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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CE93B it is the complementary color #6316C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CE93B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CE93B shade: #A1E936, #B2FB49, #C3FF5C, #D4FF6F and #E5FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CE93B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CE93B shade: #9CE93B, #8BD728, #7AC515, #69B302 and #58A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CE93B shade: #9BE93A, #CBE93A, #E9D83A, #E9A93A and #E9793A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CE93B shade: #9BE93A, #6CE93A, #3DE93A, #3AE966 and #3AE995

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CE93B shade matches the following richer shades: #9BE93A and #9DFB28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CE93B shade: #9BE93A, #99D74B, #97C65D, #95B46F and #93A281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CE93B shade: #E9D83A, #CCE93A, #9DE93A, #6EE93A and #3FE93A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CE93B shade: #72BB15, #88E019, #9BE93A, #AEED5F and #C1F184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CE93B shade: #9CE93B, #3AE9A9 and #E93AE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CE93B shade: #9CE93B, #3A9DE9 and #E93A9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CE93B shade: #9CE93B, #3AE9A9, #863AE9 and #E93A7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CE93B shade: #9CE93B, #3AE9DD, #863AE9 and #E93A45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 75 / 9

HEX #9CE93B

RGB 156 233 59

HSL 86.55, 0.8%, 0.57%

LAB 84.82, -48.86, 71.67

 

Complementary color

CMYK 49 / 89 / 0 / 23

HEX #6316C4

RGB 99 22 196

HSL 266.55, 0.8%, 0.43%

LAB 32.28, 64.44, -73.88

 

CMYK 31 / 0 / 77 / 9

HEX #A1E936

RGB 161 233 54

HSL 84.13, 0.8%, 0.56%

LAB 85.06, -47.34, 73.52

 

CMYK 29 / 0 / 71 / 2

HEX #B2FB49

RGB 178 251 73

HSL 84.61, 0.96%, 0.64%

LAB 91.21, -47.83, 73.69

 

CMYK 24 / 0 / 64 / 0

HEX #C3FF5C

RGB 195 255 92

HSL 82.09, 1%, 0.68%

LAB 93.4, -42.18, 69.27

 

CMYK 17 / 0 / 56 / 0

HEX #D4FF6F

RGB 212 255 111

HSL 77.92, 1%, 0.72%

LAB 94.6, -34.43, 63.05

 

CMYK 10 / 0 / 49 / 0

HEX #E5FF82

RGB 229 255 130

HSL 72.48, 1%, 0.75%

LAB 95.91, -26.36, 56.4

 

CMYK 33 / 0 / 75 / 9

HEX #9CE93B

RGB 156 233 59

HSL 86.55, 0.8%, 0.57%

LAB 84.82, -48.86, 71.67

 

CMYK 35 / 0 / 81 / 16

HEX #8BD728

RGB 139 215 40

HSL 86.06, 0.69%, 0.5%

LAB 78.6, -48.26, 71.06

 

CMYK 38 / 0 / 89 / 23

HEX #7AC515

RGB 122 197 21

HSL 85.57, 0.81%, 0.43%

LAB 72.31, -47.46, 69.4

 

CMYK 41 / 0 / 99 / 30

HEX #69B302

RGB 105 179 2

HSL 85.08, 0.98%, 0.35%

LAB 65.94, -46.4, 66.44

 

CMYK 45 / 0 / 100 / 37

HEX #58A100

RGB 88 161 0

HSL 87.2, 1%, 0.32%

LAB 59.49, -44.97, 61.34

 

CMYK 33 / 0 / 75 / 9

HEX #9BE93A

RGB 155 233 58

HSL 86.74, 0.8%, 0.57%

LAB 84.77, -49.26, 71.92

 

CMYK 13 / 0 / 75 / 9

HEX #CBE93A

RGB 203 233 58

HSL 70.29, 0.8%, 0.57%

LAB 87.62, -31.17, 75.62

 

