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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CE15D it is the complementary color #631EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CE15D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CE15D shade: #A1E158, #B2F36B, #C3FF7E, #D4FF91 and #E5FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CE15D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CE15D shade: #9CE15D, #8BCF4A, #7ABD37, #69AB24 and #589911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CE15D shade: #9BE15B, #BFE15B, #E1DF5B, #E1BB5B and #E1975B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CE15D shade: #9BE15B, #77E15B, #5BE164, #5BE188 and #5BE1AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CE15D shade matches the following richer shades: #9BE15B and #9AF14C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CE15D shade: #9BE15B, #9CD16B, #9CC27B, #9DB28A and #9EA29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CE15D shade: #E1DF5B, #C0E15B, #9CE15B, #78E15B and #5BE162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CE15D shade: #71C524, #86DB38, #9BE15B, #B0E77E and #C6EEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CE15D shade: #9CE15D, #5BE1BB and #E15BD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CE15D shade: #9CE15D, #5B9CE1 and #E15B9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CE15D shade: #9CE15D, #5BE1BB, #A05BE1 and #E15B81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CE15D shade: #9CE15D, #5BDFE1, #A05BE1 and #E15D5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 59 / 12

HEX #9CE15D

RGB 156 225 93

HSL 91.36, 0.69%, 0.62%

LAB 82.76, -43.01, 56.54

 

Complementary color

CMYK 39 / 81 / 0 / 36

HEX #631EA2

RGB 99 30 162

HSL 271.36, 0.69%, 0.38%

LAB 29.89, 53.96, -57.55

 

CMYK 28 / 0 / 61 / 12

HEX #A1E158

RGB 161 225 88

HSL 88.03, 0.7%, 0.61%

LAB 82.98, -41.68, 59.02

 

CMYK 27 / 0 / 56 / 5

HEX #B2F36B

RGB 178 243 107

HSL 88.68, 0.85%, 0.69%

LAB 89.22, -41.82, 58.1

 

CMYK 24 / 0 / 51 / 0

HEX #C3FF7E

RGB 195 255 126

HSL 87.91, 1%, 0.75%

LAB 93.72, -39.24, 55.1

 

CMYK 17 / 0 / 43 / 0

HEX #D4FF91

RGB 212 255 145

HSL 83.45, 1%, 0.78%

LAB 94.98, -31.1, 47.97

 

CMYK 10 / 0 / 36 / 0

HEX #E5FFA4

RGB 229 255 164

HSL 77.14, 1%, 0.82%

LAB 96.35, -22.7, 40.74

 

CMYK 31 / 0 / 59 / 12

HEX #9CE15D

RGB 156 225 93

HSL 91.36, 0.69%, 0.62%

LAB 82.76, -43.01, 56.54

 

CMYK 33 / 0 / 64 / 19

HEX #8BCF4A

RGB 139 207 74

HSL 90.68, 0.58%, 0.55%

LAB 76.44, -42.84, 57.38

 

CMYK 35 / 0 / 71 / 26

HEX #7ABD37

RGB 122 189 55

HSL 90, 0.55%, 0.48%

LAB 70.04, -42.54, 57.89

 

CMYK 39 / 0 / 79 / 33

HEX #69AB24

RGB 105 171 36

HSL 89.33, 0.65%, 0.41%

LAB 63.55, -42.05, 57.8

 

CMYK 42 / 0 / 89 / 40

HEX #589911

RGB 88 153 17

HSL 88.68, 0.8%, 0.33%

LAB 56.98, -41.28, 56.58

 

CMYK 31 / 0 / 60 / 12

HEX #9BE15B

RGB 155 225 91

HSL 91.34, 0.69%, 0.62%

LAB 82.69, -43.54, 57.32

 

CMYK 15 / 0 / 60 / 12

HEX #BFE15B

RGB 191 225 91

HSL 75.22, 0.69%, 0.62%

LAB 84.83, -30.2, 60.31

 

