 92.52, 0.92%, 0.72%

LAB 91.02, -43.36, 55.29

 

CMYK 20 / 0 / 37 / 2

HEX #C8FA9D

RGB 200 250 157

HSL 92.26, 0.9%, 0.8%

LAB 93.05, -31.6, 39.53

 

CMYK 37 / 0 / 69 / 3

HEX #9CF84D

RGB 156 248 77

HSL 92.28, 0.92%, 0.64%

LAB 89.27, -53.88, 69.96

 

CMYK 68 / 0 / 18 / 3

HEX #4EF7CA

RGB 78 247 202

HSL 164.02, 0.91%, 0.64%

LAB 88.16, -53.42, 9.17

 

CMYK 0 / 68 / 9 / 3

HEX #F74EE1

RGB 247 78 225

HSL 307.81, 0.91%, 0.64%

LAB 62.22, 78.68, -41.19

 

CMYK 37 / 0 / 69 / 3

HEX #9CF84D

RGB 156 248 77

HSL 92.28, 0.92%, 0.64%

LAB 89.27, -53.88, 69.96

 

CMYK 68 / 36 / 0 / 3

HEX #4E9DF7

RGB 78 157 247

HSL 211.95, 0.91%, 0.64%

LAB 63.71, 4.2, -52.03

 

CMYK 0 / 68 / 36 / 3

HEX #F74E9D

RGB 247 78 157

HSL 331.95, 0.91%, 0.64%

LAB 59.58, 70.09, -6.37

 

CMYK 37 / 0 / 69 / 3

HEX #9CF84D

RGB 156 248 77

HSL 92.28, 0.92%, 0.64%

LAB 89.27, -53.88, 69.96

 

CMYK 68 / 0 / 18 / 3

HEX #4EF7CA

RGB 78 247 202

HSL 164.02, 0.91%, 0.64%

LAB 88.16, -53.42, 9.17

 

CMYK 32 / 68 / 0 / 3

HEX #A84EF7

RGB 168 78 247

HSL 271.95, 0.91%, 0.64%

LAB 52.39, 65.86, -69.84

 

CMYK 0 / 68 / 50 / 3

HEX #F74E7B

RGB 247 78 123

HSL 344.02, 0.91%, 0.64%

LAB 58.65, 66.93, 12.19

 

CMYK 37 / 0 / 69 / 3

HEX #9CF84D

RGB 156 248 77

HSL 92.28, 0.92%, 0.64%

LAB 89.27, -53.88, 69.96

 

CMYK 68 / 2 / 0 / 3

HEX #4EF2F7

RGB 78 242 247

HSL 181.78, 0.91%, 0.64%

LAB 87.89, -39.7, -14.72

 

CMYK 32 / 68 / 0 / 3

HEX #A84EF7

RGB 168 78 247

HSL 271.95, 0.91%, 0.64%

LAB 52.39, 65.86, -69.84

 

CMYK 0 / 66 / 68 / 3

HEX #F7544E

RGB 247 84 78

HSL 2.13, 0.91%, 0.64%

LAB 58.66, 61.73, 38.21

 

Description

Color code: HEX #9CF84D | qconv.com Color code: HEX #9CF84D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 248 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 248 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 69 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 69% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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