CMYK 0 / 7 / 75 / 9

HEX #E9D83A

RGB 233 216 58

HSL 54.17, 0.8%, 0.57%

LAB 85.37, -10.61, 74.37

 

CMYK 0 / 27 / 75 / 9

HEX #E9A93A

RGB 233 169 58

HSL 38.06, 0.8%, 0.57%

LAB 73.55, 13.72, 63.2

 

CMYK 0 / 48 / 75 / 9

HEX #E9793A

RGB 233 121 58

HSL 21.6, 0.8%, 0.57%

LAB 62.76, 38.92, 52.48

 

CMYK 33 / 0 / 75 / 9

HEX #9BE93A

RGB 155 233 58

HSL 86.74, 0.8%, 0.57%

LAB 84.77, -49.26, 71.92

 

CMYK 54 / 0 / 75 / 9

HEX #6CE93A

RGB 108 233 58

HSL 102.86, 0.8%, 0.57%

LAB 82.79, -63.77, 69.33

 

CMYK 74 / 0 / 75 / 9

HEX #3DE93A

RGB 61 233 58

HSL 118.97, 0.8%, 0.57%

LAB 81.61, -73.51, 67.77

 

CMYK 75 / 0 / 56 / 9

HEX #3AE966

RGB 58 233 102

HSL 135.09, 0.8%, 0.57%

LAB 81.91, -69.62, 50.71

 

CMYK 75 / 0 / 36 / 9

HEX #3AE995

RGB 58 233 149

HSL 151.2, 0.8%, 0.57%

LAB 82.57, -62.06, 28.68

 

CMYK 33 / 0 / 75 / 9

HEX #9BE93A

RGB 155 233 58

HSL 86.74, 0.8%, 0.57%

LAB 84.77, -49.26, 71.92

 

CMYK 37 / 0 / 84 / 2

HEX #9DFB28

RGB 157 251 40

HSL 86.73, 0.96%, 0.57%

LAB 90.01, -56.59, 81.42

 

CMYK 33 / 0 / 75 / 9

HEX #9BE93A

RGB 155 233 58

HSL 86.74, 0.8%, 0.57%

LAB 84.77, -49.26, 71.92

 

CMYK 29 / 0 / 65 / 16

HEX #99D74B

RGB 153 215 75

HSL 86.57, 0.64%, 0.57%

LAB 79.55, -41.22, 60.52

 

CMYK 24 / 0 / 53 / 22

HEX #97C65D

RGB 151 198 93

HSL 86.86, 0.48%, 0.57%

LAB 74.67, -32.68, 47.11

 

CMYK 17 / 0 / 38 / 29

HEX #95B46F

RGB 149 180 111

HSL 86.96, 0.32%, 0.57%

LAB 69.6, -22.63, 31.79

 

CMYK 9 / 0 / 20 / 36

HEX #93A281

RGB 147 162 129

HSL 87.27, 0.15%, 0.57%

LAB 64.67, -11.42, 15.42

 

CMYK 0 / 7 / 75 / 9

HEX #E9D83A

RGB 233 216 58

HSL 54.17, 0.8%, 0.57%

LAB 85.37, -10.61, 74.37

 

CMYK 12 / 0 / 75 / 9

HEX #CCE93A

RGB 204 233 58

HSL 69.94, 0.8%, 0.57%

LAB 87.69, -30.77, 75.71

 

CMYK 33 / 0 / 75 / 9

HEX #9DE93A

RGB 157 233 58

HSL 86.06, 0.8%, 0.57%

LAB 84.87, -48.56, 72.05

 

CMYK 53 / 0 / 75 / 9

HEX #6EE93A

RGB 110 233 58

HSL 102.17, 0.8%, 0.57%

LAB 82.86, -63.24, 69.42

 

CMYK 73 / 0 / 75 / 9

HEX #3FE93A

RGB 63 233 58

HSL 118.29, 0.8%, 0.57%

LAB 81.64, -73.21, 67.81

 