CMYK 0 / 1 / 60 / 12

HEX #E1DF5B

RGB 225 223 91

HSL 59.1, 0.69%, 0.62%

LAB 86.77, -15.66, 63.14

 

CMYK 0 / 17 / 60 / 12

HEX #E1BB5B

RGB 225 187 91

HSL 42.99, 0.69%, 0.62%

LAB 77.46, 2.68, 52.77

 

CMYK 0 / 33 / 60 / 12

HEX #E1975B

RGB 225 151 91

HSL 26.87, 0.69%, 0.62%

LAB 68.68, 21.83, 42.5

 

CMYK 31 / 0 / 60 / 12

HEX #9BE15B

RGB 155 225 91

HSL 91.34, 0.69%, 0.62%

LAB 82.69, -43.54, 57.32

 

CMYK 47 / 0 / 60 / 12

HEX #77E15B

RGB 119 225 91

HSL 107.46, 0.69%, 0.62%

LAB 81.03, -55.07, 55

 

CMYK 60 / 0 / 56 / 12

HEX #5BE164

RGB 91 225 100

HSL 124.03, 0.69%, 0.62%

LAB 80.18, -61.23, 49.74

 

CMYK 60 / 0 / 40 / 12

HEX #5BE188

RGB 91 225 136

HSL 140.15, 0.69%, 0.62%

LAB 80.66, -55.92, 32.88

 

CMYK 60 / 0 / 24 / 12

HEX #5BE1AC

RGB 91 225 172

HSL 156.27, 0.69%, 0.62%

LAB 81.32, -48.94, 15.17

 

CMYK 31 / 0 / 60 / 12

HEX #9BE15B

RGB 155 225 91

HSL 91.34, 0.69%, 0.62%

LAB 82.69, -43.54, 57.32

 

CMYK 36 / 0 / 68 / 5

HEX #9AF14C

RGB 154 241 76

HSL 91.64, 0.85%, 0.62%

LAB 87.14, -51.78, 68.11

 

CMYK 31 / 0 / 60 / 12

HEX #9BE15B

RGB 155 225 91

HSL 91.34, 0.69%, 0.62%

LAB 82.69, -43.54, 57.32

 

CMYK 25 / 0 / 49 / 18

HEX #9CD16B

RGB 156 209 107

HSL 91.18, 0.53%, 0.62%

LAB 78.3, -34.42, 44.85

 

CMYK 20 / 0 / 37 / 24

HEX #9CC27B

RGB 156 194 123

HSL 92.11, 0.37%, 0.62%

LAB 74.24, -25.29, 31.67

 

CMYK 12 / 0 / 22 / 30

HEX #9DB28A

RGB 157 178 138

HSL 91.5, 0.21%, 0.62%

LAB 70.07, -14.61, 18.08

 

CMYK 2 / 0 / 5 / 36

HEX #9EA29A

RGB 158 162 154

HSL 90, 0.04%, 0.62%

LAB 66.09, -2.94, 3.65

 

CMYK 0 / 1 / 60 / 12

HEX #E1DF5B

RGB 225 223 91

HSL 59.1, 0.69%, 0.62%

LAB 86.77, -15.66, 63.14

 

CMYK 15 / 0 / 60 / 12

HEX #C0E15B

RGB 192 225 91

HSL 74.78, 0.69%, 0.62%

LAB 84.9, -29.81, 60.4

 

CMYK 31 / 0 / 60 / 12

HEX #9CE15B

RGB 156 225 91

HSL 90.9, 0.69%, 0.62%

LAB 82.74, -43.19, 57.39

 

CMYK 47 / 0 / 60 / 12

HEX #78E15B

RGB 120 225 91

HSL 107.01, 0.69%, 0.62%

LAB 81.07, -54.78, 55.05

 

CMYK 60 / 0 / 56 / 12

HEX #5BE162

RGB 91 225 98

HSL 123.13, 0.69%, 0.62%

LAB 80.16, -61.47, 50.62

 

