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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CEAA3 it is the complementary color #63155C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CEAA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CEAA3 shade: #A1EA9E, #B2FCB1, #C3FFC4, #D4FFD7 and #E5FFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CEAA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CEAA3 shade: #9CEAA3, #8BD890, #7AC67D, #69B46A and #58A257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CEAA3 shade: #9AEAA1, #A8EA9A, #BEEA9A, #D3EA9A and #E9EA9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CEAA3 shade: #9AEAA1, #9AEAB7, #9AEACC, #9AEAE2 and #9ADCEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CEAA3 shade matches the following richer shades: #9AEAA1, #90F399 and #86FD91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CEAA3 shade: #9AEAA1, #A4E0A9, #AED6B1, #B8CCBA and #C2C2C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CEAA3 shade: #BEEA9A, #A9EA9A, #9AEAA1, #9AEAB6 and #9AEACB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CEAA3 shade: #56DB62, #78E282, #9AEAA1, #BCF1C1 and #DEF8E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CEAA3 shade: #9CEAA3, #9AD3EA and #EA9AB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CEAA3 shade: #9CEAA3, #A19AEA and #EAA19A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CEAA3 shade: #9CEAA3, #9AD3EA, #EA9AE3 and #EAB19A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CEAA3 shade: #9CEAA3, #9ABBEA, #EA9AE3 and #EAC89A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 30 / 8

HEX #9CEAA3

RGB 156 234 163

HSL 125.38, 0.65%, 0.76%

LAB 86.28, -37.94, 27.09

 

Complementary color

CMYK 0 / 79 / 7 / 61

HEX #63155C

RGB 99 21 92

HSL 305.38, 0.65%, 0.24%

LAB 23.54, 42.53, -23.54

 

CMYK 31 / 0 / 32 / 8

HEX #A1EA9E

RGB 161 234 158

HSL 117.63, 0.64%, 0.77%

LAB 86.45, -37.18, 29.91

 

CMYK 29 / 0 / 30 / 1

HEX #B2FCB1

RGB 178 252 177

HSL 119.2, 0.93%, 0.84%

LAB 92.69, -36.95, 28.84

 

CMYK 24 / 0 / 23 / 0

HEX #C3FFC4

RGB 195 255 196

HSL 121, 1%, 0.88%

LAB 94.78, -29.82, 22.22

 

CMYK 17 / 0 / 16 / 0

HEX #D4FFD7

RGB 212 255 215

HSL 124.19, 1%, 0.92%

LAB 96.17, -21.1, 14.61

 

CMYK 10 / 0 / 8 / 0

HEX #E5FFEA

RGB 229 255 234

HSL 131.54, 1%, 0.95%

LAB 97.68, -12.23, 7.17

 

CMYK 33 / 0 / 30 / 8

HEX #9CEAA3

RGB 156 234 163

HSL 125.38, 0.65%, 0.76%

LAB 86.28, -37.94, 27.09

 

CMYK 36 / 0 / 33 / 15

HEX #8BD890

RGB 139 216 144

HSL 123.9, 0.5%, 0.7%

LAB 79.96, -38.2, 28.2

 

CMYK 38 / 0 / 37 / 22

HEX #7AC67D

RGB 122 198 125

HSL 122.37, 0.4%, 0.63%

LAB 73.55, -38.44, 29.37

 

CMYK 42 / 0 / 41 / 29

HEX #69B46A

RGB 105 180 106

HSL 120.8, 0.33%, 0.56%

LAB 67.04, -38.65, 30.61

 

CMYK 46 / 0 / 46 / 36

HEX #58A257

RGB 88 162 87

HSL 119.2, 0.3%, 0.49%

LAB 60.43, -38.81, 31.91

 

CMYK 34 / 0 / 31 / 8

HEX #9AEAA1

RGB 154 234 161

HSL 125.25, 0.66%, 0.76%

LAB 86.15, -38.89, 27.92

 

CMYK 28 / 0 / 34 / 8

HEX #A8EA9A

RGB 168 234 154

HSL 109.5, 0.66%, 0.76%

LAB 86.75, -35.53, 32.41

 