CMYK 39 / 0 / 89 / 27

HEX #72BB15

RGB 114 187 21

HSL 86.39, 0.8%, 0.41%

LAB 68.88, -46.15, 66.37

 

CMYK 39 / 0 / 89 / 12

HEX #88E019

RGB 136 224 25

HSL 86.53, 0.8%, 0.49%

LAB 81.08, -53.42, 76.3

 

CMYK 33 / 0 / 75 / 9

HEX #9BE93A

RGB 155 233 58

HSL 86.74, 0.8%, 0.57%

LAB 84.77, -49.26, 71.92

 

CMYK 27 / 0 / 60 / 7

HEX #AEED5F

RGB 174 237 95

HSL 86.62, 0.8%, 0.65%

LAB 87.19, -41.68, 60.93

 

CMYK 20 / 0 / 45 / 5

HEX #C1F184

RGB 193 241 132

HSL 86.42, 0.8%, 0.73%

LAB 89.82, -32.97, 47.5

 

CMYK 33 / 0 / 75 / 9

HEX #9CE93B

RGB 156 233 59

HSL 86.55, 0.8%, 0.57%

LAB 84.82, -48.86, 71.67

 

CMYK 75 / 0 / 27 / 9

HEX #3AE9A9

RGB 58 233 169

HSL 158.06, 0.8%, 0.57%

LAB 82.94, -57.96, 18.89

 

CMYK 0 / 75 / 3 / 9

HEX #E93AE3

RGB 233 58 227

HSL 302.06, 0.8%, 0.57%

LAB 57.94, 82.17, -49.22

 

CMYK 33 / 0 / 75 / 9

HEX #9CE93B

RGB 156 233 59

HSL 86.55, 0.8%, 0.57%

LAB 84.82, -48.86, 71.67

 

CMYK 75 / 33 / 0 / 9

HEX #3A9DE9

RGB 58 157 233

HSL 206.06, 0.8%, 0.57%

LAB 62.42, -3.32, -46.42

 

CMYK 0 / 75 / 33 / 9

HEX #E93A9D

RGB 233 58 157

HSL 326.06, 0.8%, 0.57%

LAB 54.85, 73.03, -13.7

 

CMYK 33 / 0 / 75 / 9

HEX #9CE93B

RGB 156 233 59

HSL 86.55, 0.8%, 0.57%

LAB 84.82, -48.86, 71.67

 

CMYK 75 / 0 / 27 / 9

HEX #3AE9A9

RGB 58 233 169

HSL 158.06, 0.8%, 0.57%

LAB 82.94, -57.96, 18.89

 

CMYK 42 / 75 / 0 / 9

HEX #863AE9

RGB 134 58 233

HSL 266.06, 0.8%, 0.57%

LAB 44.2, 65.31, -75.48

 

CMYK 0 / 75 / 48 / 9

HEX #E93A7A

RGB 233 58 122

HSL 338.06, 0.8%, 0.57%

LAB 53.77, 69.65, 5.52

 

CMYK 33 / 0 / 75 / 9

HEX #9CE93B

RGB 156 233 59

HSL 86.55, 0.8%, 0.57%

LAB 84.82, -48.86, 71.67

 

CMYK 75 / 0 / 5 / 9

HEX #3AE9DD

RGB 58 233 221

HSL 175.89, 0.8%, 0.57%

LAB 84.17, -45.18, -6.64

 

CMYK 42 / 75 / 0 / 9

HEX #863AE9

RGB 134 58 233

HSL 266.06, 0.8%, 0.57%

LAB 44.2, 65.31, -75.48

 

CMYK 0 / 75 / 70 / 9

HEX #E93A45

RGB 233 58 69

HSL 356.23, 0.8%, 0.57%

LAB 52.71, 66.25, 35.63

 

Description

Color code: HEX #9CE93B | qconv.com Color code: HEX #9CE93B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 233 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 233 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 75% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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