CMYK 43 / 0 / 82 / 23

HEX #71C524

RGB 113 197 36

HSL 91.3, 0.69%, 0.46%

LAB 71.94, -49.99, 65.64

 

CMYK 39 / 0 / 74 / 14

HEX #86DB38

RGB 134 219 56

HSL 91.29, 0.69%, 0.54%

LAB 79.62, -50.82, 67.24

 

CMYK 31 / 0 / 60 / 12

HEX #9BE15B

RGB 155 225 91

HSL 91.34, 0.69%, 0.62%

LAB 82.69, -43.54, 57.32

 

CMYK 24 / 0 / 45 / 9

HEX #B0E77E

RGB 176 231 126

HSL 91.43, 0.69%, 0.7%

LAB 85.95, -35.15, 45.35

 

CMYK 17 / 0 / 32 / 7

HEX #C6EEA1

RGB 198 238 161

HSL 91.17, 0.69%, 0.78%

LAB 89.73, -26.12, 33.15

 

CMYK 31 / 0 / 59 / 12

HEX #9CE15D

RGB 156 225 93

HSL 91.36, 0.69%, 0.62%

LAB 82.76, -43.01, 56.54

 

CMYK 60 / 0 / 17 / 12

HEX #5BE1BB

RGB 91 225 187

HSL 162.99, 0.69%, 0.62%

LAB 81.65, -45.58, 7.74

 

CMYK 0 / 60 / 7 / 12

HEX #E15BD1

RGB 225 91 209

HSL 307.16, 0.69%, 0.62%

LAB 59.97, 65.95, -35.94

 

CMYK 31 / 0 / 59 / 12

HEX #9CE15D

RGB 156 225 93

HSL 91.36, 0.69%, 0.62%

LAB 82.76, -43.01, 56.54

 

CMYK 60 / 31 / 0 / 12

HEX #5B9CE1

RGB 91 156 225

HSL 210.9, 0.69%, 0.62%

LAB 62.88, -0.33, -41.21

 

CMYK 0 / 60 / 31 / 12

HEX #E15B9C

RGB 225 91 156

HSL 330.9, 0.69%, 0.62%

LAB 57.93, 58.48, -8.61

 

CMYK 31 / 0 / 59 / 12

HEX #9CE15D

RGB 156 225 93

HSL 91.36, 0.69%, 0.62%

LAB 82.76, -43.01, 56.54

 

CMYK 60 / 0 / 17 / 12

HEX #5BE1BB

RGB 91 225 187

HSL 162.99, 0.69%, 0.62%

LAB 81.65, -45.58, 7.74

 

CMYK 29 / 60 / 0 / 12

HEX #A05BE1

RGB 160 91 225

HSL 270.9, 0.69%, 0.62%

LAB 52.28, 52.91, -57.72

 

CMYK 0 / 60 / 43 / 12

HEX #E15B81

RGB 225 91 129

HSL 342.99, 0.69%, 0.62%

LAB 57.15, 55.47, 6.04

 

CMYK 31 / 0 / 59 / 12

HEX #9CE15D

RGB 156 225 93

HSL 91.36, 0.69%, 0.62%

LAB 82.76, -43.01, 56.54

 

CMYK 60 / 1 / 0 / 12

HEX #5BDFE1

RGB 91 223 225

HSL 180.9, 0.69%, 0.62%

LAB 82.07, -35.09, -11.8

 

CMYK 29 / 60 / 0 / 12

HEX #A05BE1

RGB 160 91 225

HSL 270.9, 0.69%, 0.62%

LAB 52.28, 52.91, -57.72

 

CMYK 0 / 59 / 60 / 12

HEX #E15D5B

RGB 225 93 91

HSL 0.9, 0.69%, 0.62%

LAB 56.68, 51.35, 27.58

 

Description

Color code: HEX #9CE15D | qconv.com Color code: HEX #9CE15D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 225 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 225 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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