CMYK 19 / 0 / 34 / 8

HEX #BEEA9A

RGB 190 234 154

HSL 93, 0.66%, 0.76%

LAB 88.03, -28.01, 34.33

 

CMYK 10 / 0 / 34 / 8

HEX #D3EA9A

RGB 211 234 154

HSL 77.25, 0.66%, 0.76%

LAB 89.41, -20.43, 36.4

 

CMYK 0 / 0 / 34 / 8

HEX #E9EA9A

RGB 233 234 154

HSL 60.75, 0.66%, 0.76%

LAB 91.01, -12.18, 38.8

 

CMYK 34 / 0 / 31 / 8

HEX #9AEAA1

RGB 154 234 161

HSL 125.25, 0.66%, 0.76%

LAB 86.15, -38.89, 27.92

 

CMYK 34 / 0 / 22 / 8

HEX #9AEAB7

RGB 154 234 183

HSL 141.75, 0.66%, 0.76%

LAB 86.57, -35.03, 17.14

 

CMYK 34 / 0 / 13 / 8

HEX #9AEACC

RGB 154 234 204

HSL 157.5, 0.66%, 0.76%

LAB 87.03, -30.9, 6.84

 

CMYK 34 / 0 / 3 / 8

HEX #9AEAE2

RGB 154 234 226

HSL 174, 0.66%, 0.76%

LAB 87.59, -26.14, -3.9

 

CMYK 34 / 6 / 0 / 8

HEX #9ADCEA

RGB 154 220 234

HSL 190.5, 0.66%, 0.76%

LAB 83.96, -17.35, -13.49

 

CMYK 34 / 0 / 31 / 8

HEX #9AEAA1

RGB 154 234 161

HSL 125.25, 0.66%, 0.76%

LAB 86.15, -38.89, 27.92

 

CMYK 41 / 0 / 37 / 5

HEX #90F399

RGB 144 243 153

HSL 125.45, 0.8%, 0.76%

LAB 88.13, -47.08, 34.52

 

CMYK 47 / 0 / 43 / 1

HEX #86FD91

RGB 134 253 145

HSL 125.55, 0.97%, 0.76%

LAB 90.49, -55.19, 41.47

 

CMYK 34 / 0 / 31 / 8

HEX #9AEAA1

RGB 154 234 161

HSL 125.25, 0.66%, 0.76%

LAB 86.15, -38.89, 27.92

 

CMYK 27 / 0 / 25 / 12

HEX #A4E0A9

RGB 164 224 169

HSL 125, 0.49%, 0.76%

LAB 84, -29.78, 20.93

 

CMYK 19 / 0 / 17 / 16

HEX #AED6B1

RGB 174 214 177

HSL 124.5, 0.33%, 0.76%

LAB 81.98, -20.23, 14

 

CMYK 10 / 0 / 9 / 20

HEX #B8CCBA

RGB 184 204 186

HSL 126, 0.16%, 0.76%

LAB 80.14, -10.15, 6.67

 

CMYK 0 / 0 / 0 / 24

HEX #C2C2C2

RGB 194 194 194

HSL 0, 0%, 0.76%

LAB 78.43, 0, -0.01

 

CMYK 19 / 0 / 34 / 8

HEX #BEEA9A

RGB 190 234 154

HSL 93, 0.66%, 0.76%

LAB 88.03, -28.01, 34.33

 

CMYK 28 / 0 / 34 / 8

HEX #A9EA9A

RGB 169 234 154

HSL 108.75, 0.66%, 0.76%

LAB 86.81, -35.2, 32.49

 

CMYK 34 / 0 / 31 / 8

HEX #9AEAA1

RGB 154 234 161

HSL 125.25, 0.66%, 0.76%

LAB 86.15, -38.89, 27.92

 

CMYK 34 / 0 / 22 / 8

HEX #9AEAB6

RGB 154 234 182

HSL 141, 0.66%, 0.76%

LAB 86.55, -35.21, 17.63

 

CMYK 34 / 0 / 13 / 8

HEX #9AEACB

RGB 154 234 203

HSL 156.75, 0.66%, 0.76%

LAB 87.01, -31.1, 7.33

 

CMYK 61 / 0 / 55 / 14

HEX #56DB62

RGB 86 219 98

HSL 125.41, 0.65%, 0.6%

LAB 78.18, -60.41, 48.26

 

CMYK 47 / 0 / 42 / 11

HEX #78E282

RGB 120 226 130

HSL 125.66, 0.65%, 0.68%

LAB 81.84, -50.26, 37.62

 

CMYK 34 / 0 / 31 / 8

HEX #9AEAA1

RGB 154 234 161

HSL 125.25, 0.66%, 0.76%

LAB 86.15, -38.89, 27.92

 

CMYK 22 / 0 / 20 / 5

HEX #BCF1C1

RGB 188 241 193

HSL 125.66, 0.65%, 0.84%

LAB 90.53, -25.97, 17.77

 

CMYK 10 / 0 / 10 / 3

HEX #DEF8E0

RGB 222 248 224

HSL 124.62, 0.65%, 0.92%

LAB 95.18, -12.82, 8.66

 

CMYK 33 / 0 / 30 / 8

HEX #9CEAA3

RGB 156 234 163

HSL 125.38, 0.65%, 0.76%

LAB 86.28, -37.94, 27.09

 

CMYK 34 / 10 / 0 / 8

HEX #9AD3EA

RGB 154 211 234

HSL 197.25, 0.66%, 0.76%

LAB 81.51, -12.75, -17.18

 

CMYK 0 / 34 / 24 / 8

HEX #EA9AB3

RGB 234 154 179

HSL 341.25, 0.66%, 0.76%

LAB 72.13, 33.27, -0.56

 

CMYK 33 / 0 / 30 / 8

HEX #9CEAA3

RGB 156 234 163

HSL 125.38, 0.65%, 0.76%

LAB 86.28, -37.94, 27.09

 

CMYK 31 / 34 / 0 / 8

HEX #A19AEA

RGB 161 154 234

HSL 245.25, 0.66%, 0.76%

LAB 67, 20.36, -39.41

 

CMYK 0 / 31 / 34 / 8

HEX #EAA19A

RGB 234 161 154

HSL 5.25, 0.66%, 0.76%

LAB 73.1, 26.22, 14.62

 

CMYK 33 / 0 / 30 / 8

HEX #9CEAA3

RGB 156 234 163

HSL 125.38, 0.65%, 0.76%

LAB 86.28, -37.94, 27.09

 

CMYK 34 / 10 / 0 / 8

HEX #9AD3EA

RGB 154 211 234

HSL 197.25, 0.66%, 0.76%

LAB 81.51, -12.75, -17.18

 

CMYK 0 / 34 / 3 / 8

HEX #EA9AE3

RGB 234 154 227

HSL 305.25, 0.66%, 0.76%

LAB 73.64, 40.98, -24.74

 

CMYK 0 / 24 / 34 / 8

HEX #EAB19A

RGB 234 177 154

HSL 17.25, 0.66%, 0.76%

LAB 76.84, 17.7, 19.83

 

CMYK 33 / 0 / 30 / 8

HEX #9CEAA3

RGB 156 234 163

HSL 125.38, 0.65%, 0.76%

LAB 86.28, -37.94, 27.09

 

CMYK 34 / 20 / 0 / 8

HEX #9ABBEA

RGB 154 187 234

HSL 215.25, 0.66%, 0.76%

LAB 75.05, -0.02, -27

 

CMYK 0 / 34 / 3 / 8

HEX #EA9AE3

RGB 234 154 227

HSL 305.25, 0.66%, 0.76%

LAB 73.64, 40.98, -24.74

 

CMYK 0 / 15 / 34 / 8

HEX #EAC89A

RGB 234 200 154

HSL 34.5, 0.66%, 0.76%

LAB 82.45, 5.56, 27.48

 

Description

Color code: HEX #9CEAA3 | qconv.com Color code: HEX #9CEAA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 234 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 234 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 30 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 30% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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